Episode 1 Later... with Jools Holland

of Spain and Portugal as well. Sunnyist weather across Greece and

through the eastern side of the Mediterranean. Sunshine on Sunday,

again that will just trigger these heavy thundery showers. Slow-moving

downpours from the Midland, one or two showers as it warms up a touch

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Welcome to a brand new series of Later...with Jools Holland. Here is

the one and only, legendry Paul # And when he wakes up

# And when he wakes up # How high the whirl could start to

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# And all her friends # And when he wakes up

APPLAUSE What a joy to have this man in the

studio. The amazing Paul Weller. We have a room filled with amazing

guests. From Brazil we'll welcome Ceu. From Glasgow we'll welcome

Paul Buchanan. From Newcastle, Beth Jeans Houghton

& The Hooves of Destiny. From Chicago Willis Earl Beal.

Mike Skinner. And James Fearnley. I will talk to all these. Now I am

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delighted to have in this room from Feel to Follow, the Maccabees.

Well, I think it is time for something new. We welcome from

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Newcastle Beth Jeans Houghton & The # My sweet tooth bird

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# The foreign heights # Where fire cracks

Thank you, Beth Jeans Houghton & The Hooves of Destiny.

That was Sweet Tooth Bird. That is from their album Yours Truly,

Cellophane Nose. There is an empty chair. I am going

to sit in it. Welcome to the show Mike Skinner. The last time...

loving those jeans. You would look good in those jeans. Which ones?

The East London numbers. How do you know they're East London ones? They

are from Newcastle. East Newcastle. It is nice to be here without the

tension. You've come here because you've got this superb book out. A

marvellous book. The first question must be, is when people write books

sometimes it is because they have decided it's time they have gone so

far and they must look in the rather view mirror before making

the -- rear view mirror before making the most of it. What is your

reason for writing this? Yeah, I mean just, I came to the end and it

seemed like a good time to kind of package it up. There are a few

things in there I wanted to say. It just felt like the right time to

kind of talk about it. Any rejects? No -- Any regrets? No. Possibly a

few outfits. I think there was a pink suit on the show, wasn't

there? Actually we can take a trip, magically, you will be delighted to

know we can look back at... Some of my suits! I cannot reelect what you

were wearing. I am sure it will be # Taller back street brawlers

Status # We don't conform to formulas

# Double Dutch # Park cars

# Let's push things forward # Marvellous!

A fantastic singer there, Kevin. The first thing people do, is you

look in the index and see if you're in it, you see. I am, but, and this

is where I wonder if all history, if everybody has a different view

of some event that happened. This is relatively recent. You say you

were at the mercury prize and you seemed an elle want young fellow to

me. I can't remember what I said. I think you might have got something

wrong or I felt you got a minor detail wrong. That is what happens

when you have too much beer. There you go - another lesson

learnt. Now The Streets have sort of, well The Streets are over, I

assume, what do you, what do you plan to do now? What can we expect

next?Vy Been doing quite a bit of DJing. For me, it was a case of

being 33 and not wanting to jump around telling people to get drunk

every single night of the week. And just be the one getting drunk. No,

it's a party thing. I didn't really want to take it into my 30's and

start talking about raising kids. I wanted it to always be an honest

statement, you know. I think as you get into your 30's it becomes a bit

of an act really. Apart from that I wanted to be a producer more than

anything. Before The Streets I wanted to be a producer. It is

great having you here. I look forward to having you back. It is

marvellous to seeing you. Thank you very much Mike Skinner.

APPLAUSE A nice man with the beard from the

DOT. Sorry, should have introduced you.

So, now I think we have a truly international shou. Here is our

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next artist. They are extraordinary. # Serpentina nos meus

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Thank you, Ceu. We'll hear more from their

wonderful album. Now we welcome # Calculator broken

# Marks on the board from your late # Jack of hearts don't court

# Throne's vacant there never was no king

# Earl is coming with the switching of the scene

# Sprouted stalk only got one bean

# Enchanted got up out of his head

# Throwed down to a valley now red

# Ate and drank like he never been fed

# From liquid and a flesh that bled

# Pour is great till he found his fate

# Parallel power at the end of the hour

# Clock's dead so there is no late decimate

# Dualities tendency to cower

# Shower assured so he lifts his fist

# Caught a rare fish number one on his list

# Can't let it go cos he had the bliss

# No more insist and hiss

# Cos he received the gist

# Swing on low in the flow

# For the souls that don't know now I'm whole

# Swing on low in the flow

# For the souls that don't know now I'm whole

# Swing on low swing on low

# Swing on low

# Big punk small time still in my prime

# Send the coupe through the loop of a satisfied mind

# I'm the bunny rock hopper

# Derelict soul down

# Imma dance in a trance till they put me in the pound

# I ain't satisfied unless I'm acting a fool

# I'm the caffeinated chap microphone is my tool

# I'm shiver fit

# With a shovel in my fist

# Got my graveyard boots cos I hide in the midst

# I'm a fiend for the feeling

# Got a bone like a rocket

# With a motor so loco no bozos can stop it

# Frogman, hop it, at the wall I can't knock it

# Thunder clatter, chitter chatter

# Don't matter if I drop it

# One hand in my pocket

# The other on the bar sitting back on the seat

# And tonight I'm going far

# Cocoa butter on my hands

# Potpourri on my pants

# I'm sitting still on the side because I know in advance

# Swing on low in the flow

# For the souls that don't know now I'm whole

# Swing on low in the flow

# For the souls that don't know now I'm whole

# Swing on low, swing on low

# Swing on low

# Swing on low

CHEERING AND APPLAUSE

# There's a will there

# It's a feeling

# Always rushing

# To the higher ground

# So long you bum

# You can get your work done

# Come now beside the water sit and rest

# Sit and rest

# On a high blown

# Hear the sky cry

# Hear the world turn

# Can you not learn?

# So long you said

# But it's not in your head

# Come now beside the water sit and rest

# Come now beside the water sit and rest

# Sit and rest

# Been a long time always burning

# In the night sky many miles by

# So long you bum

# You can get your work done

# Come now beside the water sit and rest

# Come now beside the water sit and rest

# Sit and rest

# Sit and rest

# Sit and rest

APPLAUSE

The

The wonderful,

The wonderful, amazing

The wonderful, amazing voice of Paul Weller.

We'll hear more from him later. Now I am going over to the piano

because one of the The Pogues is here with us. He has written a book

on that subject. Yes, we are derighted to -- delighted to

welcome James Fearnley. So you were in the The Pogues - I

mean you are in the The Pogues. am still. This is the Inside Story,

I suppose. Almost like a novel. wanted it to sound like a novel, so

I did. I like the sound of my own voice when I write. How did it

voice when I write. How did it start? I started out as a guitar

player. Came down to London looking to get myself into a band. Did

auditions. One I went to was with The Nipple Erectors, who Shane was

the lead singer for. Did you become friends immediately? Yeah. I went

out drinking with him that night. One of the stimulations that I had

for joining the Nips, was I'll join your band if you give me somewhere

to live. So he showed me my accommodation that night. We fell

into a mess of bicycles in his front haul way, swore a lot and

collapse nds a room and that is how it -- collapsed in a room and that

is how it started. How did it start? Like IRA cells in a sense.

There was, so there were three of us. There was a band The Chain Saws,

I didn't know anything about them. Shane and Jem were busking. They

auditioned at Covent Garden and failed and Finsbury Park.

Jem came to find me in my block of flats and the only clue as to which

door he should knock on with his laupbldry bag with an accordion, it

is where the type writing was the loudest. He knocked on that door

and I answered. Never looked back. We have footage. It is what you

mention in your book. We have dug up this clip from the BBC library.

It is 1995. You have to dig it out? For security reasons. I hope you

# We put them on a train # A song

# Far away # You must be on your way

# Buy me whisky because I'm going I'm so good looking, aren't I?

You're still performing, after 30 years hafplt is the key, do you

think -- years, what is the key, do you think? We became a family. Pure

and simple, we became a family. For better and for worse we are just

stuck together now, really. It is a marvellous band. One of the

greatest of all times. It is a great book. Thank you for joining

APPLAUSE I'll move along. I will stop here and pause for a moment.

Sitting here is Paul Buchanan, ladies and gentlemen. Yes! Your

first solo record away from the Blue Nile. Here you are. What will

you do for us? Mid Air. It is one of the most enchanting records I

have heard for months and months. Paul Buchanan. We will be joined by

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him in just a moment. Now, let's # And better never

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# And better never # But I can see you

# The day she fell # The wind that blows away

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# I can see you standing # And swept under carpets in

# Cry blind for creation like you're blind for me

# Ride swift through the houses like blood rides through me

# Ride swift through the houses like blood rides through me

# Red wine and whiskey are no good for me

# Dissecting the atlas for places we've been

# Your list is longer but you've got more years on me

# A token to dispense, we take it all in doubles

# And weeping on concrete then stealing away

# You opened up her mouth and let out all her secrets

# Assumed her disordered in her thirst to stray

# And these black berries stain your hands and your lips

# Sup on their dimension in the gut of our summer trips

# So pray, sleep sweet and sharpenyour teeth and escape from this body

# Your soul is impounded beneath

# Abort the nonchalance and clap for your culture

# Your tanned hide exerting the sum of your parts

# The bridges will advance devout of their structure

# Armour the estuaries that plough through your heart

# Ride swift through the houses like blood rides through me

# Red wine and whiskey are no good for me

# Dissecting the atlas for places we've been

# Your list is longer but you've got more years on me. #

CHEERING AND APPLAUSE

Thank

Thank you

Thank you very

Thank you very much. Beth Jeans Houghton & The Hooves of

Destiny. Before that, let's hear it for the

amazing Paul Buchanan. His first solo record out since

Blue Nile. Now at the piano, I am delighted to welcome a man - the

man we like having here most of all, we welcome Paul Weller.

So, it's great to have you here. When you first came on this show,

20 years. I was 12. And I with was three! Did you think we would still

be here in 20 years time? What did you think it would be like in 20

years time? I didn't have any vision of what I would be like in

20 years time. I never thought I would get to the age I have. I am

glad we did. By the way, if you glad we did. By the way, if you

want to see D Paul's first performance on the show, go to our

website. It is very exciting, when you have had a record it is

different to the one before. different to the one before.

much as possible. This is great. It seems a different place again. What

inspires you to kind finding new things? Well, I think one of the

reasons is I get bored easily. I think, it is the roll of any dice

to push forward and do something different. I was brought up with

The Beatles. They were my template. The anticipation of what they would

do next stuck with me. Just that sort of sense of trying to forge

forward. Something different. A lot of people go through, but you do

it... There's one track I like called Be Happy Children. Where did

it come from? I guess I was thinking about my dad, who passed

away three years this year. I was thinking what he would tell us -

rejoice and be happy and know I am always with you. I guess it came

from that. I have two of my kids, my daugt ser here tonight - I got

two of my kids to sing on it. your musical taste different than

the musical tastes you had 30 years ago? It is broader I think. I

listen to everything now. I try and listen to everything as much as

possible. Obviously you keep what you like and disregard the rest. I

try and listen to all sorts of music. If anything it has opened up.

Is there any advice now that you would give to you - the younger

you? No. Not at all. No. I would say, whatever you're doing is

exactly right. Keep on with it. Don't worry about it. No. Very good.

What are you going to do next? song off the album called The Attic.

It is marvellous to have you back here. We are delighted to welcome

Paul Weller. Over in this direction - no around

this direction - I'm going around this direction, any direction I can

go. Because over in this corner now, yes he's there, we welcome back,

# The position behind # Got me counting my dimes

# I'm even doubting the rhyme I'm in no rush I can hide

# Because I know that I tried no longer taking a side

# Tears don't flow from my eyes no longer go for the lies

# I don't protest or resist I'm not invested in this

# I'm backing out of the fight to give my spirit tonight

# Gazing at the phase of an overcast day

# Watching rainfall from a dim cafe

# Can't see the wind but I see the trees sway

# Now the evening's kiss got me fading away

# Just fading away

# Drip-drop, window pane hypnotic

# Clip-clop, concrete, heels on it

# I'm still disillusioned and cool catatonic

# Always in a daze without smoking that chronic

# And the door's still open at the end of the day

# And I'm still hoping without much to say

# Ask me who I'm with and I'll tell you I'm without

# Then ask me how I'm feeling well I'm full of shit 'n doubt

# These phantasm women got me swimming through the sea

# Apprehension steady creeping whirlpool is pulling me

# So I might as well relax go down with the flood

# Cos my heart's been attacked and the sharks smell my blood

# If I lose consciousness and I wake in the shore

# I will never complain

# I will never, I will never get never get, old

# Never get old

# Gazing at the phase of an overcast day

# Watching rainfall from a dim cafe

# Can't see the wind but I see the trees sway

# Now the evening's kiss got me fading away

# Just fading away

# Just fading away

APPLAUSE

Willis

Willis Earl

Willis Earl Beal.

Willis Earl Beal. That

That was

That was Evening's

That was Evening's Kiss.

That was Evening's Kiss. That

That is

That is from

That is from his

That is from his album, entitled Acousmatic Sorcery. We welcome the

IN PORTUGUESE: # A ma qualidade do ar

# Mesmo que eu tenha criado # Que me permita viagens

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# A ma qualidade do ar # Mesmo que eu tenha criado

# Que me permita viagens # A ma qualidade do ar

# Mesmo que eu tenha criado # Que me permita viagens

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# So soon we're, so soon we're # In the middle, in the middle

# Before you know it # To have it all, to have it all

# One thing's for sure we're all getting older

# So we take a lover So we take a lover

# So we take a lover waiting in the corner

# And before you know it Before you know it

# Before you know it pushing up the daisies

# Ohhh, ohhh, ohhh

# And we go back to where we came from

# Like those before and those to come

# And know it's the ever and the more

# And again and again and again and again we go

# In the end, in the end In the end nothing comes easy

# So you find a way So you find a way

# So you find a way to take a little with you

# For the ones you love For the ones you love

there if they need to

# Pharaoh, pharaoh, pharaoh They're not coming with you

# Go back to where we came from

# Like those before and those to come

# And know it's the ever and the more

# And again and again and again and again, go

# Ohhh

# Ohhh. #

# So soon we're, so soon we're So soon we're too old to carry

# And we knew we, and we knew we

# And we knew we only had a little while

# In the middle, in the middleIn the middle just keep ticking over

# Before you know it before you know it

# Before you know it parent a parent

# Ohhh, ohhh, ohhh

# To have it all, to have it allTo have it all and still want more

# Pharaoh, pharaoh, pharaoh They're not coming with you

# Go back to where we came from

# Like those before and those to come

# And know it's the ever and the more

# And again and again and again and again, go

# Ohhh

# Ohhh. #

CHEERING AND APPLAUSE

Thank

Thank you.

Thank you. The

Thank you. The Maccabees with Pelican. What a marvellous room

it's been this evening. If you enjoyed this all, well you can look

again on the website. We've had in the studio, we've enjoyed Mike

Skinner, we've enjoyed James Fearnley.

Beth Jeans Houghton & The Hooves of Destiny, thank you for joining us.

The beautiful voice of Paul Buchanan.

We've enjoyed Ceu. Next week, we will be having BackWhite, the

Alabama Sheiks, and much more. Let's fin wish the amazingal --