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It's Tuesday, it is 10.00pm. We are live. England and Poland was | :00:18. | :00:24. | |
postponed. A great international dazzling international array of | :00:24. | :00:34. | |
:00:34. | :00:41. | ||
# When we had that fight # And I see her | :00:41. | :00:44. | |
# Acting like she just don't care | :00:44. | :00:47. | |
# She has flare and how she move with such grace | :00:47. | :00:51. | |
# Like she own the space she's so fine | :00:51. | :00:55. | |
# She looks so cool got no time | :00:55. | :00:57. | |
# Nobody's fool | :00:57. | :00:59. | |
# My girl she don't read books | :00:59. | :01:02. | |
# Oh, my girl she gives me dirty looks | :01:02. | :01:05. | |
# I'm going to be what she want me to be | :01:05. | :01:08. | |
# I'm her man doing all I can My girl | :01:08. | :01:13. | |
# She's above the rest My girl | :01:13. | :01:16. | |
# She's sure the best | :01:16. | :01:26. | |
:01:26. | :01:43. | ||
# She's cool There's no doubt | :01:43. | :01:46. | |
# She's so fine she's all-all-all-all all mine | :01:46. | :01:49. | |
# I'm so glad she want to be with me | :01:49. | :01:51. | |
# She got Looks and personality | :01:51. | :01:55. | |
# I want her all of the time to be mine | :01:55. | :01:59. | |
# And all of her time to be free | :01:59. | :02:02. | |
# Standing right by me and to see | :02:02. | :02:06. | |
# That it has to be | :02:06. | :02:07. | |
# Oui oui, si si, ja ja, da da oui oui, si si, ja Ja | :02:08. | :02:14. | |
# My girl likes to drive at night | :02:14. | :02:16. | |
# My girl is so out of sight | :02:17. | :02:20. | |
# My girl heads above the rest | :02:20. | :02:23. | |
# My girl she's sure the best | :02:23. | :02:28. | |
# She's cool And there's no doubt | :02:28. | :02:29. | |
# She's so fine she's all-all-all mine | :02:29. | :02:32. | |
# I'm so glad she wanna be with me | :02:32. | :02:36. | |
# She got looks and the personality | :02:36. | :02:39. | |
# My girl she's my girl | :02:39. | :02:44. | |
# My girl she's my girl. # | :02:44. | :02:54. | |
:02:54. | :02:56. | ||
CHEERING AND APPLAUSE | :02:56. | :02:58. | |
$:/ENDFEED. | :02:58. | :03:06. | |
Madness! | :03:06. | :03:08. | |
Madness! My | :03:08. | :03:08. | |
Madness! My Girl! | :03:08. | :03:14. | |
Madness! My Girl! An international show I promised. From the East | :03:14. | :03:19. | |
Midlands, Sam Carter. APPLAUSE From New York, Diana Krall. APPLAUSE | :03:19. | :03:25. | |
From New Zealand, Willy Moon. APPLAUSE From Victoria Falls, | :03:25. | :03:30. | |
Zimbabwe, Mokoomba. APPLAUSE And now from Brooklyn, New York, | :03:30. | :03:40. | |
:03:40. | :04:01. | ||
# No surprise, this is often # I will move and mend | :04:01. | :04:11. | |
:04:11. | :04:16. | ||
# Oh-oh-oh-oh, oh-oh-oh-oh oh-oh-oh-oh, oh-oh | :04:16. | :04:26. | |
:04:26. | :04:27. | ||
# Take it all in stride Speak, don't confide | :04:27. | :04:32. | |
# We barely had a case | :04:32. | :04:38. | |
# It's done before we try Stop and end by night | :04:38. | :04:46. | |
# A desert in your face | :04:46. | :04:56. | |
:04:56. | :05:16. | ||
# Take score, even playing fields this game | :05:16. | :05:23. | |
# I know when all's said we're the same | :05:23. | :05:30. | |
# If I could I would leave it all be | :05:30. | :05:37. | |
# No chance to move backwards and see | :05:37. | :05:45. | |
# Oh-oh-oh-oh, oh-oh-oh-oh oh-oh-oh-oh, oh-oh-oh-oh | :05:45. | :05:51. | |
# Oh-oh-oh-oh, oh-oh-oh-oh oh-oh-oh-oh, oh-oh | :05:51. | :06:01. | |
# Take it all in stride Speak, don't confide | :06:01. | :06:08. | |
# We barely had a case | :06:08. | :06:14. | |
# It's done before we try Stop and end by night | :06:14. | :06:18. | |
# A desert in your face | :06:18. | :06:23. | |
# A desert in your face | :06:23. | :06:29. | |
# Take it all in stride Speak, don't confide | :06:29. | :06:36. | |
# We barely had a case | :06:36. | :06:43. | |
# It's done before we try Stop and end by night | :06:43. | :06:50. | |
# A desert in your face. # | :06:50. | :07:00. | |
:07:00. | :07:07. | ||
CHEERING AND APPLAUSE | :07:07. | :07:11. | |
$:/ENDFEED. | :07:11. | :07:19. | |
Thank | :07:19. | :07:19. | |
Thank you, | :07:20. | :07:21. | |
Thank you, Grizzly | :07:21. | :07:25. | |
Thank you, Grizzly Bear. APPLAUSE Yet Again from Shields. Our next | :07:25. | :07:33. | |
artist has made an amazingly beautiful record. Now we welcome | :07:33. | :07:43. | |
:07:43. | :07:55. | ||
# There ain't no sweet man # Down and down he dragged me | :07:55. | :08:05. | |
# Down and down he dragged me # There ain't no sweet man | :08:05. | :08:15. | |
:08:15. | :08:30. | ||
# Although I may be blue # So, broken-hearted sisters | :08:30. | :08:40. | |
:08:40. | :08:40. | ||
Apology for the loss of subtitles for 51 seconds | :08:40. | :09:31. | |
# There ain't no sweet man # So, broken-hearted sisters | :09:31. | :09:41. | |
:09:41. | :09:41. | ||
Apology for the loss of subtitles for 51 seconds | :09:41. | :11:22. | |
# There ain't no sweet man A woman with tremendous vocals - | :11:22. | :11:28. | |
she's got the lot! Diana Krall, ladies and gentlemen! There Ain't | :11:28. | :11:31. | |
No Sweet Man That's Worth The Salt Of My Tears. So now in this corner, | :11:31. | :11:38. | |
ready to be interrogated, none other than Suggs and Mike from | :11:38. | :11:44. | |
Madness. Welcome. APPLAUSE Good evening. I hope it doesn't feel | :11:44. | :11:49. | |
tense us being live? It has restraints. It is more fun. I have | :11:49. | :11:53. | |
to congratulate you both on an incredible year. You played the | :11:53. | :11:58. | |
closing of the Olympics, the Queen's Jubb Lee. Let's start with | :11:58. | :12:03. | |
your record. Why are all these things crossed out? Who did this | :12:03. | :12:08. | |
writing? Peter Blake. He did suggest to us he wasn't mad on | :12:08. | :12:15. | |
doing album covers for bands... Even The Beatles? You didn't have | :12:15. | :12:24. | |
chance to change your mind in the '60s. The original title was Circus | :12:24. | :12:34. | |
:12:34. | :12:36. | ||
Freaks and he was mid-way through a painting and we did change our mind. | :12:36. | :12:41. | |
That's a great title? What did you want? Men of Steel I was up for. We | :12:41. | :12:46. | |
had a plan of appearing in super man outfits. There is always | :12:46. | :12:54. | |
somebody in the band who poo-poos something. I didn't fancy the | :12:54. | :12:59. | |
tights. Are they sitting next to you? No. There's - it is very | :12:59. | :13:09. | |
:13:09. | :13:14. | ||
difficult with a group to settle on a title. Without typecasting | :13:14. | :13:18. | |
ourselves, the demise of a good chap who ends up in the gutter. | :13:18. | :13:22. | |
Somebody said why do you want to show the machinations of the | :13:22. | :13:29. | |
indecisiveness of the band? There it is. You have ended up with Oui, | :13:29. | :13:38. | |
oui, si, si, da, da, does that have any meaning? We have some of the VT | :13:38. | :13:48. | |
:13:48. | :13:50. | ||
# My girl's mad at me # Been on the telephone for an hour | :13:50. | :13:57. | |
# We hardly said a word # I tried and tried but I could not | :13:57. | :14:02. | |
be heard # Why can't I explain | :14:02. | :14:09. | |
# Why do I feel this pain # 'Cos everything I say | :14:09. | :14:12. | |
# She doesn't understand # She doesn't realise | :14:12. | :14:22. | |
:14:22. | :14:23. | ||
# She takes it all the wrong way # Woah. # | :14:23. | :14:28. | |
Top of the range piano and vocalising there! APPLAUSE Well, | :14:28. | :14:34. | |
you are out on tour again now. Your live shows are the best on Earth! | :14:34. | :14:38. | |
What... Thank you very much. Have we mentioned we are on tour and | :14:38. | :14:42. | |
have a new album out? You have what?! I didn't think this would | :14:42. | :14:46. | |
happen live on this show. Madness are on tour and have an album out. | :14:46. | :14:50. | |
I can't think of anybody to have a tour, or have anything out at all. | :14:50. | :14:57. | |
Thank you for sharing it with us - Madness! Great men of London and | :14:57. | :15:07. | |
:15:07. | :15:16. | ||
the world. Now, live once again, # Oooooh, ooh ooh | :15:16. | :15:23. | |
# Nikauza mzanga kutitipaye Because unakamwalila | :15:23. | :15:26. | |
# Nikauza mzanga kutitipaye Because unakamwalila | :15:27. | :15:31. | |
# Nasala negakaine mama Nasala nega inee | :15:31. | :15:36. | |
# Nasala negaine mama Nasala nega inee, nasala nega inee | :15:36. | :15:40. | |
# Nasala negaine mama Nasala nega inee Nasala nega inee | :15:40. | :15:46. | |
# Nichite bwanjine mama Nichite bwanjine, nichite bwanjine | :15:46. | :15:50. | |
# Nichite bwanjine mama Nichite bwanjine njoka | :15:50. | :16:00. | |
:16:00. | :16:04. | ||
# Tilikuchoka pamene apomz anga Njoka ikamuluma akamwalila | :16:04. | :16:07. | |
# Tilikuchoka pamene apomzanga Njoka ikamuluma akamwalila | :16:07. | :16:12. | |
# Tilikuchoka pamene apomzanga Njoka ikamuluma akamwalila | :16:12. | :16:16. | |
# Tilikuchoka pamene apomzanga Njoka ikamuluma akamwalila | :16:16. | :16:21. | |
# Nasala negakaine mama Nasala nega inee | :16:21. | :16:26. | |
# Nasala negaine mama Nasala nega ine | :16:26. | :16:30. | |
# Nasala nega ine Nasala negaine mama | :16:30. | :16:33. | |
# Nasala nega ine, nasala negaine Nichite bwanjine mama | :16:33. | :16:37. | |
# Nichite bwanjine nichite bwanjine | :16:37. | :16:40. | |
# Nichite bwanjine mama Nichite bwanjine | :16:40. | :16:50. | |
:16:50. | :16:59. | ||
# Oooooh, ooh ooh Oooooh, ooh ooh | :16:59. | :17:09. | |
:17:09. | :17:21. | ||
# Mesa sanadikinadikina Mesa sanayinango | :17:21. | :17:24. | |
# Mesa sanadikinadikina Mesa sanayinango | :17:24. | :17:29. | |
# Mesa sanadikinadikina Mesa sanayinango | :17:29. | :17:39. | |
:17:39. | :17:39. | ||
Apology for the loss of subtitles for 51 seconds | :17:39. | :18:54. | |
# Mesa sanayinango CHEERING AND APPLAUSE | :18:54. | :19:04. | |
:19:04. | :19:07. | ||
From Victoria Falls, Zimbabwe, the beautiful sound of Mokoomba. Their | :19:07. | :19:15. | |
song Njoka from Rising Tide. Now, we are delighted to welcome a man | :19:15. | :19:25. | |
:19:25. | :19:41. | ||
who has won awards in the folk # My name is Jack Hall | :19:41. | :19:51. | |
# Chimney sweep # My name is Jack Hall | :19:51. | :20:01. | |
:20:01. | :20:03. | ||
# I have robbed great and small # All along the King's Highway | :20:03. | :20:12. | |
# Night and day # All along the King's Highway | :20:12. | :20:20. | |
# I've Lod Lords and Lady -- I've robbed Lords and ladies | :20:20. | :20:27. | |
# I've �100 in store # That's no joke | :20:27. | :20:31. | |
# I've �100 in store # That's no joke | :20:31. | :20:37. | |
# I've �100 in store # And I've robbed for hundred more | :20:37. | :20:42. | |
# And my neck shall pay for all when I die | :20:42. | :20:52. | |
:20:52. | :21:06. | ||
# At the trial they told me you shall die | :21:06. | :21:10. | |
# You shall die # And they flung me into jail | :21:10. | :21:15. | |
# Where I'll drink no more strong # And my neck shall pay for all | :21:15. | :21:23. | |
when I die # They drove me up in a cart | :21:23. | :21:30. | |
# They drove me in a cart # They drove me up the hill | :21:30. | :21:40. | |
:21:40. | :21:48. | ||
# That's where I made my will # The best of friends must part | :21:48. | :21:54. | |
fare thee well # Fare thee well | :21:54. | :21:59. | |
# Up the ladder I did grow # That's no joke, that's no joke | :21:59. | :22:04. | |
# Up the ladder I did grow # That's no joke | :22:04. | :22:13. | |
# Up the ladder I did grow # And the hangman fixed the rope | :22:13. | :22:22. | |
# But never a word said I coming down | :22:22. | :22:28. | |
# Never a word said I coming down # No never said a word said I | :22:28. | :22:38. | |
:22:38. | :23:13. | ||
With a wonderful ballad, Sam Carter and Jack Hall. Now, an | :23:13. | :23:15. | |
international show indeed from New Zealand originally, we welcome | :23:15. | :23:25. | |
:23:25. | :23:34. | ||
# Naa naa na na na naa naa naa # Everybody, well don't you know | :23:34. | :23:42. | |
# Well, he's back # Hey, hey, hey, hey, yeah | :23:42. | :23:51. | |
# I try to have a little fun now I stay with my ear to the drum now | :23:51. | :23:55. | |
# I try to have a little fun now I stay with my ear to the drum now | :23:55. | :24:04. | |
# Hey, hey, hey, hey, yeah Turn it up turn it up now | :24:04. | :24:09. | |
# Hey, hey, hey, yeah turn me up on the dial | :24:09. | :24:14. | |
# And everybody goes Ooh-oo-oo-oo-oo-ooh | :24:14. | :24:20. | |
# To the sound of the radio Ooh-oo-oo-oo-oo-ooh | :24:20. | :24:24. | |
# To the sound of the beat Ooh-oo-oo-oo-oo-ooh | :24:24. | :24:27. | |
# To the sound of the radio Ooh-oo-oo-oo-oo-ooh | :24:27. | :24:34. | |
# Yeah, to the sound of the beat | :24:34. | :24:39. | |
# And everybody goes Naa naa na na na naa naa naa | :24:39. | :24:45. | |
# Naa naa na na na naa naa naa Na a naa na na na naa oo-ohh | :24:45. | :24:54. | |
# These girls they be acting so sweet now | :24:54. | :24:56. | |
# Yeah, they doin' it, doing it | :24:56. | :24:58. | |
# They get down with the sound of the beat now | :24:58. | :25:01. | |
# Yeah, they on and on in it | :25:01. | :25:03. | |
# Hey, hey, hey, hey, yeah Is that they like my style? | :25:03. | :25:07. | |
# Hey, hey, hey, yeah, Oui, they like my style! | :25:07. | :25:15. | |
# And everybody goes Ooh-oo-oo-oo-oo-ooh | :25:15. | :25:19. | |
# To the sound of the radio Ooh-oo-oo-oo-oo-ooh | :25:19. | :25:25. | |
# To the sound of the beat Ooh-oo-oo-oo-oo-ooh | :25:25. | :25:29. | |
# To the sound of the radio Ooh-oo-oo-oo-oo-ooh | :25:29. | :25:32. | |
# Yeah, to the sound of the beat | :25:32. | :25:36. | |
# And everybody goes Ooh-oo-oo-oo-oo-ooh | :25:36. | :25:38. | |
# To the sound of the radio Ooh-oo-oo-oo-oo-ooh | :25:38. | :25:41. | |
# To the sound of the beat Ooh-oo-oo-oo-oo-ooh | :25:41. | :25:44. | |
# To the sound of the radio Ooh-oo-oo-oo-oo-ooh | :25:44. | :25:49. | |
# Yeah, to the sound of the beat. # | :25:49. | :25:58. | |
CHEERING AND APPLAUSE | :25:58. | :26:01. | |
$:/ENDFEED. | :26:01. | :26:11. | |
Thank | :26:11. | :26:11. | |
Thank you, | :26:11. | :26:11. | |
Thank you, Willy | :26:12. | :26:16. | |
Thank you, Willy Moon! APPLAUSE Thank you to all of our guests. | :26:16. | :26:23. | |
Thank you to the wonderful Diana Krall. APPLAUSE Thank you to | :26:23. | :26:29. | |
Mokoomba. APPLAUSE Thank you to Grizzly Bear. APPLAUSE Thank you to | :26:29. | :26:34. | |
Sam Carter. APPLAUSE Join us on Friday for lots more. You can see | :26:34. | :26:38. | |
more on the website. There is no time left, there is only one thing | :26:38. | :26:42. | |
for me to do and that is introduce some of my favourite people. They | :26:42. | :26:52. | |
:26:52. | :27:03. | ||
# Yeah misery loves company # Don't come to me for sympathy | :27:03. | :27:11. | |
# Stand up and see what your life could be | :27:11. | :27:14. | |
# If you wore a smile instead | :27:14. | :27:18. | |
# If you keep misery as your company then you might as well be dead | :27:18. | :27:25. | |
# Why don't you go and suck on a silver spoon | :27:25. | :27:28. | |
# Buy a spaceship and fly over the moon | :27:28. | :27:32. | |
# See the colours in the flowers and the trees | :27:32. | :27:36. | |
# Take a lesson from the birds and the bees | :27:36. | :27:39. | |
# Why don't you go skipping out in the park | :27:39. | :27:43. | |
# Take your chance to make a new start | :27:43. | :27:47. | |
# Try and focus on your health and your heart | :27:47. | :27:51. | |
# Accept the present and let go of the past | :27:51. | :27:54. | |
# Yeah, yeah, misery loves company that's what the wise man said | :27:54. | :28:02. | |
# The remedy to be happy well, it's all inside your head | :28:02. | :28:10. | |
# Shift infinitesimally your perception and see | :28:10. | :28:13. | |
# Your life could be better led | :28:14. | :28:17. | |
# Cos if you keep misery as your company | :28:17. | :28:21. | |
# Then you might as well be dead | :28:21. | :28:24. | |
# Why don't you go suck on a silver spoon | :28:24. | :28:28. | |
# Buy a spaceship and fly over the moon | :28:28. | :28:31. | |
# See the colours in the flowers and the trees | :28:31. | :28:35. | |
# Take a lesson from the birds and the bees | :28:35. | :28:38. | |
# Why don't you go skipping out in the park | :28:38. | :28:43. | |
# Take your chance and make a new start | :28:43. | :28:46. | |
# Try and focus on your health and your heart | :28:46. | :28:50. | |
# Accept the present and let go of the past | :28:50. | :28:54. | |
# Dearly beloved we are gathered here to see off misery | :28:54. | :29:04. | |
:29:04. | :29:24. | ||
# Yeah misery loves company that's what the wise man said | :29:24. | :29:31. | |
# Don't come to me for sympathy If you can't raise your head | :29:31. | :29:38. | |
# Stand up and see what your life could be | :29:38. | :29:42. | |
# If you wore a smile instead | :29:42. | :29:46. | |
# If you keep misery as your company | :29:46. | :29:49. | |
# Then you might as well be dead brown bread. # | :29:49. | :29:58. |