Episode 3 Later... with Jools Holland

The May Day moon shines bright. Wherever you are, happy May Day.

Welcome to the show. Perhaps you are about to dance around the

Maypole or perhaps - live television. Give me a hand here.

Thank you. Thank you very much. Live television.

APPLAUSE A beautiful evening! All of Britain

is waiting for some beautiful music # You'll not leave

# A thing we feel but can never hold

# You'll leave your body behind you

# When you leave this place

# You'll leave your body behind you

# And you'll make a space

# Kindness should be our way of life

# Not something you have to think about twice

# All you will be remembered for

# Is what folks say when you walk out the door

# You'll leave your body behind you

# When you leave this place

# You'll leave your body behind you

# And you'll make a space

# Is there any more?

# You'll leave your body behind you

# When you leave this place

# You'll leave your body behind you

# And you'll make a space

# Leave your body behind you

# Leave your body behind you

# Leave your body behind you

# And change

# Is there any more?

# Leave your body behind you

# And change

CHEERING AND APPLAUSE

Thank

Thank you,

Thank you, the

Thank you, the great Richard Hawley. Also tonight, the wonderful pianist.

From New York, St Vincent. Also from New York, Charles Bradley.

From west London, David albarn. But, now, also from west London, Rita

# Let my perfume # Say you'll be here soon

# Follow my lead # Thought it over and decided

Apology for the loss of subtitles for 88 seconds

# I wonder # Yeah I hear you talking, don't

# I'm in control, but with you being a man

# You don't seem to understand I-I-I'm ready for ya

# I-I-I'm ready for ya

# I-I-I'm ready for ya

# So keep thinking you're a man cos it's all part of my plan

# I-I-I'm ready for ya

# Yea-ea-ea-eah

# You feel my heart is beating

# Yea-ea-ea-eah

# You feel my heart is beating

# Yea-ea-ea-eah

# You feel my heart is beating

# R.I.P. to the girl you used to see

# Her days are over

# Baby, she's over

# I'm ready for ya

# I decided to give you all of me to

# Baby, come closer

# RIP to the girl you used to see

# Her days are over... #

CHEERING AND APPLAUSE

Rita

Rita Ora!

Rita Ora! Now,

Rita Ora! Now, a man who for years has played in clubs and then made a

brilliant record and the world has started to recognise, the fantastic

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# I can't turn my head away Charles Bradley! So, now I'm going

around this way, to meet at the table over here, a marvellous

fellow, who has a fascinating album out. Welcome to the show, Damon.

Welcome back here. Lovely to see you. You'll be playing songs from

Dr Dee. Happy May Day. Will you be celebrating in anyway particular?

No. Dr Dee? He would have celebrated May Day? Who was he?

16 century Elizabethan philosopher, astrologer to Queen Elizabeth I.

Merlin sort of a figure? Yes. You've written a whole cycle of

songs about him? Yeah. A kind of response to learning about him and

him really sort of - I don't know - get carried away with the whole

period. A fascinating character because he was someone who put all

the disciplines together and imagined a British empire, kind of.

In the very earliest times. Fantastic. Fascinating project. We

have got your first performance on this show, which is going right

back, which is a great one. Let's glance quickly over here.

# It really, really, really could happen

# Yes, it could really, really, really could happen

# When the day, they seem to fall through you, well, just let them

go... # APPLAUSE

You are going to play us a song. Which is the one you're going to

play? Apple Carts. What does it refer to? That's a good question.

It's the image of people pulling the carts up on to a hill, which is

near Stonehenge, setting them alight. The great mystic spot?

Are you a keen Henkist? I am. -- Hengisst? I am. You are going to be

back with blur. Yeah, I'm doing this and then I'm going over to

Hyde Park. The English National Opera. It's marvellous having you.

We're looking forward to hearing that song in a moment. Thank you

for joining us, Damon Albarn. APPLAUSE

Now, a man who woven his native songs into his music. We welcome

Apology for the loss of subtitles for 88 seconds

The lovely stylings of Tigran. Now, we welcome over here Annie Clark,

# Bodies can't you see what # Forgive the kids

Apology for the loss of subtitles for 88 seconds

# Can't you see # Can't you see

# You were the one waving flares # And they were

Apology for the loss of subtitles for 88 seconds

# Blowing fastly # Pull the apple carts

Apology for the loss of subtitles for 88 seconds

# Burn them until a great fire # Raining down from above

# High up on the hill # Cast the barley out

That's from his cycle of songs about Dr Dee. Thank you to all of

our guests, Rita Ora. Thank you, Charles Bradley. Thank you lovely

audience. APPLAUSE

Thank you St Vincent. And, thank you to the lovely work of Tigran.

Well, you can see more of all of my guests, I think next Friday night.

We'll also in an extended programme, be chatting with Kenny Jones and

also the next guest, Richard Hawley, he's going to be revealing on our

Friday show, his creten shals at this piano. Something --

credentials at this piano. Something to look forward to. He

has a brand new Radio 2 show, featuring rocker Billy music,

starting on Thursday. We seem to have a bit more time this week.

That's one of the things of live television. Happy May Day to the

# But to kiss # Stolen love

# Around your shoulders # My eyes are blinded

# A fungus grows # Eat me and you