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from the Mediterranean, the mid-20s in Berlin, high temperatures in | :00:02. | :00:08. | |
Rome and Athens, rather wet and windy weather in Madrid. Wet and | :00:08. | :00:15. | |
windy across Wales on Sunday. Heavy rain, strong-to-gale force winds, | :00:15. | :00:18. | |
across Scotland and Northern Ireland. The rain will be heavy and | :00:18. | :00:28. | |
:00:28. | :00:28. | ||
Apology for the loss of subtitles for 151 seconds | :00:28. | :03:00. | |
could lead to localised flooding, CHEERING AND APPLAUSE | :03:00. | :03:10. | |
:03:10. | :03:15. | ||
Welcome to a sensational line-up. # And the boy's number there | :03:15. | :03:17. | |
# I eat 16 saltine crackers then I lick my finger | :03:17. | :03:20. | |
# Well every morning I deliver the news | :03:20. | :03:23. | |
# Black hat white shoes and I'm red all over | :03:23. | :03:26. | |
# She's got a big mailbox that she puts up front | :03:26. | :03:29. | |
# Garbage in, garbage out | :03:29. | :03:30. | |
# She's getting what she wants | :03:30. | :03:32. | |
# Who's jealous? Who's jealous? | :03:32. | :03:40. | |
# Who's jealous? Who's jealous? | :03:40. | :03:41. | |
# Who's jealous? Who's jealous of who? | :03:41. | :03:43. | |
# If I get busy | :03:43. | :03:44. | |
# Then I couldn't care less what you do | :03:44. | :03:46. | |
# But then I'm by myself | :03:46. | :03:47. | |
# I think of nothing else | :03:47. | :03:49. | |
# Than if a boy just might be | :03:49. | :03:51. | |
# Getting through and touching you | :03:51. | :04:00. | |
# Spike heels make a hole in a lifeboat | :04:00. | :04:02. | |
# Jumpin' and wavin' I'm talkin' and laughin' as I float | :04:02. | :04:06. | |
# I hear a whistle | :04:06. | :04:07. | |
# That's how I know she's home | :04:07. | :04:09. | |
# Lipstick, eyelash | :04:09. | :04:11. | |
# Broke mirror, broken home | :04:11. | :04:13. | |
# Force fed, force | :04:13. | :04:14. | |
# Mixed till I drop dead | :04:14. | :04:16. | |
# You can't defeat her, when you meet her, you'll be what I said | :04:16. | :04:20. | |
# And Lord knows there's a method to her madness | :04:20. | :04:23. | |
# Bustin' those jokes as I float in a sea of sadness | :04:23. | :04:33. | |
:04:33. | :04:33. | ||
# She doesn't know but when she's gonna sit up and drink a few | :04:33. | :04:36. | |
# I'm sure she's drinkin' two but wonderin' what for and who | :04:36. | :04:39. | |
# And I'm solo rollin' I'm one side off the boat | :04:39. | :04:42. | |
# Looking out, throwin' up | :04:42. | :04:43. | |
# A lifesaver down my throat | :04:43. | :04:53. | |
:04:53. | :05:10. | ||
# Who's jealous? Who's jealous? | :05:10. | :05:11. | |
# Who's jealous? Who's jealous of who? | :05:11. | :05:13. | |
# Who's jealous? Who's jealous? | :05:13. | :05:15. | |
# Who's jealous? Who's jealous of who? | :05:15. | :05:17. | |
# Who's jealous? Who's jealous? | :05:17. | :05:18. | |
# Who's jealous? Who's jealous of who? # | :05:18. | :05:28. | |
:05:28. | :05:34. | ||
APPLAUSE | :05:34. | :05:44. | |
Fabulous. | :05:44. | :05:45. | |
Fabulous. Sixteen | :05:45. | :05:46. | |
Fabulous. Sixteen Saltines | :05:46. | :05:50. | |
Fabulous. Sixteen Saltines with his all female group. He has an all | :05:50. | :05:54. | |
male group as well and they will be appearing on this same show. That | :05:54. | :06:04. | |
:06:04. | :06:05. | ||
amazing line-up includes from Canada, the wonderful, Grimes. | :06:05. | :06:07. | |
APPLAUSE From New York, we're delighted to | :06:07. | :06:14. | |
have back in this studio, the fantastic, Norah Jones. | :06:14. | :06:15. | |
APPLAUSE From Alabama, joining The | :06:15. | :06:25. | |
:06:25. | :06:26. | ||
Chieftains later on, we welcome The Secret Sisters. | :06:26. | :06:27. | |
APPLAUSE From Dublin, celebrating 50 years | :06:27. | :06:30. | |
in music, of Irish music, the fantastic chieftains. It is a | :06:30. | :06:36. | |
privilege to have them with us. From north kor north Carolina, the | :06:36. | :06:43. | |
Carolina chocolate drops. Now from Alabama please welcome the | :06:43. | :06:53. | |
:06:53. | :06:53. | ||
Apology for the loss of subtitles for 151 seconds | :06:53. | :10:41. | |
# "You got to come on up, The sensational, a lot of groove | :10:41. | :10:48. | |
going on there. Alabama Shakes with Hold On from their Boys and Girls | :10:48. | :10:55. | |
album. Over here, our next artist has an incredible album out. She | :10:55. | :11:00. | |
first appeared on this show in 2001. How pleased we are to have her back. | :11:01. | :11:10. | |
:11:11. | :11:11. | ||
Apology for the loss of subtitles for 151 seconds | :11:11. | :12:40. | |
# Well, it ain't easy # I'm loosened up but it's too late | :12:40. | :12:50. | |
:12:50. | :13:13. | ||
# I'm dropping bolts on the ground # I know that you're dying | :13:13. | :13:23. | |
:13:23. | :13:23. | ||
Apology for the loss of subtitles for 151 seconds | :13:23. | :14:23. | |
# Well, it ain't easy What a joy to have Norah Jones back | :14:23. | :14:33. | |
in the studio. Norah Jones, ladies and gentlemen. With Say Goodbye | :14:33. | :14:40. | |
from her Broke Hearts LP. So we're going over here. Somebody was going | :14:40. | :14:45. | |
like that and I thought they meant stop, but it means we only have got | :14:45. | :14:49. | |
four minutes to talk to the wonderful, Jack White. You are a | :14:49. | :14:52. | |
marvel. First of all, I want to discuss this, because you have made | :14:52. | :14:56. | |
one of these and not a lot of people have these. Can I just show | :14:56. | :15:00. | |
the people what it is? Yes. Some of the younger viewers may not know | :15:00. | :15:08. | |
what this is. How would you describe this this? It is a | :15:08. | :15:14. | |
gigantic compact disc. You prefer vinyl to CD? It is the | :15:14. | :15:17. | |
most romantic way to experience music. | :15:17. | :15:22. | |
You make it in Nashville and your record company is in Nashville. Why | :15:22. | :15:28. | |
do you choose Nashville? It just felt good to me. I was always | :15:28. | :15:33. | |
working in Tennessee. I always found myself in Tennessee. I don't | :15:33. | :15:41. | |
know why. I looked off over down south. | :15:41. | :15:43. | |
There is great music. For sure. | :15:43. | :15:49. | |
The other thing I should explain, you started off with the fantastic | :15:49. | :15:53. | |
all female group, but you have an all male group. Why two instead of | :15:53. | :15:57. | |
one? I wanted to challenge myself. It would be easier if I had five or | :15:57. | :16:02. | |
six people to back you up on stage and learn your songs like they are | :16:02. | :16:06. | |
on the record, but I want to try things differently and make myself | :16:06. | :16:09. | |
work every night and challenge ourselves. We don't have a set list | :16:09. | :16:13. | |
and we challenge each other. When we go out there, we don't know what | :16:13. | :16:17. | |
we're going to do. We do different versions of the same songs, but it | :16:18. | :16:27. | |
is still a lot of work. We were talking about the song St | :16:27. | :16:32. | |
James Infirmary Blues. It is a very old London song, but you have a | :16:32. | :16:39. | |
great take on it? Yeah, you know what, Meg and I covered that track | :16:39. | :16:49. | |
:16:49. | :16:51. | ||
on one of our early records. We had Betty Boop cartoons. | :16:51. | :17:01. | |
:17:01. | :17:27. | ||
I can do my northern Detroit # I'm going down St James Infirmary | :17:27. | :17:35. | |
# To see, my little darling # Oh how she looks so good | :17:35. | :17:44. | |
# Yeah, let her go, let her go # God bless her | :17:44. | :17:51. | |
# You may search this whole wide world over, but she will never find | :17:51. | :18:01. | |
:18:01. | :18:07. | ||
another sweetheart like me # Yeah | :18:07. | :18:17. | |
:18:17. | :18:24. | ||
# All right # APPLAUSE | :18:24. | :18:28. | |
Always an absolute privilege and a joy to have Jack White in this | :18:28. | :18:33. | |
studio. APPLAUSE | :18:33. | :18:37. | |
If I dropped dead tomorrow, I would leave my job to him! We have one of | :18:37. | :18:40. | |
the greatest legends actually, one of the greatest legends of music | :18:40. | :18:43. | |
here celebrating 50 years together now, The Chieftains are joined by | :18:43. | :18:49. | |
the Carolina chocolate drops. Yes, the Carolina chocolate drops | :18:49. | :18:59. | |
:18:59. | :19:16. | ||
joining The Chieftains. # Pretty little girl | :19:16. | :19:19. | |
# Pretty little girl # Pretty little girl | :19:19. | :19:29. | |
:19:29. | :19:33. | ||
# Sheep in the meadow # Swing that girl | :19:33. | :19:43. | |
:19:43. | :20:18. | ||
# Pretty little girl # Pretty little girl | :20:18. | :20:28. | |
:20:28. | :20:28. | ||
Apology for the loss of subtitles for 151 seconds | :20:28. | :21:31. | |
# Pretty little girl What a great line-up we have in | :21:32. | :21:38. | |
this place this evening. Summing it all up, Chocolate Drops with The | :21:38. | :21:43. | |
Chieftains. The chief Chieftains have a marvellous record out where | :21:43. | :21:48. | |
they collaborated with all sorts of people to make this lovely music. | :21:48. | :21:52. | |
We have a contrast of everything in this studio this evening and now | :21:52. | :22:02. | |
:22:02. | :22:14. | ||
I'm delighted to welcome the very # Oh, my heart I never be | :22:14. | :22:24. | |
:22:24. | :22:37. | ||
# My heart I never be # Oh, heart I never be, I never see | :22:37. | :22:47. | |
:22:47. | :22:47. | ||
Apology for the loss of subtitles for 151 seconds | :22:47. | :24:09. | |
# My heart I never be, I never see # My heart I never be, I never see | :24:09. | :24:19. | |
:24:19. | :24:19. | ||
Apology for the loss of subtitles for 151 seconds | :24:19. | :26:05. | |
# Well, I get into the game # I'm the man with the name | :26:05. | :26:11. | |
# Call me whatever you may I ain't stoppin' the train | :26:11. | :26:13. | |
# I got a field full of pain Hip Eponymous Poor Boy, boy | :26:13. | :26:17. | |
# And I know that I can't defeat you | :26:17. | :26:25. | |
# Yeah, don't worry now I ain't going to preach to you | :26:25. | :26:29. | |
# Well, there ya go | :26:29. | :26:32. | |
# But I'll be going right there with you | :26:32. | :26:36. | |
# Yeah, wherever you'll be You'll be lookin' at me | :26:36. | :26:41. | |
# But don't get out of your chair | :26:41. | :26:42. | |
# Put a bow in your hair, yo | :26:42. | :26:44. | |
# u might be makin' 'em stare | :26:44. | :26:46. | |
# So leave the care to the poor boy, the boy | :26:46. | :26:49. | |
# And that's the name of the game | :26:49. | :26:51. | |
# Keep on stayin' the same Ain't nobody to blame | :26:51. | :26:54. | |
# Nobody but the poor boy The poor boy | :26:54. | :26:59. | |
# Well, OK, so you fell asleep today | :26:59. | :27:04. | |
# What's funny to me though is that you did that yesterday | :27:04. | :27:09. | |
# You might think I'm mad | :27:09. | :27:12. | |
# For doing all the things that I don't need to do | :27:12. | :27:15. | |
# But while you're laughin' at me Well, I'll be laughin' at you | :27:15. | :27:19. | |
# So I get into the game but always keep it the same | :27:19. | :27:22. | |
# And I'll be usin' your name | :27:22. | :27:24. | |
# But they'll be yellin' at me Poor boy, boy | :27:24. | :27:28. | |
# But I'll be happy for you cos you got nothin' to do | :27:28. | :27:30. | |
# And I'll be singin' the blues | :27:30. | :27:32. | |
# Walkin' around singin' Poor boy, boy | :27:32. | :27:38. | |
# Sometimes a cold shiver comes over me | :27:38. | :27:42. | |
# And it turns me on when the song takes over me | :27:42. | :27:48. | |
# But all right, I can't fight it The odds are against me | :27:48. | :27:54. | |
# But I can't sit still Because I know that I will | :27:54. | :27:59. | |
# And you'll be watching me, girl Takin' over the world | :27:59. | :28:01. | |
# Let the stripes unfurl | :28:01. | :28:03. | |
# Gettin' rich singin' Poor boy, boy | :28:03. | :28:06. | |
# And I'll be comin' to play I do it every day | :28:06. | :28:11. | |
# And the title will stay Hip Eponymous Poor Boy, poor boy | :28:12. | :28:16. | |
# Yeah. # | :28:16. | :28:26. | |
:28:26. | :28:36. | ||
APPLAUSE AND CHEERING | :28:36. | :28:46. | |
:28:46. | :28:50. | ||
# | :28:50. | :28:50. | |
# I | :28:50. | :28:50. | |
# I know | :28:50. | :28:54. | |
# I know that I can't defeat you Thank you very much, the wonder | :28:54. | :28:59. | |
female group. There is an all male group to come which he has over | :28:59. | :29:04. | |
there. We enjoyed Norah Jones doing songs from her little Broken Heart | :29:04. | :29:13. | |
album. But she is at the the piano now and I'm going to invite her to | :29:13. | :29:16. | |
do something different. Norah Jones, it is lovely to see you. | :29:16. | :29:26. | |
:29:26. | :29:34. | ||
I happen to know what you have got a cover band call the Little | :29:34. | :29:44. | |
:29:44. | :29:48. | ||
Willies. And you wanted to do a # Don't look so sad | :29:48. | :29:58. | |
:29:58. | :30:01. | ||
# I know it's over # But life goes on | :30:01. | :30:08. | |
# This whole world will keep on turning | :30:08. | :30:18. | |
:30:18. | :30:18. | ||
# # Let's just be glad we had sometime to spend together | :30:19. | :30:28. | |
:30:29. | :30:29. | ||
# There is no need to watch the bridges that were burning -- that | :30:29. | :30:39. | |
:30:39. | :30:47. | ||
we're burning # Lay your head upon my pillow | :30:47. | :30:57. | |
:30:57. | :31:00. | ||
# Hold your warm and tender body close to mine | :31:00. | :31:10. | |
:31:10. | :31:18. | ||
# Hear the rain drops falling soft against the window | :31:18. | :31:28. | |
:31:28. | :31:43. | ||
APPLAUSE The wonderful, beautiful voice of | :31:43. | :31:50. | |
Norah Jones. APPLAUSE | :31:51. | :31:57. | |
When Nora sings, I just love it. I'm so happy being in this room and | :31:58. | :32:07. | |
:32:08. | :32:43. | ||
# Let the ocean worry about # Roll with the tide | :32:43. | :32:53. | |
:32:53. | :33:14. | ||
# And we'll let the sun # Let the ocean worry about | :33:14. | :33:24. | |
:33:24. | :33:24. | ||
Apology for the loss of subtitles for 151 seconds | :33:24. | :34:36. | |
# Roll with the tide Alabama Shakes. | :34:36. | :34:39. | |
APPLAUSE From their Boys and Girls LP. I am | :34:39. | :34:46. | |
delighted to welcome, I don't throw the word "legend" about, no, I use | :34:46. | :34:52. | |
it where it is appropriate. I welcome a welcome to the table. | :34:52. | :35:01. | |
From the chief Chieftains, it is Paddy Maloney. | :35:01. | :35:06. | |
Am I right at right table? Yes. Congratulations because The | :35:06. | :35:13. | |
Chieftains are celebrating 50 years? 50 years of madness. A great | :35:13. | :35:16. | |
journey. A great journey. You have got this great record and | :35:16. | :35:23. | |
it is called The Voice of ages and lots of fantastic people have done | :35:23. | :35:27. | |
stuff with you. There is some people in the room, tell us about | :35:28. | :35:33. | |
who is in the room that's going to be stuff with you, the Carolina | :35:33. | :35:37. | |
Chocolate Drops and it fits perfectly into their blue grass | :35:37. | :35:44. | |
style and fitting our reels into their music and the music was just | :35:44. | :35:52. | |
amazing altogether and also Peggy Gordon, a lovely song from The | :35:52. | :35:54. | |
Secret Sisters. That was all a great joy. | :35:54. | :35:59. | |
And they seemed to fit in beautifully? When I heard a lot of | :35:59. | :36:04. | |
the music from the various, there must be nine or ten, artists on | :36:04. | :36:10. | |
like Bonnie who sings a lovely song called down by Will Gardens which | :36:10. | :36:18. | |
is an old melody called The Men Of The West. A lot of the songs came | :36:18. | :36:21. | |
from Irish tunes and that sort of thing. | :36:21. | :36:26. | |
That's where they first sprang out of the fields or fromted fairy | :36:26. | :36:31. | |
fairy glades. Is that true, there is supposed to be a place where the | :36:31. | :36:37. | |
fairies live and the music is created? We don't have much of that | :36:37. | :36:43. | |
over there! I I think we have got a bit from the middle period of your | :36:43. | :36:50. | |
career, from 1977. Oh gosh. I think here we are from the London | :36:50. | :37:00. | |
:37:00. | :37:00. | ||
Apology for the loss of subtitles for 151 seconds | :37:00. | :37:43. | |
THEY PLAY IRISH MUSIC APPLAUSE | :37:43. | :37:46. | |
You are a terrible man. You are a terrible man! | :37:46. | :37:53. | |
It has got a great beat. What is that drum called? The boran. | :37:53. | :37:58. | |
It is like a whole kit? Yes. You have lasted, I mean the Rolling | :37:58. | :38:04. | |
Stones are going to be going for 50 years and you too have been going | :38:04. | :38:11. | |
for 50 years. What's the secret to your longevity? Madness! It has to | :38:11. | :38:16. | |
do with the music, this great folk artist of music and there is a | :38:16. | :38:20. | |
great buzz there and now we start to spread it around the the world | :38:20. | :38:26. | |
and to mix it in other traditions, from China, we played on the Great | :38:26. | :38:30. | |
Wall of China with Chinese musicians. So there is no stop on | :38:30. | :38:36. | |
it, you know, and the last one was Mexico, you know, and people | :38:36. | :38:39. | |
joining in with us. Anyway, I could go on forever. | :38:40. | :38:43. | |
It is great to have you in the studio. What a marvellous record. | :38:43. | :38:47. | |
We have got more to hear which we're looking forward to on the | :38:47. | :38:55. | |
show. Ladies and gentlemen, Paddy Maloney. | :38:55. | :38:59. | |
From North Carolina who were with The Chieftains, but now we enjoy | :38:59. | :39:09. | |
:39:09. | :39:30. | ||
them on their own, the Carolina # You may wonder what's the reason | :39:30. | :39:40. | |
:39:40. | :39:46. | ||
# Got a big load off my mindHere's the papers, sealed and signed | :39:46. | :39:55. | |
# And the judge was nice and kind All through the trial | :39:55. | :40:03. | |
# This ends the five-year war I am myself once more | :40:03. | :40:11. | |
# I can come when I please I can go when I please | :40:11. | :40:15. | |
# I can flit, fly and flutter Like the birds in the trees | :40:15. | :40:18. | |
# Because I'm no man's mama now | :40:18. | :40:23. | |
# Hey, hey I can say what I like I can do what I like | :40:23. | :40:26. | |
# I'm a gal who is on a matrimonial strike | :40:26. | :40:30. | |
# Which means I'm no man's mama now | :40:30. | :40:35. | |
# I'm screamin', "There, I know how | :40:35. | :40:39. | |
# "A fella feels gettin' out of jail," | :40:39. | :40:41. | |
# I've got twin beds | :40:41. | :40:44. | |
# But I take pleasure in announcin' one's for sale | :40:44. | :40:48. | |
# And I'm makin' it plain I will never again | :40:48. | :40:50. | |
# Drag around another ball and chain | :40:51. | :40:55. | |
# Because I'm no man's mama now | :40:55. | :41:05. | |
:41:05. | :41:24. | ||
# I can smile, I can wink I can go take a drink | :41:24. | :41:27. | |
# And I don't have to worry what my hubby will think | :41:27. | :41:30. | |
# Because I'm no man's mama now | :41:30. | :41:35. | |
Are you gettin' what I'm tellin' you? | :41:35. | :41:36. | |
# I can spend if I choose I can play and sing the blues | :41:36. | :41:39. | |
# There's nobody messing with my ones and my twos | :41:39. | :41:42. | |
# Because I'm no man's mama now | :41:43. | :41:49. | |
# You know that there was a time I used to think that men were grand | :41:49. | :41:54. | |
# But no more for mine | :41:54. | :41:57. | |
# I've gone and labeled my apartment No Man's Land! | :41:57. | :42:01. | |
# I got rid of my cat cos my cat's name was Pat | :42:01. | :42:04. | |
# Won't even have a mailbox in my flat | :42:04. | :42:07. | |
# Because I'm no man's mama now | :42:07. | :42:12. | |
# Am I makin' it plain I will never again | :42:12. | :42:15. | |
# Drag around another ball and chain | :42:15. | :42:18. | |
# Because I'm no man's mama now. # | :42:18. | :42:27. | |
APPLAUSE AND CHEERING | :42:27. | :42:37. | |
:42:37. | :42:45. | ||
# Little broken hearts of the night | :42:45. | :42:46. | |
# Slowly picking up their knives On the way to the fight | :42:46. | :42:52. | |
# Tonight they want revenge | :42:52. | :42:56. | |
# Beautiful soldiers in their beds Making love inside their heads | :42:56. | :43:01. | |
# With no chance to defend Tonight could be their end | :43:01. | :43:05. | |
# With the weapons in their hands And their eyes closed as they stand | :43:05. | :43:15. | |
:43:15. | :43:20. | ||
# With the weapons in their hands And their eyes closed as they stand | :43:20. | :43:26. | |
# Can they end it all tonight so easily? | :43:26. | :43:32. | |
# Did the darkness of their days Make them let go of their light? | :43:32. | :43:40. | |
# Will they want to find a way To make it all right? | :43:40. | :43:46. | |
# When the beautiful awake See the sadness in their eyes | :43:46. | :43:51. | |
# Will they want to find a way To make it all right | :43:51. | :44:01. | |
# Can they ever find a way To sleep side by side? | :44:01. | :44:11. | |
:44:11. | :44:15. | ||
# Only the fallen need to rise | :44:15. | :44:17. | |
# What if lightning strikes them twice? | :44:17. | :44:20. | |
# Will they give up on their lives And finally divide? | :44:20. | :44:27. | |
# Did the darkness of their days Make them let go of their light? | :44:27. | :44:33. | |
# Can they ever find a way To sleep side by side? | :44:34. | :44:39. | |
# When the beautiful awake See the sadness in their eyes | :44:39. | :44:45. | |
# Will they want to find a way To make it all right | :44:45. | :44:52. | |
# To make it all right? | :44:52. | :44:55. | |
# To make it all right? | :44:55. | :45:00. | |
# To make it all right? | :45:00. | :45:10. | |
:45:10. | :45:10. | ||
Apology for the loss of subtitles for 151 seconds | :45:10. | :45:53. | |
The | :45:53. | :45:54. | |
The wonderful | :45:54. | :45:54. | |
The wonderful Norah | :45:54. | :46:04. | |
:46:04. | :46:08. | ||
The wonderful Norah Jones. APPLAUSE | :46:08. | :46:11. | |
Before that, we enjoyed Carolina Chocolate Drops with No Man's Mamma. | :46:11. | :46:15. | |
Now Laura and Olivia who are known as The Secret Sisters are here with | :46:15. | :46:25. | |
:46:25. | :46:46. | ||
# O Peggy Gordon, you are my darling # And tell to me the very reason | :46:46. | :46:56. | |
:46:56. | :47:03. | ||
# I'm so deep in love that I can't deny it | :47:03. | :47:11. | |
# My heart lies smothered in my breast | :47:11. | :47:19. | |
# But it's not for you to let the world know it | :47:19. | :47:27. | |
# A troubled mind can find no rest | :47:27. | :47:36. | |
# I leaned myself on a cask of brandy | :47:36. | :47:46. | |
:47:46. | :47:46. | ||
# It was my fancy, I do declare | :47:46. | :47:53. | |
# For when I'm drinking I'm always thinking | :47:53. | :48:03. | |
# Wishing Peggy Gordon was there | :48:03. | :48:11. | |
# O Peggy Gordon, you are my darling Come sit you down upon my knee | :48:11. | :48:21. | |
:48:21. | :48:27. | ||
# And tell to me the very reason Why I am slighted so by thee | :48:28. | :48:37. | |
:48:38. | :48:38. | ||
Apology for the loss of subtitles for 151 seconds | :48:38. | :49:27. | |
# Where womankind cannot be found | :49:27. | :49:33. | |
# And the pretty small birds do change their voices | :49:33. | :49:43. | |
# And every moment a different sound | :49:43. | :49:51. | |
# O Peggy Gordon, you are my darling Come sit you down upon my knee | :49:51. | :50:01. | |
:50:01. | :50:06. | ||
# And tell to me the very reason Why I am slighted so by thee. # | :50:07. | :50:16. | |
:50:17. | :50:23. | ||
APPLAUSE AND CHEERING | :50:23. | :50:33. | |
:50:33. | :50:36. | ||
APPLAUSE AND CHEERING | :50:36. | :50:46. | |
:50:46. | :50:47. | ||
The | :50:47. | :50:48. | |
The sound | :50:48. | :50:49. | |
The sound of | :50:49. | :50:54. | |
The sound of enchantment, The Chieftains and The Secret Sisters | :50:54. | :51:04. | |
and Peggy Gordon from their album, The Voice Of Ages and now let's | :51:04. | :51:14. | |
:51:14. | :51:35. | ||
enjoy once again, Alabama Shakes. # Well, I'll tell you | :51:35. | :51:45. | |
:51:45. | :51:45. | ||
Apology for the loss of subtitles for 151 seconds | :51:45. | :52:28. | |
# And all them lions in the jungle # But don't you call me anything, | :52:28. | :52:38. | |
:52:38. | :52:53. | ||
# They done started messin' with the # They got another thing comin' | :52:53. | :52:57. | |
# Ooh and I would do all that for you, I'd do it for you | :52:57. | :53:04. | |
# Cos all of them girls | :53:04. | :53:07. | |
# Don't know you like I do | :53:07. | :53:11. | |
# All of them girls don't know you like I do | :53:11. | :53:17. | |
# All them ladies don't know you like I do | :53:17. | :53:24. | |
# That's why I call you my baby | :53:24. | :53:30. | |
# Oh yeah yeah yeah | :53:30. | :53:35. | |
# Oh oh oh oh | :53:35. | :53:39. | |
# Oh oh oh oh | :53:39. | :53:43. | |
# Tell me all right | :53:43. | :53:46. | |
# Tell me all right | :53:46. | :53:48. | |
# Ooh | :53:48. | :53:56. | |
# I so wanna know | :53:56. | :54:00. | |
# Would you be mine? | :54:00. | :54:03. | |
# So be mine | :54:03. | :54:06. | |
# Say, baby, be mine | :54:06. | :54:09. | |
# So be mine | :54:09. | :54:12. | |
# So be mine | :54:12. | :54:15. | |
# So be my baby | :54:15. | :54:17. | |
# Be my baby | :54:17. | :54:18. | |
# Be my baby | :54:18. | :54:19. | |
# Be my, ooh! | :54:19. | :54:23. | |
# Be my baby | :54:23. | :54:24. | |
# Be my baby | :54:24. | :54:26. | |
# Be my, ooh! | :54:26. | :54:27. | |
# Be my baby | :54:27. | :54:29. | |
# Be my baby | :54:29. | :54:30. | |
# Be my baby | :54:30. | :54:40. | |
:54:40. | :54:40. | ||
Apology for the loss of subtitles for 151 seconds | :54:40. | :55:48. | |
# Trying to make it so I never see # Want to make sure that you never | :55:48. | :55:58. | |
:55:58. | :56:10. | ||
# Oh how does it feel to be you # So pick up your piece | :56:10. | :56:20. | |
:56:20. | :56:20. | ||
Apology for the loss of subtitles for 151 seconds | :56:20. | :57:02. | |
# Would you please # Trying to keep myself | :57:02. | :57:12. | |
:57:12. | :57:24. | ||
# Makes me feel like I took # Oh how does it feel to be the one | :57:24. | :57:34. | |
:57:34. | :57:53. | ||
# I won't be a fool for you no more, # Would you please | :57:53. | :58:03. | |
:58:03. | :58:03. | ||
Apology for the loss of subtitles for 151 seconds | :58:03. | :58:48. | |
Happy Pills, the wonderful sound of Norah Jones. | :58:48. | :58:54. | |
What a fantastic line-up I boasted and thank all the people who have | :58:54. | :59:02. | |
been in the line-up. We also enjoyed, Grimess, thank you. We | :59:02. | :59:09. | |
loved Norah Jones. We loved The Secret Sisters. | :59:09. | :59:11. | |
APPLAUSE Who joined, celebrating 50 years | :59:11. | :59:17. | |
and they are just amazing, The Chieftains. | :59:17. | :59:19. | |
APPLAUSE Also well, just being marvellous, | :59:19. | :59:20. | |
Carolina Chocolate Drops. APPLAUSE | :59:21. | :59:30. | |
:59:31. | :59:32. | ||
They are all marvellous. Thank you, Alabama Shakes. | :59:32. | :59:35. | |
APPLAUSE We will be back on Tuesday. But now | :59:35. | :59:40. | |
with his, he has got rid of the female band for the moment and he | :59:40. | :59:44. | |
brought in the male band and I will give you where we started, the | :59:44. | :59:54. | |
:59:54. | :00:15. | ||
# It's quite possible # But it's a fact | :00:15. | :00:25. | |
:00:25. | :00:27. | ||
# It's quite possible that I'm your third man, girl | :00:27. | :00:29. | |
# But it's a fact that I'm the seventh son | :00:29. | :00:37. | |
# And right now you could care less about me | :00:37. | :00:39. | |
# But soon enough you will care By the time I'm done | :00:39. | :00:48. | |
# Let's have a ball and a biscuit, sugar | :00:48. | :00:52. | |
# And take our sweet little time about it | :00:52. | :00:56. | |
# Let's have a ball, girl | :00:56. | :01:05. | |
# And take our sweet little time about it | :01:05. | :01:12. | |
# Tell everybody in the place to just get out | :01:12. | :01:15. | |
# And we'll get clean together | :01:15. | :01:16. | |
# And I'll find me soapbox where I can shout it | :01:16. | :01:20. | |
# Yeah | :01:20. | :01:30. | |
:01:30. | :01:30. | ||
Apology for the loss of subtitles for 151 seconds | :01:30. | :02:38. | |
# Read it in the newspaper | :02:38. | :02:43. | |
# Ask your girlfriends and see if they know | :02:43. | :02:48. | |
# Read it in the newspaper | :02:48. | :02:50. | |
# Ask your girlfriends and see if they know | :02:50. | :03:00. | |
:03:00. | :03:04. | ||
# That my strength is ten-fold, girl | :03:04. | :03:06. | |
# Let's have a ball and a biscuit, sugar | :03:06. | :03:09. | |
# Let's have a ball and a biscuit, sugar | :03:09. | :03:13. | |
# And take our sweet little time about it | :03:13. | :03:22. | |
# Let's have a ball | :03:22. | :03:25. | |
# And take our sweet little time about it | :03:25. | :03:33. | |
# Tell everybody in the place to just get out | :03:33. | :03:35. | |
# We'll get clean together | :03:35. | :03:39. |