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It's Tuesday. It is ten o'clock. We are live. I am going into a | :00:17. | :00:24. | |
fantastic studio. A studio filled with legends. Let's begin with a | :00:24. | :00:34. | |
:00:34. | :00:47. | ||
legend now and welcome the one and # Well, we got no choice | :00:47. | :00:57. | |
:00:57. | :01:00. | ||
# Yeah, we can't salute ya can't find a flag | :01:00. | :01:05. | |
# If that don't suit ya that's a drag | :01:05. | :01:08. | |
# School's out for summer | :01:08. | :01:12. | |
# School's out forever | :01:12. | :01:17. | |
# School's been blown to pieces | :01:17. | :01:27. | |
:01:27. | :01:29. | ||
# No more pencils no more books no more teacher's | :01:29. | :01:39. | |
:01:39. | :01:48. | ||
# Dirty looks | :01:48. | :01:58. | |
:01:58. | :02:06. | ||
# Well, we got no class and we got no principles | :02:06. | :02:13. | |
# And we got no innocence | :02:13. | :02:18. | |
# We can't even think of a word that rhymes | :02:18. | :02:21. | |
# School's out for summer | :02:21. | :02:26. | |
# School's out forever | :02:26. | :02:36. | |
:02:36. | :02:37. | ||
# My school's been blown to pieces | :02:37. | :02:47. | |
:02:47. | :02:51. | ||
# No more pencils no more books no more teacher's dirty looks | :02:51. | :03:01. | |
:03:01. | :03:05. | ||
# Out for summer, out till fall we might not go back at all | :03:05. | :03:15. | |
:03:15. | :03:34. | ||
# School's out forever | :03:34. | :03:41. | |
# School's out for summer | :03:41. | :03:50. | |
# School's been blown to pieces! # | :03:50. | :04:00. | |
:04:00. | :04:08. | ||
CHEERING AND APPLAUSE | :04:08. | :04:16. | |
It | :04:16. | :04:18. | |
It was | :04:18. | :04:18. | |
It was wonderful. | :04:18. | :04:23. | |
It was wonderful. Alice Cooper. CHEERING AND APPLAUSE | :04:23. | :04:26. | |
Legends from all five corners of the globe. From Leeds, we are going | :04:26. | :04:31. | |
to be welcoming alt-J. From Mississippi, Charley Pride. | :04:31. | :04:40. | |
From New Jersey, Dionne Warwick and marvellous new artists from | :04:40. | :04:50. | |
:04:50. | :05:11. | ||
Manchester, Josephine and the # Even though that they know that | :05:11. | :05:21. | |
:05:21. | :05:34. | ||
# It grows and grows and grows # There's nothing there | :05:34. | :05:40. | |
# Those mirrors started to lie to him | :05:40. | :05:45. | |
# His reflection faded | :05:45. | :05:49. | |
# The crowd are waiting he takes the stage | :05:49. | :05:57. | |
# Cross his heart, hand on heart open heart | :05:57. | :06:01. | |
# That he's gone legit he was never there, no | :06:01. | :06:11. | |
:06:11. | :06:15. | ||
# Oh, it grows and grows and grows Inside of him | :06:15. | :06:21. | |
# There's nothing there all along he knows | :06:21. | :06:28. | |
# Those mirrors started to lie to him | :06:28. | :06:32. | |
# His reflection faded as easy as closing his eyes | :06:32. | :06:41. | |
# So he begins to lie the cameras watching | :06:41. | :06:51. | |
:06:51. | :06:51. | ||
Apology for the loss of subtitles for 62 seconds | :06:51. | :07:54. | |
Thank | :07:54. | :07:54. | |
Thank you, | :07:54. | :07:56. | |
Thank you, Bloc | :07:56. | :08:06. | |
Thank you, Bloc Party. APPLAUSE | :08:06. | :08:08. | |
Now at the table here, a fantastic legend, the one and only, Alice | :08:08. | :08:09. | |
Cooper. CHEERING AND APPLAUSE | :08:09. | :08:13. | |
That was a great song. You have got a marvellous box set out and you | :08:13. | :08:16. | |
are recording, but you are also at Wembley, you are going to have | :08:16. | :08:21. | |
having a huge Hallowe'en party. Hallowe'en comes to London. Should | :08:21. | :08:25. | |
people be frightened to come? should come in costume. | :08:25. | :08:29. | |
Really? Yes. What sort of costume would you hope | :08:29. | :08:35. | |
for? There will be a lot of Lady Gagas and a lot of zombies and we | :08:35. | :08:40. | |
won't mention the other one. The last two times we have been here, | :08:40. | :08:43. | |
there have been some elaborate costumes. | :08:43. | :08:50. | |
Did I not come as Henry the fifth with an army... You came as Henry | :08:50. | :08:53. | |
with a fifth! It was a marvellous time. Now we | :08:53. | :08:57. | |
have got over here a little bit of footage of you, I think, in 1971. | :08:57. | :09:02. | |
Would you mind if we observed it? 1971? OK. | :09:02. | :09:08. | |
# What have I got # That makes you want to love me | :09:08. | :09:18. | |
# Is it my body # Or something I might make | :09:18. | :09:23. | |
# Or something inside me # You better tell me | :09:24. | :09:31. | |
# Tell me # It's really up to you | :09:31. | :09:38. | |
# And you have got the time to find # Who I really am # | :09:38. | :09:47. | |
Yes! CHEERING AND APPLAUSE | :09:47. | :09:50. | |
I mean, here, tonight, we can see you of course on sun. There is a | :09:50. | :09:52. | |
snake there. Will you behaving a snake on Sunday at Wembley? There | :09:52. | :09:55. | |
could be a snake. There is another artist here, | :09:55. | :09:59. | |
Charley Pride, I believe you unleashed a snake on Charley Pride? | :09:59. | :10:06. | |
We lost a 13-foot python in Tennessee. She went down the toilet | :10:06. | :10:14. | |
and she was in the plumbing for about two weeks! We couldn't find | :10:14. | :10:21. | |
her. We got a call and the python came up in Charley Pride's toilet | :10:21. | :10:27. | |
and I don't know if he was shaving. The last time I saw Charley, | :10:28. | :10:33. | |
Charley, he was chasing me around the Grammy Awards with a bottle! | :10:33. | :10:38. | |
Alice Cooper, thank you. We will see you Sunday night at Wembley. | :10:38. | :10:45. | |
Now, after Alice Cooper a new artist. We welcome over here, from | :10:45. | :10:55. | |
:10:55. | :11:15. | ||
# We are what we saw on TV when we # Am I a portrait of the person | :11:15. | :11:25. | |
:11:25. | :11:37. | ||
# Am I a portrait of the person # How would I know, how would I know | :11:37. | :11:47. | |
:11:47. | :12:00. | ||
# We are constantly trying to prove # Every rose we grow | :12:00. | :12:10. | |
:12:10. | :12:15. | ||
# Am I a portrait of the person # Am I a portrait of the person | :12:15. | :12:25. | |
:12:25. | :12:51. | ||
# And how would I know # How would I know, how would I know | :12:51. | :13:01. | |
:13:01. | :13:02. | ||
# If I'm a portrait of the person I'm supposed to be | :13:02. | :13:08. | |
# If I'm a portrait of the person I'm supposed to be | :13:08. | :13:18. | |
:13:18. | :13:20. | ||
# If I'm a portrait of the person I'm supposed to be | :13:20. | :13:26. | |
# What should I | :13:26. | :13:27. | |
# What should I be | :13:27. | :13:34. | |
# If I'm a portrait of the person I'm supposed to be | :13:34. | :13:41. | |
CHEERING AND APPLAUSE | :13:41. | :13:51. | |
:13:51. | :13:53. | ||
Thank | :13:53. | :13:53. | |
Thank you, | :13:53. | :13:54. | |
Thank you, Josephine. | :13:54. | :14:01. | |
Thank you, Josephine. A song Portrait from her record, Portrait. | :14:01. | :14:08. | |
Our next artist has an amazing record out. Celebrating 60 years in | :14:08. | :14:18. | |
:14:18. | :14:24. | ||
music. I am delighted to welcome, # Make it easy on yourself | :14:25. | :14:34. | |
:14:35. | :14:54. | ||
# If you really love her and there's nothing I can do | :14:54. | :15:04. | |
:15:04. | :15:12. | ||
# Don't try to spare my feelings | :15:12. | :15:16. | |
# Just tell me that we're through that we're through | :15:16. | :15:26. | |
:15:26. | :15:26. | ||
# And make it easy on yourself make it easy on yourself | :15:26. | :15:36. | |
:15:36. | :15:42. | ||
# Cos breaking up is so very hard to do | :15:42. | :15:52. | |
:15:52. | :16:03. | ||
# And if the way I hold you can't compare to her caress | :16:03. | :16:13. | |
:16:13. | :16:17. | ||
# No words of consolation will make me miss you less, miss you less | :16:17. | :16:27. | |
:16:27. | :16:33. | ||
# My darling | :16:33. | :16:37. | |
# If this is goodbye I just know I'm gonna cry | :16:37. | :16:47. | |
:16:47. | :16:49. | ||
# So run to her before you start crying too | :16:49. | :16:59. | |
:16:59. | :17:07. | ||
# And make it easy on yourself make it easy on yourself | :17:07. | :17:17. | |
:17:17. | :17:27. | ||
# Cos breaking up, breaking up is so very hard to do | :17:27. | :17:37. | |
:17:37. | :17:52. | ||
# Is so hard to do | :17:52. | :18:02. | |
:18:02. | :18:11. | ||
The | :18:11. | :18:12. | |
The wonderful | :18:13. | :18:13. | |
The wonderful Dionne | :18:13. | :18:20. | |
The wonderful Dionne Warwick. CHEERING AND APPLAUSE | :18:20. | :18:22. | |
From her incredible new album Now with lots of those beautiful songs | :18:22. | :18:32. | |
:18:32. | :18:33. | ||
on it. It and now a band that # She may contain the urge | :18:33. | :18:38. | |
# Cetirizine your fever's gripped me again | :18:38. | :18:39. | |
# Never kisses all you ever send are full stops, la la la la | :18:39. | :18:41. | |
# Do you know where the wild things go | :18:41. | :18:43. | |
# They go along to take your honey la la la la | :18:43. | :18:45. | |
# Break down now weep build up breakfast now | :18:45. | :18:49. | |
# Let's eat my love my love love love la la la la | :18:49. | :18:51. | |
# Muscle to muscle and toe to toe | :18:51. | :18:53. | |
# The fear has gripped me but here I go | :18:53. | :18:55. | |
# My heart sinks as I jump up | :18:55. | :18:58. | |
# Your hand grips hand as my eyes shut | :18:58. | :19:01. | |
# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah | :19:01. | :19:11. | |
:19:11. | :19:14. | ||
# Do you know where the wild things go | :19:14. | :19:17. | |
# They go along to take your honey la la la la | :19:17. | :19:21. | |
# Break down let's sleep build up breakfast now | :19:21. | :19:24. | |
# Let's eat my love my love love love, la la la la | :19:24. | :19:27. | |
# She bruises coughs she splutters pistol shots | :19:27. | :19:30. | |
# But hold her down with soggy clothes and breeze blocks | :19:30. | :19:33. | |
# She's morphine queen of my vaccine | :19:33. | :19:36. | |
# My love my love love love la la la la | :19:36. | :19:40. | |
# Muscle to muscle and toe to toe | :19:40. | :19:42. | |
# The fear has gripped me but here I go | :19:42. | :19:45. | |
# My heart sinks as I jump up | :19:45. | :19:49. | |
# Your hand grips hand as my eyes shut | :19:49. | :19:53. | |
# And ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah | :19:53. | :19:59. | |
# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah | :20:00. | :20:09. | |
:20:10. | :20:18. | ||
# She may contain the urge to runaway | :20:18. | :20:21. | |
# But hold her down with soggy clothes and breezeblocks | :20:21. | :20:25. | |
# Germaline disinfect the scene my love my love love love | :20:25. | :20:31. | |
But please don't go I love you so my lovely | :20:31. | :20:41. | |
:20:41. | :20:42. | ||
# Please don't go, please don't go I love you so, I love you so | :20:42. | :20:48. | |
# Please don't go, please don't go I love you so, I love you so | :20:48. | :20:53. | |
# Please break my heart, hey please don't go, please don't go | :20:53. | :20:56. | |
# I love you so, I love you so | :20:56. | :21:01. | |
# Please don't go, please don't go I love you so, I love you so | :21:01. | :21:05. | |
# Please break my heart, ah ha | :21:05. | :21:08. | |
# Please don't go I'll eat you whole | :21:08. | :21:11. | |
# I love you so, I love you so I love you so | :21:11. | :21:15. | |
# Please don't go I'll eat you whole I love you so | :21:15. | :21:19. | |
# I love you so, I love you so I love you so. # | :21:19. | :21:29. | |
:21:29. | :21:37. | ||
# Please don't go I'll eat you whole I love you so | :21:37. | :21:39. | |
# I love you so, I love you so I love you so. # | :21:39. | :21:49. | |
:21:49. | :21:50. | ||
# Please don't go I'll eat you whole I love you so | :21:51. | :21:56. | |
# Please don't go I'll eat you whole I love you so | :21:56. | :22:05. | |
CHEERING AND APPLAUSE | :22:05. | :22:15. | |
:22:15. | :22:17. | ||
Alt-J | :22:17. | :22:18. | |
Alt-J with | :22:18. | :22:19. | |
Alt-J with Breezeblocks | :22:19. | :22:24. | |
Alt-J with Breezeblocks from their album. So now, a legendary artist, | :22:24. | :22:29. | |
he sold 70 million records and he has performed at the White House. | :22:29. | :22:39. | |
:22:39. | :22:55. | ||
# Oh the crystal chandeliers # Our statueettes are standing in | :22:55. | :23:05. | |
:23:05. | :23:15. | ||
the hall # # I did never fit in to well with | :23:15. | :23:18. | |
folks you knew # And it is plain to see that the | :23:18. | :23:28. | |
:23:28. | :23:30. | ||
likes of me don't fit with you # So you treated me with all the | :23:30. | :23:36. | |
gay the gaiety of the well-to-do # And you turned away from the love | :23:36. | :23:42. | |
I offered you # Oh the crystal chandeliers light | :23:42. | :23:51. | |
up the paintings on your wall # And the marble statuettes are | :23:51. | :24:01. | |
:24:01. | :24:09. | ||
standing stately in the hall # # And the new crystal chandelier | :24:09. | :24:16. | |
# I see your picture in the news most and every day | :24:16. | :24:25. | |
# You are the chosen girl of the of the social world so the stories say | :24:25. | :24:31. | |
# But the papers might only last a while and then it fades away | :24:31. | :24:38. | |
# And the love we knew will come home to you some day | :24:38. | :24:47. | |
# Oh the crystal chandeliers light up the paintings on your wall | :24:47. | :24:55. | |
# The marbe statuettes are standing stately in the hall | :24:55. | :25:01. | |
# But will the time we found as the light we found help you draw your | :25:01. | :25:11. | |
:25:11. | :25:28. | ||
tears CHEERING AND APPLAUSE | :25:28. | :25:35. | |
The wonderful, Mr Charley Pride. CHEERING AND APPLAUSE | :25:36. | :25:38. | |
And you can see him on the 9th and 11th November, London, Liverpool | :25:38. | :25:41. | |
and Glasgow. You can see him there. Thank you to all our guest. Thank | :25:41. | :25:45. | |
you to Bloc Party and Josephine. Thank you to Dionne Warwick. Thank | :25:45. | :25:52. | |
you to, alt-J. We will be back on Friday and you can see more of the | :25:52. | :25:59. | |
type of things we have had. I will be saying hello to Paloma. Or you | :25:59. | :26:02. | |
can just remain anonymous throughout the whole thing which is | :26:02. | :26:06. | |
probably safest because I'm going to introduce one of the great | :26:07. | :26:14. | |
legends of popular music. Yes, I speak of none other than, Alice | :26:14. | :26:24. | |
:26:24. | :26:33. | ||
# Cool and clean with seduction # She turned around looked me up | :26:33. | :26:37. | |
# She took me by surprise I tried to run, I tried to hide | :26:37. | :26:44. | |
# But my feet were made of clay | :26:44. | :26:48. | |
# Looked in her eyes I was paralysed I just couldn't get away | :26:48. | :26:54. | |
# She licked her lips, they were bloody red | :26:54. | :26:58. | |
# She had the heart of the living dead | :26:58. | :27:02. | |
# She pushed me down on a burning bed | :27:02. | :27:06. | |
# Thought I was in heaven but instead | :27:06. | :27:10. | |
# She turned her head and she softly said | :27:10. | :27:15. | |
# I'll bite your face off I'll bite your face off | :27:15. | :27:20. | |
# I'll bite your face off little man, I'll bite your face off | :27:20. | :27:27. | |
# You know that I can | :27:27. | :27:36. | |
# She put the whip into cream she was a sinner's queen | :27:36. | :27:39. | |
# Oh, a delicious angelface | :27:39. | :27:44. | |
# She'd invite you in come and lick my skin | :27:44. | :27:47. | |
# You'd sell your soul for another taste | :27:47. | :27:51. | |
# She took my heart my resistance fled | :27:51. | :27:55. | |
# I loved each lie that I was fed she pushed me down on a burning bed | :27:55. | :28:02. | |
# Thought I was in heaven but instead | :28:02. | :28:07. | |
# She turned her head and she softly said | :28:07. | :28:09. | |
# I'll bite your face off I'll bite your face off | :28:09. | :28:15. | |
# I'll bite your face off little man, I'll bite your face off | :28:15. | :28:23. | |
# You know that I can | :28:23. | :28:33. | |
:28:33. | :29:12. | ||
# Thought I was in heaven but instead | :29:12. | :29:16. | |
# She turned her head and she softly said | :29:16. | :29:19. | |
# I'll bite your face off I'll bite your face off | :29:19. | :29:29. | |
:29:29. | :29:30. | ||
# I'll bite your face off little man, I'll bite your face off | :29:30. | :29:33. | |
# You know that I can | :29:33. | :29:36. | |
# I'll bite your face off I'll bite your face off | :29:36. | :29:40. |