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This programme contains some strong language. Is this a rehearsal or | 0:00:02 | 0:00:10 | |
live now? Oh, it's life. In that -- live. In that case, we better get | 0:00:10 | 0:00:15 | |
it right. My cold's improved so I can bell low over the top of almost | 0:00:15 | 0:00:18 | |
anything, even this tremendous cheer that welcomes me into the | 0:00:18 | 0:00:19 | |
room! APPLAUSE | 0:00:19 | 0:00:23 | |
How lovely to see you. Let's enjoy as we start this wonderful show | 0:00:23 | 0:00:33 | |
0:00:33 | 0:00:33 | ||
Apology for the loss of subtitles for 42 seconds | 0:00:33 | 0:01:15 | |
# I stole the key # Took a car down town | 0:01:15 | 0:01:23 | |
# I took a car down town and took what he offered me | 0:01:23 | 0:01:27 | |
# To set me free # I saw the lights go down at the | 0:01:27 | 0:01:32 | |
end of the scene # I saw the lights go down and | 0:01:32 | 0:01:42 | |
0:01:42 | 0:01:56 | ||
# In my cold dreams, when they stretch my -- smash my heart into | 0:01:56 | 0:02:06 | |
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shrithreens # A life I've seen in my hard will | 0:02:14 | 0:02:24 | |
0:02:24 | 0:02:30 | ||
run wild # It will be glowing in the dark. | 0:02:30 | 0:02:40 | |
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Apology for the loss of subtitles for 42 seconds | 0:02:40 | 0:04:20 | |
# All the boys, all the boys, all Thank you Coldplay. They are our | 0:04:20 | 0:04:24 | |
marvellous guests this evening. We welcome the exceptional Camille. | 0:04:24 | 0:04:30 | |
From Wellington New Zealand, The Phoenix Foundation. From Carolinea, | 0:04:30 | 0:04:40 | |
Ryan Adams. From the UK and Ireland, The Waterboys. From London, we | 0:04:40 | 0:04:50 | |
welcome Emili Sande joins Professor # I wanna scream till the words | 0:04:50 | 0:05:00 | |
0:05:00 | 0:05:14 | ||
Suffered and cried Never mothered or shy to trouble | 0:05:14 | 0:05:22 | |
When I wanted to get pence hustled Saying I tried to cash in on | 0:05:22 | 0:05:32 | |
0:05:32 | 0:05:34 | ||
I wanted to vent but I never said Family is something that you never | 0:05:34 | 0:05:37 | |
Was the only thing that you ever did for me. | 0:05:37 | 0:05:38 | |
# I wanna sing | 0:05:38 | 0:05:40 | |
# I wanna shout | 0:05:40 | 0:05:41 | |
# I wanna scream till the words dry out | 0:05:41 | 0:05:43 | |
# So put it in all of the papers | 0:05:43 | 0:05:46 | |
# I'm not afraid | 0:05:46 | 0:05:48 | |
# They can read all about it | 0:05:48 | 0:05:51 | |
# Read all about it | 0:05:51 | 0:05:54 | |
# Oh | 0:05:54 | 0:05:56 | |
# Oh oh oh | 0:05:56 | 0:05:57 | |
# Oh | 0:05:58 | 0:05:59 | |
# Oh oh oh | 0:05:59 | 0:06:01 | |
# Oh oh oh oh. # | 0:06:01 | 0:06:07 | |
As a kid I looked up to you | 0:06:07 | 0:06:08 | |
Only thing was I never saw enough of you | 0:06:08 | 0:06:09 | |
Last thing I said to you was I hated you | 0:06:09 | 0:06:11 | |
I loved you but now it's too late to say to you | 0:06:11 | 0:06:12 | |
Just didn't know what to do and how to deal with it | 0:06:12 | 0:06:15 | |
Even now, deep down, I still live it | 0:06:15 | 0:06:17 | |
To think I used to blame me I wonder what I did to you | 0:06:18 | 0:06:21 | |
To make you hate me I wasn't even five | 0:06:21 | 0:06:23 | |
Life's a journey and mine wasn't an easy ride | 0:06:23 | 0:06:25 | |
You never even got to see me rap | 0:06:25 | 0:06:27 | |
I just wish you woulda reached out | 0:06:27 | 0:06:29 | |
I wish you woulda been round when I been down | 0:06:29 | 0:06:31 | |
I wish that you could see me now | 0:06:31 | 0:06:34 | |
Wherever you are I really hope you find peace | 0:06:34 | 0:06:36 | |
But know that if I ever have kids unlike you | 0:06:36 | 0:06:39 | |
I'll never let them be without me. | 0:06:39 | 0:06:41 | |
# I wanna sing | 0:06:41 | 0:06:43 | |
# I wanna shout | 0:06:43 | 0:06:46 | |
# I wanna scream till the words die out | 0:06:47 | 0:06:49 | |
# So put it in all of the papers I'm not afraid | 0:06:49 | 0:06:55 | |
# They can read all about it | 0:06:55 | 0:06:58 | |
# Read all about it | 0:06:58 | 0:07:00 | |
# Oh. # | 0:07:00 | 0:07:03 | |
I write songs I couldn't listen to | 0:07:03 | 0:07:05 | |
# Oh oh oh oh | 0:07:05 | 0:07:07 | |
Everything I have, I give to you | 0:07:07 | 0:07:08 | |
# Oh oh oh oh | 0:07:08 | 0:07:14 | |
My job's more like public service | 0:07:14 | 0:07:15 | |
My life just became yours to read and interpret | 0:07:15 | 0:07:16 | |
If you heard it, it'd come across a lot different at times | 0:07:17 | 0:07:18 | |
I throw fits when I read how they word things | 0:07:18 | 0:07:20 | |
You see me smile | 0:07:20 | 0:07:21 | |
Now you're gonna have to see me hurtin' | 0:07:21 | 0:07:24 | |
Cos pretending everything is all right | 0:07:24 | 0:07:26 | |
When it ain't, really isn't working. | 0:07:26 | 0:07:29 | |
# I wanna sing | 0:07:29 | 0:07:30 | |
# I wanna shout | 0:07:30 | 0:07:32 | |
# I wanna scream till the words die out | 0:07:32 | 0:07:37 | |
# So put it in all of the papers | 0:07:37 | 0:07:40 | |
# I'm not afraid | 0:07:40 | 0:07:42 | |
# They can read all about it | 0:07:42 | 0:07:45 | |
# Read all about it | 0:07:45 | 0:07:48 | |
# Oh. # | 0:07:48 | 0:07:57 | |
CHEERING | 0:07:57 | 0:07:58 | |
CHEERING AND | 0:07:58 | 0:08:04 | |
CHEERING AND APPLAUSE | 0:08:04 | 0:08:06 | |
CHEERING AND APPLAUSE Read All About It featuring Emili Sande, | 0:08:06 | 0:08:16 | |
Professor Green! I'll be talking to Nicky Wire in a bit. The next | 0:08:16 | 0:08:26 | |
0:08:26 | 0:08:45 | ||
artist have done songs on the poems # Our minds are at their best this | 0:08:45 | 0:08:53 | |
night and I seem to know # That everything outside is as mad | 0:08:53 | 0:09:00 | |
as the mist and the snow # That everything outside of this | 0:09:00 | 0:09:10 | |
0:09:10 | 0:09:10 | ||
is as mad as the mist and the snow # Horace by Homer stands | 0:09:10 | 0:09:15 | |
# Plato stands below # Here is Actualy's open page, how | 0:09:15 | 0:09:21 | |
many years ago? # You and I lads, mad as the mist | 0:09:21 | 0:09:27 | |
and the snow # Where you and I are lads, mad as | 0:09:27 | 0:09:37 | |
0:09:37 | 0:10:05 | ||
# What makes me sigh # What makes me shudder so | 0:10:05 | 0:10:13 | |
# I shudder and I sigh to think that even Sisarro | 0:10:13 | 0:10:20 | |
# And the many minded Homer work, mad as the mist and the snow | 0:10:20 | 0:10:26 | |
# That sn sicerro and Homer were as mad as the mist and the snow | 0:10:26 | 0:10:33 | |
# That Cicero and Homer were mad as the mist and the snow | 0:10:33 | 0:10:39 | |
# That Cicero and Homer were mad as the mist and the snow | 0:10:39 | 0:10:46 | |
# That Cicero and Homer were mad as the mist and the snow | 0:10:46 | 0:10:56 | |
0:10:56 | 0:10:56 | ||
Apology for the loss of subtitles for 42 seconds | 0:10:56 | 0:12:20 | |
# Mad as the mist and snow CHEERING AND APPLAUSE That was Mist | 0:12:20 | 0:12:30 | |
0:12:30 | 0:12:34 | ||
We're live to air wherever you are, we are with you at this moment and | 0:12:34 | 0:12:40 | |
as everything happens, it will happen here too. I'm delighted to | 0:12:40 | 0:12:43 | |
welcome Nicky Wire from Manic Street Preachers. Lovely to have | 0:12:43 | 0:12:47 | |
you here. Not performing tonight but you have out this national | 0:12:47 | 0:12:51 | |
treasures and it's all of the singles, which is amazing. How many | 0:12:51 | 0:12:56 | |
singles are there? 38 in 20 years. That's incredible. Nearly 1.5 a | 0:12:56 | 0:13:01 | |
year. A single is three minutes, so four-and-a-half minutes every year! | 0:13:01 | 0:13:07 | |
Well done. It's great that you've stayed together so long. Did you | 0:13:07 | 0:13:14 | |
think you would be to the this long? There was duality in the bank, | 0:13:14 | 0:13:19 | |
myself and Ritchie, interested in destroying and there were two | 0:13:19 | 0:13:23 | |
musicians interested in creating. They saw the long-term and we saw | 0:13:23 | 0:13:26 | |
the short-term. Who is the beautiful woman on the front that | 0:13:26 | 0:13:35 | |
looks like a painting? Is she the next person in the group? That | 0:13:35 | 0:13:41 | |
would be nice! We did a shoot in South Wales. There is the pit. | 0:13:41 | 0:13:47 | |
just everything about Manics, brass bands, lipstick... And pits. Is the | 0:13:47 | 0:13:51 | |
pit closed? It's a World Heritage Site, much like us. That's right. | 0:13:51 | 0:13:55 | |
You are a national treasure, World Heritage Site. What is a national | 0:13:55 | 0:14:01 | |
treasure do you think? It's, well, the Manics used to write fan mail | 0:14:01 | 0:14:06 | |
to Mike an The Waterboys when we were 15. Have you got any of his | 0:14:06 | 0:14:16 | |
fan mail? Did you ever answer it? Did you answer? I only found it 25 | 0:14:16 | 0:14:23 | |
years later. Fair enough. (inaudible) He's writ ton him. Try | 0:14:24 | 0:14:28 | |
and reply to letters if you can. Don't want any e-mails do we? Thank | 0:14:28 | 0:14:34 | |
you very much Nicky! They're performing all of those 38 singles | 0:14:34 | 0:14:40 | |
in the O2. We're looking forward to that. Now I'm delighted to welcome | 0:14:40 | 0:14:45 | |
back a man we've had on before. It's superb to have him back. | 0:14:45 | 0:14:55 | |
0:14:55 | 0:15:21 | ||
# I don't remember were we wild # And the night will break | 0:15:21 | 0:15:31 | |
0:15:31 | 0:15:41 | ||
# Waiting outside # Like bags of trash in the | 0:15:41 | 0:15:51 | |
0:15:51 | 0:15:57 | ||
# We've got nothing # Well, the lights will draw you in | 0:15:57 | 0:16:07 | |
0:16:07 | 0:16:12 | ||
# And the night will break # Well, the lights will draw you in | 0:16:12 | 0:16:22 | |
0:16:22 | 0:16:22 | ||
Apology for the loss of subtitles for 42 seconds | 0:16:22 | 0:17:44 | |
# I don't remember were we wild Ryan Adams, with Lucky Now from his | 0:17:44 | 0:17:53 | |
new album Ashes to Fire. The temperature is slowly rising in | 0:17:53 | 0:17:57 | |
here. Welcome from all the way especially from New Zealand The | 0:17:57 | 0:18:07 | |
0:18:07 | 0:18:07 | ||
Apology for the loss of subtitles for 42 seconds | 0:18:07 | 0:22:00 | |
# Shining stars The Phoenix Foundation with Buffalo | 0:22:00 | 0:22:05 | |
from their album Buffalo. One of the first things that Her Majesty | 0:22:05 | 0:22:09 | |
Queen Elizabeth II did after becoming the Queen was to dance to | 0:22:09 | 0:22:15 | |
the marvellous sounds of Edmund O'Ross, sadly aged 100 he has pass | 0:22:15 | 0:22:20 | |
add way. Let's enjoy a moment and have a quick look at a bit of his | 0:22:20 | 0:22:30 | |
0:22:30 | 0:22:31 | ||
superb rumba music that was very # London is the place for me | 0:22:31 | 0:22:37 | |
# London, this lovely city # You can go to Spain or America | 0:22:37 | 0:22:43 | |
# India or Australia, but you've got to come back to London city # | 0:22:43 | 0:22:53 | |
0:22:53 | 0:22:55 | ||
APPLAUSE So now, we welcome an amazing | 0:22:55 | 0:23:01 | |
artist from France, one of my favourite artists. She has a | 0:23:01 | 0:23:11 | |
0:23:11 | 0:23:21 | ||
fabulous voice. She is exceptional. # You can't open the window, there's | 0:23:21 | 0:23:27 | |
# Got trapped here when I moved five years ago | 0:23:28 | 0:23:31 | |
# Mars is no fun | 0:23:31 | 0:23:34 | |
# Mars | 0:23:34 | 0:23:36 | |
# Mars | 0:23:36 | 0:23:37 | |
# Mars is no fun | 0:23:37 | 0:23:41 | |
# Mars | 0:23:41 | 0:23:42 | |
# Mars | 0:23:42 | 0:23:44 | |
# They said everything is pure out there | 0:23:44 | 0:23:46 | |
# You'll be the first human beings to show the world | 0:23:47 | 0:23:49 | |
# There's life outside of earth | 0:23:49 | 0:23:51 | |
# But the greens don't like us | 0:23:51 | 0:23:53 | |
# They want us to leave the place | 0:23:53 | 0:23:55 | |
# Will you get my postcard before Christmas | 0:23:55 | 0:23:58 | |
# Mars is no fun | 0:23:58 | 0:24:01 | |
# Mars | 0:24:01 | 0:24:03 | |
# Mars | 0:24:03 | 0:24:04 | |
# Mars is no fun | 0:24:04 | 0:24:08 | |
# Mars | 0:24:08 | 0:24:09 | |
# Mars | 0:24:09 | 0:24:12 | |
# I want to go back on earth | 0:24:12 | 0:24:14 | |
# And live with you in our social housing | 0:24:14 | 0:24:19 | |
# And spend all afternoon in the shopping mall | 0:24:19 | 0:24:26 | |
# Of Milton Keynes | 0:24:26 | 0:24:33 | |
# Mars is no fun | 0:24:33 | 0:24:36 | |
# Mars | 0:24:37 | 0:24:38 | |
# Mars | 0:24:38 | 0:24:40 | |
# Mars is no fun | 0:24:40 | 0:24:43 | |
# Mars | 0:24:43 | 0:24:45 | |
# Mars | 0:24:45 | 0:24:46 | |
# You can't really move here | 0:24:46 | 0:24:49 | |
# The law of gravity is much much stronger | 0:24:49 | 0:24:52 | |
# It's like a tragedy | 0:24:52 | 0:24:53 | |
# You're grounded on the ground | 0:24:53 | 0:24:55 | |
# If you kiss it's forever | 0:24:55 | 0:24:57 | |
and if you do it on a bed | 0:24:57 | 0:24:59 | |
# Do you get the picture | 0:24:59 | 0:25:01 | |
# Mars is no fun | 0:25:01 | 0:25:03 | |
# Mars | 0:25:03 | 0:25:05 | |
# Mars | 0:25:05 | 0:25:06 | |
# Mars is no fun | 0:25:06 | 0:25:10 | |
# Mars | 0:25:10 | 0:25:11 | |
# Mars | 0:25:11 | 0:25:13 | |
# Mars is no fun | 0:25:13 | 0:25:16 | |
# Mars | 0:25:16 | 0:25:18 | |
# Mars | 0:25:18 | 0:25:20 | |
# Mars is no fun | 0:25:20 | 0:25:24 | |
# Mars | 0:25:24 | 0:25:25 | |
# Mars | 0:25:25 | 0:25:27 | |
# Mars. # | 0:25:27 | 0:25:37 | |
0:25:37 | 0:25:58 | ||
CHEERING AND APPLAUSE | 0:25:58 | 0:26:08 | |
0:26:08 | 0:26:08 | ||
Mars | 0:26:08 | 0:26:08 | |
Mars is | 0:26:09 | 0:26:10 | |
Mars is no | 0:26:10 | 0:26:13 | |
Mars is no fun. It would be if Camille was there. The amazing | 0:26:13 | 0:26:19 | |
Camille. Thanks to all our guests, The Phoenix Foundation, thank you | 0:26:19 | 0:26:23 | |
Professor Green, Ryan Adams, The Waterboys. More from all our guests | 0:26:23 | 0:26:27 | |
on Friday night, if you tune in. I will play with Camille as well. If | 0:26:27 | 0:26:32 | |
you want to, you can iPlayer us. Can you go to the website, very | 0:26:32 | 0:26:38 | |
clear and beautiful there or remain anonymous throughout. You can enjoy | 0:26:38 | 0:26:48 | |
0:26:48 | 0:26:58 | ||
# I turn the music up # I shut the world outside | 0:26:58 | 0:27:02 | |
# Maybe the street's alight Maybe the trees are gone | 0:27:02 | 0:27:06 | |
# I feel my heart start beating to my favourite song | 0:27:06 | 0:27:10 | |
# And all the kids they dance All the kids, all night | 0:27:10 | 0:27:14 | |
# Until Monday morning feels another life | 0:27:14 | 0:27:18 | |
# I turn the music up I'm on a roll this time | 0:27:18 | 0:27:23 | |
# And heaven is in sight | 0:27:23 | 0:27:33 | |
0:27:33 | 0:27:43 | ||
# I turn the music up I got my records on | 0:27:43 | 0:27:47 | |
# From underneath the rubble sing a rebel song | 0:27:47 | 0:27:51 | |
# Don't want to see another generation drop | 0:27:51 | 0:27:56 | |
# I'd rather be a comma than a full stop | 0:27:56 | 0:27:59 | |
# Maybe I'm in the black Maybe I'm on my knees | 0:27:59 | 0:28:03 | |
# Maybe I'm in the gap between the two trapezes | 0:28:03 | 0:28:07 | |
# But my heart is beating and my pulses start | 0:28:07 | 0:28:12 | |
# Cathedrals in my heart | 0:28:12 | 0:28:15 | |
# As we soar | 0:28:15 | 0:28:19 | |
# Oh-oh-oh this light | 0:28:19 | 0:28:23 | |
# I swear you emerge blinking into | 0:28:23 | 0:28:28 | |
# To tell me it's all right | 0:28:28 | 0:28:32 | |
# As we soar walls | 0:28:32 | 0:28:39 | |
# Every siren is a symphony | 0:28:39 | 0:28:43 | |
# And every tear's a waterfall | 0:28:43 | 0:28:48 | |
# It's a waterfall | 0:28:48 | 0:28:52 | |
# It's a waterfall Ah ah-ah | 0:28:53 | 0:28:55 | |
# It's a waterfall | 0:28:56 | 0:28:59 | |
# Every teardrop is a waterfall | 0:28:59 | 0:29:02 | |
# Ah ah-ah | 0:29:02 | 0:29:04 | |
# So you can hurt | 0:29:04 | 0:29:08 | |
# Hurt me bad | 0:29:08 | 0:29:12 | |
# But still I'll raise | 0:29:12 | 0:29:21 | |
# The flag | 0:29:21 | 0:29:29 | |
# It was a wa-a-a-a-a-aterfall | 0:29:29 | 0:29:34 | |
# A wa-a-a-a-a-aterfall... # | 0:29:34 | 0:29:44 | |
0:29:44 | 0:30:03 | ||
# Ah ah-ah | 0:30:03 | 0:30:07 | |
# Ah ah-ah | 0:30:07 | 0:30:17 | |
0:30:17 | 0:30:38 |