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The sinister moon peering out from behind the clouds. It is Tuesday, | :00:18. | :00:22. | |
that same moon is shining all over the world, or some of it. The | :00:22. | :00:29. | |
question that burns on all our lips, is, is the moon naid of cheese, and | :00:29. | :00:39. | |
:00:39. | :00:43. | ||
if so, who cares? Tonight we have # Blonde hair blowin' | :00:43. | :00:49. | |
# I'd been on her trail for a little while | :00:49. | :00:52. | |
# But that was the night that she broke down and held my hand | :00:52. | :00:57. | |
# The teenage rush | :00:57. | :01:00. | |
She said "Ain't we all just runaways? | :01:00. | :01:04. | |
# "We got time" Well, that ain't much | :01:04. | :01:08. | |
# We can't wait till tomorrow | :01:08. | :01:16. | |
# You gotta know that this is real baby, why you wanna fight it? | :01:16. | :01:20. | |
# It's the one thing you can choose, oh! | :01:20. | :01:28. | |
# We got engaged on a Friday night | :01:28. | :01:32. | |
# I swore on the head of our unborn child | :01:32. | :01:36. | |
# That I could take care of the three of us | :01:36. | :01:40. | |
# But I got the tendency to slip when the nights get wild | :01:40. | :01:44. | |
# It's in my blood | :01:45. | :01:49. | |
# She says she might just runaway somewhere else, some place good | :01:49. | :01:56. | |
# We can't wait till tomorrow | :01:56. | :02:03. | |
# You gotta know that this is real baby, why you wanna fight it? | :02:03. | :02:07. | |
# It's the one thing you can choose | :02:07. | :02:11. | |
# Let's take a chance baby, we can't lose | :02:11. | :02:15. | |
# Ain't we all just runaways? | :02:15. | :02:19. | |
# I knew it when I met you I'm not gonna let you runaway | :02:19. | :02:26. | |
# I knew it when I held you I wasn't lettin' go | :02:26. | :02:36. | |
:02:36. | :02:47. | ||
# We used to look at the stars and confess our dreams | :02:47. | :02:51. | |
# Hold each other to the morning light | :02:51. | :02:55. | |
# We used to laugh now we only fight | :02:55. | :02:59. | |
# Baby, are you lonesome now? | :02:59. | :03:04. | |
# At night I come home after they go to sleep | :03:04. | :03:09. | |
# Like a stumbling ghost I haunt these halls | :03:09. | :03:13. | |
# There's a picture of us on our wedding day | :03:13. | :03:16. | |
# I recognize the girl but I can't settle in these walls | :03:16. | :03:24. | |
# We can't wait till tomorrow | :03:24. | :03:32. | |
# No, we're caught up in the appeal baby, why you wanna hide it? | :03:32. | :03:36. | |
# It's the last thing on my mind Why you wanna hide it? | :03:36. | :03:40. | |
# I turn the engine over and my body just comes alive | :03:40. | :03:47. | |
# And we all just runaways | :03:47. | :03:51. | |
# I knew it when I met you I'm not gonna let you run away | :03:51. | :03:59. | |
# I knew it when I held you I wasn't lettin go | :03:59. | :04:03. | |
# Oh, oh, oh! | :04:03. | :04:06. | |
# Ain't we all just runaways? | :04:07. | :04:09. | |
# Yeah, runaway | :04:09. | :04:15. | |
# Ain't we all just runaways? Yeah | :04:15. | :04:24. | |
CHEERING AND APPLAUSE | :04:24. | :04:31. | |
$:/STARTFEED. | :04:31. | :04:33. | |
APPLAUSE | :04:33. | :04:33. | |
APPLAUSE . | :04:33. | :04:38. | |
. Thanks | :04:38. | :04:39. | |
. Thanks to | :04:39. | :04:39. | |
. Thanks to The | :04:39. | :04:44. | |
. Thanks to The Killers. The song run away, tonight from Tennessee | :04:44. | :04:50. | |
Valerie June. I shall be chatting to Adam Ant. We will welcome | :04:50. | :04:57. | |
Kristina Train from Georgia,, we will welcome Polica. We will enjoy | :04:57. | :05:07. | |
:05:07. | :05:20. | ||
Jackie Deshannon, but now, from # I see the smoke stacks | :05:20. | :05:27. | |
# Of the working classes' faith in democracy | :05:28. | :05:32. | |
# Church house tilting on that banknote | :05:32. | :05:36. | |
# Attracting folk will give me some money, lordy | :05:36. | :05:39. | |
# A three-piece snack is riding on a three-minute song | :05:40. | :05:43. | |
# With that horse hair sellin' out | :05:43. | :05:44. | |
# While the subwoofer's bumpin' | :05:44. | :05:46. | |
# Hollerin' about I'm hungry for my freedom | :05:46. | :05:50. | |
# But I don't know how to eat that way | :05:50. | :05:53. | |
# Because I'm under the spell of the handout | :05:53. | :05:57. | |
# Under the spell of the handout | :05:57. | :06:01. | |
# I adore the gold and cash I go for treason | :06:01. | :06:04. | |
# If that will increase my pay | :06:04. | :06:08. | |
# Because I'm under the spell of the handout | :06:08. | :06:12. | |
# Under the spell | :06:12. | :06:15. | |
# Give me my share, please | :06:15. | :06:24. | |
# 25 years to life | :06:24. | :06:26. | |
# The new degree new occupation | :06:26. | :06:28. | |
# Census can't quantify | :06:28. | :06:30. | |
# The desperation ailing the hungry and the beaten | :06:30. | :06:34. | |
# All across the dreamy USA | :06:34. | :06:37. | |
# The ball is under the spell of the handout | :06:37. | :06:40. | |
# Under the spell of the handout under the spell of the handout | :06:40. | :06:45. | |
# Give me my share | :06:45. | :06:48. | |
# Oh, lord, lord, give me my share | :06:48. | :06:52. | |
# Share... | :06:52. | :06:59. | |
# I heard the pleas and cries | :06:59. | :07:00. | |
# Give me a voice | :07:00. | :07:02. | |
# Give me my mind back give me the floor | :07:02. | :07:05. | |
# Give me some room | :07:05. | :07:07. | |
# You got to take it | :07:07. | :07:09. | |
# Take, take, take demand it | :07:09. | :07:13. | |
# I heard the pleas and cries make me the choice | :07:13. | :07:16. | |
# Let me in the cast | :07:16. | :07:18. | |
# Give my poor son and daughter a pass | :07:18. | :07:21. | |
# You got to take it got to take it | :07:21. | :07:26. | |
# Sometimes you got to ask yourself | :07:26. | :07:28. | |
# What am I feeding on? | :07:28. | :07:31. | |
# What am I stepping in? | :07:31. | :07:35. | |
# What am I giving up now? | :07:35. | :07:42. | |
# What am I depending on? | :07:42. | :07:45. | |
# What do I represent here? | :07:45. | :07:49. | |
# What am I thinking of now? | :07:49. | :07:59. | |
:07:59. | :08:02. | ||
# I got, I got, I got all the talent in the world | :08:02. | :08:12. | |
:08:12. | :08:14. | ||
# Under the spell of the handout under the spell of the handout | :08:14. | :08:23. | |
# Because I'm under I'm under | :08:23. | :08:25. | |
# I'm hungry for a freedom if that will | :08:25. | :08:34. | |
# Oooh, gimme, gimme, gimme, gimme gimme, gimme, and I'm gone. # | :08:34. | :08:44. | |
:08:44. | :08:47. | ||
APPLAUSE AND CHEERING | :08:47. | :08:57. | |
:08:57. | :08:59. | ||
Thank | :08:59. | :08:59. | |
Thank you. | :08:59. | :08:59. | |
Thank you. Cody | :08:59. | :09:09. | |
Thank you. Cody Chesnutt. Under the spell of the hand out. And now, we | :09:09. | :09:13. | |
welcome on the table, we are delighted to meet up with a legend, | :09:13. | :09:19. | |
Adam Ant. Welcome to the show Adam. Unusually, all of our the bests | :09:19. | :09:25. | |
this week are American, fantastic. You are the one not American. That | :09:25. | :09:32. | |
is marvellous. You have a new record out called Zom by, and the | :09:32. | :09:38. | |
Adam Ant is the blue black husband sar in the, marrying the Gunners | :09:38. | :09:42. | |
daughter. That is a great title. Can you discuss that and explain | :09:42. | :09:46. | |
that. The blue black husband sar is the character I imagine what the | :09:46. | :09:51. | |
guy with the white stripe 25 years ago or so would look like now if he | :09:51. | :09:54. | |
had walked to Moscow with Napoleon's husband sars and come | :09:54. | :10:01. | |
back. Is that something you would like to have done? If you were a | :10:01. | :10:08. | |
historic figure who would you be. My favourite was Picasso, or | :10:08. | :10:12. | |
Stanley Spencer. They went out brassed up on their horses and had | :10:12. | :10:17. | |
to walk back. It was just an idea, and marrying the Gunners daughter | :10:17. | :10:22. | |
part, is a navel term. I am interested in Nelson and the Navy. | :10:22. | :10:26. | |
My grandfather was in the Navy. That is a term for punishment. | :10:26. | :10:33. | |
was it, do you know? It would have been some 06 my experiences in the | :10:33. | :10:41. | |
music business! We have a bit of Ant Music. Can we look at that. | :10:41. | :10:46. | |
# I stand here # What do I see | :10:46. | :10:49. | |
# A big nothing # Threatening me | :10:49. | :10:53. | |
# So sad when you're young # To be told | :10:53. | :10:56. | |
# You're having fun # So unplug the jukebox | :10:56. | :11:03. | |
# And do us all a favour # That music's lost its taste | :11:03. | :11:07. | |
# So try another flavour # Ant music | :11:07. | :11:17. | |
:11:17. | :11:21. | ||
# Ant music. # Fantastic. I had forgotten what a | :11:21. | :11:28. | |
style icon you were. Brilliantly, if I may say so taking from various | :11:28. | :11:31. | |
historic figure, who are your favourites would you say? I am | :11:31. | :11:38. | |
attracted to the 18th century. isn't? And, I think certain, the | :11:38. | :11:42. | |
Light Brigade, that was a disaster but the uniforms are marvellous. | :11:42. | :11:49. | |
And Nelson you were saying. Yes, I never get tired of studying him. | :11:49. | :11:56. | |
What were they called those people, with huge big hair, and sort of | :11:56. | :12:03. | |
oversized cuff, the macaroons. macaronis. Never been tempted to go | :12:03. | :12:09. | |
that far? Was more attracted to the French revolution. The idea of, | :12:09. | :12:15. | |
they were applied to fashion. They were incredible. They exaggerated | :12:15. | :12:19. | |
the kus tomb. You are on tour, so people can look forward to seeing | :12:19. | :12:23. | |
you, the record is out, on Friday we will have a longer chat. It is | :12:23. | :12:29. | |
mafrthrous see you. Adam Ant! APPLAUSE | :12:29. | :12:39. | |
:12:39. | :13:03. | ||
Now, from Tennessee, we welcome # I ain't fit to be no mother | :13:03. | :13:13. | |
:13:13. | :13:14. | ||
# I've been wor king all my life, yeah | :13:14. | :13:18. | |
# All my life, yeah all my life, yeah | :13:18. | :13:28. | |
:13:28. | :13:37. | ||
# Ain't no dinner on the table ain't no food in the frigerator | :13:37. | :13:45. | |
# I go to work and I'll be back later | :13:45. | :13:48. | |
# I go to work said I'll be back later | :13:48. | :13:52. | |
# I've been working like a man, y'all | :13:52. | :13:56. | |
# I've been working all my life, yeah | :13:56. | :14:00. | |
# All my life, yeah | :14:00. | :14:10. | |
:14:10. | :14:19. | ||
# Lord, you know I'm a good-looking woman | :14:19. | :14:23. | |
# Lord you know I'm a good-looking girl | :14:23. | :14:26. | |
# And a if you want to give me something | :14:26. | :14:30. | |
# Anything in this great, big world | :14:30. | :14:34. | |
# Lord, you know that I am ready for my sugar, my sugar daddy | :14:34. | :14:41. | |
# Lord, you know that I am ready for my sugar, my sugar daddy. # | :14:41. | :14:51. | |
:14:51. | :15:23. | ||
CHEERING AND APPLAUSE | :15:23. | :15:33. | |
:15:33. | :15:39. | ||
Valerie | :15:39. | :15:40. | |
Valerie June. | :15:40. | :15:41. | |
Valerie June. Working | :15:41. | :15:47. | |
Valerie June. Working won -- worken woman's blues. We move on to brand- | :15:47. | :15:53. | |
new artists, who am delighted, two drummers, why have one when you can | :15:53. | :16:03. | |
:16:03. | :16:06. | ||
# What is mine # Not my child | :16:06. | :16:16. | |
:16:16. | :16:55. | ||
# Until she's # Ain't a man in this world | :16:55. | :17:00. | |
# I will remain there It's done me good so far | :17:00. | :17:09. | |
# Ain't a man in this world who can pull me down | :17:09. | :17:13. | |
# From my dark star dark star | :17:13. | :17:16. | |
# I will remain there It's done me good so far | :17:16. | :17:26. | |
:17:26. | :17:36. | ||
# What is mine what is all mine | :17:36. | :17:40. | |
# Not my child not my child | :17:40. | :17:46. | |
# Hold you just a little while | :17:46. | :17:52. | |
# I'm gonna give her all my life | :17:52. | :17:57. | |
# Until she's until she's | :17:57. | :18:03. | |
# Swooped up, swooped up by the sea of love | :18:03. | :18:10. | |
# Ain't a man in this world who can pull me down | :18:10. | :18:14. | |
# From my dark star dark star | :18:14. | :18:17. | |
# I will remain there It's done me good so far | :18:17. | :18:27. | |
# Ain't a man in this world who can pull me down | :18:27. | :18:31. | |
# From my dark star dark star | :18:31. | :18:35. | |
# I will remain there It's done me good so far | :18:35. | :18:45. | |
:18:45. | :18:51. | ||
Not my child not my child | :18:51. | :18:54. | |
# Hold you just a little while | :18:55. | :19:02. | |
# I'm gonna give her all my life | :19:02. | :19:07. | |
# Until she's, until she's Swooped up by the sea of love. # | :19:07. | :19:17. | |
:19:17. | :19:38. | ||
CHEERING AND APPLAUSE | :19:38. | :19:42. | |
$:/ENDFEED. | :19:42. | :19:49. | |
Polica. Polica. | :19:49. | :19:54. | |
Polica. Polica. Dark | :19:54. | :19:54. | |
Polica. Polica. Dark -- | :19:54. | :19:58. | |
Polica. Polica. Dark -- Dark Star. We have a wonderful selection of | :19:58. | :20:07. | |
newys, and legends in the room. So now somebody who wrote an amazing | :20:07. | :20:17. | |
:20:17. | :20:19. | ||
song, with when you walk in the # I can feel a new expression | :20:19. | :20:29. | |
:20:29. | :20:30. | ||
# I can hear the guitars playin' lovely tunes | :20:30. | :20:39. | |
# Every time that you walk in the room | :20:39. | :20:49. | |
:20:49. | :20:54. | ||
# I close my eyes for a second and pretend it's me you want | :20:54. | :21:03. | |
# Meanwhile I try to act so nonchalant | :21:03. | :21:11. | |
# I feel a summer's night with a magic moon | :21:11. | :21:20. | |
# Every time that you walk in the room | :21:20. | :21:30. | |
:21:30. | :21:36. | ||
# Baby it's a dream come true Standin' right along side of you | :21:36. | :21:45. | |
# Wish I could show you how much I care | :21:45. | :21:50. | |
# But I only have the nerve to stare | :21:50. | :21:58. | |
# I can feel a something pounding in my brain | :21:58. | :22:07. | |
# Just any time that someone speaks your name | :22:07. | :22:16. | |
# Trumpets sound I hear thunder boom | :22:16. | :22:25. | |
# Every time that you walk in the room | :22:25. | :22:35. | |
:22:35. | :22:37. | ||
# Every time that you walk in the room | :22:37. | :22:47. | |
:22:47. | :22:47. | ||
# Every time that you walk in the room | :22:47. | :22:57. | |
:22:57. | :23:01. | ||
CHEERING AND APPLAUSE | :23:01. | :23:06. | |
$:/ENDFEED. | :23:06. | :23:12. | |
The | :23:12. | :23:12. | |
The legendary | :23:12. | :23:12. | |
The legendary Jackie | :23:12. | :23:17. | |
The legendary Jackie Deshannon. Song written in 1963, recorded by | :23:17. | :23:22. | |
loads of people. You can see more of Jackie doing another song the if | :23:22. | :23:26. | |
you join us on Friday. Now, a legend in the making. We welcome, | :23:26. | :23:30. | |
the wonderful voice of a song I hope you have heard a bit of on the | :23:30. | :23:40. | |
:23:40. | :24:01. | ||
# I remember colours # Green was for the springtime | :24:01. | :24:10. | |
# And now the skies have darkened the white clouds turn to grey | :24:10. | :24:19. | |
# What a way to break a heart you took all the colours away | :24:19. | :24:27. | |
# Dark black is the colour of my life | :24:27. | :24:37. | |
# Since you've been gone Since you've been gone | :24:37. | :24:44. | |
# Oh, if you come back | :24:44. | :24:50. | |
# Make my whole world bright | :24:51. | :24:54. | |
# Since you've been gone | :24:54. | :24:58. | |
# Dark black is the colour of my life | :24:58. | :25:05. | |
# I remember visions you taught me how to see | :25:05. | :25:12. | |
# The world of your colours was right there in front of me | :25:12. | :25:20. | |
# Oh, but what good is a rainbow | :25:20. | :25:25. | |
# If the picture's in black and in white | :25:25. | :25:30. | |
# Oh, what good is a future when there's not a colour in sight | :25:30. | :25:40. | |
:25:40. | :25:51. | ||
# Since you've been gone Since you've been gone | :25:51. | :25:56. | |
# Oh, if you come back Make my whole world bright | :25:56. | :26:06. | |
# Since you've been gone | :26:06. | :26:10. | |
# Dark black is the colour of my life | :26:10. | :26:14. | |
# Dark black Dark black | :26:14. | :26:24. | |
# Oooh, ooh, ooh. # | :26:24. | :26:32. | |
$:/ENDFEED. | :26:32. | :26:42. | |
:26:42. | :26:43. | ||
APPLAUSE | :26:43. | :26:47. | |
APPLAUSE Kristina | :26:47. | :26:47. | |
Kristina Train. | :26:47. | :26:48. | |
Kristina Train. What | :26:48. | :26:49. | |
Kristina Train. What a | :26:49. | :26:51. | |
Kristina Train. What a beautiful song, beautifully sung. So thank | :26:51. | :26:59. | |
you to our guests, this week. Valerie June, Adam Ant. Cody | :26:59. | :27:09. | |
:27:09. | :27:10. | ||
Chesnutt. Jackie Deshannon. Polica. All great American guests. We give | :27:10. | :27:13. | |
our best wishes to the people in the horrid storm in Norwegian New | :27:13. | :27:23. | |
:27:23. | :27:23. | ||
York -- New York. I am sad to say that Terry Callier passed away. We | :27:23. | :27:27. | |
have lovely footage of him there on this show. Now it is time to finish | :27:27. | :27:34. | |
the show off. I will hand over to you. We will be back with more, now, | :27:34. | :27:44. | |
:27:44. | :28:13. | ||
# A little birdie # You've been cooking up | :28:13. | :28:16. | |
# Put your hands in things you should have known | :28:16. | :28:19. | |
# You was riding in the danger zone | :28:19. | :28:23. | |
# Well, you had us all fooled with your quarterback smile | :28:23. | :28:24. | |
# And your crocodile tears there for a while | :28:24. | :28:27. | |
# And my paradigm shifted man, you're making me shout | :28:27. | :28:30. | |
# Hey, from here from out | :28:30. | :28:34. | |
# Friends are gonna be hard to come by | :28:34. | :28:37. | |
# Left us wonderin' what it all was about | :28:37. | :28:39. | |
# He had it easy man, he chose the hard way | :28:39. | :28:42. | |
# Walk that old, lonely road in the shadow of a doubt | :28:42. | :28:47. | |
# From here on out | :28:47. | :28:57. | |
:28:57. | :29:00. | ||
# Should our paths ever decide to cross | :29:00. | :29:02. | |
# You may wonder what the trouble cost | :29:03. | :29:06. | |
# That don't matter now life goes on | :29:06. | :29:08. | |
# Hallelujah, the trouble's gone | :29:08. | :29:11. | |
# No sense in holdin' grudges and it's better to forgive | :29:11. | :29:14. | |
# These are things that I must learn to practice while I live | :29:14. | :29:17. | |
# And my paradigm shifted man, you're making me shout | :29:17. | :29:20. | |
# Hey, from here on out | :29:20. | :29:23. | |
# Friends are gonna be hard to come by | :29:23. | :29:26. | |
# Left us wonderin' what it all was about | :29:26. | :29:29. | |
# He had it easy man, he chose the hard way | :29:29. | :29:32. | |
# Walk that old, lonely road in the shadow of a doubt | :29:32. | :29:35. | |
# Hey, from here on out | :29:35. | :29:38. | |
# Let the bugle blow a song of peace time | :29:38. | :29:41. | |
# Left us wonderin' what it all was about | :29:41. | :29:43. | |
# You may deny it but you carry it with you | :29:43. | :29:46. | |
# Down that old lonely road in the shadow of a doubt | :29:46. | :29:53. | |
# Yeah, from here on out. # | :29:53. | :30:03. | |
:30:03. | :30:20. |