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Good evening. Welcome to my show, which is live from Shepherd's Bush. | :00:15. | :00:25. | |
:00:25. | :00:28. | ||
A few specks of rain it is a special day. It is Chuck Berry's | :00:28. | :00:32. | |
birthday. So # Happy birthday to you | :00:32. | :00:37. | |
# Happy birthday # Dear Chuck | :00:37. | :00:44. | |
# Happy birthday to you # CHEERING AND APPLAUSE | :00:44. | :00:54. | |
:00:54. | :01:15. | ||
We celebrate, starting with the # A writ into the night came | :01:15. | :01:25. | |
:01:25. | :01:34. | ||
# My horse had worked the fields # When I walk inside the dark | :01:34. | :01:44. | |
:01:44. | :02:24. | ||
# We waste time on blame # And stop looking | :02:24. | :02:29. | |
# You carry on as if I don't love you | :02:29. | :02:32. | |
# And so we find the way to lie | :02:32. | :02:34. | |
# To cover hard I have a doubt | :02:34. | :02:37. | |
# The room's full eyes are empty | :02:37. | :02:40. | |
# Like your letters never sent me | :02:40. | :02:43. | |
# Your words are like a lasso | :02:43. | :02:46. | |
# You're an instrumental tune | :02:46. | :02:56. | |
:02:56. | :03:12. | ||
# Whoa whoa whoa oh | :03:12. | :03:17. | |
# How come you never go there | :03:17. | :03:19. | |
# How come I'm so alone there | :03:19. | :03:22. | |
# Whoa whoa whoa oh | :03:22. | :03:28. | |
# How come you never go there | :03:28. | :03:30. | |
# How come I'm so alone there | :03:30. | :03:33. | |
# Whoa whoa whoa oh | :03:33. | :03:38. | |
# How come you never go there | :03:39. | :03:41. | |
# How come I'm so alone there | :03:41. | :03:44. | |
# Whoa whoa whoa oh | :03:44. | :03:50. | |
# How come you never go there | :03:50. | :03:52. | |
# How come I'm so | :03:52. | :03:54. | |
# Alone there. # | :03:54. | :04:01. | |
APPLAUSE | :04:01. | :04:11. | |
:04:11. | :04:12. | ||
D | :04:13. | :04:13. | |
D thank | :04:13. | :04:13. | |
D thank you. | :04:13. | :04:18. | |
D thank you. Our | :04:18. | :04:19. | |
Our guest | :04:19. | :04:20. | |
Our guest tonight | :04:20. | :04:20. | |
Our guest tonight from | :04:20. | :04:27. | |
Our guest tonight from Atlanta Mastodon. From Philadelphia with | :04:27. | :04:36. | |
amazing Buddy Greco. From South London, Lianne La Havas. Now, an | :04:36. | :04:46. | |
:04:46. | :04:46. | ||
Apology for the loss of subtitles for 66 seconds | :04:46. | :05:53. | |
# Mais je sais qu'en vrai # J'ai pas l'humour | :05:53. | :06:03. | |
:06:03. | :06:07. | ||
# J'ai pas la science infuse # J'ai pas la chance | :06:07. | :06:17. | |
:06:17. | :06:39. | ||
# Plusieurs cordes a mon arc # Mais je sais qu'en vrai | :06:39. | :06:49. | |
:06:49. | :06:49. | ||
Apology for the loss of subtitles for 66 seconds | :06:49. | :08:29. | |
The lovely sound of French soul. Ben L'Oncle Soul. | :08:29. | :08:39. | |
:08:39. | :09:12. | ||
And now it is time for some legends # I sealed them | :09:12. | :09:22. | |
:09:22. | :09:22. | ||
Apology for the loss of subtitles for 66 seconds | :09:22. | :12:18. | |
Black Tongue from the album the hunter. Mastodon in the studio. | :12:18. | :12:25. | |
The sound of Mastodon. Now I am delighted to welcome to the piano | :12:25. | :12:34. | |
one of the Rat Pack, Mr Buddy Greco. You'll be performing for us in a | :12:35. | :12:42. | |
moment. You have a record coming out of you at the Sands, just after | :12:42. | :12:48. | |
frank Sinatra. A lovely, and just looking at the photographs, there's | :12:49. | :12:58. | |
:12:59. | :13:01. | ||
you with Dean Martin and cuddling Marolyn Munroe. She came up to see | :13:01. | :13:06. | |
frank and all the people. I said hello to her. Somebody took a | :13:06. | :13:12. | |
couple of shots of her and I've had couple of shots of her and I've had | :13:12. | :13:16. | |
them all these years. This is the stuff of legend. We have some | :13:16. | :13:22. | |
footage of you. Let's look over here. | :13:22. | :13:30. | |
# Just no doubt # She doesn't understand # She puts | :13:30. | :13:34. | |
in a dime # And the ice comes out | :13:34. | :13:40. | |
# That's why the lady's a tramp # Diamonds and lace | :13:40. | :13:50. | |
:13:50. | :13:50. | ||
# So what Can you give us some of that in a | :13:50. | :13:55. | |
moment? Yes. And, I think people don't realise what an amazing | :13:55. | :14:03. | |
pianist you are. Coming from you, that's compliment. You are in fact | :14:03. | :14:08. | |
Chuck Berry is 85 today. You are fit and play beautifully. What is | :14:08. | :14:14. | |
the secret? Taking care of yourself and booze and broads. Take care in | :14:14. | :14:19. | |
what you are doing and be honest with yourself and your craft. | :14:19. | :14:23. | |
are on tour. We can see you with the big band in November. We'll see | :14:23. | :14:29. | |
shows around London. I'll be around London. I am doing theatre with a | :14:29. | :14:33. | |
big 18-piece band. It will be wonderful. We look forward to | :14:33. | :14:37. | |
seeing you in a moment. The marvellous Buddy Greco. We'll be | :14:37. | :14:44. | |
returning to them in a moment. Now, we welcome back to this room. | :14:44. | :14:49. | |
The last time he was here was with a solo guitar. Now he has a | :14:49. | :14:59. | |
:14:59. | :15:21. | ||
sensational vast orchestra. Now we # What a mischief you would bring | :15:21. | :15:31. | |
:15:31. | :16:00. | ||
# When you're up for it # I'd a tore your hair out | :16:00. | :16:10. | |
:16:10. | :16:12. | ||
# Can you tell that it's just ceremony? | :16:12. | :16:17. | |
# Now you've added up to what you're from | :16:17. | :16:22. | |
# Whoah oh oh ahh | :16:22. | :16:30. | |
# Build your tether rain-out from your fragments | :16:30. | :16:39. | |
# Break the sailor's table | :16:39. | :16:42. | |
# On your sacrum | :16:42. | :16:49. | |
# Fought the fiercest fables | :16:49. | :16:52. | |
# I'm with Hagen | :16:52. | :17:00. | |
# For the love comes the burning young | :17:00. | :17:04. | |
# From the liver sweating through your tongue | :17:04. | :17:09. | |
# Well you're standing on my sternum | :17:09. | :17:12. | |
# Don't you climb down darling | :17:12. | :17:17. | |
# Oh the sermons are the first to rest | :17:17. | :17:21. | |
# Smoke on Sundays when you're drunk and dressed | :17:22. | :17:26. | |
# Out the hollows where the swallow nests | :17:26. | :17:31. | |
# Whoooh ohhh oooh oooh. # | :17:31. | :17:38. | |
APPLAUSE | :17:38. | :17:48. | |
:17:48. | :17:53. | ||
# That's why the lady | :17:53. | :17:55. | |
# That's why the lady is a tramp | :17:55. | :17:56. | |
# She gets too hungry for dinner at eight | :17:56. | :17:59. | |
# I like the theatre but never come late | :17:59. | :18:02. | |
# She never bothers with people she hates | :18:02. | :18:05. | |
# That's why that's why the lady is a tramp | :18:05. | :18:09. | |
# I don't like crap games with barons and earl | :18:09. | :18:13. | |
# Won't go to Harlem in ermine and pearls | :18:13. | :18:16. | |
# She won't dish the dirt with the rest of the girls | :18:16. | :18:19. | |
# That's why the lady is a tramp | :18:19. | :18:22. | |
# I like the free, fresh | :18:22. | :18:24. | |
# Wind in her hair | :18:24. | :18:26. | |
# Life without care | :18:26. | :18:28. | |
# She's broke, it's OK | :18:28. | :18:30. | |
# Hates California | :18:30. | :18:31. | |
# So cold and it's damp | :18:31. | :18:33. | |
# That's why the lady is a tramp | :18:33. | :18:35. | |
# Tramp | :18:35. | :18:37. | |
# She gets massages and she cries and she moans | :18:37. | :18:40. | |
# Tell Jools Holland just to leave her alone | :18:40. | :18:43. | |
# She's not so hot but her shape is her own | :18:43. | :18:46. | |
# That's why that's why the lady is a tramp | :18:46. | :18:49. | |
# The food in my hotel is great no doubt | :18:49. | :18:53. | |
# But she doesn't understand what my motel room's about | :18:53. | :18:56. | |
# She puts in a dime and some ice comes out | :18:56. | :18:59. | |
# That's why the lady is a tramp | :18:59. | :19:03. | |
# She loves the free, fresh | :19:03. | :19:04. | |
# Wind in her face | :19:04. | :19:06. | |
# Diamonds and lace | :19:06. | :19:08. | |
# Got the lot, so what | :19:08. | :19:10. | |
# For Frank Sinatra she whistles and stamps | :19:10. | :19:13. | |
# That's why the lady is a tramp | :19:13. | :19:16. | |
# She doesn't know the reason for cocktails at five | :19:16. | :19:20. | |
# She don't like flying but I'm glad I'm alive | :19:20. | :19:23. | |
# I crave affection baby but not when I drive | :19:23. | :19:26. | |
# That's why the lady is a tramp | :19:26. | :19:30. | |
# She flew down to Rome left me behind | :19:30. | :19:33. | |
# I missed the wedding Liz didn't mind | :19:33. | :19:36. | |
# She won't play Scarlet in Gone with the Wind | :19:36. | :19:39. | |
# It's got to rhyme | :19:39. | :19:40. | |
# That's why the lady is a tramp | :19:40. | :19:42. | |
# I like to hang her hat | :19:43. | :19:45. | |
# Wherever I please | :19:45. | :19:46. | |
# Fly with a breeze | :19:46. | :19:48. | |
# No dough, hi ho | :19:48. | :19:49. | |
# She thinks Sugar Ray Leonard is a great big champ | :19:49. | :19:53. | |
# That's why the lady is a tramp. # | :19:53. | :19:58. | |
# She goes down to Coney she thinks the beach is divine | :19:58. | :20:00. | |
# Goes to the ball games and thinks the Yankees are fine | :20:00. | :20:03. | |
# She reads the Star, the Globe, understands every line | :20:03. | :20:06. | |
# That's why the lady is a tramp | :20:06. | :20:09. | |
# She likes to go roaming down Central Park Lake | :20:09. | :20:13. | |
# Loves a prize fight that isn't a fake | :20:13. | :20:16. | |
# Why she even goes to the opera stays wide awake | :20:16. | :20:19. | |
# That's why the lady is a tramp | :20:19. | :20:22. | |
# I like the green grass | :20:22. | :20:24. | |
# Under my shoes | :20:24. | :20:26. | |
# Now what can I lose | :20:26. | :20:28. | |
# She's flat | :20:28. | :20:28. | |
# Forget it | :20:28. | :20:30. | |
# I'm all alone when I lower my lamp | :20:30. | :20:32. | |
# That's why the lady | :20:32. | :20:36. | |
# That's why the lady is a tramp. # | :20:36. | :20:46. | |
:20:46. | :20:55. | ||
APPLAUSE | :20:55. | :21:05. | |
:21:05. | :21:06. | ||
One | :21:06. | :21:06. | |
One of | :21:06. | :21:07. | |
One of the | :21:07. | :21:16. | |
One of the originators of jazz music, Mr Buddy Greco. | :21:16. | :21:25. | |
Now we welcome... Before that we welcome Bon Iver. They will now | :21:25. | :21:35. | |
:21:35. | :21:57. | ||
enjoy a new art ist, please welcome # I kinda know this other guy | :21:57. | :22:07. | |
:22:07. | :22:25. | ||
# Not a coincidence he left me # Was ready to love me | :22:25. | :22:35. | |
:22:35. | :22:38. | ||
# So is it such a problem # As long as he does | :22:38. | :22:42. | |
# I'm glad that it's just my heart that he stole | :22:42. | :22:46. | |
# And left my dignity alone | :22:46. | :22:52. | |
# When in Rome we landed our first kiss | :22:52. | :22:56. | |
# I slurred my words but he pretended not to notice | :22:56. | :23:00. | |
# And then he sat down to play | :23:01. | :23:04. | |
# My heart sang a symphony! | :23:04. | :23:08. | |
# So far so swimmingly | :23:08. | :23:12. | |
# I'm glad I got out to find my fish in that sea | :23:12. | :23:17. | |
# We've come so far | :23:17. | :23:20. | |
# So who gives a damn about the ages we are?! | :23:20. | :23:26. | |
# Ooh oooh oooh | :23:26. | :23:29. | |
# So is it such a problem if he's old? | :23:29. | :23:33. | |
# As long as he does whatever he's told! | :23:33. | :23:37. | |
# I'm glad that it's just my heart that he stole | :23:37. | :23:41. | |
# And left my dignity alone | :23:41. | :23:46. | |
# So is it such a problem if he's old? | :23:46. | :23:50. | |
# As long as he does whatever he's told! | :23:50. | :23:54. | |
# I know that I'm gonna survive the December cold | :23:54. | :23:58. | |
# With somebody to retrieve my long lost soul. | :23:59. | :24:03. | |
# With somebody to retrieve my long lost soul. # | :24:03. | :24:09. | |
APPLAUSE | :24:09. | :24:19. | |
:24:19. | :24:27. | ||
Thank | :24:27. | :24:27. | |
Thank you | :24:27. | :24:28. | |
Thank you to | :24:28. | :24:33. | |
Thank you to all our guests. Thank you to Ben L'Oncle Soul, who | :24:33. | :24:40. | |
is at the London jazz festival in December. Thank you to to Buddy | :24:40. | :24:46. | |
Greco, thank you Mastodon. Everybody on Friday, how long have | :24:46. | :24:56. | |
:24:56. | :24:58. | ||
we got? 35 seconds. I will continue my talk on cave | :24:58. | :25:02. | |
painting. People painted the caves and the caves were painted. I'll | :25:02. | :25:07. | |
continue my talk next week. We have 10 seconds left. I can introduce | :25:07. | :25:17. | |
:25:17. | :25:17. | ||
Apology for the loss of subtitles for 66 seconds | :25:17. | :26:40. |