Episode 8 Later... with Jools Holland


Episode 8

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Transcript


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This programme contains some strong CHEERING AND APPLAUSE

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Welcome to this incredible world. What a fantastic week and how

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fantastic to have Lou Reed and # If the effort's too high

:01:38.:01:48.
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# You can't catch the moon # Now, me

:02:05.:02:12.

# Not running heat that flames then out

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# But the proud piece of ice that always floats

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# Iced honey

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# Iced honey

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# Iced honey

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# If I can't trap a butterfly # If I can't keep my heart

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# If no matter how much soul and heart I put to the wood

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# If a flaming heart is not that good

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# Iced honey

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# Iced honey

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# Iced honey

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# If you can't put a butterfly # Poured on a piece

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# And your oxygen starts to run out

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# If your final gasp has the recipe wrong

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# Instead of hello You say "So long"

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# If your energy starts to leak out

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# And people wonder what you're all about

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# A heartbreaker with an unattached heart

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# The story of love gives them all a start

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# And me, I've always been that way

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# Not by choice, just this way

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# I can't put my honey pot in a jar

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# Or a heart or a fist of some young boy

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# If you can't put a butterfly in a jar

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# No wonder

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# No need to wonder where you are

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# It might seem like hell the River Styx

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# Your affection never sticks no matter what you say

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# No matter what you do

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# A butterfly heart flies right past you

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# There's nothing to say Nothing to do

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# See if the ice will melt for you

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# See if the ice will melt for you

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# See if the ice will melt for you

:04:42.:04:52.
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Apology for the loss of subtitles for 77 seconds

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So fan tast So fantastic to have Lou Reed and Metallica together.

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Who are our other guests? What an incredible mix. From New Ar Orleans,

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we have Aaron Neville. And brand- new and from London, we're

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delighted to have from London, Various Cruelties. I'm so pleased

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that we have The Soul Rebels Brass Band. They play beautiful. From New

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York, a great man, Steve Earle and The Dukes and dech esz. And

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duchesses. Mr Keb' Mo'. I shall be talking to Nile Rodgers and just

:06:56.:07:03.

generally enjoying myself, but from Shepherd's Bush with a new reggae-

:07:03.:07:13.
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style sound. Please welcome Hollie # You look at the News of the World

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# If only you could shine through the darkness, yeah

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# Hey, and the day and the night you dine out

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# So far the reason you feel lonely

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# Hey, you should try You should try

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# The milk and the rice

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# With just a bit of honey

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# Every day in the evening paper view

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# You see the boys and the girls

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# They wanna be famous

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# You talk and laugh You don't care for the rules

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# You know that nothing ever really changes

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# Yeah

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# Hey, and the day and the night you dine out

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# So far the reason you feel lonely

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# Hey, you should try You should try

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# The milk and the rice

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# With just a bit of honey. #

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HE SCATS

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Apology for the loss of subtitles for 77 seconds

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The

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The wonderful,

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The wonderful, Hollie

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The wonderful, Hollie Cook. Milk And Honey from her new album,

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Hollie Cook. I'm delighted to welcome one of the great poets of

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American music. He is joined by his band The Dukes and and duchesses.

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# I grew up in a military town # Wonderin' what to do

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# Lookin' back # To sing about livin'

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# Chicken Little # Spent a lonely lifetime

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# Never once crossed # Come upon an ocean

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# Walkin' on the water # Searchin' for the Holy Grail

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# Been across the oceans # Been around enough

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# Been around enough # Now I'm sitting

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# Singin' a song about a red-headed girl

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# Was a time I would have said them days was gone

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# But I'm givin' it another whirl

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# Didn't know that I was gonna live this long

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# Now I'm sittin' on top of the world

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# Sittin' on top of the world, y'all

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# Sittin' on top of the world

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# Eyes wide open till the messenger calls

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# Sittin' on top of the world. #

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APPLAUSE

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The

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The love

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The love this

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The love this band, The Dukes and Duchesses, Steve Earle.

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We saw them, we heard them earlier on in this show, what a fantastic

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pairing of people, one and one has added up to 237. We welcome

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Metallica and Lou Reed. It is lovely to have you back. It is

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great to have you in this room. What an exciting start to the show

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as well an interesting pairing. A very inspiring room to be in.

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It shocked a lot of people the pairing. Who met who? We were both

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trying on the same pair of jeans. At the same time? Yes. We got a

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little stock of them and we got talking. We played at the the

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Rock'n'roll Hall of Fame together. We played there and we had so much

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fun that I yelled at him down the hall "we should do this again."

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"let's make a record together, Lou.". For fun. That's why people

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are supposed to do this, for the fun and not the money.

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They agree with you. We agree with you. I put the record on and it is

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great. It is like going into a very, it is like going into a 1930s

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surrealist dark film for me and I like that. Blank faces.

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That's one of the nicest things I heard!

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I don't know, you know, is hamlet dark? Yes.

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Well, that's dark. LAUGHTER

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Shakespeare is dark. Anyway... Everybody is dead at the end of

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Shakespeare. So tell us who Lulu? He is a German

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character. He took two swipes at T it was essentially to stir this up.

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He took two swipes, and in any Pandora's box, Louise Brookes took

:17:30.:17:40.
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a silent movie trapes at it. Then a a director wanted to take a crack

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at it. He asked me to get involved with the music and they did it as

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you might think would be done over there and I took the whole thing

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and went over here. That is a a different zone to the

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German opera. We would like to think so.

:18:07.:18:13.

Can we see you you playing in places? Let's see how tonight goes.

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That was the first time we ever played.

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What do you think so far? ALL: Very good.

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This was the first time we ever played outside the rehearsal room.

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The tempo was so heavy. Oh, the temp ewas -- tempo was great.

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He comes in where others leave off. The last time you were here, I said,

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"What's your perfect day?" You said you wouldn't know what a perfect

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day was if it came up and bit you. It is all true. Nothing has

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changed? My idea of perfect day is this. That's the whole reason for

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everything. The minute that beat kicks in, that's it for me.

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Yes. How about you, what's your perfect day? It is probably being

:19:02.:19:07.

at home on a weekend with my kids. Getting away from those people. It

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is great to have you both here. is nice to be back.

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We are really happy to be here with you Jools.

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Thank you very much to Metallica and Lou Reed. And now, we move to

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this corner and enjoy a brand-new band, Various Cruelties.

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# The universe # We'll spin around the planets

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# Mercury is rushing through # The universe is gonna throw it

:19:57.:20:07.
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# To get it back # Put your faith

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# Release it, watch it burn up # Just give up the ghost

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# You know it doesn't have to be a mystery

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# Ohh-ohhh-ohh oh oh-ohh-ohh oh

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# To get it back All we need is let it go

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# Ohh-ohhh-ohh oh oh-ohh-ohh oh

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# Put your faith Put your trust in the chemicals

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# Ohh ohh-ohh ohh ohh-ohh

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# Ohh ohh-ohh ohh ohh-ohh

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# If it's meant to be

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# The universe is gonna throw it back to me

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# If it's meant to be

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# The universe is gonna throw it back to me

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# It's gonna throw it back to me

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# Ohh-ohhh-ohh oh oh-ohh-ohh oh

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# To get it back All we need is to let it go

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# Ohh-ohhh-ohh oh oh-ohh-ohh oh

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# Put your faith Put your trust in the chemicals

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# Ohh-ohhh-ohh oh oh-ohh-ohh oh

:21:54.:21:57.

# To get it back All we need is to let it go

:21:57.:22:00.

# Ohh-ohhh-ohh oh oh-ohh-ohh oh

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# Put your faith Put your trust in the chemicals

:22:04.:22:08.

# Put your faith, put your trust in the chemicals

:22:08.:22:12.

# Put your faith Put your trust in the chemicals. #

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APPLAUSE

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Various

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Various Cruelties,

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Various Cruelties, ladies

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Various Cruelties, ladies and gentlemen.

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So now, some people have a wall of sound. You have got a wall of sound

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and a wall, ladies and gentlemen. I think it deserves a round of

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applause. So now our next artist, I am such a fan of this man, I bought

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his records, he has a lovely new record out called The Reflection.

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# Tell the truth # Now you got a girl

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# Put a smile on your face # To love somebody

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# That you gotta # What you're gonna do

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# Than the man you had # What you gonna do

:23:54.:24:04.
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# Where your anticipation # We all get used

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# But now you're dealing with a situation

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# That involves someone else

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# Well, it's about to get different

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# You're gonna need a new device

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# Cos she's gonna open up your mind

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# And open up your life

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# So tell me now

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# That you gotta whole enchilada

:24:36.:24:39.

# Now that you gotta

:24:39.:24:42.

# What you're gonna do?

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# Are you gonna be any better

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# Than the man you had to be to get her?

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# Oh, now that you gotta

:24:48.:24:51.

# What you gonna do What you gonna do?

:24:51.:24:54.

# What you gonna do?

:24:54.:25:04.
:25:04.:25:12.

# This is the beginning

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# Are you ready to learn

:25:14.:25:16.

# To love somebody for a lifetime?

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# Wake up, it's your turn

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# So tell me now

:25:21.:25:25.

# That you gotta whole enchilada

:25:25.:25:28.

# Now that you gotta

:25:28.:25:31.

# What you're gonna do What you gonna do?

:25:31.:25:33.

# Are you gonna be any better

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# Than the man you had to be to get her?

:25:35.:25:37.

# Oh, now that you gotta

:25:37.:25:40.

# What you gonna do What you gonna do?

:25:40.:25:46.

# What you gonna do?

:25:46.:25:56.
:25:56.:25:57.

APPLAUSE

:25:57.:26:07.
:26:07.:26:38.

# I am a chorus

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# Of the voices

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# That gather up the magnets

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# Set before me

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# I attract you

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# And repel you

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# A science of the heart

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# And blood and meaning

:26:55.:27:01.

# The coldness of most beauties is a challenge that our youth

:27:01.:27:06.

# Must quickly conquer

:27:06.:27:08.

# There is no time for guilt

:27:08.:27:09.

# Or second guessing Second guessing

:27:09.:27:11.

# Based on feeling

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# I am the truth, the beauty

:27:15.:27:17.

# That causes you to cross your sacred boundaries

:27:17.:27:21.

# I have no morals Some think me cheap

:27:21.:27:29.

# And someone who despises

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# The normalcy of heartbreak

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# The purity of love

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# But I worship the young and just-formed angel

:27:41.:27:43.

# Who sits upon the pin of lust

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# Everything else

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# Bores me

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# I want to see your suicide I want to see you give it up

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# Your life of reason

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# I want you on the floor

:28:01.:28:05.

# And in a coffin your soul shaking

:28:05.:28:08.

# I want to have you doubting

:28:08.:28:10.

# Every meaning you've amassed

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# Like a fortune

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# Oh, throw it away

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# For worship someone who actively despises you

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# For worship someone who actively despises you

:28:26.:28:35.

# I am the root

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# I am the progress

:28:38.:28:41.

# I'm the aggressor

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# I am the tablet

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# These ten stories Ah

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:28:57.:29:04.

# Pain and evil have their place sitting here beside me

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# I offer them to you as servants of the gold that you must give

:29:07.:29:11.

# Pain and evil have their place

:29:11.:29:13.

# Sitting here beside me and I offer them

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# I offer them to you

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# As servants of the gold that you must give to me

:29:18.:29:20.

# I want to see your suicide

:29:20.:29:22.

# I want to see you give it up

:29:22.:29:24.

# Give it up your your life of reason

:29:24.:29:27.

# I want to see you on the floor

:29:27.:29:37.
:29:37.:29:43.

# And in a coffin soul shaking

:29:43.:29:46.

# Soul shaking

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# I want to have you doubting

:29:48.:29:50.

# Every meaning you've amassed like a fortune

:29:50.:29:54.

# Like a fortune throw it away

:29:54.:29:57.

# For worship of someone who actively despises you

:29:57.:30:02.

# Who actively despises you

:30:02.:30:08.

# I am the view

:30:08.:30:11.

# I am the table

:30:11.:30:13.

# I am the view

:30:13.:30:16.

# I am the table

:30:16.:30:17.

# I am all this

:30:17.:30:18.

# I am the root

:30:18.:30:20.

# The progress

:30:20.:30:21.

# The aggressor

:30:22.:30:23.

# I am the table

:30:23.:30:25.

# I am the ten stories

:30:25.:30:26.

# I am the table

:30:26.:30:28.

# I am

:30:28.:30:29.

# I am

:30:29.:30:32.

# I am

:30:32.:30:42.
:30:42.:30:42.

Apology for the loss of subtitles for 77 seconds

:30:42.:31:32.

APPLAUSE

:31:32.:31:42.
:31:42.:31:44.

Mixed

:31:45.:31:45.

Mixed together

:31:45.:31:45.

Mixed together for

:31:45.:31:48.

Mixed together for the first time ever on British it is, Lou Reed and

:31:48.:31:54.

Metallica. CHEERING AND APPLAUSE

:31:54.:32:04.
:32:04.:32:04.

Before that, we enjoyed the wonderful, Keb' Mo'.

:32:04.:32:10.

I love a room where we have new people and we have a fair share of

:32:10.:32:20.
:32:20.:32:21.

legends. We welcome Nile Rodgers. It is good to see you, Nile. What a

:32:21.:32:27.

good book. Filled with chic and all the incredible people you produced,

:32:27.:32:36.

you name it, you produced them, Diana Ross and David Bowy, but --

:32:36.:32:39.

Bowie, you have written this book. Why did you decide to write a book

:32:40.:32:44.

now? I was actually tricked into doing it by a literary agent, but

:32:44.:32:48.

once I started doing it, I started to interview my family and a lot of

:32:48.:32:53.

artists and a lot of friends ands as I started to hear their answers,

:32:53.:32:58.

I got more and more fascinated with what our lives were like and I just

:32:58.:33:01.

kept and the next thing you know, four years later I was done.

:33:01.:33:05.

were you asking, could you not remember what had gone on?

:33:05.:33:09.

remembered well, but I wanted to get it right. If two people were

:33:09.:33:14.

standing on a corner and we see an accident and somebody asks you,

:33:14.:33:18.

"Jools, describe what you saw?" It will be different.

:33:18.:33:25.

I'm sure that is true. Of course, you were the co-founder.

:33:25.:33:28.

What an amazing group. What do you think was the key to it for you?

:33:29.:33:32.

think what happened was we came along at a very interesting time

:33:32.:33:38.

where we were able to fuse R&B with jazz and with dance with rock

:33:38.:33:42.

overtones and do something that was speaking to the heart and soul of

:33:42.:33:46.

the New York dance scene at the time. Studio 54 was the centre as

:33:46.:33:51.

you well know the disco universe and I lived around the corner.

:33:51.:33:57.

So it was easy to get to. I was living on 52nd Street.

:33:57.:34:03.

Were you in there every night? was in there almost every night

:34:03.:34:08.

after they let me in. We have a little bit of footage

:34:08.:34:18.
:34:18.:34:22.

# All that pressure got you down # Your head spinning all around

:34:22.:34:26.

# Feel the rhythm # Check the vibe

:34:26.:34:35.

# I'm going along to have a good time

:34:36.:34:45.

# Oh what a joy # Just come on down

:34:45.:34:50.

# Freak out # So chic

:34:50.:34:56.

# Freak out # That was fantastic.

:34:57.:35:03.

That was from 1978 and Nile Rodgers is here with us now. Nile, that was

:35:03.:35:06.

one part of your life, but the other big professional part of your

:35:06.:35:11.

life is as a record producer. You must be one of the most successful

:35:11.:35:15.

record producers there has ever been, 100 million records, all the

:35:15.:35:21.

great artists, you have produced them. Often producers aren't sure

:35:21.:35:25.

what they do. How would you describe what your job has been as

:35:25.:35:32.

a producer. Quincy Jones said the producer

:35:32.:35:38.

afrecord is like a Director of A film. A record is a smaller project,

:35:38.:35:42.

we have to handle every aspect. I have to deal with the budget, the

:35:42.:35:46.

psychology if it is a ban and I have to turn the -- band and I have

:35:46.:35:50.

to turn the project on time and under budget and I do that most of

:35:50.:35:56.

the time except when I'm working with Duran Duran!

:35:56.:35:59.

When it is over budget, but at least if we have hits all is

:35:59.:36:04.

forgiven. I think the psychology must be

:36:04.:36:07.

different having to - especially if they are arguing. What's your tip

:36:07.:36:14.

to get people to work together? be the bad guy or the good guy. I

:36:14.:36:18.

mean typically I have been lucky in that every band I worked with, I

:36:18.:36:26.

just become part of the band. I try and hear every aspect of the story

:36:27.:36:30.

and that's just it. I mean, you know, if you read the book, there

:36:30.:36:36.

is not many bad things except for me. I'm doing the bad bad stuff.

:36:36.:36:43.

You're too good really. An amazing man and an incressable book --

:36:43.:36:53.
:36:53.:36:54.

incredible book. We're delighted to have Nile Rodgers.

:36:54.:36:55.

APPLAUSE A great legend of of the popular

:36:55.:37:00.

music world. This week, we have two artists from New Orleans. This lot

:37:00.:37:05.

are brand-new and fantastic and the other is a legend of New Orleans

:37:05.:37:15.
:37:15.:37:15.

Apology for the loss of subtitles for 77 seconds

:37:15.:40:33.

music. We welcome The Soul Rebels # I'm rollin' down

:40:33.:40:41.

# I know it ain't OK but I can't stop wantin' you

:40:41.:40:45.

# I do the best that I can

:40:45.:40:48.

# I'm starin' in a highbeam headlight

:40:48.:40:51.

# Burnin' your name On the back of my brain

:40:51.:40:55.

# I swear I hear you callin'

:40:55.:40:58.

# I might have to turn around cos I'm goin' insane

:40:58.:41:08.

# I love you baby but I just can't tell

:41:08.:41:10.

# This kinda love comes from Heaven or hell

:41:10.:41:14.

# Heaven or hell

:41:14.:41:18.

# Heaven or hell

:41:18.:41:27.

# New moon against a long, dark, midnight blue

:41:27.:41:31.

# Ain't a star any brighter than you

:41:31.:41:35.

# I look in your eyes and I see that spark inside

:41:35.:41:39.

# And it's all I can do

:41:39.:41:42.

# To keep tellin' myself there ain't no way

:41:42.:41:46.

# You're gonna do me like you did then

:41:46.:41:50.

# I'm standin' my ground on feet of clay

:41:50.:41:54.

# Oh, no, here I go again

:41:54.:42:01.

# I love you baby but I just can't tell

:42:01.:42:05.

# This kinda love comes from Heaven or hell

:42:05.:42:10.

# Heaven or hell

:42:10.:42:13.

# Heaven or hell

:42:13.:42:22.

# There ain't nothing nobody can say

:42:22.:42:29.

# There ain't nothing nobody can say

:42:29.:42:32.

# There ain't nothing nobody can do

:42:32.:42:36.

# Get down on their knees and pray

:42:36.:42:40.

# I love you baby but I just can't tell

:42:40.:42:47.

# This kinda love comes from Heaven or hell

:42:47.:42:51.

# Heaven or hell

:42:51.:42:54.

# Heaven or hell

:42:54.:43:04.
:43:04.:43:04.

# I love you baby but I just can't tell

:43:04.:43:14.
:43:14.:43:26.

# I love you baby but I just can't tell. #

:43:26.:43:36.
:43:36.:43:44.

APPLAUSE

:43:44.:43:54.
:43:54.:43:56.

The

:43:56.:43:57.

The sweet

:43:57.:43:57.

The sweet sound

:43:57.:44:06.

The sweet sound of Allison Moorer and Steve Earle's voice. Steve

:44:06.:44:11.

Earle. Before that, I think we all enjoyed the The Soul Rebels Brass

:44:11.:44:18.

Band. We liked them, didn't we? Yes. I can see them next week at the

:44:18.:44:23.

London Jazz Festival and another fantastic artist from New Orleans

:44:23.:44:27.

is here now, Keb' Mo' is going to join us now. This particular artist

:44:27.:44:32.

has done a fantastic new record of church church songs that inspired

:44:32.:44:35.

him when he was a young lad. We welcome into this room, Aaron

:44:35.:44:45.
:44:45.:44:54.

# Travelling through # I've got a home built

:44:54.:45:01.

# And it's not not made by hand

:45:01.:45:08.

# And I got a mother a sister and a father

:45:08.:45:14.

# Who have gone on now to the other shore

:45:14.:45:21.

# And I am determined to go and see them, good Lord

:45:21.:45:29.

# And to be with them for evermore

:45:29.:45:37.

# And I go down to the River of Jordan

:45:37.:45:43.

# Just to bathe my my weary soul

:45:43.:45:49.

# If I can but touch the hem of his garment, good Lord

:45:50.:45:57.

# That is how I know he'll make me whole

:45:57.:46:05.

# And when he lays me down for the last time

:46:05.:46:15.
:46:15.:46:37.

# And when he lays me down for the last time

:46:37.:46:41.

# With his hard hand resting on my breast

:46:41.:46:47.

# And I don't want all that weeping and crying over me

:46:47.:46:55.

# Cos you know that I've gone to rest

:46:55.:47:05.
:47:05.:47:05.

# I am a pilgrim and a stranger

:47:05.:47:09.

# Travelling through this this wearisome land

:47:09.:47:16.

# And I've got a home in that yonder city, good Lord

:47:16.:47:23.

# And it's not not made by hand. #

:47:23.:47:33.
:47:33.:47:40.

APPLAUSE

:47:40.:47:50.
:47:50.:47:55.

You all right? How are you feeling? Can I hear you?

:47:55.:48:05.
:48:05.:48:05.

CHEERING

:48:05.:48:13.

I

:48:13.:48:13.

I can't

:48:13.:48:14.

I can't hear

:48:14.:48:24.
:48:24.:48:29.

# It's been so long # My body beats

:48:29.:48:39.
:48:39.:49:07.

# It's been so long # I've been missing you

:49:07.:49:12.

# My body beats and I'm feeling raw

:49:12.:49:14.

# Huh! Stick like Henkle Glue

:49:14.:49:20.

# Huh! Stick like Henkle Glue

:49:20.:49:22.

# Too much places I had fun

:49:22.:49:24.

# Where? Playing the game

:49:24.:49:25.

# Scoring my name

:49:25.:49:27.

# Couldn't have been so wrong

:49:27.:49:28.

# Woman!

:49:28.:49:29.

# But you, you come back

:49:29.:49:31.

# Look how you hot

:49:31.:49:33.

# Turn round the world full of diamonds and pearls

:49:33.:49:36.

# You come back Look how you hot

:49:36.:49:39.

# Turn around the world full of diamonds and pearls

:49:39.:49:43.

# Where have you been to?

:49:43.:49:47.

# A long time I've been missing you, you, you

:49:47.:49:50.

# Anno lie me a tell it is the truth

:49:50.:49:53.

# Cos the love still there it will natural grow

:49:53.:49:56.

# Too much space where you belong

:49:56.:49:59.

# Somewhere dark and warm

:49:59.:50:01.

# It's feeling so right

:50:01.:50:02.

# To be wrong

:50:02.:50:05.

# Well, explain Na

:50:05.:50:08.

HE SCATS

:50:08.:50:10.

# It's been so long since

:50:11.:50:13.

# I've been home

:50:13.:50:14.

# I've been missing you from the start

:50:14.:50:16.

# My body beats and I'm feeling raw

:50:16.:50:18.

# Huh! Stick like Henkle Glue

:50:18.:50:27.

# It's been so long since

:50:27.:50:29.

# I've been home

:50:29.:50:31.

# I've been missing you from the start

:50:31.:50:32.

# My body beats and I'm feeling raw

:50:32.:50:34.

# Huh! Stick like Henkle Glue

:50:34.:50:44.
:50:44.:50:52.

# Too much places I had fun

:50:52.:50:54.

# Where? Playing the game

:50:54.:50:55.

# Scoring my name

:50:56.:50:58.

# Couldn't have been so wrong

:50:58.:51:01.

# Me atell you

:51:01.:51:04.

# It couldn't have been so wrong

:51:04.:51:09.

# It couldn't have been so wrong

:51:09.:51:19.
:51:19.:51:23.

# Yeah! #

:51:23.:51:25.

APPLAUSE

:51:25.:51:35.
:51:35.:51:41.

What

:51:41.:51:41.

What a

:51:41.:51:41.

What a marvellous

:51:41.:51:49.

What a marvellous group, Hollie Cook.

:51:49.:51:58.

The delightful reggae sound. Hey, I will have a quick chat with

:51:58.:52:02.

Aaron. Aaron Neville, ladies and gentlemen.

:52:02.:52:03.

APPLAUSE That's a beautiful song you played

:52:03.:52:07.

there. What other songs have you got on your record? This is a

:52:07.:52:15.

gospel record. It is sort of rhythm 'n' blues and it was a 50 year

:52:15.:52:18.

anniversary of my recording. That's beautiful.

:52:18.:52:24.

It is 50 years? 1960, yeah. We are delighted to have new the

:52:24.:52:33.

studio. APPLAUSE

:52:33.:52:35.

Can we manoeuvre into this corner and welcome a brand-new band,

:52:35.:52:45.
:52:45.:52:50.

# You know that # Packing up my suitcase

:52:50.:53:00.
:53:00.:53:05.

# We're dancing on ashes # Cos everything feels

:53:05.:53:10.

# But some things you just never seem to know

:53:10.:53:16.

# Do we fade out or burn like the sun?

:53:16.:53:21.

# Do we let it all go or hold on?

:53:21.:53:26.

# Do we see this through together as one?

:53:26.:53:31.

# Or do we go it alone?

:53:31.:53:35.

# Into the great unknown

:53:35.:53:39.

# Staring at these beautiful scars

:53:39.:53:48.

# Staring at these beautiful scars

:53:48.:53:53.

# Of all the things we hurt for written on our hearts

:53:53.:53:58.

# Somehow you still make me believe

:53:58.:54:04.

# Cos everything feels too familiar

:54:04.:54:08.

# But some things you just never seem to know

:54:08.:54:14.

# Do we fade out or burn like the sun?

:54:14.:54:19.

# Do we let it all go or hold on?

:54:19.:54:24.

# Do we see this through together as one?

:54:24.:54:29.

# Or do we go it alone?

:54:29.:54:32.

# Into the great unknown

:54:32.:54:37.

# Whoa ooh oh

:54:37.:54:40.

# Whoa oh oh oh ah oh

:54:40.:54:43.

# Whoa ooh ah ooh

:54:44.:54:46.

# Whoa ooh ah ooh

:54:46.:54:48.

# Whoa ooh oh

:54:48.:54:51.

# Whoa oh oh oh ah oh

:54:51.:54:57.

# Do we fade out or burn like the sun?

:54:57.:55:01.

# Do we let it all go or hold on?

:55:01.:55:06.

# Do we see this through together as one?

:55:06.:55:11.

# Or do we go it alone?

:55:11.:55:14.

# Into the great unknown

:55:14.:55:18.

# Whoa ooh oh

:55:18.:55:20.

# Whoa oh oh oh ah oh

:55:20.:55:23.

# Whoa ooh ah ooh

:55:23.:55:29.

# Do we see this through together as one?

:55:29.:55:32.

# Or do we go it alone into the great unknown? #

:55:32.:55:40.

APPLAUSE

:55:40.:55:47.

# Come and gather round me, people and a tale to you I'll tell

:55:47.:55:54.

# Of my father and his father in the days before the spill

:55:55.:56:02.

# With an endless sky above 'em and a restless sea below

:56:02.:56:11.

# And every blessing flowing from the Gulf of Mexico

:56:11.:56:21.
:56:21.:56:21.

# Well, my granddad worked the shrimp boats

:56:21.:56:31.
:56:31.:56:36.

# Well, my granddad worked the shrimp boats

:56:36.:56:40.

# From the time that he was grown

:56:40.:56:44.

# And he scrimped and saved and bought himself

:56:44.:56:49.

# A trawler of his own

:56:49.:56:53.

# He was rough and he was ready and he drank when he was home

:56:54.:57:01.

# And he made his family's living on the Gulf of Mexico

:57:01.:57:10.

# He was rollin'

:57:10.:57:14.

# He was rollin'

:57:14.:57:18.

# Cross the deep blue water

:57:19.:57:23.

# He was rollin'

:57:23.:57:33.
:57:33.:57:45.

# Well, my daddy drove a crew boat hauling workers to the rigs

:57:45.:57:52.

# He was sick of mending nets

:57:52.:57:57.

# And couldn't stand the smell of fish

:57:57.:58:01.

# He drew a steady paycheck 20 years to Texaco

:58:01.:58:10.

# When he died, we spread his ashes on the Gulf of Mexico

:58:10.:58:18.

# He was rollin'

:58:18.:58:22.

# He was rollin'

:58:23.:58:27.

# Cross the deep green water

:58:27.:58:31.

# He was rollin'

:58:31.:58:41.
:58:41.:58:41.

Apology for the loss of subtitles for 77 seconds

:58:41.:59:35.

# That I stepped out on the drilling floor

:59:35.:59:40.

# To earn a roughneck's pay

:59:40.:59:44.

# Then one night I swear I saw the devil

:59:44.:59:48.

# Crawlin' from the hold

:59:48.:59:52.

# And he spilled the guts of hell out

:59:52.:59:56.

# In the Gulf of Mexico

:59:56.:00:01.

# We were rollin'

:00:01.:00:05.

# We were rollin'

:00:06.:00:11.

# Cross the blood-red water

:00:11.:00:15.

# We were rollin'. #

:00:15.:00:23.

APPLAUSE

:00:23.:00:33.
:00:33.:00:39.

Steve

:00:39.:00:39.

Steve Earle

:00:39.:00:40.

Steve Earle and

:00:40.:00:43.

Steve Earle and The Dukes and dech us. The -- The Dukes and the

:00:43.:00:48.

duchesses. The wonderful Steve Earle. Thank you to all our guests

:00:48.:00:53.

this week. Thank you to Hollie Cook. Thank you to Keb' Mo' and Nile

:00:53.:00:58.

Rodgers. Thank you to The Soul Rebels Brass Band. Thank you,

:00:58.:01:06.

Various Cruelties. Thank you Aaron Neville. Next week, we have a

:01:06.:01:09.

special compilation show some of people who have been on the show in

:01:09.:01:15.

the last that had huge success. In two weeks live time live, we will

:01:15.:01:21.

have the Red Hot Chilli Peppers, but now we finish with a unique and

:01:21.:01:31.
:01:31.:01:38.

amazing performance from Lou Reed # White light

:01:38.:01:48.
:01:48.:01:58.

# Don't you know # Ooooh, don't you know

:01:58.:02:08.
:02:08.:02:35.

# White light, light moving # White light

:02:35.:02:40.

# Ooooh, white heat Goin' down to my toes

:02:40.:02:50.
:02:50.:02:53.

# Lord, have mercy White light had it, goodness knows

:02:53.:02:58.

# Ooooh, white light

:02:58.:03:04.

# Ooooh, white heat

:03:04.:03:09.

# Ooooh, white light

:03:09.:03:16.

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