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Welcome to my world. If you haven't put your clocks back it is time to | :00:11. | :00:18. | |
do it. We are getting stuck in our cables. I will have to walk past | :00:18. | :00:23. | |
you and ignore you. That is live television. Can you Jimmy up | :00:23. | :00:33. | |
:00:33. | :00:41. | ||
police? And we welcome Florence + # Time, it trickles | :00:41. | :00:51. | |
:00:51. | :00:55. | ||
# And time goes quicker # And oh, my love, don't forsake me | :00:55. | :01:05. | |
# Lay me down Let the only sound be the overflow | :01:05. | :01:15. | |
:01:15. | :01:16. | ||
# Pockets full of stones | :01:16. | :01:20. | |
# Lay me down Let the only sound be the overflow | :01:20. | :01:30. | |
:01:30. | :01:40. | ||
# And, oh, poor Atlas was a beast of a burden | :01:40. | :01:47. | |
# You've been holding on a long time | :01:47. | :01:52. | |
# And don't listen only | :01:52. | :01:55. | |
# And the ships are left to rust | :01:55. | :02:00. | |
# That's what the water gave us | :02:00. | :02:05. | |
# So lay me down | :02:05. | :02:08. | |
# Let the only sound be the overflow | :02:08. | :02:16. | |
# Pockets full of stones | :02:16. | :02:20. | |
# Lay me down Let the only sound be the overflow | :02:20. | :02:30. | |
:02:30. | :02:35. | ||
# Cos next will be your loved ones But return them in exchange for you | :02:35. | :02:42. | |
# But would you have it any other way? | :02:42. | :02:47. | |
# Would you have it any other way? | :02:47. | :02:50. | |
# You couldn't have it any other way | :02:50. | :02:54. | |
# Cos she's a cruel mistress and the bargain must be made | :02:54. | :03:01. | |
# But oh, my love, don't forget me But I let the water take me | :03:01. | :03:11. | |
:03:11. | :03:12. | ||
# Lay me down Let the only sound be the overflow | :03:12. | :03:22. | |
:03:22. | :03:24. | ||
# Pockets full of stones | :03:24. | :03:28. | |
# Lay me down Let the only sound be the overflow | :03:28. | :03:38. | |
:03:38. | :03:50. | ||
# Yeah-ay, yeah-ay | :03:50. | :03:52. | |
# Yeah-ay, yeah-ay | :03:53. | :03:55. | |
# Yeah-ay, yeah-ay | :03:55. | :04:00. | |
# Yeah-ah, ay-ay, ohh | :04:00. | :04:10. | |
:04:10. | :04:17. | ||
CHEERING AND APPLAUSE | :04:17. | :04:21. | |
CHEERING | :04:21. | :04:21. | |
CHEERING AND | :04:21. | :04:22. | |
CHEERING AND APPLAUSE | :04:22. | :04:27. | |
The | :04:27. | :04:27. | |
The trial | :04:27. | :04:28. | |
The trial could | :04:28. | :04:32. | |
The trial could return, at the fabulous Florence + The Machine. -- | :04:32. | :04:40. | |
triumphant return. From Agadez, Niger, but we welcome Bombino. | :04:40. | :04:45. | |
There from London, the amazing p stamp -- Pete Townsend, from New | :04:45. | :04:54. | |
York, Mary J obliged, My Morning Jacket, the amazing sound of a new | :04:54. | :04:59. | |
voice, Cold Specks, and delighted to have back in this room at Brett | :04:59. | :05:09. | |
:05:09. | :05:19. | ||
# Give me your brittle heart # I'll give you carpet burns | :05:19. | :05:28. | |
# And all that power and all that passion can be ours tonight | :05:28. | :05:38. | |
:05:38. | :05:41. | ||
# Give me your brittle heart and I'll light a fire | :05:41. | :05:51. | |
:05:51. | :05:52. | ||
# I'll make an effigy from a lock of your hair | :05:52. | :06:00. | |
# And all those cinders and all those embers can be ours to share | :06:00. | :06:10. | |
:06:10. | :06:11. | ||
# And I'll take them all on and force down their doors | :06:11. | :06:18. | |
# And I'll take them all on and walk through their walls | :06:18. | :06:22. | |
# And I'll take them all on and crawl to your door | :06:22. | :06:27. | |
# And crawl to your door | :06:27. | :06:34. | |
# Give me your brittle heart and your orphan's eyes | :06:34. | :06:44. | |
:06:44. | :06:45. | ||
# I'll give you carpet burns and antiseptic skies | :06:45. | :06:54. | |
# And all that power and all that passion can be ours tonight | :06:54. | :07:04. | |
:07:04. | :07:04. | ||
# And I'll take them all on and force down their doors | :07:04. | :07:09. | |
# And I'll take them all on and walk through their walls | :07:10. | :07:14. | |
# And I'll take them all on and crawl to your door | :07:15. | :07:20. | |
# And crawl to your door | :07:20. | :07:30. | |
:07:30. | :07:39. | ||
# And I'll come to you like a ship to the shore | :07:39. | :07:41. | |
# Like a paper plane that falls to the floor | :07:41. | :07:46. | |
# And I'll take them all on and crawl to your door | :07:46. | :07:51. | |
# And crawl to your door | :07:51. | :07:59. | |
# Give me your brittle heart | :07:59. | :08:04. | |
# Give me your brittle heart | :08:04. | :08:09. | |
# Give me your brittle heart and I'll light a fire | :08:09. | :08:18. | |
# Whoa, oh-oh-oh | :08:18. | :08:21. | |
# Whoa, oh-oh-oh | :08:21. | :08:23. | |
# Light a fire | :08:23. | :08:26. | |
# Give me your brittle heart | :08:26. | :08:29. | |
# Light a fire | :08:29. | :08:31. | |
# Give me your brittle heart | :08:31. | :08:34. | |
# Light a fire. # | :08:34. | :08:44. | |
:08:44. | :08:48. | ||
Thank | :08:48. | :08:48. | |
Thank you, | :08:48. | :08:49. | |
Thank you, Brett | :08:49. | :08:57. | |
Thank you, Brett Anderson, Brittle Heart. Now, over at the piano up | :08:57. | :09:05. | |
one of the great poets of British music. He is here to play a song, | :09:05. | :09:15. | |
:09:15. | :09:22. | ||
# Every year is the same # I'm a loser | :09:22. | :09:29. | |
# Leaves start falling Come down is calling | :09:29. | :09:33. | |
# Loneliness starts sinking in | :09:33. | :09:38. | |
# But I'm one | :09:38. | :09:42. | |
# I am one | :09:42. | :09:49. | |
# And I can see that this is me | :09:49. | :09:54. | |
# And I will be | :09:54. | :09:56. | |
# You'll all see I'm the one | :09:56. | :10:06. | |
:10:06. | :10:14. | ||
# Where do you get those blue, blue jeans? | :10:14. | :10:19. | |
# Faded, patched secret, so tight | :10:19. | :10:24. | |
# Where do you get that walk? Oh, so lean | :10:24. | :10:29. | |
# Your shoes and your shirts Always right | :10:29. | :10:34. | |
# But I'm one | :10:34. | :10:38. | |
# I am one | :10:38. | :10:45. | |
# And I can see that this is me | :10:45. | :10:50. | |
# I will be | :10:50. | :10:53. | |
# You'll all see I'm the one | :10:53. | :11:01. | |
# I got a Gibson without a case | :11:01. | :11:05. | |
# But I can't get that even-tanned look on my face | :11:05. | :11:11. | |
# Ill-fitting clothes and I blend in the crowd | :11:11. | :11:16. | |
# Fingers so clumsy Voice too loud | :11:16. | :11:20. | |
# But I'm one | :11:20. | :11:25. | |
# I am one, yeah | :11:25. | :11:31. | |
# And I can see that this is me | :11:31. | :11:36. | |
# And I will be | :11:36. | :11:39. | |
# You'll all see I'm the one | :11:39. | :11:45. | |
# I'm the one | :11:45. | :11:55. | |
:11:55. | :11:56. | ||
CHEERING | :11:56. | :11:56. | |
CHEERING AND | :11:56. | :11:57. | |
CHEERING AND APPLAUSE | :11:57. | :12:02. | |
Pete | :12:02. | :12:02. | |
Pete Townsend, | :12:02. | :12:03. | |
Pete Townsend, a | :12:03. | :12:11. | |
Pete Townsend, a brilliant song, I'm One. Thank you very much. | :12:11. | :12:21. | |
:12:21. | :12:21. | ||
Apology for the loss of subtitles for 217 seconds | :12:21. | :15:58. | |
And now from Agadez, Niger, we Bombino. That is from their album | :15:59. | :16:07. | |
Agadez, which is where they are from. We have a tiny bit of this | :16:07. | :16:12. | |
show, then Friday you can see so much more. We have a window on an | :16:12. | :16:19. | |
amazingly talented person, Mary J Blige. You have got this beautiful | :16:19. | :16:25. | |
new record out, and there is a song and it, which is absolutely | :16:25. | :16:35. | |
:16:35. | :16:47. | ||
beautiful. Tell us about it. It is called Need Someone To Love | :16:47. | :16:54. | |
You. It is me singing to my younger self. I was thinking about me, and | :16:54. | :17:00. | |
how hurt I was, how much I wish I had the information I have to | :17:00. | :17:04. | |
embrace myself, like I did in the studio. | :17:04. | :17:09. | |
A brilliant concept, to think about the younger self- and what the | :17:09. | :17:13. | |
older self- would say. We cannot pay the whole song, can you give us | :17:13. | :17:23. | |
:17:23. | :17:57. | ||
# For where you stand. # Nowhere to change. # It is lonely there. | :17:57. | :18:07. | |
:18:07. | :18:11. | ||
# I understand. # You need someone to love you. | :18:11. | :18:21. | |
:18:21. | :18:23. | ||
# Someone to hold you. # Tonight. | :18:23. | :18:33. | |
:18:33. | :18:54. | ||
# Someone to hold you. The wonderful Mary J Blige. On | :18:54. | :19:00. | |
Friday a few Dunion, you can see the whole of that song. We will be | :19:00. | :19:10. | |
:19:10. | :19:25. | ||
talking to her more about that. # Oh, woah, woah, woah | :19:25. | :19:35. | |
:19:35. | :19:40. | ||
# Yeah, yeah, yeah, yeah # But it don't belong | :19:40. | :19:49. | |
# Coming into life you need its grind | :19:49. | :19:53. | |
# But at a point you gotta let it go | :19:54. | :19:58. | |
# Or it will cross the permanent threshold | :19:58. | :20:02. | |
# You know you gotta find it out in something else good | :20:02. | :20:07. | |
# Oh, black metal You so misunderstood | :20:07. | :20:13. | |
# Holding on to black metal | :20:13. | :20:17. | |
# Black metal | :20:17. | :20:20. | |
# Holding on to black metal | :20:20. | :20:23. | |
# Black metal | :20:24. | :20:26. | |
# Black metal, you been holding | :20:26. | :20:29. | |
# Oh, black metal, so misunderstood | :20:29. | :20:33. | |
# Deep black service under Lucifer's hood | :20:33. | :20:38. | |
# Black metal steals souls young Enough's enough | :20:38. | :20:42. | |
# 32oz refill out of Lucifer's cup | :20:42. | :20:47. | |
# Black metal need to be unlearned You teenage pup | :20:47. | :20:51. | |
# Look at you, starchild You all grown up | :20:51. | :20:58. | |
# Still holding on to black metal | :20:58. | :21:01. | |
# Black metal | :21:01. | :21:04. | |
# Still holding onto black metal | :21:04. | :21:08. | |
# Black metal | :21:08. | :21:11. | |
# You been holding on too long... | :21:11. | :21:21. | |
:21:21. | :21:22. | ||
# Oh, woah, woah, woah Oh, woah, woah | :21:22. | :21:27. | |
# Yeah, yeah, yeah, yeah Oh... | :21:27. | :21:37. | |
:21:37. | :22:11. | ||
# Catching waves on Lucifer's beach | :22:11. | :22:15. | |
# Taking shade underneath Lucifer's trees | :22:15. | :22:19. | |
# Getting sustenance from Lucifer's peach | :22:19. | :22:24. | |
# Oh, black metal, it's affecting all your speech | :22:24. | :22:31. | |
# Still holding on to black metal | :22:31. | :22:34. | |
# Black metal | :22:34. | :22:37. | |
# Still holding on to black metal | :22:37. | :22:41. | |
# Black metal | :22:41. | :22:45. | |
# You been holding on too long... | :22:45. | :22:54. | |
# Oh, woah, woah, woah Oh, woah, woah | :22:54. | :22:59. | |
# Black metal | :22:59. | :23:03. | |
# Black metal | :23:03. | :23:09. | |
# Bring it to me | :23:09. | :23:11. | |
# Black metal | :23:11. | :23:15. | |
# Bring it to me | :23:15. | :23:17. | |
# Black metal | :23:17. | :23:24. | |
CHEERING | :23:24. | :23:24. | |
CHEERING AND | :23:24. | :23:25. | |
CHEERING AND APPLAUSE | :23:25. | :23:31. | |
Thank | :23:31. | :23:31. | |
Thank you, | :23:31. | :23:31. | |
Thank you, My | :23:31. | :23:37. | |
Thank you, My Morning Jacket. And now we will come from Canada an | :23:37. | :23:43. | |
amazing new voice, please welcome # 'Tis sad to be parted | :23:43. | :23:53. | |
:23:53. | :24:03. | ||
# Each heart string of mine # When I think of those | :24:03. | :24:09. | |
# Goodbye, dear old stepstone Goodbye to my home | :24:09. | :24:15. | |
# God bless those I leave with a sigh | :24:16. | :24:21. | |
# I'll cherish fond memories when I'm far away | :24:21. | :24:28. | |
# To roam o'er this wide world alone | :24:28. | :24:34. | |
# I stood on my doorstep at evening and morn | :24:34. | :24:40. | |
# The wind whispered by with a moan | :24:40. | :24:45. | |
# The fields may be whitening but I will be gone | :24:45. | :24:52. | |
# To roam o'er this wide world alone | :24:52. | :24:58. | |
# And I stood on my doorstep when school time was o'er | :24:58. | :25:03. | |
# And I wished for the time to go by | :25:03. | :25:09. | |
# Now it has passed and I stand here tonight | :25:09. | :25:15. | |
# To bid this old stepstone goodbye | :25:15. | :25:21. | |
# Goodbye, dear old stepstone Goodbye to my home | :25:21. | :25:27. | |
# God bless those I leave with a sigh | :25:27. | :25:33. | |
# I'll cherish fond memories when I'm far away | :25:33. | :25:40. | |
# To roam o'er this wide world alone. # | :25:40. | :25:50. | |
:25:50. | :25:53. | ||
APPLAUSE | :25:53. | :26:00. | |
The | :26:01. | :26:01. | |
The power | :26:01. | :26:01. | |
The power of | :26:01. | :26:08. | |
The power of the single human voice. Cold Specks. Thank you to all of | :26:08. | :26:18. | |
:26:18. | :26:21. | ||
our guests, Bombino, Pete Townsend, Mary J Blige, My Morning Jacket, | :26:21. | :26:26. | |
Brett Anderson. More from all of my guests on Friday. We are running | :26:26. | :26:32. | |
out of time. But we have got enough time for our final guest, Florence | :26:32. | :26:42. | |
:26:42. | :26:46. | ||
# You are the hole in my head # You are the silence in between | :26:46. | :26:53. | |
# You are the night-time fear You are the morning when it's clear | :26:53. | :27:00. | |
# When it's over You're the start | :27:00. | :27:03. | |
# You're my head and you're my heart | :27:03. | :27:11. | |
# No light, no light in your bright-blue eyes | :27:11. | :27:14. | |
# I never knew daylight could be so violent | :27:14. | :27:18. | |
# Revelation in the light of day | :27:18. | :27:22. | |
# You can't choose what stays and what fades away | :27:22. | :27:26. | |
# And I'd do anything to make you stay | :27:26. | :27:33. | |
# No light, no light, no light | :27:33. | :27:37. | |
# Tell me what you want me to say | :27:37. | :27:41. | |
# Through the crowd I was crying out | :27:41. | :27:47. | |
# And in your place there were a thousand other faces | :27:47. | :27:54. | |
# I was disappearing in the play inside | :27:54. | :28:01. | |
# Heaven help me I need to make it right | :28:01. | :28:09. | |
# You are the revelation You want to get right | :28:09. | :28:15. | |
# And it's a conversation I just can't have tonight | :28:15. | :28:17. | |
# You want a revelation Some kind of resolution | :28:17. | :28:21. | |
# You want a revelation | :28:21. | :28:23. | |
# No light, no light in your bright-blue eyes | :28:24. | :28:27. | |
# I never knew daylight could be so violent | :28:27. | :28:31. | |
# Revelation in the light of day | :28:31. | :28:35. | |
# You can't choose what stays and what fades away | :28:35. | :28:39. | |
# And I'd do anything to make you stay | :28:39. | :28:45. | |
# No light, no light, no light | :28:45. | :28:50. | |
# Tell me what you want me to say | :28:50. | :28:57. | |
# Cos it's so easy to sing to a crowd | :28:57. | :29:00. | |
# But it's so hard, my love, to say it to you out loud | :29:00. | :29:10. | |
:29:10. | :29:20. | ||
# No light, no light in your bright-blue eyes | :29:20. | :29:23. | |
# I never knew daylight could be so violent | :29:23. | :29:28. | |
# Revelation in the light of day | :29:28. | :29:31. | |
# You can't choose what stays and what fades away | :29:31. | :29:35. | |
# And I'd do anything to make you stay | :29:35. | :29:41. | |
# No light, no light, no light | :29:41. | :29:45. | |
# Tell me what you want me to say | :29:45. | :29:50. | |
# You want a revelation You want to get it right | :29:50. | :29:53. | |
# But it's a conversation I just can't have tonight | :29:53. | :29:57. | |
# You want a revelation Some kind of resolution | :29:57. | :30:04. | |
# Let me what you want me to say. # | :30:04. | :30:14. | |
CHEERING | :30:14. | :30:14. |