Episode 2 Later... with Jools Holland


Episode 2

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from the Mediterranean, the mid-20s in Berlin, high temperatures in

:00:02.:00:08.

Rome and Athens, rather wet and windy weather in Madrid. Wet and

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windy across Wales on Sunday. Heavy rain, strong-to-gale force winds,

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across Scotland and Northern Ireland. The rain will be heavy and

:00:18.:00:28.
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Apology for the loss of subtitles for 151 seconds

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could lead to localised flooding, CHEERING AND APPLAUSE

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:03:10.:03:15.

Welcome to a sensational line-up. # And the boy's number there

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# I eat 16 saltine crackers then I lick my finger

:03:17.:03:20.

# Well every morning I deliver the news

:03:20.:03:23.

# Black hat white shoes and I'm red all over

:03:23.:03:26.

# She's got a big mailbox that she puts up front

:03:26.:03:29.

# Garbage in, garbage out

:03:29.:03:30.

# She's getting what she wants

:03:30.:03:32.

# Who's jealous? Who's jealous?

:03:32.:03:40.

# Who's jealous? Who's jealous?

:03:40.:03:41.

# Who's jealous? Who's jealous of who?

:03:41.:03:43.

# If I get busy

:03:43.:03:44.

# Then I couldn't care less what you do

:03:44.:03:46.

# But then I'm by myself

:03:46.:03:47.

# I think of nothing else

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# Than if a boy just might be

:03:49.:03:51.

# Getting through and touching you

:03:51.:04:00.

# Spike heels make a hole in a lifeboat

:04:00.:04:02.

# Jumpin' and wavin' I'm talkin' and laughin' as I float

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# I hear a whistle

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# That's how I know she's home

:04:07.:04:09.

# Lipstick, eyelash

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# Broke mirror, broken home

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# Force fed, force

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# Mixed till I drop dead

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# You can't defeat her, when you meet her, you'll be what I said

:04:16.:04:20.

# And Lord knows there's a method to her madness

:04:20.:04:23.

# Bustin' those jokes as I float in a sea of sadness

:04:23.:04:33.
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# She doesn't know but when she's gonna sit up and drink a few

:04:33.:04:36.

# I'm sure she's drinkin' two but wonderin' what for and who

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# And I'm solo rollin' I'm one side off the boat

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# Looking out, throwin' up

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# A lifesaver down my throat

:04:43.:04:53.
:04:53.:05:10.

# Who's jealous? Who's jealous?

:05:10.:05:11.

# Who's jealous? Who's jealous of who?

:05:11.:05:13.

# Who's jealous? Who's jealous?

:05:13.:05:15.

# Who's jealous? Who's jealous of who?

:05:15.:05:17.

# Who's jealous? Who's jealous?

:05:17.:05:18.

# Who's jealous? Who's jealous of who? #

:05:18.:05:28.
:05:28.:05:34.

APPLAUSE

:05:34.:05:44.

Fabulous.

:05:44.:05:45.

Fabulous. Sixteen

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Fabulous. Sixteen Saltines

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Fabulous. Sixteen Saltines with his all female group. He has an all

:05:50.:05:54.

male group as well and they will be appearing on this same show. That

:05:54.:06:04.
:06:04.:06:05.

amazing line-up includes from Canada, the wonderful, Grimes.

:06:05.:06:07.

APPLAUSE From New York, we're delighted to

:06:07.:06:14.

have back in this studio, the fantastic, Norah Jones.

:06:14.:06:15.

APPLAUSE From Alabama, joining The

:06:15.:06:25.
:06:25.:06:26.

Chieftains later on, we welcome The Secret Sisters.

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APPLAUSE From Dublin, celebrating 50 years

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in music, of Irish music, the fantastic chieftains. It is a

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privilege to have them with us. From north kor north Carolina, the

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Carolina chocolate drops. Now from Alabama please welcome the

:06:43.:06:53.
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Apology for the loss of subtitles for 151 seconds

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# "You got to come on up, The sensational, a lot of groove

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going on there. Alabama Shakes with Hold On from their Boys and Girls

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album. Over here, our next artist has an incredible album out. She

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first appeared on this show in 2001. How pleased we are to have her back.

:11:01.:11:10.
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Apology for the loss of subtitles for 151 seconds

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# Well, it ain't easy # I'm loosened up but it's too late

:12:40.:12:50.
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# I'm dropping bolts on the ground # I know that you're dying

:13:13.:13:23.
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Apology for the loss of subtitles for 151 seconds

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# Well, it ain't easy What a joy to have Norah Jones back

:14:23.:14:33.

in the studio. Norah Jones, ladies and gentlemen. With Say Goodbye

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from her Broke Hearts LP. So we're going over here. Somebody was going

:14:40.:14:45.

like that and I thought they meant stop, but it means we only have got

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four minutes to talk to the wonderful, Jack White. You are a

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marvel. First of all, I want to discuss this, because you have made

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one of these and not a lot of people have these. Can I just show

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the people what it is? Yes. Some of the younger viewers may not know

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what this is. How would you describe this this? It is a

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gigantic compact disc. You prefer vinyl to CD? It is the

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most romantic way to experience music.

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You make it in Nashville and your record company is in Nashville. Why

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do you choose Nashville? It just felt good to me. I was always

:15:28.:15:33.

working in Tennessee. I always found myself in Tennessee. I don't

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know why. I looked off over down south.

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There is great music. For sure.

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The other thing I should explain, you started off with the fantastic

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all female group, but you have an all male group. Why two instead of

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one? I wanted to challenge myself. It would be easier if I had five or

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six people to back you up on stage and learn your songs like they are

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on the record, but I want to try things differently and make myself

:16:06.:16:09.

work every night and challenge ourselves. We don't have a set list

:16:09.:16:13.

and we challenge each other. When we go out there, we don't know what

:16:13.:16:17.

we're going to do. We do different versions of the same songs, but it

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is still a lot of work. We were talking about the song St

:16:27.:16:32.

James Infirmary Blues. It is a very old London song, but you have a

:16:32.:16:39.

great take on it? Yeah, you know what, Meg and I covered that track

:16:39.:16:49.
:16:49.:16:51.

on one of our early records. We had Betty Boop cartoons.

:16:51.:17:01.
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I can do my northern Detroit # I'm going down St James Infirmary

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# To see, my little darling # Oh how she looks so good

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# Yeah, let her go, let her go # God bless her

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# You may search this whole wide world over, but she will never find

:17:51.:18:01.
:18:01.:18:07.

another sweetheart like me # Yeah

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# All right # APPLAUSE

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Always an absolute privilege and a joy to have Jack White in this

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studio. APPLAUSE

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If I dropped dead tomorrow, I would leave my job to him! We have one of

:18:37.:18:40.

the greatest legends actually, one of the greatest legends of music

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here celebrating 50 years together now, The Chieftains are joined by

:18:43.:18:49.

the Carolina chocolate drops. Yes, the Carolina chocolate drops

:18:49.:18:59.
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joining The Chieftains. # Pretty little girl

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# Pretty little girl # Pretty little girl

:19:19.:19:29.
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# Sheep in the meadow # Swing that girl

:19:33.:19:43.
:19:43.:20:18.

# Pretty little girl # Pretty little girl

:20:18.:20:28.
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Apology for the loss of subtitles for 151 seconds

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# Pretty little girl What a great line-up we have in

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this place this evening. Summing it all up, Chocolate Drops with The

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Chieftains. The chief Chieftains have a marvellous record out where

:21:43.:21:48.

they collaborated with all sorts of people to make this lovely music.

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We have a contrast of everything in this studio this evening and now

:21:52.:22:02.
:22:02.:22:14.

I'm delighted to welcome the very # Oh, my heart I never be

:22:14.:22:24.
:22:24.:22:37.

# My heart I never be # Oh, heart I never be, I never see

:22:37.:22:47.
:22:47.:22:47.

Apology for the loss of subtitles for 151 seconds

:22:47.:24:09.

# My heart I never be, I never see # My heart I never be, I never see

:24:09.:24:19.
:24:19.:24:19.

Apology for the loss of subtitles for 151 seconds

:24:19.:26:05.

# Well, I get into the game # I'm the man with the name

:26:05.:26:11.

# Call me whatever you may I ain't stoppin' the train

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# I got a field full of pain Hip Eponymous Poor Boy, boy

:26:13.:26:17.

# And I know that I can't defeat you

:26:17.:26:25.

# Yeah, don't worry now I ain't going to preach to you

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# Well, there ya go

:26:29.:26:32.

# But I'll be going right there with you

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# Yeah, wherever you'll be You'll be lookin' at me

:26:36.:26:41.

# But don't get out of your chair

:26:41.:26:42.

# Put a bow in your hair, yo

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# u might be makin' 'em stare

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# So leave the care to the poor boy, the boy

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# And that's the name of the game

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# Keep on stayin' the same Ain't nobody to blame

:26:51.:26:54.

# Nobody but the poor boy The poor boy

:26:54.:26:59.

# Well, OK, so you fell asleep today

:26:59.:27:04.

# What's funny to me though is that you did that yesterday

:27:04.:27:09.

# You might think I'm mad

:27:09.:27:12.

# For doing all the things that I don't need to do

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# But while you're laughin' at me Well, I'll be laughin' at you

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# So I get into the game but always keep it the same

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# And I'll be usin' your name

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# But they'll be yellin' at me Poor boy, boy

:27:24.:27:28.

# But I'll be happy for you cos you got nothin' to do

:27:28.:27:30.

# And I'll be singin' the blues

:27:30.:27:32.

# Walkin' around singin' Poor boy, boy

:27:32.:27:38.

# Sometimes a cold shiver comes over me

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# And it turns me on when the song takes over me

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# But all right, I can't fight it The odds are against me

:27:48.:27:54.

# But I can't sit still Because I know that I will

:27:54.:27:59.

# And you'll be watching me, girl Takin' over the world

:27:59.:28:01.

# Let the stripes unfurl

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# Gettin' rich singin' Poor boy, boy

:28:03.:28:06.

# And I'll be comin' to play I do it every day

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# And the title will stay Hip Eponymous Poor Boy, poor boy

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# Yeah. #

:28:16.:28:26.
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APPLAUSE AND CHEERING

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#

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# I

:28:50.:28:50.

# I know

:28:50.:28:54.

# I know that I can't defeat you Thank you very much, the wonder

:28:54.:28:59.

female group. There is an all male group to come which he has over

:28:59.:29:04.

there. We enjoyed Norah Jones doing songs from her little Broken Heart

:29:04.:29:13.

album. But she is at the the piano now and I'm going to invite her to

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do something different. Norah Jones, it is lovely to see you.

:29:16.:29:26.
:29:26.:29:34.

I happen to know what you have got a cover band call the Little

:29:34.:29:44.
:29:44.:29:48.

Willies. And you wanted to do a # Don't look so sad

:29:48.:29:58.
:29:58.:30:01.

# I know it's over # But life goes on

:30:01.:30:08.

# This whole world will keep on turning

:30:08.:30:18.
:30:18.:30:18.

# # Let's just be glad we had sometime to spend together

:30:19.:30:28.
:30:29.:30:29.

# There is no need to watch the bridges that were burning -- that

:30:29.:30:39.
:30:39.:30:47.

we're burning # Lay your head upon my pillow

:30:47.:30:57.
:30:57.:31:00.

# Hold your warm and tender body close to mine

:31:00.:31:10.
:31:10.:31:18.

# Hear the rain drops falling soft against the window

:31:18.:31:28.
:31:28.:31:43.

APPLAUSE The wonderful, beautiful voice of

:31:43.:31:50.

Norah Jones. APPLAUSE

:31:51.:31:57.

When Nora sings, I just love it. I'm so happy being in this room and

:31:58.:32:07.
:32:08.:32:43.

# Let the ocean worry about # Roll with the tide

:32:43.:32:53.
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# And we'll let the sun # Let the ocean worry about

:33:14.:33:24.
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Apology for the loss of subtitles for 151 seconds

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# Roll with the tide Alabama Shakes.

:34:36.:34:39.

APPLAUSE From their Boys and Girls LP. I am

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delighted to welcome, I don't throw the word "legend" about, no, I use

:34:46.:34:52.

it where it is appropriate. I welcome a welcome to the table.

:34:52.:35:01.

From the chief Chieftains, it is Paddy Maloney.

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Am I right at right table? Yes. Congratulations because The

:35:06.:35:13.

Chieftains are celebrating 50 years? 50 years of madness. A great

:35:13.:35:16.

journey. A great journey. You have got this great record and

:35:16.:35:23.

it is called The Voice of ages and lots of fantastic people have done

:35:23.:35:27.

stuff with you. There is some people in the room, tell us about

:35:28.:35:33.

who is in the room that's going to be stuff with you, the Carolina

:35:33.:35:37.

Chocolate Drops and it fits perfectly into their blue grass

:35:37.:35:44.

style and fitting our reels into their music and the music was just

:35:44.:35:52.

amazing altogether and also Peggy Gordon, a lovely song from The

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Secret Sisters. That was all a great joy.

:35:54.:35:59.

And they seemed to fit in beautifully? When I heard a lot of

:35:59.:36:04.

the music from the various, there must be nine or ten, artists on

:36:04.:36:10.

like Bonnie who sings a lovely song called down by Will Gardens which

:36:10.:36:18.

is an old melody called The Men Of The West. A lot of the songs came

:36:18.:36:21.

from Irish tunes and that sort of thing.

:36:21.:36:26.

That's where they first sprang out of the fields or fromted fairy

:36:26.:36:31.

fairy glades. Is that true, there is supposed to be a place where the

:36:31.:36:37.

fairies live and the music is created? We don't have much of that

:36:37.:36:43.

over there! I I think we have got a bit from the middle period of your

:36:43.:36:50.

career, from 1977. Oh gosh. I think here we are from the London

:36:50.:37:00.
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Apology for the loss of subtitles for 151 seconds

:37:00.:37:43.

THEY PLAY IRISH MUSIC APPLAUSE

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You are a terrible man. You are a terrible man!

:37:46.:37:53.

It has got a great beat. What is that drum called? The boran.

:37:53.:37:58.

It is like a whole kit? Yes. You have lasted, I mean the Rolling

:37:58.:38:04.

Stones are going to be going for 50 years and you too have been going

:38:04.:38:11.

for 50 years. What's the secret to your longevity? Madness! It has to

:38:11.:38:16.

do with the music, this great folk artist of music and there is a

:38:16.:38:20.

great buzz there and now we start to spread it around the the world

:38:20.:38:26.

and to mix it in other traditions, from China, we played on the Great

:38:26.:38:30.

Wall of China with Chinese musicians. So there is no stop on

:38:30.:38:36.

it, you know, and the last one was Mexico, you know, and people

:38:36.:38:39.

joining in with us. Anyway, I could go on forever.

:38:40.:38:43.

It is great to have you in the studio. What a marvellous record.

:38:43.:38:47.

We have got more to hear which we're looking forward to on the

:38:47.:38:55.

show. Ladies and gentlemen, Paddy Maloney.

:38:55.:38:59.

From North Carolina who were with The Chieftains, but now we enjoy

:38:59.:39:09.
:39:09.:39:30.

them on their own, the Carolina # You may wonder what's the reason

:39:30.:39:40.
:39:40.:39:46.

# Got a big load off my mindHere's the papers, sealed and signed

:39:46.:39:55.

# And the judge was nice and kind All through the trial

:39:55.:40:03.

# This ends the five-year war I am myself once more

:40:03.:40:11.

# I can come when I please I can go when I please

:40:11.:40:15.

# I can flit, fly and flutter Like the birds in the trees

:40:15.:40:18.

# Because I'm no man's mama now

:40:18.:40:23.

# Hey, hey I can say what I like I can do what I like

:40:23.:40:26.

# I'm a gal who is on a matrimonial strike

:40:26.:40:30.

# Which means I'm no man's mama now

:40:30.:40:35.

# I'm screamin', "There, I know how

:40:35.:40:39.

# "A fella feels gettin' out of jail,"

:40:39.:40:41.

# I've got twin beds

:40:41.:40:44.

# But I take pleasure in announcin' one's for sale

:40:44.:40:48.

# And I'm makin' it plain I will never again

:40:48.:40:50.

# Drag around another ball and chain

:40:51.:40:55.

# Because I'm no man's mama now

:40:55.:41:05.
:41:05.:41:24.

# I can smile, I can wink I can go take a drink

:41:24.:41:27.

# And I don't have to worry what my hubby will think

:41:27.:41:30.

# Because I'm no man's mama now

:41:30.:41:35.

Are you gettin' what I'm tellin' you?

:41:35.:41:36.

# I can spend if I choose I can play and sing the blues

:41:36.:41:39.

# There's nobody messing with my ones and my twos

:41:39.:41:42.

# Because I'm no man's mama now

:41:43.:41:49.

# You know that there was a time I used to think that men were grand

:41:49.:41:54.

# But no more for mine

:41:54.:41:57.

# I've gone and labeled my apartment No Man's Land!

:41:57.:42:01.

# I got rid of my cat cos my cat's name was Pat

:42:01.:42:04.

# Won't even have a mailbox in my flat

:42:04.:42:07.

# Because I'm no man's mama now

:42:07.:42:12.

# Am I makin' it plain I will never again

:42:12.:42:15.

# Drag around another ball and chain

:42:15.:42:18.

# Because I'm no man's mama now. #

:42:18.:42:27.

APPLAUSE AND CHEERING

:42:27.:42:37.
:42:37.:42:45.

# Little broken hearts of the night

:42:45.:42:46.

# Slowly picking up their knives On the way to the fight

:42:46.:42:52.

# Tonight they want revenge

:42:52.:42:56.

# Beautiful soldiers in their beds Making love inside their heads

:42:56.:43:01.

# With no chance to defend Tonight could be their end

:43:01.:43:05.

# With the weapons in their hands And their eyes closed as they stand

:43:05.:43:15.
:43:15.:43:20.

# With the weapons in their hands And their eyes closed as they stand

:43:20.:43:26.

# Can they end it all tonight so easily?

:43:26.:43:32.

# Did the darkness of their days Make them let go of their light?

:43:32.:43:40.

# Will they want to find a way To make it all right?

:43:40.:43:46.

# When the beautiful awake See the sadness in their eyes

:43:46.:43:51.

# Will they want to find a way To make it all right

:43:51.:44:01.

# Can they ever find a way To sleep side by side?

:44:01.:44:11.
:44:11.:44:15.

# Only the fallen need to rise

:44:15.:44:17.

# What if lightning strikes them twice?

:44:17.:44:20.

# Will they give up on their lives And finally divide?

:44:20.:44:27.

# Did the darkness of their days Make them let go of their light?

:44:27.:44:33.

# Can they ever find a way To sleep side by side?

:44:34.:44:39.

# When the beautiful awake See the sadness in their eyes

:44:39.:44:45.

# Will they want to find a way To make it all right

:44:45.:44:52.

# To make it all right?

:44:52.:44:55.

# To make it all right?

:44:55.:45:00.

# To make it all right?

:45:00.:45:10.
:45:10.:45:10.

Apology for the loss of subtitles for 151 seconds

:45:10.:45:53.

The

:45:53.:45:54.

The wonderful

:45:54.:45:54.

The wonderful Norah

:45:54.:46:04.
:46:04.:46:08.

The wonderful Norah Jones. APPLAUSE

:46:08.:46:11.

Before that, we enjoyed Carolina Chocolate Drops with No Man's Mamma.

:46:11.:46:15.

Now Laura and Olivia who are known as The Secret Sisters are here with

:46:15.:46:25.
:46:25.:46:46.

# O Peggy Gordon, you are my darling # And tell to me the very reason

:46:46.:46:56.
:46:56.:47:03.

# I'm so deep in love that I can't deny it

:47:03.:47:11.

# My heart lies smothered in my breast

:47:11.:47:19.

# But it's not for you to let the world know it

:47:19.:47:27.

# A troubled mind can find no rest

:47:27.:47:36.

# I leaned myself on a cask of brandy

:47:36.:47:46.
:47:46.:47:46.

# It was my fancy, I do declare

:47:46.:47:53.

# For when I'm drinking I'm always thinking

:47:53.:48:03.

# Wishing Peggy Gordon was there

:48:03.:48:11.

# O Peggy Gordon, you are my darling Come sit you down upon my knee

:48:11.:48:21.
:48:21.:48:27.

# And tell to me the very reason Why I am slighted so by thee

:48:28.:48:37.
:48:38.:48:38.

Apology for the loss of subtitles for 151 seconds

:48:38.:49:27.

# Where womankind cannot be found

:49:27.:49:33.

# And the pretty small birds do change their voices

:49:33.:49:43.

# And every moment a different sound

:49:43.:49:51.

# O Peggy Gordon, you are my darling Come sit you down upon my knee

:49:51.:50:01.
:50:01.:50:06.

# And tell to me the very reason Why I am slighted so by thee. #

:50:07.:50:16.
:50:17.:50:23.

APPLAUSE AND CHEERING

:50:23.:50:33.
:50:33.:50:36.

APPLAUSE AND CHEERING

:50:36.:50:46.
:50:46.:50:47.

The

:50:47.:50:48.

The sound

:50:48.:50:49.

The sound of

:50:49.:50:54.

The sound of enchantment, The Chieftains and The Secret Sisters

:50:54.:51:04.

and Peggy Gordon from their album, The Voice Of Ages and now let's

:51:04.:51:14.
:51:14.:51:35.

enjoy once again, Alabama Shakes. # Well, I'll tell you

:51:35.:51:45.
:51:45.:51:45.

Apology for the loss of subtitles for 151 seconds

:51:45.:52:28.

# And all them lions in the jungle # But don't you call me anything,

:52:28.:52:38.
:52:38.:52:53.

# They done started messin' with the # They got another thing comin'

:52:53.:52:57.

# Ooh and I would do all that for you, I'd do it for you

:52:57.:53:04.

# Cos all of them girls

:53:04.:53:07.

# Don't know you like I do

:53:07.:53:11.

# All of them girls don't know you like I do

:53:11.:53:17.

# All them ladies don't know you like I do

:53:17.:53:24.

# That's why I call you my baby

:53:24.:53:30.

# Oh yeah yeah yeah

:53:30.:53:35.

# Oh oh oh oh

:53:35.:53:39.

# Oh oh oh oh

:53:39.:53:43.

# Tell me all right

:53:43.:53:46.

# Tell me all right

:53:46.:53:48.

# Ooh

:53:48.:53:56.

# I so wanna know

:53:56.:54:00.

# Would you be mine?

:54:00.:54:03.

# So be mine

:54:03.:54:06.

# Say, baby, be mine

:54:06.:54:09.

# So be mine

:54:09.:54:12.

# So be mine

:54:12.:54:15.

# So be my baby

:54:15.:54:17.

# Be my baby

:54:17.:54:18.

# Be my baby

:54:18.:54:19.

# Be my, ooh!

:54:19.:54:23.

# Be my baby

:54:23.:54:24.

# Be my baby

:54:24.:54:26.

# Be my, ooh!

:54:26.:54:27.

# Be my baby

:54:27.:54:29.

# Be my baby

:54:29.:54:30.

# Be my baby

:54:30.:54:40.
:54:40.:54:40.

Apology for the loss of subtitles for 151 seconds

:54:40.:55:48.

# Trying to make it so I never see # Want to make sure that you never

:55:48.:55:58.
:55:58.:56:10.

# Oh how does it feel to be you # So pick up your piece

:56:10.:56:20.
:56:20.:56:20.

Apology for the loss of subtitles for 151 seconds

:56:20.:57:02.

# Would you please # Trying to keep myself

:57:02.:57:12.
:57:12.:57:24.

# Makes me feel like I took # Oh how does it feel to be the one

:57:24.:57:34.
:57:34.:57:53.

# I won't be a fool for you no more, # Would you please

:57:53.:58:03.
:58:03.:58:03.

Apology for the loss of subtitles for 151 seconds

:58:03.:58:48.

Happy Pills, the wonderful sound of Norah Jones.

:58:48.:58:54.

What a fantastic line-up I boasted and thank all the people who have

:58:54.:59:02.

been in the line-up. We also enjoyed, Grimess, thank you. We

:59:02.:59:09.

loved Norah Jones. We loved The Secret Sisters.

:59:09.:59:11.

APPLAUSE Who joined, celebrating 50 years

:59:11.:59:17.

and they are just amazing, The Chieftains.

:59:17.:59:19.

APPLAUSE Also well, just being marvellous,

:59:19.:59:20.

Carolina Chocolate Drops. APPLAUSE

:59:21.:59:30.
:59:31.:59:32.

They are all marvellous. Thank you, Alabama Shakes.

:59:32.:59:35.

APPLAUSE We will be back on Tuesday. But now

:59:35.:59:40.

with his, he has got rid of the female band for the moment and he

:59:40.:59:44.

brought in the male band and I will give you where we started, the

:59:44.:59:54.
:59:54.:00:15.

# It's quite possible # But it's a fact

:00:15.:00:25.
:00:25.:00:27.

# It's quite possible that I'm your third man, girl

:00:27.:00:29.

# But it's a fact that I'm the seventh son

:00:29.:00:37.

# And right now you could care less about me

:00:37.:00:39.

# But soon enough you will care By the time I'm done

:00:39.:00:48.

# Let's have a ball and a biscuit, sugar

:00:48.:00:52.

# And take our sweet little time about it

:00:52.:00:56.

# Let's have a ball, girl

:00:56.:01:05.

# And take our sweet little time about it

:01:05.:01:12.

# Tell everybody in the place to just get out

:01:12.:01:15.

# And we'll get clean together

:01:15.:01:16.

# And I'll find me soapbox where I can shout it

:01:16.:01:20.

# Yeah

:01:20.:01:30.
:01:30.:01:30.

Apology for the loss of subtitles for 151 seconds

:01:30.:02:38.

# Read it in the newspaper

:02:38.:02:43.

# Ask your girlfriends and see if they know

:02:43.:02:48.

# Read it in the newspaper

:02:48.:02:50.

# Ask your girlfriends and see if they know

:02:50.:03:00.
:03:00.:03:04.

# That my strength is ten-fold, girl

:03:04.:03:06.

# Let's have a ball and a biscuit, sugar

:03:06.:03:09.

# Let's have a ball and a biscuit, sugar

:03:09.:03:13.

# And take our sweet little time about it

:03:13.:03:22.

# Let's have a ball

:03:22.:03:25.

# And take our sweet little time about it

:03:25.:03:33.

# Tell everybody in the place to just get out

:03:33.:03:35.

# We'll get clean together

:03:35.:03:39.

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