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Good evening, Britain. Good evening, the world. We're live. It's April. | :00:15. | :00:18. | |
The showers, the sunshine - there is laughter. There is tears, and in | :00:18. | :00:26. | |
here, a brand new live series of fantastic music. Let's start with | :00:26. | :00:36. | |
:00:36. | :00:36. | ||
somebody who is truly great, a great voice, a great laugh - we | :00:36. | :00:46. | |
:00:46. | :00:46. | ||
Apology for the loss of subtitles for 69 seconds | :00:46. | :01:56. | |
# But what it shows # But what it shows | :01:56. | :02:06. | |
:02:06. | :02:06. | ||
Apology for the loss of subtitles for 69 seconds | :02:06. | :03:00. | |
# And crash back through Paul Weller, tonight celebrating | :03:00. | :03:05. | |
his marvellous new LP. That was The Attic. Tonight we have a room full | :03:05. | :03:09. | |
of amazing people. From Chicago, Willis Earl Beal. I'll be chatting | :03:09. | :03:16. | |
to Mike Skinner. From South London, we'll enjoy The Maccabees. | :03:16. | :03:18. | |
APPLAUSE From Brazil, which is a long way to | :03:18. | :03:24. | |
go and a long way for me to walk - we will be welcoming Cell. | :03:24. | :03:29. | |
From Glasgow, his first solo record for awhile, and we're welcoming the | :03:29. | :03:39. | |
wonderful Paul Buchanan. But now from Newcastle, the superb | :03:39. | :03:49. | |
:03:49. | :04:08. | ||
sound of Beth Jeans Houghton and # You walked through her door | :04:08. | :04:18. | |
:04:18. | :04:21. | ||
# I see, I see amour, when looking through lenses | :04:21. | :04:29. | |
# Cry blind for creation like you're blind for me | :04:29. | :04:37. | |
# Ride swift through the houses like blood rides through me | :04:37. | :04:47. | |
# Red wine and whiskey are no good for me | :04:47. | :04:53. | |
# Ride swift through the houses like blood rides through me | :04:53. | :04:58. | |
# Red wine and whiskey are no good for me | :04:58. | :05:04. | |
# Dissecting the atlas for places we've been | :05:04. | :05:08. | |
# Your list is longer but you've got more years on me | :05:08. | :05:18. | |
:05:18. | :05:22. | ||
# A token to dispense, we take it all in doubles | :05:22. | :05:28. | |
# And weeping on concrete then stealing away | :05:28. | :05:37. | |
# You opened up her mouth and let out all her secrets | :05:37. | :05:43. | |
# Assumed her disordered in her thirst to stray | :05:43. | :05:53. | |
:05:53. | :06:06. | ||
# So pray, sleep sweet and sharpenyour teeth and escape from this body | :06:06. | :06:06. | |
# Your soul is impounded beneath | :06:06. | :06:08. | |
# Abort the nonchalance and clap for your culture | :06:08. | :06:15. | |
# Your tanned hide exerting the sum of your parts | :06:15. | :06:23. | |
# The bridges will advance devout of their structure | :06:23. | :06:29. | |
# Armour the estuaries that plough through your heart | :06:29. | :06:37. | |
# Ride swift through the houses like blood rides through me | :06:37. | :06:41. | |
# Red wine and whiskey are no good for me | :06:41. | :06:49. | |
# Dissecting the atlas for places we've been | :06:49. | :06:56. | |
# Your list is longer but you've got more years on me. # | :06:56. | :07:06. | |
:07:06. | :07:14. | ||
CHEERING AND APPLAUSE | :07:14. | :07:21. | |
That's | :07:21. | :07:21. | |
That's Jean | :07:21. | :07:22. | |
That's Jean Quan, | :07:22. | :07:28. | |
That's Jean Quan, another beautiful bit of vocalised harmonies there, | :07:28. | :07:33. | |
the Hooves Of Destiny. In a moment, we're going to be coming over to | :07:33. | :07:39. | |
this area, and Mid Air, Paul Buchanan has his new solo record, | :07:39. | :07:46. | |
the Blue Nile. What will you be playing from this? Jools, you and I | :07:46. | :07:51. | |
will be playing Mid Air. I will look forward to seeing Paul | :07:51. | :07:55. | |
Buchanan in a moment. But now, let's go to this direction here and | :07:55. | :08:05. | |
:08:05. | :08:15. | ||
# So soon we're, so soon we're # And we knew we only | :08:15. | :08:22. | |
# Before you know it before you know it | :08:22. | :08:24. | |
# Before you know it parent a parent | :08:24. | :08:27. | |
# Ohhh, ohhh, ohhh | :08:27. | :08:37. | |
# To have it all, to have it allTo have it all and still want more | :08:37. | :08:40. | |
# One thing's for sure One thing's for sure | :08:40. | :08:44. | |
# One thing's for sure we're all getting older | :08:44. | :08:46. | |
# So we take a lover So we take a lover | :08:46. | :08:47. | |
# So we take a lover waiting in the corner | :08:47. | :08:49. | |
# And before you know it Before you know it | :08:49. | :08:52. | |
# Before you know it pushing up the daisies | :08:52. | :08:54. | |
# Ohhh, ohhh, ohhh | :08:54. | :09:04. | |
# And we go back to where we came from | :09:04. | :09:11. | |
# Like those before and those to come | :09:11. | :09:14. | |
# And know it's the ever and the more | :09:14. | :09:21. | |
# And again and again and again and again we go | :09:21. | :09:24. | |
# In the end, in the end In the end nothing comes easy | :09:24. | :09:28. | |
# So you find a way So you find a way | :09:28. | :09:30. | |
# So you find a way to take a little with you | :09:30. | :09:33. | |
# For the ones you love For the ones you love | :09:33. | :09:35. | |
# For the ones you love there if they need to | :09:36. | :09:38. | |
# Pharaoh, pharaoh, pharaoh They're not coming with you | :09:38. | :09:43. | |
# Go back to where we came from | :09:43. | :09:51. | |
# Like those before and those to come | :09:51. | :09:53. | |
# And know it's the ever and the more | :09:53. | :09:59. | |
# And again and again and again and again, go | :09:59. | :10:03. | |
# Ohhh | :10:04. | :10:05. | |
# Ohhh. # | :10:05. | :10:15. | |
:10:15. | :10:35. | ||
# And we knew we, and we knew we | :10:35. | :10:36. | |
# And we knew we only had a little while | :10:36. | :10:37. | |
# In the middle, in the middleIn the middle just keep ticking over | :10:37. | :10:38. | |
# Before you know it before you know it | :10:38. | :10:40. | |
# Before you know it parent a parent | :10:40. | :10:43. | |
# Ohhh, ohhh, ohhh | :10:43. | :10:46. | |
# To have it all, to have it allTo have it all and still want more | :10:46. | :10:56. | |
:10:56. | :11:16. | ||
# Ohhh | :11:16. | :11:26. | |
:11:26. | :11:50. | ||
# The buttons on your collar | :11:50. | :11:57. | |
# The colour of your hair | :11:57. | :12:01. | |
# I think I see you everywhere | :12:01. | :12:11. | |
:12:11. | :12:12. | ||
# I want to live forever | :12:12. | :12:17. | |
# And watch you dancing in the air | :12:17. | :12:27. | |
:12:27. | :12:27. | ||
# All the lies and make believe | :12:27. | :12:32. | |
# The very things that one day leave | :12:32. | :12:39. | |
# But I can see you standing in mid air | :12:39. | :12:49. | |
:12:49. | :12:52. | ||
# The girl I want to marry | :12:52. | :12:56. | |
# Up on the high trapeze | :12:56. | :13:02. | |
# The day she fell and hurt her knees | :13:02. | :13:07. | |
# And only time can make you | :13:07. | :13:16. | |
# The wind that blows away the leaves | :13:16. | :13:24. | |
# For everything that life was worth | :13:24. | :13:34. | |
:13:34. | :13:35. | ||
# The fallen snow, the virgin birth | :13:35. | :13:38. | |
# I can see you standing in mid air | :13:39. | :13:47. | |
# I can see you standing in mid air. # | :13:47. | :13:57. | |
:13:57. | :14:08. | ||
CHEERING AND APPLAUSE | :14:08. | :14:18. | |
:14:18. | :14:24. | ||
The | :14:24. | :14:25. | |
The amazing | :14:25. | :14:25. | |
The amazing Paul | :14:25. | :14:29. | |
The amazing Paul Buchanan with Mid Air from Mid Air, his new solo | :14:29. | :14:39. | |
:14:39. | :14:39. | ||
Apology for the loss of subtitles for 69 seconds | :14:39. | :17:30. | |
record. And now an amazing talent Contravento from Ceu, marvellous | :17:30. | :17:36. | |
sound. So now over at the piano, a man that has decided it's high time | :17:36. | :17:39. | |
he had his autobiography out, and it's superb. We welcome Mike | :17:39. | :17:43. | |
Skinner. APPLAUSE | :17:43. | :17:48. | |
The book there, The Streets, and it's a fantastic book. Why did you | :17:49. | :17:55. | |
decide to - why was now the time for you to write this? Just because | :17:55. | :18:00. | |
I wouldn't be - I wouldn't remember in the future, yeah. I noticed you | :18:00. | :18:03. | |
were warming up, actually, in the dressing room next to me. Oh, I'm | :18:03. | :18:07. | |
sorry. Did you have a full grand in your dressesing room? No, it's just | :18:07. | :18:12. | |
a little upright. It sounded great. Thanks. It's funny, you get a | :18:12. | :18:15. | |
little vibration. Sometimes you have the guests - in the dressing | :18:15. | :18:19. | |
room, you have a great laugh, but you can never capture it again. | :18:19. | :18:24. | |
should record it all. You too do that... Your whole lives. But | :18:24. | :18:31. | |
that's what you have done with your book, if I can neatly dovetail back | :18:31. | :18:35. | |
into it... Can we just boogiewoogie instead? It's much easier, but | :18:36. | :18:40. | |
we're here to talk about you, not my fingers, so let's talk about you | :18:40. | :18:43. | |
and about some of the lovely pictures in this book. This is my | :18:43. | :18:53. | |
:18:53. | :18:58. | ||
favourite picture. This is you - What are you in front of here? | :18:58. | :19:04. | |
fine hi-fi... And an important thing a here - a record - vinyl. Do | :19:04. | :19:09. | |
you like records? No. I was into MP3s from very early on. They | :19:09. | :19:14. | |
didn't have them then. No, not at that age. Oh. I am actually into | :19:14. | :19:19. | |
film, like camera film. I'm not so much into digital photos. I am into | :19:19. | :19:24. | |
film. Oh, I see. But in terms of music, I was really into the fact | :19:24. | :19:30. | |
that you could have thousands of songs, you know, in a small silver | :19:30. | :19:33. | |
box. Yeah, but not then you couldn't. You could only have these | :19:33. | :19:39. | |
records. No, not then. You're pointing at it. It was all just a | :19:39. | :19:44. | |
very expensive, messy affair, vinyl. No, I love my records. I was in a | :19:44. | :19:49. | |
record shop today. I was in this one. Come on. Share the love. | :19:49. | :19:54. | |
jazz bloke - you have to go and support your local record shop. If | :19:54. | :19:58. | |
you don't, it's all over. This is the BBC... Let's have a look at you | :19:58. | :20:02. | |
- before all the people rushed to the record stores and bought your | :20:02. | :20:08. | |
record, this is what they saw back in 19 - (Mumbles) | :20:08. | :20:12. | |
# Quit staring into space # At your - | :20:12. | :20:15. | |
# She'll want you # And stop me if I'm wrong | :20:15. | :20:20. | |
# Stop me if I'm wrong # Why should she be the one who | :20:20. | :20:22. | |
decides # And the girl's rude | :20:22. | :20:27. | |
# I know she's rude # But she's brilliant | :20:27. | :20:31. | |
# Hold on, boys # Your head is messed up | :20:31. | :20:40. | |
# I know what she's thinking - # Marvellous. Brand new trainers. Did | :20:40. | :20:44. | |
you see how knew those were? They were then, but you've not got them | :20:44. | :20:48. | |
on now. No, I just took them off yesterday. We only have 20 seconds | :20:48. | :20:51. | |
left. This is a great book, very entertaining. I believe you're | :20:52. | :20:55. | |
going to be doing a film next. going to be doing - it's going to | :20:55. | :20:59. | |
be a very long process, but we have written a short, and we have | :20:59. | :21:03. | |
started to write a feature. I could see you in a film. Thank you. | :21:03. | :21:06. | |
I could see that. And I look forward to recommending this book | :21:06. | :21:11. | |
to more of my friends, and I shall see you in the record shop very | :21:11. | :21:15. | |
soon - I have to go. I'm not being rude. It's just, it's live TV. I | :21:15. | :21:20. | |
have to move on. Mike Skinner, The Streets - his book is out now. And | :21:20. | :21:30. | |
:21:30. | :21:46. | ||
over here from Chicago, we welcome # Calculator broken | :21:46. | :21:55. | |
# Marks on the board from your late # Jack of hearts don't court | :21:55. | :22:03. | |
# Throne's vacant there never was no king | :22:03. | :22:04. | |
# Earl is coming with the switching of the scene | :22:04. | :22:05. | |
# Sprouted stalk only got one bean | :22:05. | :22:07. | |
# Enchanted got up out of his head | :22:07. | :22:09. | |
# Throwed down to a valley now red | :22:09. | :22:12. | |
# Ate and drank like he never been fed | :22:12. | :22:14. | |
# From liquid and a flesh that bled | :22:14. | :22:18. | |
# Pour is great till he found his fate | :22:18. | :22:20. | |
# Parallel power at the end of the hour | :22:20. | :22:24. | |
# Clock's dead so there is no late decimate | :22:24. | :22:27. | |
# Dualities tendency to cower | :22:27. | :22:30. | |
# Shower assured so he lifts his fist | :22:30. | :22:32. | |
# Caught a rare fish number one on his list | :22:33. | :22:35. | |
# Can't let it go cos he had the bliss | :22:36. | :22:38. | |
# No more insist and hiss | :22:38. | :22:40. | |
# Cos he received the gist | :22:40. | :22:50. | |
:22:50. | :22:54. | ||
# Swing on low in the flow | :22:54. | :22:57. | |
# For the souls that don't know now I'm whole | :22:57. | :23:00. | |
# Swing on low in the flow | :23:00. | :23:02. | |
# For the souls that don't know now I'm whole | :23:02. | :23:05. | |
# Swing on low swing on low | :23:05. | :23:15. | |
:23:15. | :23:20. | ||
# Big punk small time still in my prime | :23:20. | :23:22. | |
# Send the coupe through the loop of a satisfied mind | :23:22. | :23:23. | |
# I'm the bunny rock hopper | :23:24. | :23:27. | |
# Derelict soul down | :23:27. | :23:29. | |
# Imma dance in a trance till they put me in the pound | :23:29. | :23:30. | |
# I ain't satisfied unless I'm acting a fool | :23:30. | :23:34. | |
# I'm the caffeinated chap microphone is my tool | :23:34. | :23:37. | |
# I'm shiver fit | :23:37. | :23:38. | |
# With a shovel in my fist | :23:38. | :23:40. | |
# Got my graveyard boots cos I hide in the midst | :23:40. | :23:42. | |
# I'm a fiend for the feeling | :23:42. | :23:43. | |
# Got a bone like a rocket | :23:43. | :23:45. | |
# With a motor so loco no bozos can stop it | :23:45. | :23:48. | |
# Frogman, hop it, at the wall I can't knock it | :23:48. | :23:50. | |
# Thunder clatter, chitter chatter | :23:51. | :23:52. | |
# Don't matter if I drop it | :23:52. | :23:54. | |
# One hand in my pocket | :23:54. | :23:55. | |
# The other on the bar sitting back on the seat | :23:55. | :23:58. | |
# And tonight I'm going far | :23:58. | :24:00. | |
# Cocoa butter on my hands | :24:00. | :24:01. | |
# Potpourri on my pants | :24:01. | :24:03. | |
# I'm sitting still on the side because I know in advance | :24:03. | :24:06. | |
# Swing on low in the flow | :24:06. | :24:09. | |
# For the souls that don't know now I'm whole | :24:09. | :24:12. | |
# Swing on low in the flow | :24:12. | :24:15. | |
# For the souls that don't know now I'm whole | :24:15. | :24:17. | |
# Swing on low, swing on low | :24:17. | :24:27. | |
:24:27. | :24:28. | ||
# Swing on low | :24:28. | :24:38. | |
:24:38. | :24:50. | ||
# | :24:50. | :24:50. | |
# Coming | :24:50. | :24:50. | |
# Coming for | :24:50. | :24:59. | |
# Coming for to carry me home # Coming for to carry me home # | :24:59. | :25:08. | |
APPLAUSE Thank you, Willis Earl Beal. Swing | :25:08. | :25:14. | |
Low. Thank you to all of our guests. Thank you, Maccabees. Thank you, | :25:14. | :25:18. | |
the lovely live audience. Thank you, Beth Jeans Houghton & the Hooves of | :25:18. | :25:22. | |
Destiny. APPLAUSE | :25:22. | :25:28. | |
Thank you for the chaps and his marvellous new book, Mike Skinner. | :25:28. | :25:30. | |
Mid Air we enjoyed from Paul Buchanan. | :25:30. | :25:35. | |
APPLAUSE What a lovely record that is. It | :25:35. | :25:39. | |
was a delight and a privilege to have Ceu with us, ladies and | :25:39. | :25:39. | |
gentlemen. APPLAUSE | :25:40. | :25:43. | |
Well, on Friday, if you're around, you can come and look at the show, | :25:43. | :25:47. | |
and there's lots more guests there. You can look at this, and you can | :25:47. | :25:50. | |
see early performances of our next - in fact, you can see the first | :25:50. | :25:54. | |
performance on the show ever of this artist, who is truly great. | :25:54. | :26:04. | |
:26:04. | :26:11. | ||
We're glad to have him here - Paul # The salty days of tears that dare | :26:12. | :26:17. | |
# "I don't care," cried the vicar's wife | :26:17. | :26:20. | |
# They're only numbers melting in the ice | :26:20. | :26:27. | |
# And I don't care about this old world | :26:27. | :26:33. | |
# I'll take my chances in the earth | :26:33. | :26:37. | |
# Rob myself till my eyes are blind | :26:37. | :26:41. | |
# Then settle up and ride into the night | :26:41. | :26:50. | |
# "Seen any bodies?" said the Saracen's head | :26:50. | :26:58. | |
# Damn, damn, damn sure I left it here | :26:58. | :26:58. | |
# It's hard to tell the fighters from the thieves | :26:58. | :27:05. | |
# Moon, moon, moon | :27:05. | :27:08. | |
# Shine your healthy light | :27:08. | :27:11. | |
# Lift up the sons and daughters alike | :27:11. | :27:13. | |
# Tell them that you won't be home tonight | :27:13. | :27:16. | |
# And I don't care about the coming wave | :27:16. | :27:22. | |
# I'll take my chances in the grave | :27:22. | :27:27. | |
# There's only one moment that is now | :27:27. | :27:31. | |
# I can't undo what I don't know how | :27:31. | :27:41. | |
:27:41. | :27:50. | ||
# And I don't care what the neighbours think | :27:50. | :27:51. | |
# I've heard their dripping from the kitchen sink | :27:51. | :27:54. | |
# The damp comes down and changes my wall | :27:54. | :27:57. | |
# Fills my flat I find myself submerged | :27:57. | :28:07. | |
:28:07. | :28:09. | ||
# And I don't care about this old world | :28:09. | :28:19. | |
:28:19. | :28:36. | ||
# And I don't care about this old world | :28:36. | :28:38. | |
# I'll take my chances in the earth | :28:38. | :28:40. | |
# Rob myself till my eyes are blind | :28:40. | :28:43. | |
# Then settle up and ride into the night | :28:43. | :28:53. | |
:28:53. | :28:56. | ||
# Klang, klang, klang | :28:56. | :28:57. | |
# Klang, klang, klang | :28:57. | :29:00. |