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Oh, yes! I'm delighted to be here for one more toast surrounded by | :01:07. | :01:17. | |
:01:17. | :01:37. | ||
amazing musicians. We start with # A writ into the night came | :01:37. | :01:47. | |
:01:47. | :01:57. | ||
# My horse had worked the fields # When I walk inside the dark | :01:57. | :02:07. | |
:02:07. | :02:45. | ||
# We waste time on blame # And stop looking | :02:45. | :02:51. | |
# You carry on as if I don't love you | :02:51. | :02:53. | |
# And so we find the way to lie | :02:53. | :02:56. | |
# To cover hard I have a doubt | :02:56. | :02:59. | |
# The room's full eyes are empty | :02:59. | :03:01. | |
# Like your letters never sent me | :03:01. | :03:04. | |
# Your words are like a lasso | :03:04. | :03:07. | |
# You're an instrumental tune | :03:07. | :03:17. | |
:03:17. | :03:18. | ||
# Whoa whoa whoa oh | :03:18. | :03:24. | |
# Whoa whoa whoa oh | :03:24. | :03:33. | |
# Whoa whoa whoa oh | :03:33. | :03:43. | |
:03:43. | :03:43. | ||
Apology for the loss of subtitles for 56 seconds | :03:43. | :04:39. | |
Wonderful sound of Feist. We'll be hearing more from Feist later in | :04:39. | :04:43. | |
the show. But I'm delighted to say there are a myriad of extraordinary | :04:43. | :04:47. | |
and amazing guests in this room tonight. From Atlanta, we welcome | :04:47. | :04:57. | |
:04:57. | :05:00. | ||
Mastodon! From Philadelphia the amazing Buddy Greco! From Wisconsin, | :05:00. | :05:10. | |
:05:10. | :05:12. | ||
Bon Ivor. From London, Lianne La Havas. And we'll be talking to the | :05:12. | :05:19. | |
incredible Pauline Black. From France, the soulful sound of Ben | :05:19. | :05:29. | |
:05:29. | :05:29. | ||
Apology for the loss of subtitles for 56 seconds | :05:29. | :06:37. | |
# Mais je sais qu'en vrai # J'ai pas l'humour | :06:37. | :06:47. | |
:06:47. | :06:50. | ||
# J'ai pas la science infuse # J'ai pas la chance | :06:50. | :07:00. | |
:07:00. | :07:21. | ||
# Plusieurs cordes a mon arc # Mais je sais qu'en vrai | :07:21. | :07:31. | |
:07:31. | :07:31. | ||
Apology for the loss of subtitles for 56 seconds | :07:31. | :09:09. | |
The lovely voice and beautiful manoeuvres of Ben L'Oncle Soul, the | :09:09. | :09:12. | |
French sound of soul. The next artist, last time he was here, he | :09:12. | :09:18. | |
was just here with a guitar. Now it's a vast musical unit. We | :09:18. | :09:28. | |
:09:28. | :10:02. | ||
# What a mischief you would bring # When you're up for it | :10:02. | :10:12. | |
:10:12. | :10:37. | ||
# I'd a tore your hair out # When you're filling out | :10:37. | :10:41. | |
# Can you tell that it's just ceremony? | :10:41. | :10:46. | |
# Now you've added up to what you're from | :10:47. | :10:51. | |
# Whoah oh oh ahh | :10:51. | :11:00. | |
# Tear the reins out from your fingers | :11:00. | :11:09. | |
# Break the sailor's table | :11:09. | :11:11. | |
# On your sacrum | :11:11. | :11:18. | |
# Fought the fiercest fables | :11:18. | :11:21. | |
# I'm with Fagin | :11:21. | :11:29. | |
# For the love comes the burning young | :11:29. | :11:33. | |
# From the liver sweating through your tongue | :11:33. | :11:38. | |
# Well you're standing on my sternum | :11:39. | :11:41. | |
# Don't you climb down darling | :11:41. | :11:46. | |
# Oh the sermons are the first to rest | :11:47. | :11:51. | |
# Smoke on Sundays when you're drunk and dressed | :11:51. | :11:56. | |
# Out the hollows where the swallow nests | :11:56. | :12:00. | |
# Whoooh ohhh oooh oooh. # | :12:01. | :12:07. | |
APPLAUSE | :12:07. | :12:16. | |
Bon | :12:16. | :12:16. | |
Bon Ivor! | :12:17. | :12:20. | |
Bon Ivor! We'll | :12:20. | :12:24. | |
Bon Ivor! We'll be hearing more from that wonderful man later. Now, | :12:24. | :12:29. | |
a man at the piano, who is an amazing pianist, who is an amazing | :12:29. | :12:34. | |
singer. He is a legend. A man who was one of the original Rat Pack, | :12:34. | :12:43. | |
Mr Buddy Greco! Good to see you. Good to see you. Now, you've got | :12:43. | :12:50. | |
this record out here at the Sands and it is live, what year due | :12:50. | :12:55. | |
record this record? I made this in 1967, the week after Frank Sinatra | :12:55. | :13:02. | |
did his with Basie. Half of that band is on that album. It was an | :13:02. | :13:06. | |
absolute joy. For the people in the audience, they can't see it, | :13:06. | :13:10. | |
there's a photograph for you here with Frank Sinatra, cuddling you. | :13:10. | :13:17. | |
You were part... To my cheek. Martin. You were the Rat Pack with | :13:17. | :13:20. | |
them. They were good friends of mine. Any time they would be | :13:20. | :13:25. | |
working in the same hotel I was working in, I would get a call from | :13:25. | :13:31. | |
Mr Sinatra and he would ask me to join them. There's Benny Goodman. | :13:31. | :13:34. | |
You started off as pianist and arranger with him. That's right. | :13:34. | :13:41. | |
That's an amaigz start to get. started out as a classical pianist. | :13:41. | :13:45. | |
When Benny Goodman asked me to join him, it was terrific. What year | :13:45. | :13:54. | |
were you with Benny Goodman? 1948, 49 and 50. I was 11! Exactly. You | :13:54. | :13:59. | |
have a lovely picture here of you and Marilyn Monroe. Yes. Were you | :13:59. | :14:02. | |
great friends? Very good friends. Cuddling you there. A little bit. | :14:02. | :14:09. | |
That was taken when I was, to the right of her was Frank Sinatra | :14:09. | :14:15. | |
reading a book or something. It was a wonderful day. Sammy Davis Junior | :14:15. | :14:20. | |
does the sleeve note. Yes, he did. We have footage here, let's have a | :14:20. | :14:30. | |
:14:30. | :14:31. | ||
look and see when it is. # The more I see you | :14:31. | :14:41. | |
:14:41. | :14:51. | ||
# The more I want you # Somehow this feeling just grows | :14:51. | :15:01. | |
:15:01. | :15:02. | ||
and grows # With every summer, I just become | :15:02. | :15:12. | |
:15:12. | :15:22. | ||
more mad about you # Because without you and so I goes | :15:22. | :15:27. | |
# I'm lost without you and so it goes | :15:27. | :15:35. | |
# Baby, baby baby, baby, can you imagine, how much I love you? | :15:35. | :15:44. | |
# I love you # APPLAUSE | :15:44. | :15:48. | |
Absolutely great. You notice that's when I had black hair. My hair was | :15:48. | :15:53. | |
very dark. You have just celebrated your 85th birthday. You're playing | :15:53. | :15:58. | |
better than ever. You're looking like a man of 50, what's the key to | :15:58. | :16:03. | |
it? Can I tell them? It's really booze, brauds... No, I can't do | :16:03. | :16:06. | |
that. Trying to be very happy with yourself and get very involved in | :16:07. | :16:12. | |
your music and try to be a nice person and create as much as you | :16:12. | :16:15. | |
can really. You're touring with a big band soon around Britain as | :16:15. | :16:21. | |
well. Right now I've been working with the quartet. I want to start, | :16:21. | :16:25. | |
like I originally started, working with a big band. We're doing that, | :16:25. | :16:30. | |
I think, in Streatham, November 24 and 25. Thank you for mentioning | :16:30. | :16:38. | |
that. I hope we'll come and hear you. You're doing Lady Is A Tramp | :16:39. | :16:44. | |
in a moment. A lot of people are aware, we know he's a lovely voice. | :16:44. | :16:50. | |
But you're like a great -- you are one of the greatest peenists. Can | :16:50. | :17:00. | |
:17:00. | :17:36. | ||
APPLAUSE The beautiful voice, the beautiful | :17:36. | :17:43. | |
piano of Buddy Greco! It's a show of beautiful contrasts as well. Now | :17:43. | :17:53. | |
:17:53. | :18:29. | ||
from Atlanta, one of the great # I sealed them | :18:29. | :18:39. | |
:18:39. | :18:39. | ||
Apology for the loss of subtitles for 56 seconds | :18:39. | :21:34. | |
# She gets too hungry # Hates the theatre | :21:34. | :21:37. | |
# She never bothers with people she hates | :21:37. | :21:40. | |
# That's why that's why the lady is a tramp | :21:40. | :21:44. | |
# Don't got to crap games with barons and earl | :21:44. | :21:48. | |
# Won't go to Harlem in ermine and pearls | :21:48. | :21:50. | |
# Why she won't dish the dirt with the rest of the girls | :21:50. | :21:54. | |
# That's why the lady is a tramp | :21:54. | :21:57. | |
# She loves the free, fresh | :21:57. | :21:59. | |
# Wind in her hair | :21:59. | :22:00. | |
# Life with no care | :22:01. | :22:02. | |
# She's broke, it's oke | :22:02. | :22:04. | |
# She hates California | :22:04. | :22:06. | |
# Cold and damp | :22:06. | :22:07. | |
# That's why the lady is a tramp | :22:07. | :22:09. | |
# Tramp tramp tramp | :22:09. | :22:11. | |
# She gets massages and she cries and she moans | :22:11. | :22:14. | |
# Tell Richard Simmons just to leave her alone | :22:14. | :22:17. | |
# She's not so hot but her shape is her own | :22:17. | :22:20. | |
# That's why the lady is a tramp | :22:20. | :22:22. | |
# You know what? The food in my motel is great no doubt | :22:22. | :22:27. | |
# But she doesn't understand what my motel room's about | :22:27. | :22:30. | |
# Puts in a dime and some ice comes out | :22:30. | :22:33. | |
# That's why the lady is a tramp | :22:33. | :22:36. | |
# She loves the free, fresh | :22:36. | :22:38. | |
# Wind in her face | :22:38. | :22:40. | |
# Diamonds and lace | :22:40. | :22:41. | |
# Don't got, so what? | :22:41. | :22:43. | |
# For Jools Holland she whistles and stamps | :22:43. | :22:47. | |
# That's why the lady is a tramp | :22:47. | :22:50. | |
# She doesn't know the reason for cocktails at five | :22:50. | :22:53. | |
# She don't like flying but I'm glad I'm alive | :22:53. | :22:56. | |
# I crave affection baby but not when I drive... # | :22:56. | :23:03. | |
# That's why the lady is a tramp | :23:03. | :23:10. | |
# I missed the wedding Liz didn't mind | :23:10. | :23:11. | |
# She won't play Scarlet in Gone with the Wine | :23:11. | :23:12. | |
# It's got to rhyme | :23:13. | :23:14. | |
# That's why the lady is a tramp | :23:14. | :23:15. | |
# I like to hang her hat | :23:15. | :23:17. | |
# Wherever I please | :23:17. | :23:19. | |
# Fly with the breeze | :23:19. | :23:21. | |
# No dough, hi-ho | :23:21. | :23:22. | |
# She thinks Sugar Ray Leonard is a great big champ | :23:22. | :23:26. | |
# That's why the lady is a tramp... # | :23:26. | :23:27. | |
Come on, Jools! | :23:28. | :23:29. | |
# ..She goes down to Coney she thinks the beach is divine | :23:29. | :23:32. | |
# Goes to the ball games and thinks the Yankees are fine | :23:32. | :23:35. | |
# She reads The Star, The Globe, The Enquirer - every line | :23:35. | :23:38. | |
# That's why the lady is a tramp | :23:38. | :23:42. | |
# She likes to go rowing down Central Park Lake | :23:42. | :23:45. | |
# Likes a prize fight that isn't a fake | :23:45. | :23:48. | |
# She even goes to the opera while awake | :23:48. | :23:52. | |
# That's why the lady is a tramp | :23:52. | :23:54. | |
# I like the green grass | :23:54. | :23:56. | |
# Under my shoes | :23:56. | :23:58. | |
# What can I lose She's flat, forget it | :23:58. | :24:02. | |
# All alone when I lower my lamp | :24:02. | :24:05. | |
# That's why the lady that's why the lady | :24:05. | :24:07. | |
# That's why the lady is a tramp yeah... # | :24:07. | :24:17. | |
:24:17. | :24:20. | ||
Wooh! | :24:20. | :24:22. | |
APPLAUSE | :24:22. | :24:32. | |
:24:32. | :24:37. | ||
The | :24:37. | :24:37. | |
The fantastic | :24:37. | :24:38. | |
The fantastic Buddy | :24:38. | :24:47. | |
The fantastic Buddy Greco! Wherever you see him, it is absolutely | :24:47. | :24:51. | |
lovely. Now we welcome a marvellous brand new artist into this room. | :24:51. | :25:01. | |
:25:01. | :25:01. | ||
Apology for the loss of subtitles for 56 seconds | :25:01. | :33:08. | |
# Would that be Before that we enjoyed the | :33:08. | :33:11. | |
sensational new talent of Lianne La Havas. Now, everybody feeling good | :33:11. | :33:19. | |
there? Yes. Good. Nice silently nodding of heads. There will be | :33:19. | :33:23. | |
silently nodding of heads at home, when we welcome back from Canada, | :33:23. | :33:33. | |
:33:33. | :33:33. | ||
Apology for the loss of subtitles for 56 seconds | :33:33. | :35:37. | |
# Telephone # Just what our feelings | :35:37. | :35:47. | |
:35:47. | :35:47. | ||
Apology for the loss of subtitles for 56 seconds | :35:47. | :36:57. | |
# Both of us singing # And it seems | :36:57. | :37:07. | |
:37:07. | :37:45. | ||
# Bittersweet melodies # A seven nation army | :37:45. | :37:55. | |
:37:55. | :38:07. | ||
# Taking their time # Back and forth through my mind | :38:07. | :38:17. | |
:38:17. | :38:53. | ||
# And the message coming from # Every single one's | :38:53. | :39:03. | |
:39:03. | :39:06. | ||
# From the Queen of England # And if I catch it | :39:06. | :39:16. | |
:39:16. | :39:23. | ||
# And that ain't # And a feeling coming from my bones | :39:23. | :39:33. | |
:39:33. | :39:33. | ||
Apology for the loss of subtitles for 56 seconds | :39:33. | :41:24. | |
Help him to recovery. Ben L'Oncle Soul! The marvellous French sound | :41:24. | :41:28. | |
of soul. Before that we enjoyed Feist. Now I'm joined by Pauline | :41:28. | :41:33. | |
Black. Lovely to see you. Lovely to see you, my darling. Welcome to our | :41:33. | :41:43. | |
:41:43. | :41:43. | ||
show and our worldment -- world. Now you've got this design -- black | :41:43. | :41:47. | |
by design, your autobiography, marvellous book. I was moved by | :41:47. | :41:51. | |
some of the things I started to see. Why did you decide toe write a book | :41:51. | :41:55. | |
of your life now? I think basically because it was one of those things | :41:55. | :41:59. | |
where I've always wanted to look at what identity means and | :41:59. | :42:04. | |
particularly what identity meant to me at a time when multiculturalism | :42:04. | :42:08. | |
is a thing being talked about. I was a mixed race child. I was | :42:08. | :42:12. | |
brought up when Britain still had colonies in a white family. I kind | :42:12. | :42:15. | |
of saw things from the other way round. My parents really brought me | :42:15. | :42:22. | |
up as a little white girl N a way, I designed myself black. When Two | :42:22. | :42:25. | |
Tone came along, the black and white image, playing music together, | :42:25. | :42:33. | |
it was a perfect fit for me. And I just felt that was a story that was, | :42:33. | :42:38. | |
I wanted to write and I wanted to see where it led. Was it enjoyable | :42:38. | :42:43. | |
writing a book? Surprisingly, yes it was, very enjoyable. It led to | :42:43. | :42:48. | |
having a bit of a renaissance and writing an album as well. Which is | :42:48. | :42:54. | |
very G you were the queen of Two Tone. Who were the people you were | :42:54. | :42:57. | |
listening to that you wanted to sound like when you first aware of | :42:58. | :43:04. | |
music? Probably Milly Small when she brought out My Boy Lollipop. | :43:04. | :43:08. | |
This was further on, probably only a couple of years before the Two | :43:08. | :43:13. | |
Tone thing got together, I saw Polystyrene on Top of the Pops and | :43:13. | :43:20. | |
thinking "I want to be her!" We've got something of Selecta here now | :43:20. | :43:30. | |
:43:30. | :43:30. | ||
Apology for the loss of subtitles for 56 seconds | :43:30. | :44:12. | |
Yes, marvellous! And having written your book, if you could, if you had | :44:12. | :44:16. | |
met the ten-year-old you, and were going to give yourself some advice, | :44:16. | :44:20. | |
what would you tell yourself to do? I would tell myself to do pretty | :44:20. | :44:24. | |
much the same that I did. I don't really regret anything I did. It's | :44:24. | :44:28. | |
been a learning process. It's all kind of carrying on in that way. | :44:28. | :44:32. | |
I'm just pleased to be alive and be in a studio like this with other | :44:32. | :44:37. | |
musicians, still doing those kind of things. Just seeing where it | :44:37. | :44:43. | |
goes. You have also are an award winning actress. Is it something | :44:43. | :44:47. | |
you've enjoyed? Do you enjoy that as much as music? I always enjoyed | :44:47. | :44:53. | |
being an actress, particularly the Billy Holiday I won an award for. | :44:53. | :44:57. | |
You get past a certain age, ladies of a certain age, I'm a lady of a | :44:57. | :45:01. | |
certain age these days, the parts aren't as many as they are. For | :45:01. | :45:06. | |
black actresses in this country of a certain age, there are less and | :45:06. | :45:11. | |
less parts. Can you only play people's mothers so many times. I | :45:11. | :45:17. | |
like music. I've always liked music. Are Selecta still performing? | :45:17. | :45:21. | |
are indeed. This is the new album. This is as rare as hen's teeth, a | :45:22. | :45:25. | |
considered made in Britain. And a tour next year as well in March. | :45:25. | :45:29. | |
That will be in a record show, that's as rare as hen's teeth as | :45:29. | :45:35. | |
well. Thanks very much for joining us, Pauline Black, thank you. Black | :45:35. | :45:41. | |
By Design is in the shops. Let's enjoy the wonderful talent of a | :45:41. | :45:51. | |
:45:51. | :46:20. | ||
superb new artist, whom we enjoyed # I kinda know this other guy | :46:20. | :46:30. | |
:46:30. | :46:47. | ||
# Not a coincidence he left me # Was ready to love me | :46:47. | :46:57. | |
:46:57. | :47:00. | ||
# So is it such a problem # As long as he does | :47:00. | :47:04. | |
# I'm glad that it's just my heart that he stole | :47:04. | :47:08. | |
# And left my dignity alone | :47:08. | :47:14. | |
# When in Rome we landed our first kiss | :47:14. | :47:17. | |
# I slurred my words but he pretended not to notice | :47:18. | :47:22. | |
# And then he sat down to play | :47:22. | :47:25. | |
# My heart sang a symphony! | :47:25. | :47:29. | |
# So far so swimmingly | :47:29. | :47:33. | |
# I'm glad I got out to find my fish in that sea | :47:33. | :47:38. | |
# We've come so far | :47:38. | :47:42. | |
# So who gives a damn about the ages we are?! | :47:42. | :47:47. | |
# Ooh oooh oooh | :47:47. | :47:51. | |
# So is it such a problem if he's old? | :47:51. | :47:55. | |
# As long as he does whatever he's told! | :47:55. | :47:59. | |
# I'm glad that it's just my heart that he stole | :47:59. | :48:03. | |
# And left my dignity alone | :48:03. | :48:08. | |
# So is it such a problem if he's old? | :48:08. | :48:12. | |
# As long as he does whatever he's told! | :48:12. | :48:16. | |
# I know that I'm gonna survive the December cold | :48:16. | :48:20. | |
# With somebody to retrieve my long lost soul. | :48:20. | :48:24. | |
# With somebody to retrieve my long lost soul. # | :48:24. | :48:31. | |
APPLAUSE | :48:31. | :48:41. | |
:48:41. | :48:45. | ||
What | :48:45. | :48:45. | |
What an | :48:45. | :48:45. | |
What an enchanting | :48:45. | :48:55. | |
What an enchanting song. From her EP, Lost and Found. We can now | :48:55. | :49:05. | |
:49:05. | :49:05. | ||
Apology for the loss of subtitles for 56 seconds | :49:05. | :51:04. | |
# You pinned me # You know | :51:04. | :51:14. | |
:51:14. | :51:14. | ||
Apology for the loss of subtitles for 56 seconds | :51:14. | :52:12. | |
# But there's really nothing # Swollen orange | :52:12. | :52:22. | |
:52:22. | :52:51. | ||
# Your one piece swimmer # Oh the demons come | :52:51. | :53:01. | |
:53:01. | :53:38. | ||
# He tried to reason with # But it didn't matter | :53:38. | :53:48. | |
:53:48. | :53:48. | ||
Apology for the loss of subtitles for 56 seconds | :53:48. | :56:30. | |
# I cut through the pine Thank you Mastodon. A lot of people | :56:31. | :56:36. | |
what Burl is, it's the part of the, what is the curl of the burl, it's | :56:36. | :56:41. | |
the wood yeah? Yeah. It's the wood. We end with a beautiful song about | :56:41. | :56:44. | |
trees from Mastodon. APPLAUSE | :56:44. | :56:50. | |
I love a tree. I've loved our guests this evening: Lianne La | :56:50. | :57:00. | |
:57:00. | :57:03. | ||
Havas, touring with his big band, Buddy Greco, delighted to have back | :57:03. | :57:08. | |
in this room Bon Ivor. We look forward to reading her book Pauline | :57:08. | :57:14. | |
Black. The sensation of the whole band of mood and beautiful time and | :57:14. | :57:21. | |
the voice of Ben L'Oncle Soul. Next week we have Coldplay, the | :57:21. | :57:26. | |
Water Boys and so much more. Are you ready for that? | :57:26. | :57:28. | |
APPLAUSE Now we finish where we started with | :57:28. | :57:38. | |
:57:38. | :57:38. | ||
Apology for the loss of subtitles for 56 seconds | :57:38. | :58:43. | |
the wonderful sound from Canada, we # We had the same feelings | :58:43. | :58:53. | |
:58:53. | :59:18. | ||
# A good man and a good woman can bring out the worst in each other, | :59:18. | :59:28. | |
:59:28. | :00:05. | ||
# Now the neon river is the same as the moon | :00:05. | :00:13. | |
# When a good man, when a good woman can't find the good in each | :00:13. | :00:21. | |
other # Then a good woman and a good | :00:21. | :00:25. | |
woman # Bring out the worst in the other | :00:25. | :00:35. | |
:00:35. | :00:36. |