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Shepherd's Bush, Tuesday evening and we're live. It's raining | :00:12. | :00:18. | |
outside as you can see. But in my hub the sun is shining because | :00:19. | :00:22. | |
there's amazing artists and musicians ready to perform for you | :00:22. | :00:27. | |
live, yes live and direct here from London. We bring you some of the | :00:27. | :00:37. | |
:00:37. | :01:02. | ||
greatest artists on earth. We begin # And we'll be happy | :01:02. | :01:11. | |
# Yeah, he's the sweetest man # And he's got | :01:11. | :01:20. | |
# I can't believe me luck # Girls, you know | :01:20. | :01:29. | |
# When he takes me # When he takes me | :01:29. | :01:39. | |
:01:39. | :01:39. | ||
Apology for the loss of subtitles for 44 seconds | :01:39. | :02:23. | |
# And we'll be happy # That they'll be happy | :02:23. | :02:33. | |
:02:33. | :02:33. | ||
Apology for the loss of subtitles for 44 seconds | :02:33. | :03:23. | |
# I won't believe me luck # And we'll be happy | :03:23. | :03:33. | |
:03:33. | :03:35. | ||
# Yeah, he's the sweetest man # I can't believe me luck | :03:35. | :03:45. | |
:03:45. | :03:47. | ||
# Girls, you know # When he takes me | :03:47. | :03:53. | |
# When he takes me # When he takes me | :03:53. | :04:03. | |
:04:03. | :04:33. | ||
4Th and Vine from Sinead O'Connor. We welcome the wonderful Ilal. We | :04:33. | :04:41. | |
meet Courtney Pine. Mr Mud Morganfield as well. And Biffy | :04:41. | :04:46. | |
Clyro. I'll chat with Bryan Ferry and keeping my eye on Dani Baker. | :04:46. | :04:56. | |
:04:56. | :05:02. | ||
# Shaking his big grey trunk # He knows that you're dreaming | :05:02. | :05:12. | |
:05:12. | :05:21. | ||
# And it's not like mister # There must be something deep down | :05:21. | :05:31. | |
:05:31. | :05:40. | ||
# He's got friends # Who don't care too much | :05:41. | :05:44. | |
# Oh, look, there he is now coming down the stairs | :05:44. | :05:51. | |
# Here it comes | :05:51. | :06:01. | |
:06:01. | :06:01. | ||
Apology for the loss of subtitles for 44 seconds | :06:01. | :07:32. | |
# Cos he doesn't like it looking like he looks back | :07:32. | :07:36. | |
# He talks like his opinion is a simple fact | :07:36. | :07:44. | |
# Somebody grabbed his collar | :07:44. | :07:48. | |
# He cried the whole way home | :07:48. | :07:51. | |
# He won't remember a thing till they start again | :07:51. | :07:59. | |
# That's how it is till the end | :07:59. | :08:06. | |
# Yeah. # | :08:06. | :08:11. | |
CHEERING AND APPLAUSE | :08:11. | :08:21. | |
:08:21. | :08:23. | ||
Thank | :08:23. | :08:24. | |
Thank you, | :08:24. | :08:24. | |
Thank you, Tame | :08:24. | :08:29. | |
Thank you, Tame Impala. Elephant. Our next guest, I love his playing, | :08:29. | :08:33. | |
the way this man plays is superb and the authorities agree. Because | :08:33. | :08:38. | |
Her Majesty the Queen made him a CBE. He is the wonderful Courtney | :08:38. | :08:48. | |
:08:48. | :08:48. | ||
Apology for the loss of subtitles for 44 seconds | :08:48. | :12:09. | |
That was Courtney Pine. And his very fine band fr. His new album | :12:09. | :12:13. | |
House of Legends. Speaking of legends, I welcome Bryan Ferry! | :12:13. | :12:19. | |
APPLAUSE You've got a fantastic new record | :12:19. | :12:24. | |
out. Danny Baker, he's not allowed to speak on this show for various | :12:24. | :12:27. | |
reasons. On Friday we can hear him speaking. Don't say a word. He made | :12:27. | :12:31. | |
you sign this record. It's very unusual because you're not singing | :12:31. | :12:36. | |
or playing on it at all. It's a wonderful record, explain how that | :12:36. | :12:43. | |
can be. It's an album of my songs over the years. It's something that | :12:43. | :12:48. | |
we've produced in my studio. Yeah, it's got great players on it and | :12:49. | :12:53. | |
it's done in the 1920s style. beautifully recorded. It puts you | :12:53. | :13:00. | |
straight in that humour. As soon as I put it on, I wanted to wear the | :13:00. | :13:07. | |
right suit, drive the right Packard car. A racoon coat. I think I was | :13:07. | :13:13. | |
wearing that. We have some footage of it. It's amazing, having one of | :13:13. | :13:23. | |
:13:23. | :14:01. | ||
the great singers not singing on Slave to love, the only face, all | :14:01. | :14:05. | |
of these great, Virginia playing, they're all on here in a jazzy | :14:05. | :14:10. | |
style. Would you like to have lived in a jazz age? I'm intrigued by the | :14:10. | :14:13. | |
period. There was so much going on, kind of the birth of so many things. | :14:13. | :14:17. | |
It was the beginning of a lot of stuff, like the beginning of modern | :14:17. | :14:26. | |
music with Louis Armstrong, Ella Fitzgerald. The beginning of | :14:26. | :14:30. | |
everything we know. They're going like that, which means you're | :14:30. | :14:33. | |
marvellous and it's superb. I'm handing that back to Danny Baker. | :14:33. | :14:38. | |
He's with us on Friday. Thank you so much, Bryan Ferry. Now this | :14:38. | :14:41. | |
group is just wonderful. I like listening to them in the evening, | :14:41. | :14:51. | |
:14:51. | :14:51. | ||
Apology for the loss of subtitles for 44 seconds | :14:51. | :18:26. | |
having a dance around when I get Thank you Lau. I was having a | :18:26. | :18:32. | |
beautiful jig to that music. Over in this corner, the eldest son of | :18:32. | :18:42. | |
:18:42. | :18:42. | ||
Apology for the loss of subtitles for 44 seconds | :18:42. | :20:39. | |
muddy Waters is an amazing artist. # Then it's you I'm glad | :20:39. | :20:49. | |
:20:49. | :20:49. | ||
Apology for the loss of subtitles for 44 seconds | :20:49. | :22:20. | |
# It's been seven hours # I go out every night | :22:20. | :22:30. | |
:22:30. | :22:52. | ||
# Since you been gone # I can eat my dinner | :22:53. | :23:02. | |
:23:03. | :23:26. | ||
# But nothing, I said nothing can # It's been so lonely | :23:26. | :23:36. | |
:23:36. | :23:48. | ||
# Nothing can stop # Tell me, baby | :23:48. | :23:57. | |
# I could put my arms around every boy I see | :23:57. | :24:05. | |
# But they'd only remind me of you | :24:05. | :24:13. | |
# I went to the doctor, guess what he told me, guess what he told me | :24:13. | :24:19. | |
# He said, girl, you better try to have fun, no matter what you do | :24:19. | :24:26. | |
# But he's a fool | :24:26. | :24:28. | |
# Cos nothing compares | :24:28. | :24:32. | |
# Nothing compares | :24:32. | :24:34. | |
# To you | :24:35. | :24:44. | |
:24:45. | :25:17. | ||
# In the back yard | :25:17. | :25:21. | |
# All died when you went away | :25:21. | :25:28. | |
# I know that living with you, baby | :25:28. | :25:32. | |
# Was sometimes hard | :25:32. | :25:36. | |
# But I'm willing to give it another try | :25:36. | :25:43. | |
# Nothing compares | :25:43. | :25:47. | |
# Nothing compares to you | :25:47. | :25:54. | |
# Nothing compares | :25:55. | :25:58. | |
# Nothing compares to you | :25:58. | :26:08. | |
:26:08. | :26:17. | ||
CHEERING AND APPLAUSE | :26:17. | :26:27. | |
:26:27. | :26:29. | ||
Thank | :26:29. | :26:29. | |
Thank you | :26:29. | :26:29. | |
Thank you Sinead | :26:29. | :26:34. | |
Thank you Sinead O'Connor! And thank you to all of our guests that | :26:34. | :26:39. | |
we've been in this room with this evening. We'll be back on Friday | :26:39. | :26:43. | |
with even more and Outrageous from Danny Baker br. We go further, | :26:43. | :26:52. | |
unfortunately I have to report that we have lost Stan Greig. Let's have | :26:52. | :26:55. | |
a final round of applause for him. APPLAUSE | :26:55. | :27:05. | |
:27:05. | :27:26. | ||
We now finish off the show where we # You say love | :27:26. | :27:35. | |
# You make me laugh I make you cry | :27:35. | :27:38. | |
# I guess that rhymes | :27:38. | :27:43. | |
# You're contained by floors and walls | :27:43. | :27:47. | |
# I'm contained by your control | :27:47. | :27:51. | |
# You're overthrown but underworn | :27:51. | :27:55. | |
# I told you so | :27:55. | :27:59. | |
# We're singing for the stingin' belle | :27:59. | :28:04. | |
# She's really lost her way | :28:04. | :28:08. | |
# Claiming all the simple times | :28:08. | :28:12. | |
# Inside her tragic day | :28:12. | :28:19. | |
# Grow some balls and speak your mind | :28:19. | :28:23. | |
# You think you're cool like a porcupine | :28:23. | :28:27. | |
# You're more like doves They're taking flight | :28:27. | :28:31. | |
# The sky is mine | :28:31. | :28:36. | |
# We're singing for the stingin' belle | :28:36. | :28:39. | |
# She's really lost her way | :28:39. | :28:44. | |
# Claiming all the simple times | :28:44. | :28:48. | |
# Inside her tragic day | :28:48. | :28:55. | |
# We're singing for the stingin' belle | :28:55. | :28:57. | |
# She's really lost her way | :28:57. | :29:01. |