Episode 4 Later... with Jools Holland


Episode 4

Joining Jools are veteran British rock singer Peter Gabriel, The Horrors, Noah & the Whale, online sensation Lana Del Rey, and Mercury-nominated Ghostpoet.


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Transcript


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Plau plauz # I walked right out of

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Apology for the loss of subtitles for 55 seconds

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# Who close their eyes # I'll tell them

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Apology for the loss of subtitles for 55 seconds

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# "Hey" I said Peter Gabriel and the orchestra.

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Who else have we got? We've got sensational people from Southend on

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sea. We welcome The Horrors. From Liverpool, the sound of Steve

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Tilston. An Internet phenomenon, Lana Del

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Rey. She's in New York City and let's go

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to Streatham, South London, where we have a Ghostpoet.

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And now, from Twickenham, also in London, I would like to welcome

:06:43.:06:53.
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# Well, I'm just waiting for # Just a silhouette

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# I'm just waiting # Going head to head

:07:16.:07:26.
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# And just waiting for # Cos it's hard to feel like

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# We're just waiting for # We're just waiting for

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:07:56.:08:02.

# And your immortal smile # When I close my eyes it's all I

:08:02.:08:12.
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# I'm just waiting for # And you're just looking for

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# Yeah, a way to see this old life all disappear

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# Take a gamble on your heart

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# It will lead you through the dark

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# You're just waiting for a chance to come

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# Cos it's hard to feel likeyou're worth something in this life

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# When you're walking next to me I can hear my body speak

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# We're just waiting for a chance to come

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# We're just waiting for a chance to come

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# And no-one's gonna get in my way

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# Got to figure it out for myself

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# Yeah, no-one's gonna make me stay

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# Got to figure it out for myself

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# Cos I don't need nothing

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# I'm just waiting for a chance to come. #

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CHEERING AND APPLAUSE

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Apology for the loss of subtitles for 55 seconds

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# I got the church key Moving in the night

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# Don't you wish you could live this lie

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# I couldn't talk about Filling up with longing

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# Pale horse, green eyes

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# La la la la

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# Cos I can see Through you and I don't get it

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# I can see Through you and there's no way

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# I can see through you

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# I can see through

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# Cos I can see Through you and I don't get it

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# I can see Through you and there's no way

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# I can see through you

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# I can see through

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# La la la la la

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# Some people see you To me you're just see-through

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# No-one remembers your name No-one tries

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# And let you step outside In the fever of evening

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# No-one remembers your name No-one tries

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# Cos I can see Through you and I don't get it

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# I can see Through you and there's no way

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# I can see through you

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# I can see through

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# Cos I can see Through you and I don't get it

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# I can see Through you and there's no way

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# I can see through you

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# I can see through

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# Cos I can see Through you and I don't get it

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# I can see Through you and there's no way

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# I can see through you

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# I can see through

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# Cos I can see Through you and I don't get it

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# I can see Through you and there's no way

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# I can see through you

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# I can see through

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# La la la la la

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# La la la la la

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# La la la la la

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Thank you, The Horrors. I Can See Through You.

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We have someone who is new and then legendry music. Please welcome

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Peter Gabriel. Welcome to the show. And this is a

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fantastic orchestra, a fantastic sound. It means we have pushed the

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studio around. We appreciate that. No, we appreciate the sound. The

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record is beautiful. I looked at the sleeve. I liked it. What is it?

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It's a cell on a pin. It's called New Blood. That is a blood cell

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magnified? It is. That has answered a lot of questions. I was rather

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interested. What made you decide to interested. What made you decide to

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make the record with an orchestra. You had done things solo before.

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What was your thinking? It fell out of the back of the last project,

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which was a song writer exchange idea. Then we came to the tour. I

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realised I didn't have enough material, just the scratch my back

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stuff. John Metcalf, and I loved the way things were going, I

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thought, "let's make it a record." You have toured with a vast number

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of people? It has been fantastic. It was scary at first.

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I have a band of 22 people, but you have 50 people. Something like that.

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What are the advantages and disadvantaged? Size isn't

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everything. No. It can count for something. And it's amazing to be

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in front of so many brilliant players and there is a huge live

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noise being generated. Can you remember the first gig you ever

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did? I was a drummer in a pretty bad jazz band. When you first

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started playing, who did you want to be when you grew up? Well, Ortis

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Reeding was my hero and the Who and the Beetles. R&B were the first

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thing. We have footage, because you are in this corner of the room.

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Here we go. We don't have you with your first jazz band performance.

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What were you 12, 14? Something like that. Instead of you with a

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vast orchestra, we have you solo # Here comes the flood

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# Flesh and blood # The sea issy lent and he's still

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alive # It will be those who gave their

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island to survive # Drink up, dreamers

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# You're running dry # APPLAUSE. I haven't changed at all!

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I could hear elements of Otis in your voice. Once you said you liked

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him, I could hear something about him. He was like the sun coming up.

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I saw him live in London in '67. What is the next thing you'll play

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for us It is a song called San Jacinto. It is native America meets

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culture. It was from a story told to me by a porter in a hotel in the

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Northwest. He told you this, you bumped into him? It started the

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story rolling and a few other things were thrown in. His

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apartment was burning down at the time. He took the time to talk to

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you? I took him the time to drive him to his apartment. We got

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talking afterwards. I don't want to go on about this, but a fella said

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to you, "Quick, help me, my apartment is burning down." Is this

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what happened? Pretty much. He was not worried at all about his

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possessions. He was worried about his little cat that actually

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survived and then, I'm sure you don't have time for this. It's a

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long story. I'll tell you afterwards. A saint saving all

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these people. Peter Gabriel CHEERING AND APPLAUSE

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The fantastic orchestra. Now we welcome a man, who if you were

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observing, was one of of the contenders for the mercury prize.

:19:25.:19:35.
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# I'm 44 years old # Like Gil Scott said

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# Got no cheque book Got no credit card

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# Life is pretty hard I'm sure you can see that

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# I'm plus under-rated plus bare knock-backs

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# Been shown the door cos they talking 'bout cut backs

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# And you think what next Left or the right or

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# Key in the door but the door won't open and heartbeat frozen

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# Look to the heavens, but nobody's coming and the pie's in the oven

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# So you stop mind wandering and back to the present

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# It's a dinner for one with the dimmer lights on

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# And you're tryna get atmosphere

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# Like she was here but she's long gone

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# Like Rocky Balboa and AdrianTeardrops while you sip on the Evian

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# No no no no no no

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# I ain't got the licence to kill like double-0

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# I just wanna live life and survive it

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# No no no no no no

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# I ain't got the licence to kill like double-0

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# I just wanna live life and oh oh oh oh oh survive it

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# I gotta move, man, but it's hard when you're glued in place

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# I so desperately wanna leave this pace

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# In a steamy hot bath I just hide my face

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# The world looks different underwater

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# I coulda had a son or a daughter

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# When I had the chance to a trip to Majorca

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# Life is a funny thing with the twists and turns

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# And in the bad times It just breaks and burns

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# But as you get older you just live and learn

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# And shrug your shoulders and be the bigger man

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# But I remember nights in December

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# Fairy lights and torn-out wrapping paper and happy times

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# Now it's happy slaps and how big's your gat and all that crap

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# Oh, Mac, allow that I know there's reason to part

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# But I'll get through if I just remember that

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# No no no no no no

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# I ain't got the license to kill like double-0

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# I just wanna live life and survive it

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# No no no no no no

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# I ain't got the licence to kill like double-0

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# I just wanna live life and survive it

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# I know Times are hard

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# You're against the wall, and Your head is down, but I think

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# Oooh oooh ooh You'll get there soon

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# Just have a little faith, mate

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# Ooh oooh It'll turn out great

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# Yeah, it's all mapped out like one of them satnavs

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# You need to get over there then down to here

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# Go down the road and left at the roundabout

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# Head out the window So much to shout about

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# Unnaturally buzzing Allow pessimism

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# Burn in the flames like a phoenix has risen

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# Well, I hope so

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# That's the plan in the end Get a nice house a few true friends

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# A wife I can cry with Laugh and create with

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# Kids so beautiful they're truly a blessing

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# But I'm just guessing Just speculating.

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# Thinking out loud You know all that's what I do

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# And I don't know much but I know what is right

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# Don't mock my grit, skin I'm trying my best

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# But I'm only a man doing what I can

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# I'll go forth, with these words in my hand, in my hand

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# No no no no no no

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# I ain't got the licence to kill like double-0

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# I just wanna live life and survive it

:22:37.:22:42.

# No no no no no no

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# I ain't got the licence to kill like double-0

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# I just wanna live life and survive it. #

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CHEERING AND APPLAUSE

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# Thick cloud

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# Steam rising

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# Hissing stone on sweat lodge fire

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# Around me

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# Buffalo robe

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# Sage in bundle

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# Rub on skin

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# Outside

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# Cold air

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# Stand and wait for rising sun

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# Red paint

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# Eagle feathers

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# Coyote calling

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# It has begun

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# Something moving in

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# I taste it in my mouth and in my heart

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# It feels like dying

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# Slow

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# Letting go of life

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# Medicine man lead me up through town

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# Indian ground

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# So far down

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# Cut up land

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# Each house a pool

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# Kids wearing water wings

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# Drink in cool

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# Follow dry river bed

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# Watch scouts and guides make pow-wow signs

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# Past Geronimo's Disco

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# Sitting Bull Steakhouse

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# White men dream

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# A rattle in the old man's sack

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# Look at mountain top

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# Keep climbing up

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# Way above us the desert snow

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# White wind blow

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# I hold the line

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# The line of strength that pulls me through the fear

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# San Jacinto

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# I hold the line

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# San Jacinto

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# The poison bite and darkness take my sight

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# I hold the line

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# And the tears roll down my swollen cheek

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# Think I'm losing it

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# Getting weaker

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# I hold the line

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# I hold the line

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# San Jacinto

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# Yellow eagle flies down from the sun

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# From the sun

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Apology for the loss of subtitles for 55 seconds

:27:22.:28:28.

Peter

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Peter Gabriel

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Peter Gabriel and

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Peter Gabriel and the New Blood Orchestra.

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More from him in a moment. And the beautiful orchestra. Before

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that we enjoyed Ghostpoet. So, now, our next artist I saw in

:28:46.:28:51.

Germany the other week. She is from New York. She has an extraordinary,

:28:51.:28:54.

huge explosion on the internet. I am delighted that we have managed

:28:54.:28:58.

to fit her into this room this evening, please welcome Lana Del

:28:58.:29:08.
:29:08.:29:18.

# Swinging in the backyard # Whistling my name

:29:18.:29:25.

# Take it over here and play a video game

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# I'm in his favourite sun dress Watching me get undressed

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# Take that body downtown I say you the bestest

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# Lean in for a big kiss Put his favorite perfume on

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# Go play a video game

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# It's you, it's you It's all for you

:29:52.:29:56.

# Everything I do I tell you all the time

:29:56.:30:02.

# Heaven is a place on earth with you

:30:02.:30:05.

# Tell me all the things you want to do

:30:05.:30:10.

# I heard that you like the bad girls, honey, is that true?

:30:10.:30:17.

# It's better than I ever even knew

:30:17.:30:22.

# They say that the world was built for two

:30:22.:30:27.

# Only worth living if somebody is loving you

:30:27.:30:36.

# Baby, now you do

:30:36.:30:46.

# Singing in the old bars Swinging with the old stars

:30:46.:30:50.

# Living for the fame

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# Kissing in the blue dark Playing pool and wild darts

:30:54.:30:58.

# Video games

:30:58.:31:03.

# He holds me in his big arms Drunk and I am seeing stars

:31:03.:31:07.

# This is all I think of Watching all our friends fall

:31:07.:31:13.

# In and out of Old Paul's This is my idea of fun

:31:13.:31:19.

# Playing video games

:31:19.:31:24.

# It's you, it's you It's all for you

:31:24.:31:28.

# Everything I do I tell you all the time

:31:28.:31:34.

# Heaven is a place on earth with you

:31:34.:31:37.

# Tell me all the things you want to do

:31:37.:31:42.

# I heard that you like the bad girls, honey, is that true?

:31:42.:31:50.

# It's better than I ever even knew

:31:50.:31:54.

# They say that the world was built for two

:31:54.:31:59.

# Only worth living if somebody is loving you

:31:59.:32:08.

# Baby, now you do

:32:08.:32:18.
:32:18.:32:30.

# It's you, it's you It's all for you

:32:30.:32:32.

# Everything I do I tell you all the time

:32:32.:32:36.

# Heaven is a place on earth with you

:32:36.:32:40.

# Tell me all the things you want to do

:32:40.:32:44.

# I heard that you like the bad girls, honey, is that true?

:32:45.:32:53.

# It's better than I ever even knew

:32:53.:32:57.

# They say that the world was built for two

:32:57.:33:02.

# Only worth living if somebody is loving you

:33:02.:33:12.

# Baby, now you do

:33:12.:33:16.

# Now you do

:33:16.:33:26.
:33:26.:33:33.

CHEERING AND APPLAUSE

:33:34.:33:43.
:33:44.:33:59.

# There's a boy with his head

:33:59.:34:01.

# Pressed up to the window of a bus heading out of town

:34:01.:34:06.

# In his breath on the glass

:34:06.:34:08.

# He draws with his finger a map of the roads they go down

:34:08.:34:14.

# Circles of street lights are the only signal

:34:14.:34:17.

# That there's people out there in the black

:34:17.:34:21.

# He waves goodbye at the town he grew up in

:34:21.:34:25.

# He knows that he'll never come back

:34:25.:34:29.

# The night outside is five below His heart is pumping blood

:34:29.:34:33.

# On his lips a perfect smile His eyes begin to flood

:34:33.:34:36.

# Tonight's the kind of night Where everything could change

:34:36.:34:44.

# Tonight's the kind of night Where everything could change

:34:44.:34:51.

# The rumble-strip clack and the rattling frame

:34:51.:34:55.

# Beat out a pulse on his head

:34:55.:34:59.

# The engine hums a humble tune A melody of rubber and lead

:34:59.:35:06.

# Under lamp light glow and paradise stars

:35:07.:35:10.

# An infinity of dancing white light

:35:10.:35:14.

# He sees that his debt is to experience only

:35:14.:35:18.

# And not to those who'd plan out his life

:35:18.:35:22.

# The night outside is five below The moon is in the sky

:35:22.:35:26.

# His heart is full of perfect joy He whispers his goodbye

:35:26.:35:29.

# Tonight's the kind of night Where everything could change

:35:29.:35:36.

# Tonight's the kind of night Where everything could change

:35:36.:35:46.
:35:46.:35:46.

# Come back home

:35:46.:35:50.

# Oooh

:35:50.:35:51.

# Tonight he's not going to Come back home

:35:51.:35:56.

# Oooh

:35:56.:35:58.

# Tonight he's not going to Come back home

:35:58.:36:02.

# Oooh

:36:02.:36:06.

# Oooh

:36:06.:36:12.

# Tonight's the kind of night Where everything could change

:36:12.:36:19.

# Tonight's the kind of night Where everything could change

:36:19.:36:26.

# Tonight's the kind of night Where everything could change

:36:26.:36:36.
:36:36.:37:03.

Tonight's the kind of night Tonight's the kind of night

:37:03.:37:13.
:37:13.:37:25.

Thank you Noah & The Whale. Before that we enjoyed, very much,

:37:25.:37:32.

Lana Del Rey. And in fact the whole orchestra -

:37:32.:37:39.

we enjoyed that, didn't we? Yes. So, now I am delighted to welcome Steve

:37:39.:37:49.
:37:49.:37:49.

Apology for the loss of subtitles for 55 seconds

:37:49.:38:30.

# Don't mix well like whiskey # I may never get to sing you

:38:30.:38:40.
:38:40.:39:19.

# I could have packed my dreams # Paying for those things

:39:19.:39:29.
:39:29.:39:39.

# I may never get to sing you # I could have packed my dreams

:39:39.:39:49.
:39:49.:39:49.

Apology for the loss of subtitles for 55 seconds

:39:49.:40:48.

# The scarecrows are guarding # I may never get to sing you

:40:48.:40:58.
:40:58.:41:07.

# I could have packed my dreams # I could have packed my dreams

:41:07.:41:17.
:41:17.:41:17.

Apology for the loss of subtitles for 55 seconds

:41:17.:42:03.

# So I'm switching # So like me or like me these are

:42:03.:42:12.

# Just me truly sending them out # Life is too short to store up

:42:12.:42:22.
:42:22.:42:36.

# Life is too long to make # One, one, two, two, three

:42:36.:42:46.
:42:46.:43:24.

# So I'm switching # Like me or like me these are the

:43:24.:43:33.

# Just me truly sending them # Life is too short to store up

:43:33.:43:43.
:43:43.:43:49.

# I'm counting up time that I ain't using

:43:49.:43:53.

# One, one, two, two, three three, four

:43:53.:43:57.

# I need a good use for all these

:43:57.:43:59.

# Lines and lines

:43:59.:44:01.

# And lines and lines

:44:01.:44:03.

# And lines and lines

:44:03.:44:05.

# And lines and lines

:44:05.:44:15.
:44:15.:44:15.

Apology for the loss of subtitles for 55 seconds

:44:15.:45:03.

Ghostpoet. Chore cheer.

:45:03.:45:13.
:45:13.:45:21.

Now, I am very start that Burt Yanx died last week. I am going to

:45:21.:45:29.

welcome to the piano Steve Tilston. Now, you've got a marvellous record

:45:29.:45:36.

out as well. We heard you sing. Lovely! How did you get to know

:45:36.:45:46.
:45:46.:45:46.

Burt? We shared the same manager. I did a few gigs with him. Basically

:45:46.:45:50.

I was living in Bristol at that time and moved to London. He moved

:45:50.:45:55.

back to London. We were moving in the same circles really. What were

:45:55.:46:04.

his great qualitys? I think he laid down the blueprint for a kind of

:46:04.:46:11.

genre, the singer-songwriter, singer-songwriter-guitarist. He

:46:11.:46:17.

excelled in all departments. He was the first. I think, at one time he

:46:17.:46:27.
:46:27.:46:28.

was vying with Dylan for inflew wen shialty. Charming? Yes. Just one of

:46:28.:46:38.
:46:38.:46:59.

the great talents. One of the great # To beg your mind

:46:59.:47:09.
:47:09.:47:12.

# Can you feel that burning Got your wonder stuff #

:47:12.:47:16.

CHEERING AND APPLAUSE We do, as well, in fact I was saying to the

:47:16.:47:21.

viewers, we do have on our website, he was on our show a few times F

:47:21.:47:29.

you go to our website you can enjoy much more of Burt. When... You had

:47:29.:47:35.

a folk club with him. It was called the Catch 22 Club. You had to catch

:47:35.:47:45.

the 22 bus to get there. Very good. He, myself and an American

:47:45.:47:51.

guitarist used to run it. Burt was more of a sleeping.... Drinking

:47:51.:47:56.

partner at that particular time. How should we remember him? One of

:47:56.:48:01.

the great originals in all departments.

:48:01.:48:08.

I suppose, wrote some wonderful songs, wonderful songs. His legacy

:48:08.:48:12.

is, a lot of people can play guitar these days, probably without

:48:12.:48:17.

knowing it, but they've got little bits of Burt there. Since he's died,

:48:17.:48:23.

every time I pick up a guitar, a Burt song comes out and songs I

:48:23.:48:28.

thought I had long forgotten are coming out. It's great. Thank you

:48:28.:48:36.

very much indeed, Steve Tilston. Remembering Burt. And from the past

:48:36.:48:46.
:48:46.:48:46.

Apology for the loss of subtitles for 55 seconds

:48:46.:49:42.

we go to the future and we welcome # The moment that you want is coming

:49:42.:49:52.
:49:52.:49:52.

Apology for the loss of subtitles for 55 seconds

:49:52.:54:05.

# Formed a band with a couple of # And we called ourselves

:54:05.:54:15.
:54:15.:54:51.

# Well, we practise every week # While my parents were working

:54:51.:54:54.

# And one morning in our school assembly

:54:54.:54:57.

# Played a cover of Don't Let Me Down

:54:57.:55:01.

# The performance was nervous and awkward

:55:01.:55:04.

# But the passion was real and profound

:55:04.:55:07.

# The kids in the audience laughing

:55:08.:55:10.

# While the band just stared at the ground

:55:11.:55:14.

# But a victory

:55:14.:55:17.

# For the kids who believe in rock'n'roll

:55:17.:55:21.

# I know for me

:55:21.:55:25.

# That performance lives and never grows old

:55:25.:55:29.

# Yeah, we're making our own way out

:55:29.:55:32.

# Yeah, we're making our own way out

:55:32.:55:38.

# I'd give it all back just to do it again

:55:38.:55:41.

# Turn back time and be with my friends

:55:41.:55:43.

# Yeah, I'd give it all back just to do it again

:55:43.:55:47.

# Turn back time and be with my friends

:55:47.:55:50.

# Yeah, I'd give it all back just to do it again

:55:50.:55:54.

# Turn back time and be with my friends

:55:54.:55:57.

# Yeah, I'd give it all back just to do it again

:55:57.:56:00.

# Turn back time and be with my friends

:56:00.:56:03.

# Tonight. #

:56:03.:56:10.

CHEERING AND APPLAUSE

:56:10.:56:20.
:56:20.:56:25.

Thank

:56:25.:56:25.

Thank you

:56:25.:56:25.

Thank you Noah

:56:26.:56:29.

Thank you Noah & The Whale. In fact it is thank you to all our

:56:29.:56:33.

beautiful guests this week. Thank you very much to The Horrors.

:56:33.:56:39.

CHEERING AND APPLAUSE To Ghostpoet.

:56:39.:56:42.

CHEERING AND APPLAUSE Thank you Lana Del Rey

:56:42.:56:50.

CHEERING AND APPLAUSE thank you Steve Tilston. Let me put this to

:56:50.:56:56.

you, ladies and gentlemen if you had Simon and Garfunkel on you

:56:56.:57:01.

would name them both. If we had The Beatles on we know all the names,

:57:01.:57:07.

we all know that. But a symphony orchestra, they never, ever get

:57:07.:57:11.

name checked. For the first time ever on television I would like to

:57:11.:57:19.

thank all the orchestra. Shouldn't we do that. I would like to thank

:57:19.:57:29.
:57:29.:57:32.

Roland Richards, Peter han son, Clare haste. Rita, Manning. Cathy

:57:32.:57:42.
:57:42.:57:44.

thom Ian Rathbone. Vicky, Ian, Caroline, Alice, Nic, will, Jackie,

:57:44.:57:54.
:57:54.:58:01.

This time Jools is joined in what one writer recently called the 'oval of excellence', but we'll call the studio, by veteran British rock singer, songwriter and cultural innovator Peter Gabriel, reinventing his back catalogue classics like Solsbury Hill with the striking arrangements of the 46-piece New Blood Orchestra as featured on Gabriel's latest album New Blood.

Making their Later... debut are Southend on Sea's The Horrors, whose acclaimed third album Skying is a blend of 80s cinematic rock and insurgent 21st-century energy.

On the eve of their biggest ever UK tour, the sharpsuited, folk-driven Noah & The Whale play songs from one of this year's success stories, their second album Last Night on Earth.

Online sensation Lana Del Rey, a torch singer for this century who describes herself as 'Lolita got lost in the hood', debuts on TV with her single Video Games, which already has a million hits on YouTube.

Plus, there's also the witty, sleepy hip-hop poetry of Ghostpoet, who performs tunes from his Mercury-nominated debut album Peanut Butter Blues and Melancholy Jam.


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