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Is it a remark of the Red Shoes? Of course, it isn't. It's Tuesday | :00:14. | :00:20. | |
night and 10pm. We are live. Live, live from the middle of London, | :00:20. | :00:26. | |
with a room full of amazingly talented people. Let's begin with | :00:26. | :00:36. | |
:00:36. | :00:37. | ||
# No mystery # But I could make out | :00:37. | :00:42. | |
# God, I'm so obvious and I should let it go | :00:42. | :00:45. | |
# Oh, I don't know, oh | :00:46. | :00:51. | |
# I'm no teenage icon | :00:51. | :00:53. | |
# I'm no Frankie Avalon | :00:53. | :00:55. | |
# I'm nobody's hero, oh-oh-oh | :00:55. | :01:05. | |
# Preserved and shy Your average guy | :01:05. | :01:09. | |
# No piercing stare Just out of shape with messy hair | :01:09. | :01:14. | |
# But I always figured I was somebody who'd wait | :01:14. | :01:18. | |
# And now I'm guessing that my moment must be late | :01:19. | :01:22. | |
# Cos I need it, oh | :01:22. | :01:27. | |
# I'm no teenage icon | :01:27. | :01:30. | |
# I'm no Frankie Avalon | :01:30. | :01:32. | |
# I'm nobody's hero, oh-oh-oh | :01:32. | :01:37. | |
# I'm not magnetic or mythical | :01:37. | :01:47. | |
:01:47. | :01:59. | ||
# I'm not magnetic or mythical | :01:59. | :02:04. | |
# I'm suburban and typical | :02:04. | :02:08. | |
# But I got it, I got it | :02:08. | :02:10. | |
# I'm overrun with it all | :02:10. | :02:20. | |
:02:20. | :02:21. | ||
# Seductive charm, a way with words | :02:21. | :02:26. | |
# So effortless Not leather clad or dangerous | :02:26. | :02:30. | |
# But I always did it like a real rebel would | :02:30. | :02:35. | |
# I had a photo where John Lennon may have stood | :02:35. | :02:39. | |
# Or so I'm told | :02:39. | :02:44. | |
# I'm no teenage icon | :02:44. | :02:46. | |
# I'm no Frankie Avalon | :02:46. | :02:49. | |
# I'm nobody's hero, oh-oh | :02:49. | :02:53. | |
# I'm no teenage icon | :02:53. | :03:02. | |
# I'm no teenage icon | :03:02. | :03:04. | |
# I'm no Frankie Avalon | :03:04. | :03:07. | |
# I'm nobody's hero, oh-oh. # | :03:07. | :03:14. | |
CHEERING AND APPLAUSE | :03:14. | :03:17. | |
$:/ENDFEED. | :03:17. | :03:27. | |
:03:27. | :03:33. | ||
Top-of-the-range | :03:33. | :03:33. | |
Top-of-the-range group, | :03:33. | :03:33. | |
Top-of-the-range group, The | :03:33. | :03:34. | |
Top-of-the-range group, The Vaccines! | :03:34. | :03:34. | |
Vaccines! Who | :03:34. | :03:34. | |
Vaccines! Who are | :03:34. | :03:35. | |
Vaccines! Who are our | :03:35. | :03:37. | |
Vaccines! Who are our guests? We have from Germany the amazing | :03:37. | :03:44. | |
Herbert Gronemeyer. From status quo, we have Francis Rossi. From New | :03:44. | :03:50. | |
York, we have Sharon Van Etten. From south London, we have the | :03:50. | :03:57. | |
wonderful Jessie Ware. From LA, the wonderful Beth Hart and now from | :03:57. | :04:07. | |
:04:07. | :04:34. | ||
# Building were empty # That you were coming back | :04:34. | :04:44. | |
:04:44. | :04:46. | ||
# Looking to make # Hey you, wait up | :04:47. | :04:56. | |
:04:57. | :05:12. | ||
# Hey you, wait up # Blending the sights | :05:12. | :05:22. | |
:05:22. | :05:29. | ||
# It's very clear # Hey you, wait up | :05:29. | :05:37. | |
# Hey you, wait up I wanna talk to you | :05:37. | :05:47. | |
:05:47. | :05:54. | ||
# If you like me were undecided | :05:54. | :05:58. | |
# There was plenty left to say | :05:58. | :06:03. | |
# But the combination sounded wrong again | :06:03. | :06:11. | |
# Hey you, wait up I wanna talk to you | :06:11. | :06:21. | |
:06:21. | :06:29. | ||
# Hey you, wait up I wanna talk to you | :06:29. | :06:36. | |
# Hey you, wait up I wanna talk to you | :06:36. | :06:45. | |
# Hey you, wait up I wanna talk to you | :06:45. | :06:53. | |
# Hey you, wait up I wanna talk to you | :06:53. | :07:03. | |
:07:03. | :07:20. | ||
CHEERING AND APPLAUSE | :07:20. | :07:25. | |
$:/ENDFEED. | :07:25. | :07:33. | |
Wales, the legendary John Cale. I | :07:33. | :07:34. | |
Wales, the legendary John Cale. I Wanna | :07:34. | :07:34. | |
Wanna Talk | :07:34. | :07:34. | |
Wanna Talk 2 | :07:34. | :07:34. | |
Wanna Talk 2 U, | :07:34. | :07:44. | |
:07:44. | :07:45. | ||
Wanna Talk 2 U, John Cale! Now, we go over here. We enjoy the | :07:45. | :07:55. | |
:07:55. | :08:17. | ||
# You and I, bloodlines # Two wrongs, no rights | :08:17. | :08:27. | |
:08:27. | :08:44. | ||
# Everyone must be wondering # We could be the greatest | :08:44. | :08:54. | |
:08:54. | :09:20. | ||
# We could be the greatest # Wherever there's smoke | :09:20. | :09:30. | |
:09:30. | :09:54. | ||
# Everyone must be wondering # We could be the greatest | :09:54. | :10:04. | |
:10:04. | :10:41. | ||
# We could be the greatest # Everyone must be wondering | :10:41. | :10:51. | |
:10:51. | :11:05. | ||
# We could be the greatest # We could be the greatest | :11:05. | :11:15. | |
:11:15. | :11:47. | ||
wonderfullness that is Jessie Ware. Fantastic. Jessie Ware. From her | :11:47. | :11:54. | |
Devotion LP. Now we head over here to meet one of the great legends of | :11:54. | :12:00. | |
popular music, Francis Rossi. 50 years of Status Quo. | :12:00. | :12:10. | |
:12:10. | :12:13. | ||
Congratulations. On this DVD here, what is the key to your longevity? | :12:13. | :12:16. | |
Persistence and being insecure little showoffs and desperate. | :12:16. | :12:22. | |
that the key to being in music generally? I think so, insecure and | :12:22. | :12:26. | |
showoff. Then you have a chance to be a big star? Yes. Very good | :12:26. | :12:36. | |
:12:36. | :12:41. | ||
advice indeed. This fit many shows you re-uniting after 50 years, was | :12:41. | :12:48. | |
that a pleasant experience for you? It was interesting. -- film. It was | :12:48. | :12:54. | |
pleasant. Things - the problems we have may have been sorted out now. | :12:55. | :12:59. | |
For you, what was the best thing about Status Quo, about being | :12:59. | :13:07. | |
together? The original band, but the band as a whole? The bapd as a | :13:07. | :13:13. | |
whole. It's a huge -- the band as a whole. It's something I wanted to | :13:13. | :13:18. | |
do when I was 12 or 3. I'm still doing it. I didn't want to be a | :13:18. | :13:23. | |
one-hit wonder. To still be there and still surviving I suppose. You | :13:23. | :13:28. | |
still need it like a drug. It never gets quenched. It still wants more. | :13:28. | :13:33. | |
You go on and do a show, you know what it's like, you look forward to | :13:33. | :13:39. | |
the next one. You want to go on the next day. Once you're on you love | :13:39. | :13:45. | |
it. Yeah. You are great. We have footage of you re-uniting and all | :13:45. | :13:55. | |
:13:55. | :14:04. | ||
being lovely. # My ears are burning | :14:05. | :14:14. | |
:14:15. | :14:32. | ||
# Now my feet have started turning # Reran along the rooftops... # | :14:32. | :14:42. | |
:14:42. | :14:49. | ||
APPLAUSE The question I do ask, but any | :14:49. | :14:55. | |
other tips for being a pop star now? Don't give up. Normally what I | :14:55. | :14:58. | |
would say if someone asks me, I say forget it, because if they have | :14:58. | :15:02. | |
what it takes they won't listen to the silly sod. Exactly. They're not | :15:02. | :15:09. | |
going to ask, but get on with it. Exactly. Thanks very much for being | :15:09. | :15:14. | |
an insecure showoff. Thank you for your advice and marvellous DVD. | :15:14. | :15:16. | |
Thank you, Francis Rossi. APPLAUSE | :15:16. | :15:22. | |
Now, come over this way. We have got a lot of great people on the | :15:22. | :15:32. | |
:15:32. | :15:32. | ||
Apology for the loss of subtitles for 106 seconds | :15:32. | :17:18. | |
# We were born # Everybody will declare | :17:18. | :17:28. | |
:17:28. | :17:28. | ||
Apology for the loss of subtitles for 106 seconds | :17:28. | :18:32. | |
# Bullets made from silver spoons # And the last bang bang | :18:32. | :18:42. | |
:18:42. | :19:07. | ||
show tonight. We welcome Beth Hart. Bang Bang Boom Boom, Beth Hart! Now, | :19:07. | :19:17. | |
:19:17. | :19:52. | ||
# It was a close call # Sitting in the back of the room | :19:52. | :20:00. | |
with a bowl # But then he didn't know | :20:00. | :20:07. | |
# Closing on my back # I feel safe at times | :20:07. | :20:17. | |
:20:17. | :20:20. | ||
# Certain emblems tell me it's time # Serpents in my mind | :20:20. | :20:30. | |
:20:30. | :20:31. | ||
# Looking for your cries # Everything changes | :20:31. | :20:41. | |
:20:41. | :20:43. | ||
# I don't want life to this time # You enjoy sucking on dreams | :20:43. | :20:48. | |
# So I will fall asleep # With someone other than you | :20:48. | :20:52. | |
# I had a thought # You would take me | :20:52. | :21:01. | |
# Seriously and listen up # Serpents in my mind | :21:01. | :21:11. | |
:21:11. | :21:16. | ||
# I am searching for your cries # Everything changes | :21:16. | :21:25. | |
# In time you'll stay # Frozen in time | :21:25. | :21:35. | |
:21:35. | :21:36. | ||
# Girls, controlling minds # You hold the mirror to everybody | :21:36. | :21:40. | |
else # Serpents in my mind | :21:40. | :21:50. | |
:21:50. | :21:50. | ||
# Trying to forgive # Your cries | :21:50. | :22:00. | |
:22:00. | :22:19. | ||
# Everyone changes in time # I hope he changes this time... # | :22:19. | :22:29. | |
Plaus Lovely, Sharon Van Etten. Serpents | :22:29. | :22:32. | |
from her new album. Our next guest is one of the greatest stars of | :22:33. | :22:37. | |
Germany. Huge-selling artist and he's just put out a new record in | :22:37. | :22:39. | |
English and it's absolutely sensational. Welcome Herbert | :22:39. | :22:49. | |
:22:49. | :22:49. | ||
Apology for the loss of subtitles for 106 seconds | :22:49. | :24:02. | |
# And it's one more time # No hell, no heaven | :24:02. | :24:12. | |
:24:12. | :24:35. | ||
# Tear the letters # And it's one more time | :24:35. | :24:45. | |
:24:45. | :25:12. | ||
# No hell, no heaven # Tear the letters | :25:12. | :25:22. | |
:25:22. | :25:22. | ||
Apology for the loss of subtitles for 106 seconds | :25:22. | :26:16. | |
Gronemeyer. The remarkable voice of Herbert Gronemeyer. Thanks to all | :26:16. | :26:22. | |
of our guests. Thank you to Sharon Van Etten. Thank you Beth Hart. Yes, | :26:22. | :26:28. | |
thank you Francis Rossi. Thank you John Cale. Thank you Jessie Ware. | :26:28. | :26:38. | |
:26:38. | :27:05. | ||
More from everybody on Friday and # Cos you talk to me | :27:05. | :27:15. | |
:27:15. | :27:17. | ||
# So let's go to bed before you say something real | :27:17. | :27:24. | |
# Let's go to bed before you say how you feel | :27:24. | :27:30. | |
# Cos it's you | :27:30. | :27:32. | |
# Oh, it's always you | :27:32. | :27:35. | |
# Oh, I always knew | :27:35. | :27:39. | |
# Oh, it's you | :27:39. | :27:43. | |
# I try my best to unwind | :27:43. | :27:48. | |
# Nothing on my mind but you | :27:48. | :27:56. | |
# Oblivious to all that I'll owe | :27:56. | :28:01. | |
# I'm hanging on to what I don't know | :28:01. | :28:07. | |
# So let's go to bed before you say something real | :28:07. | :28:14. | |
# Let's go to bed before you say how you feel | :28:14. | :28:20. | |
# Cos it's you | :28:20. | :28:22. | |
# Oh, it's always you | :28:23. | :28:26. | |
# Oh, I always knew | :28:26. | :28:29. | |
# Oh, it's you | :28:29. | :28:32. | |
# Yeah, it's you | :28:32. | :28:35. | |
# Oh, it's always you | :28:35. | :28:38. | |
# Oh, I always knew | :28:38. | :28:41. | |
# Oh, it's you | :28:41. | :28:51. | |
:28:51. | :29:11. | ||
# Well, it's you | :29:11. | :29:13. | |
# Oh, it's always you | :29:13. | :29:16. | |
# Oh, I always knew | :29:16. | :29:19. | |
# Oh, it's you | :29:19. | :29:24. | |
# I knew | :29:24. | :29:25. | |
# Oh, I always knew | :29:25. | :29:29. | |
# Yes, I always knew | :29:29. | :29:32. | |
# Oh, it's you. # | :29:32. | :29:42. | |
:29:42. | :29:51. |