Episode 2 Later... with Jools Holland


Episode 2

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Transcript


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Good evening and welcome to you wherever you are, perhaps in her

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home, perhaps in a public house, perhaps an institution, perhaps

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your head or bed, wherever you are, come into this room and see what we

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have, because we have some of the most sensational music on earth, in

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this room, and I insist that we # And the boy's number there

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# I eat 16 saltine crackers then I lick my finger

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# Well every morning I deliver the news

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# Black hat white shoes and I'm red all over

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# She's got a big mail box that she puts up front

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# Garbage in, garbage out

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# She's getting what she wants

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# Who's jealous? Who's jealous?

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# Who's jealous? Who's jealous of who?

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# Who's jealous? Who's jealous?

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# Who's jealous? Who's jealous of who?

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# If I get busy

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# The I couldn't care less what you do

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# But then I'm by myself

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# I think of nothing else

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# Than if a boy just might be

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# Getting through and touching you

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# Spike heels make a hole in a lifeboat

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# Jumpin' and wavin' I'm talkin' and laughin' as I float

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# I hear a whistle

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# That's how I know she's home

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# Lipstick, eyelash

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# Broke mirror, broken home

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# Force fed, force

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# Mixed till I drop dead

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# You can't defeat her, when you meet her, you'll be what I said

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# And Lord knows there's a method to her madness

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# Bustin' those jokes as I float in a sea of sadness

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# She doesn't know but when she's gonna sit up and drink a few

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# I'm sure she's drinkin' two but wonderin' what for and who

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# And I'm solo rollin' I'm one side off the boat

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# Looking out, throwin' up

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# A lifesaver down my throat

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# Who's jealous? Who's jealous?

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# Who's jealous? Who's jealous of who?

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# Who's jealous? Who's jealous?

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# Who's jealous? Who's jealous of who?

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# Who's jealous? Who's jealous?

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# Who'sjealous? Who's jealous of who? #

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APPLAUSE

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I

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I am

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I am delighted

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I am delighted to say live and direct from London England here, we

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welcome Jack White. So nice to gent lay poll jiezing for knocking his

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gear over there. In the room as well, from Canada Griems. From New

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York, the amazing, Norah Jones. From Dublin The Chieftains. Joined

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Apology for the loss of subtitles for 40 seconds

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my Carolina Chocolate Drops. And # "You got to come on up,

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Apology for the loss of subtitles for 40 seconds

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Superb! Alabama Shakes withhold hold. This next artist we have is

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the marvellous new record out called Little Broken Hearts. She

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first appeared in this show in 2001. We're delighted to have her back

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# Trying to make it so I never see # Want to make sure that you never

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# Oh how does it feel to be you # So pick up your piece

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Apology for the loss of subtitles for 40 seconds

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# Would you please # Trying to keep myself

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# Makes me feel like I took # Oh how does it feel to be the one

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# I won't be a fool for you no more, # Would you please

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Apology for the loss of subtitles for 40 seconds

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I melt when I hear that woman's voice, the wonderful Norah Jones!

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Happy Pills from her Little Broken Hearts.

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And now, at the table, I'm delighted to welcome Jack White. It

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is always a joy and pleasure to have you here in this room.

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Blunderbuss, superb record here and if I may say, it's great somebody

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has a proper record out, that's great. Thank you. On your record, a

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moment ago you had your all-male group playing, what a fantastic

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drummer. But now you have an all- female group live. That's in a

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moment. Yeah. From one to the other two, drummers, how does that work?

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I'm a drummer. I started off playing the drums. I always play to

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the drummer, you know. I always figure we just join in with that.

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That's the structure of the song. lot of people don't realise that.

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Would you agree with me, the drummer is the most important

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person in the group? Most definitely. There are a lot of

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horrible drummer jokes, but they're wrong. That's what I mean, it's

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hard to get one good drummer in a group, but you have two. Threats

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and bribery you can get a lot of things done. The other thing of

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course, we're going to show, on Friday, there's a lot more of you,

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but what I said, we're live now, I'd like to say it again, if I

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dropped dead, I would like you to inherit my job here. Would you be

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happy to take it over? That's quite an offer. Is there a time frame on

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this, when are you hoping this will happen? 2371... I'm going to be

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kept alive frozen. I was hoping you had a plan in place. I hope you

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don't die man. What a lovely bloke. You've got the job. Can I just say,

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correct response. It was a trick question. You're having your all-

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female band next, what are you doing? Doing a song called Freedom

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at 21. We recorded that in Nashville a few months ago. It was

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one of the first days with all girls in the studio. It was a

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production idea to change the vibe, to shake things up. You changed the

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vibe and great, you're the only person with two bands live on the

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television in the same show that I know of. That gets a round of

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applause. APPLAUSE

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Third man, that's your record label, did you get that from the Carol

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Reid film? I loved that film. I was a huge Orson Welles fan. It came

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from my upholstery man, I was the third you pollsterer on my black.

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Do you still do that? I just rebuilt my shop last year. I got my

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tools out of storage. It's marvellous to have you here. It's a

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sensation. I'm looking forward to the next thing you're going to do,

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a completely different band, it's the first time on British

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television, live, swapping over the bands. That's the kind of people we

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are. Thank you very much, Jack White. More from Blunderbuss later

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Now there's a lot of great things in this room live. You can see The

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Chieftains standing by, 50 years they've been together. Before we

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enjoy all that, we're going to enjoy something else, very special,

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# Oh, my Heart I never be # My heart I never be

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Apology for the loss of subtitles for 40 seconds

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# Oh, heart I never be, I never see # My heart I never be, I never see

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Apology for the loss of subtitles for 40 seconds

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# My heart I never be, I never see Thank you Grimes, from her album

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Visions. So now, I'm delighted to say that we have Carolina Chocolate

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Drops in the room with us. Yes, that's a marvellous thing. But it's

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even more marvellous because in this particular occasion they are

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joining a band that is celebrating 50 years. They have a fantastic new

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album out called Voice of Ages, where lots of people join me. They

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# Pre-eetty little girl with a blue # Pigs in the meadow cows in the

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# Swing that girl with the blue # Pre-eetty little girl with a blue

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Apology for the loss of subtitles for 40 seconds

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# Well now they're gone it's a # Well, I'll tell you

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Apology for the loss of subtitles for 40 seconds

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# And all them lions in the jungle # But don't you call me anything,

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# They done started messin' with the # They got another thing comin'

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# Ooh and I would do all that for you, I'd do it for you

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# Cos all of them girls

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# Don't know you like I do

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# All of them girls don't know you like I do

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# All them ladies don't know you like I do

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# That's why I call you my baby

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# Oh yeah yeah yeah

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# Oh oh oh oh

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# Oh oh oh oh

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# Don't tell me all right

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# Ooh

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# I so wanna know

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# Would you be mine?

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# So be mine

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# Say, baby, be mine

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# So be mine

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# So be my baby

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# Be my baby

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# Be my, ooh!

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# I said all right

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# I said all right

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# I said all right

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Thank you Alabama Shakes with Hang Loose. Thank you to all of our

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guests. Thank you The Chieftains, Carolina Chocolate Drops, thank you

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the wonderful Norah Jones. Thank you the superb Grimes. Well I'm

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delighted to say, yes, you'll be able to hear much more from all

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these incredible guests on Friday night. In fact, some superb and

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amazing things. Tune in again, if you'd like to. Or look at our

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website. Next week we will be having even more things, but for

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now, I leave you with the # Cut off the bottoms of my feet

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# Take me down to the police # She don't care what kind of wounds

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# She's got freedom # ..Two black gashes in her hands

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# No responsibility no guilt or morals cloud her judgment

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# Smile on her face

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# She does what she damn well please

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# And she don't care about the Things people used to do

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# She don't care that what she does has an effect on you

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# She's got freedom in the 21st century... #

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All right!

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# Cut off the bottoms of my feet

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# Make me walk on salt

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# Make me walk on salt

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# Take me to the police

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