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This programme contains Welcome to our show, welcome to our | :00:58. | :01:06. | |
world, and welcome to the wonderful # Written in graffiti | :01:06. | :01:15. | |
# "Do you ever get the feeling that # Written up in marker | :01:15. | :01:25. | |
# "I struggle with the feeling that # See the arrow that they shot | :01:25. | :01:35. | |
:01:35. | :01:35. | ||
Apology for the loss of subtitles for 62 seconds | :01:35. | :02:38. | |
# Yes, I feel nervous # How come they're out when they | :02:38. | :02:48. | |
:02:48. | :02:48. | ||
# So on concrete canvas # I'll be armed with | :02:48. | :02:58. | |
:02:58. | :02:58. | ||
Apology for the loss of subtitles for 62 seconds | :02:58. | :05:14. | |
# When you use your heart We are delighted to have Coldplay | :05:14. | :05:19. | |
back in the studio. Coldplay! We will be hearing more from them on | :05:19. | :05:23. | |
the show and talking to them. Very pleased to have them back and very | :05:23. | :05:28. | |
pleased to have all of our guests here tonight. From Paris, the one | :05:28. | :05:33. | |
and only amazing Camille. From Wellington, New Zealand, especially | :05:33. | :05:40. | |
for us, the Phoenix Foundation. Delighted to welcome back into this | :05:40. | :05:48. | |
room, from Jacksonville, North Carolina, Ryan Adams. From all over | :05:48. | :05:57. | |
the place, but Ireland mostly, a The Waterboys. I will be chatting | :05:57. | :06:02. | |
to Nicky Wire from the Manic Street Preachers. And now, from London, | :06:02. | :06:12. | |
:06:12. | :06:14. | ||
joined by Emili Sande, Professor # I wanna scream till the words | :06:14. | :06:24. | |
:06:24. | :06:36. | ||
Suffered and cried Never mothered or shy to trouble | :06:36. | :06:46. | |
:06:46. | :06:46. | ||
When I wanted to get pence hustled Saying I tried to cash in on | :06:46. | :06:53. | |
I wanted to vent but instead I said nothing at all | :06:53. | :06:54. | |
After all, you were never kin to me | :06:54. | :06:56. | |
Family is something that you never been to me | :06:56. | :06:58. | |
In fact making it harder for me to see my father | :06:58. | :06:59. | |
Was the only thing that you ever did for me. | :06:59. | :07:00. | |
# I wanna sing | :07:00. | :07:01. | |
# I wanna shout | :07:01. | :07:03. | |
# I wanna scream till the words dry out | :07:03. | :07:08. | |
# So put it in all of the papers | :07:08. | :07:11. | |
# I'm not afraid | :07:11. | :07:13. | |
# They can read all about it | :07:13. | :07:16. | |
# Read all about it | :07:16. | :07:19. | |
# Oh | :07:19. | :07:22. | |
# Oh oh oh | :07:22. | :07:24. | |
# Oh | :07:24. | :07:25. | |
# Oh oh oh | :07:25. | :07:26. | |
# Oh oh oh oh. # | :07:26. | :07:29. | |
Yeah, Dad | :07:29. | :07:30. | |
As a kid I looked up to you | :07:30. | :07:31. | |
Only thing was I never saw enough of you | :07:31. | :07:32. | |
Last thing I said to you was I hated you | :07:32. | :07:35. | |
I loved you but now it's too late to say to you | :07:35. | :07:37. | |
Just didn't know what to do and how to deal with it | :07:37. | :07:40. | |
Even now, deep down, I still live it | :07:40. | :07:42. | |
To think I used to blame me I wonder what I did to you | :07:42. | :07:46. | |
To make you hate me I wasn't even five | :07:46. | :07:48. | |
Life's a journey and mine wasn't an easy ride | :07:48. | :07:50. | |
You never even got to see me rap | :07:50. | :07:52. | |
I just wish you woulda reached out | :07:52. | :07:54. | |
I wish you woulda been round when I been down | :07:54. | :07:57. | |
I wish that you could see me now | :07:57. | :07:59. | |
Wherever you are I really hope you find peace | :07:59. | :08:01. | |
But know that if I ever have kids unlike you | :08:01. | :08:04. | |
I'll never let them be without me. | :08:04. | :08:06. | |
# I wanna sing | :08:06. | :08:08. | |
# I wanna shout | :08:08. | :08:10. | |
# I wanna scream till the words dry out | :08:10. | :08:14. | |
# So put it in all of the papers I'm not afraid | :08:14. | :08:20. | |
# They can read all about it | :08:20. | :08:22. | |
# Read all about it | :08:22. | :08:26. | |
# Oh. # | :08:26. | :08:27. | |
I write songs I couldn't listen to | :08:27. | :08:29. | |
Everything I have, I give to you | :08:30. | :08:31. | |
In every one of these lines I sing to you | :08:31. | :08:35. | |
My job's more like public service | :08:35. | :08:37. | |
My life just became yours to read and interpret | :08:37. | :08:39. | |
If you heard it, it'd come across a lot different at times | :08:39. | :08:42. | |
I throw fits when I read how they word things | :08:42. | :08:44. | |
You see me smile | :08:44. | :08:46. | |
Now you're gonna have to see me hurtin' | :08:46. | :08:48. | |
Cos pretending everything is all right | :08:49. | :08:51. | |
When it ain't, really isn't working. | :08:51. | :08:53. | |
# I wanna sing | :08:53. | :08:55. | |
# I wanna shout | :08:55. | :08:57. | |
# I wanna scream till the words dry out | :08:58. | :09:02. | |
# So put it in all of the papers | :09:02. | :09:05. | |
# I'm not afraid | :09:05. | :09:07. | |
# They can read all about it | :09:07. | :09:10. | |
# Read all about it | :09:10. | :09:13. | |
# Oh. # | :09:13. | :09:14. | |
I ain't censoring myself for nobody | :09:14. | :09:24. | |
:09:24. | :09:25. | ||
CHEERING AND APPLAUSE | :09:25. | :09:27. | |
Professor | :09:27. | :09:27. | |
Professor Green. | :09:27. | :09:31. | |
Professor Green. Joined | :09:31. | :09:33. | |
Professor Green. Joined by Emili Sande. Welcome back to the show. | :09:33. | :09:40. | |
She was on a few weeks ago, and how super she was. Now, they have made | :09:40. | :09:46. | |
a beautiful record based on a lot of poetry of W B Yeats. We welcome | :09:46. | :09:56. | |
:09:56. | :09:56. | ||
Apology for the loss of subtitles for 62 seconds | :09:56. | :11:36. | |
# On the leaf-sown, new-mown # The greater grows my light | :11:36. | :11:46. | |
:11:46. | :11:46. | ||
Apology for the loss of subtitles for 62 seconds | :11:46. | :13:16. | |
# On the leaf-sown, new-mown A treat to have The Waterboys in | :13:17. | :13:23. | |
the studio performing songs from their marvellous spell p. | :13:23. | :13:28. | |
Everything good in this corner? Camille, everything good? Beautiful | :13:28. | :13:32. | |
to have you in the room. Coldplay were here and they will be back. | :13:32. | :13:36. | |
But now, with just guitar, playing the title track from his new album, | :13:36. | :13:46. | |
:13:46. | :14:02. | ||
we are delighted to have back in # Well, it gnawed | :14:02. | :14:12. | |
:14:12. | :14:39. | ||
# Her skin smelled like # And the cigarette smoke | :14:39. | :14:49. | |
:14:49. | :14:49. | ||
Apology for the loss of subtitles for 62 seconds | :14:49. | :16:20. | |
# And a heart # And the sailboats | :16:20. | :16:30. | |
:16:30. | :16:48. | ||
# And a heart # Left her with a heart | :16:48. | :16:58. | |
:16:58. | :16:58. | ||
Apology for the loss of subtitles for 62 seconds | :16:58. | :17:42. | |
From the new album by Ryan Adams. And now, conveniently located at a | :17:42. | :17:47. | |
table immediately behind me, I am pleased to welcome into this room | :17:47. | :17:52. | |
Chris and John Lee of Coldplay. Welcome. So nice to have the back | :17:52. | :18:02. | |
in this room with our complimentary bottles of beer. We finished them. | :18:02. | :18:06. | |
And a lovely record to match with your lovely cup of coffee. Thank | :18:06. | :18:10. | |
you. I liked listening to it, I liked the cover, the production and | :18:10. | :18:16. | |
the songs, but I am unsure how to pronounce the title. And the price? | :18:16. | :18:21. | |
The price was pretty good for me. I think it is because I bought quite | :18:21. | :18:26. | |
a lot of them. I bought 20,000 of them. My tip is that it will propel | :18:26. | :18:31. | |
it to number one this Sunday. does, we will thank you. The title | :18:32. | :18:40. | |
is ridiculous but that is what life should be. I assumed it was some | :18:40. | :18:47. | |
German friend. It can be, if you want one. It sounds like a spot | :18:47. | :18:57. | |
:18:57. | :18:58. | ||
cream. I am trying to get it. worked with Brian Eno and his | :18:58. | :19:01. | |
philosophy is, don't be afraid to try anything. So we said, can we | :19:01. | :19:06. | |
call it this weird word question mark he said, No. I am not sure he | :19:06. | :19:12. | |
was listening. He is a genius, but does he have unusual methods in the | :19:12. | :19:21. | |
He just brings up an enthusiasm for what you're doing. When we started | :19:21. | :19:25. | |
working with him we had gone three weird period where we were working | :19:26. | :19:31. | |
out why we were in a band, and what we were doing. He got us back to a | :19:31. | :19:36. | |
point where we just loved playing in a room together again. This is | :19:36. | :19:41. | |
your fifth album. With your first album, it was loads of fun and you | :19:41. | :19:46. | |
could not care less, I am guessing. That was how I felt. And then as | :19:46. | :19:50. | |
you have success, the pressure mounts. I am not sure it is | :19:50. | :19:56. | |
pressure, it is just this new thing. You don't realise how vocal people | :19:56. | :20:01. | |
are about music. Somehow, you become some people's worst enemy by | :20:01. | :20:06. | |
playing the wrong chords, which takes a few weeks to get used to. | :20:06. | :20:12. | |
Van drivers and start. I don't like that B minor. I don't mind people | :20:12. | :20:17. | |
arguing about that kind of thing cost of maybe it is just being from | :20:17. | :20:22. | |
Devon and we are not taught that. You do not have that caught in | :20:22. | :20:32. | |
We had only three chords when I grew up. They brought in a 4th in | :20:32. | :20:38. | |
1986 and I was set alight. Where did you go to learn the 4th chord? | :20:38. | :20:43. | |
I went to Dorset. In Hampshire, they teach you the scales and in | :20:43. | :20:48. | |
London they tell you how to write pop songs. I believe you made up an | :20:48. | :20:54. | |
interesting new word to describe Brian Eno. He made it up. We said, | :20:54. | :21:01. | |
what do you do? Not as aggressively as that. How would you describe | :21:01. | :21:11. | |
:21:11. | :21:12. | ||
what you do? And you're jumping into Nicky Wire's interview. Brian | :21:12. | :21:19. | |
Eno makes up things, and he made up this word. He is like the | :21:19. | :21:29. | |
:21:29. | :21:36. | ||
headmaster in Harry Potter. He is like Gandalf. He is from the Hobbit. | :21:36. | :21:40. | |
We said, would you like to make up your own title for what you do, and | :21:40. | :21:45. | |
that is what he came up with. you were talking to you at 18 years | :21:45. | :21:50. | |
old, 15 years old, what advice would you give to yourself as a 15- | :21:50. | :21:58. | |
year-old? I would probably say, shit, you have got me on the spot. | :21:58. | :22:06. | |
I would not say that. This is not the live show, is it? No, it is not. | :22:06. | :22:11. | |
I would say, don't worry so much, but you should do because that is | :22:11. | :22:16. | |
what makes albums. And 15-year-old me would say, what are you talking | :22:16. | :22:21. | |
about, who are you? You look like an old me. And then I would have | :22:21. | :22:28. | |
run away and hidden. She is telling me to go over there. Isn't it | :22:28. | :22:31. | |
marvellous to have Coldplay here. Thank you very much, Chris and | :22:31. | :22:38. | |
Johnny. We will be hearing more of them later. I did not even get to | :22:38. | :22:45. | |
ask about the graffiti. So much to talk about, so little time. That is | :22:45. | :22:50. | |
life. The next artists are not only superb, but they have come all the | :22:51. | :22:53. | |
way from New Zealand especially to be here tonight. While Khumbu | :22:53. | :23:03. | |
:23:03. | :23:03. | ||
Apology for the loss of subtitles for 62 seconds | :23:03. | :26:58. | |
# Shining stars The song Buffalo, from the album, | :26:58. | :27:07. | |
Buffalo MACRO. -- Buffalo. Thank you. The next artist is one of my | :27:07. | :27:12. | |
favourites. She's from France and I love her voice. I love her records | :27:12. | :27:16. | |
and I am so delighted she is here. If you are at home, Ternopil | :27:16. | :27:26. | |
:27:26. | :28:01. | ||
television and enjoy the # Do you know what it feels like | :28:01. | :28:11. | |
:28:11. | :28:47. | ||
# Do you know what it feels like # Do you know what it feels like | :28:47. | :28:57. | |
:28:57. | :28:57. | ||
Apology for the loss of subtitles for 62 seconds | :28:57. | :29:41. | |
# Do you know what it feels like # Do you know what it feels like | :29:41. | :29:51. | |
:29:51. | :29:52. | ||
Apology for the loss of subtitles for 62 seconds | :29:52. | :30:47. | |
# Para-para # Para-para | :30:47. | :30:57. | |
:30:57. | :31:25. | ||
# Para-para # Life goes on | :31:25. | :31:35. | |
:31:35. | :31:52. | ||
# Para-para # Para-para | :31:52. | :32:02. | |
:32:02. | :32:03. | ||
# Para-para # Para-para | :32:03. | :32:08. | |
# Para-para # Para-para | :32:09. | :32:18. | |
:32:19. | :32:45. | ||
# Lying underneath # "Oh I know the sun | :32:45. | :32:54. | |
# Para-para # Para-para | :32:54. | :33:04. | |
:33:04. | :33:05. | ||
# Para-para # Para-para | :33:05. | :33:10. | |
# Para-para # Para-para | :33:10. | :33:20. | |
:33:20. | :33:36. | ||
# Para-para # Para-para | :33:36. | :33:46. | |
:33:46. | :34:19. | ||
# Para-para Thank you, Coldplay. Such a treat | :34:19. | :34:26. | |
to have them back in the studio. It is so great to have them here. | :34:26. | :34:31. | |
Before that, we enjoyed the amazing Camille. Fantastic to have you here. | :34:31. | :34:37. | |
Thank you so much for coming on the show. You have this record out. You | :34:37. | :34:44. | |
sang beautifully, but would you sink something in French. Yes. I | :34:44. | :34:50. | |
will sing a song about my country, a funny song. We look forward to | :34:50. | :34:54. | |
that in a moment. Thank you, Camille. We will be back with her | :34:54. | :34:59. | |
in a moment. And now, in this corner, back to the poems of WB | :34:59. | :35:09. | |
:35:09. | :35:09. | ||
Apology for the loss of subtitles for 62 seconds | :35:09. | :37:43. | |
# Assistance from others # Was persuaded by summer air to | :37:43. | :37:53. | |
# The decision so innocent # An innocence interrupted | :37:53. | :37:59. | |
# She came from the depths and ascended | :37:59. | :38:02. | |
# Bumped into he who dement | :38:02. | :38:04. | |
# Intent on inflicting the same pain that been lent him | :38:04. | :38:07. | |
# The decision made by he for she had never consented | :38:07. | :38:11. | |
# And unprovoked The most vemonous attack | :38:11. | :38:13. | |
# He took from her that which she can't get back | :38:13. | :38:16. | |
# And left her with that that she can't get rid of | :38:16. | :38:19. | |
# Which is why whenever it's time for lift-off, she | :38:19. | :38:23. | |
# She builds a rocket out of stars in her spoon | :38:23. | :38:29. | |
# Straps up, the only way to make it to the moon | :38:29. | :38:35. | |
# Dear God I hope you haven't for got | :38:35. | :38:39. | |
# This young brave astronaut | :38:39. | :38:49. | |
:38:49. | :38:50. | ||
# And she'd rather feel nothing than the pain | :38:50. | :38:51. | |
# An evening she can't forget Memories she can't stomach | :38:51. | :38:54. | |
# Not for nothing but I need a shot in the vein | :38:54. | :38:57. | |
# Friends she ignored till the phone stopped ringing | :38:57. | :39:00. | |
# Till her door stopped knocking | :39:00. | :39:01. | |
# Her door she only opens to let him in | :39:01. | :39:10. | |
# You can take that either away | :39:10. | :39:11. | |
# A window she rarely opens so she can see the day | :39:11. | :39:12. | |
# Her stove she only uses to heat her spoon | :39:12. | :39:14. | |
# For her the only way she can reach the moon, she | :39:14. | :39:21. | |
# She builds a rocket out of stars in her spoon | :39:21. | :39:27. | |
# Straps up, the only way to make it to the moon | :39:27. | :39:35. | |
# Dear God I hope you haven't forgot | :39:35. | :39:38. | |
# This young brave astronaut | :39:38. | :39:44. | |
# Looking up, looking up, looking up for the young brave astronaut | :39:44. | :39:49. | |
# Give it up, give it up, give it up for the young brave astronaut | :39:49. | :39:55. | |
# I know that you're busy but any time you got | :39:55. | :39:58. | |
# I know that you're busy but any time you got | :39:58. | :40:02. | |
# God, please make a visit | :40:02. | :40:07. | |
# To the young, to the young To the young | :40:07. | :40:10. | |
# To the young brave astronaut | :40:10. | :40:13. | |
# She opens the window for a glimpse out | :40:13. | :40:15. | |
# And heats a spoon over the stove | :40:15. | :40:18. | |
# Feels a familiar sting and then slips out | :40:18. | :40:21. | |
# With a window that isn't quite closed | :40:21. | :40:25. | |
# With the window open and the stove still lit | :40:25. | :40:27. | |
# Along with the rain came a gust of wind | :40:28. | :40:30. | |
# Which blew the fire out | :40:30. | :40:33. | |
# Gas still running and her still breathing the gas in | :40:33. | :40:37. | |
# She builds a rocket out of stars in her spoon | :40:37. | :40:43. | |
# Straps up, the only way to make it to the moon | :40:43. | :40:50. | |
# Dear God I hope you haven't forgot | :40:50. | :40:55. | |
# This young brave astronaut. # | :40:55. | :41:05. | |
:41:05. | :41:20. | ||
Professor | :41:20. | :41:20. | |
Professor Green. | :41:20. | :41:22. | |
Professor Green. The | :41:22. | :41:28. | |
Professor Green. The beautiful poetry of Professor Green. Before | :41:28. | :41:34. | |
that, the Waterboys. And now, from the Manic Street Preachers, I am | :41:34. | :41:37. | |
delighted to welcome back into this room Nicky Wire. Lovely to see you | :41:37. | :41:43. | |
here. Lovely to have you back. We have lots to talk about and only 12 | :41:43. | :41:48. | |
seconds to do it. There is too much talent on the show tonight. I am | :41:48. | :41:53. | |
glad we are not playing. Do you find it stressful when you play | :41:53. | :42:00. | |
here? Very stressful. We love it when you're here. So do I, but it | :42:00. | :42:07. | |
is nerve-racking. Was it nerve- racking making these? There are up | :42:07. | :42:14. | |
30 eighth singles, all 38 singles on one amazing thing. When you look | :42:14. | :42:18. | |
back, are you amazed you stayed together that long? The greatest | :42:18. | :42:23. | |
thing was that we are still best friends. We went to school together | :42:23. | :42:27. | |
at the age of four. It is really unhealthy, knowing somebody for | :42:27. | :42:30. | |
that long. When you did your first singles, did you think you would | :42:30. | :42:35. | |
still be there in five years. think James and Sean, the musicians, | :42:35. | :42:39. | |
they did, but we were just interested in crushing and burning. | :42:39. | :42:44. | |
I think they were in for the long wall. -- crashing and burning. | :42:44. | :42:49. | |
are going to do a show where you will play 38 singles are. Yes, but | :42:49. | :42:53. | |
we will have an interval because we will need steroids, massage and | :42:53. | :43:01. | |
ice-cream. It is part of the ticket price for the audience. I think we | :43:01. | :43:11. | |
have a little bit of video of you doing a song. If you do it | :43:11. | :43:21. | |
:43:21. | :43:24. | ||
# You watch a plane flying across the clear blue sky | :43:24. | :43:31. | |
# This is the day your life will surely change | :43:31. | :43:41. | |
:43:41. | :43:54. | ||
# This is the day when things fall Marvellous. A great record. What is | :43:54. | :43:58. | |
a national treasure. There is a hint of irony in the title. I do | :43:58. | :44:02. | |
not think we have reached that level. Stephen Fry is a national | :44:02. | :44:08. | |
treasure. And I think this is, this book. Like many musicians, you are | :44:08. | :44:11. | |
a visual artist and you have made this great book of Polaroid | :44:11. | :44:17. | |
pictures. When did you first get into them? There are about 10,000 I | :44:17. | :44:24. | |
have from the early 1990s. I had to edit it to 600. Meander Japanese | :44:24. | :44:30. | |
photographer collaborated. He followed us on the road. -- me and | :44:30. | :44:35. | |
a Japanese photographer. They have a unique look to them. They went | :44:35. | :44:41. | |
bust. The digital world tramped over the analogue. I remember being | :44:41. | :44:45. | |
photographed by Paula Yates in my pants on a Polaroid. You used to | :44:45. | :44:50. | |
have to put them under your arm to keep them warm. Which one did you | :44:50. | :44:54. | |
use? The lower pocket. It is a fantastic book, filled with amazing | :44:55. | :44:59. | |
pictures. I am afraid we are running out of time, but it is | :44:59. | :45:09. | |
:45:09. | :45:15. | ||
lovely to see you, Nicky Wire! # I don't remember | :45:15. | :45:25. | |
:45:25. | :45:50. | ||
# And the night will break # Waiting outside | :45:50. | :46:00. | |
:46:00. | :46:02. | ||
# Waiting outside # Like bags of trash in the | :46:02. | :46:12. | |
:46:12. | :46:18. | ||
# We've got nothing # Well, the lights will draw you in | :46:18. | :46:28. | |
:46:28. | :46:33. | ||
# And the night will break # Well, the lights will draw you in | :46:33. | :46:43. | |
:46:43. | :46:43. | ||
Apology for the loss of subtitles for 62 seconds | :46:43. | :48:21. | |
# I don't remember # When we won't have to worry | :48:21. | :48:31. | |
:48:31. | :48:54. | ||
# Is it a crime # So flock of hearts | :48:54. | :49:04. | |
:49:04. | :49:14. | ||
# Through the blood red sky # The sleep of the wheel of fortune | :49:14. | :49:24. | |
:49:24. | :49:43. | ||
# I was trapped in a man's body # So flock of hearts | :49:43. | :49:53. | |
:49:53. | :49:58. | ||
# So flock of hearts # Through the blood red sky | :49:58. | :50:08. | |
:50:08. | :50:45. | ||
# So flock of hearts # Through the blood red sky | :50:45. | :50:55. | |
:50:55. | :51:22. | ||
Thank you the Phoenix Foundation. From their album Buffalo. Before | :51:22. | :51:28. | |
that, we enjoyed Ryan Adams. Our next artist did that amazing song | :51:28. | :51:36. | |
on the floor. On her album, it is full of incredible contrasts. How | :51:36. | :51:45. | |
do we pronounce the title of your our bomb? Exactly! -- your album. | :51:45. | :51:55. | |
:51:55. | :51:55. | ||
Apology for the loss of subtitles for 62 seconds | :51:55. | :55:28. | |
Please welcome come meal. -- # Our minds are at their best | :55:29. | :55:38. | |
:55:39. | :55:43. | ||
# That everything outside us # That everything outside us | :55:43. | :55:53. | |
:55:53. | :55:57. | ||
# Horace by Homer stands # And here is Tully's opened page | :55:57. | :56:04. | |
# Were you and I lads mad as the mist and snow? | :56:04. | :56:10. | |
# Were you and I lads mad as the mist and snow? | :56:11. | :56:17. | |
# Hey hey hey hey | :56:17. | :56:27. | |
:56:27. | :56:46. | ||
# What makes me sigh What makes me shudder so? | :56:46. | :56:52. | |
# I shudder and sigh to think that even Cicero | :56:52. | :57:00. | |
# And many minded Homer were mad as the mist and snow | :57:00. | :57:06. | |
# That Cicero and Homer were mad as the mist and snow | :57:06. | :57:14. | |
# That Cicero and Homer were mad as the mist and snow | :57:14. | :57:19. | |
# That Cicero and Homer were mad as the mist and snow | :57:19. | :57:26. | |
# Mad as the mist and snow | :57:26. | :57:29. | |
# Mad as the mist and snow | :57:29. | :57:33. | |
# Mad as the mist and snow | :57:33. | :57:43. | |
:57:43. | :57:43. | ||
Apology for the loss of subtitles for 62 seconds | :57:43. | :59:13. | |
Thank you to | :59:13. | :59:13. | |
Thank you to The | :59:13. | :59:13. | |
Thank you to The Waterboys. | :59:13. | :59:22. | |
Thank you to The Waterboys. Thank you also to all of our sensation of | :59:22. | :59:28. | |
guests. Thank you, Nicky Wire, with his beautiful book of photographs. | :59:28. | :59:33. | |
Thank you Ryan Adams. Thank you, Professor Green, for his beautiful | :59:33. | :59:42. | |
music, thank you to the Waterboys. Thank you to the Phoenix Foundation. | :59:42. | :59:48. | |
Thank you to the sensational Camille. Next week, Florence and | :59:48. | :59:54. | |
the machine, Pete Townshend, Mary J oblige and much more. But we finish | :59:54. | :00:04. | |
:00:04. | :00:40. | ||
where we started, with the # Took a car downtown | :00:40. | :00:50. | |
:00:50. | :00:53. | ||
# I took a car downtown # I saw the lights go down | :00:53. | :01:03. | |
:01:03. | :01:22. |