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It's 10pm and Tuesday. We are live. The cold evenings are drawing in, | 0:00:00 | 0:00:08 | |
but as we come in the warmth of the room, we see all of the amazing | 0:00:08 | 0:00:18 | |
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talent around us here. We begin # Stripped to the waist we fall into | 0:00:25 | 0:00:35 | |
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# Cover your eyes so you don't know # To see our names are written on | 0:00:40 | 0:00:48 | |
# Yes, since we found out since we found out that | 0:00:48 | 0:00:54 | |
# Anything could happen anything could happen | 0:00:54 | 0:00:58 | |
# Anything could happen anything could happen | 0:00:58 | 0:01:02 | |
# Anything could happen anything could happen | 0:01:02 | 0:01:08 | |
# Oh yeah | 0:01:08 | 0:01:18 | |
0:01:18 | 0:01:19 | ||
# After the war we said we'd fight together | 0:01:19 | 0:01:26 | |
# I guess we thought that's just what humans do | 0:01:26 | 0:01:35 | |
# Letting darkness grow as if we need its palette | 0:01:35 | 0:01:40 | |
# And we need its colour but now I've seen it through | 0:01:40 | 0:01:47 | |
# And now I know the truth that anything could happen | 0:01:47 | 0:01:54 | |
# Anything could happen anything could happen | 0:01:54 | 0:01:58 | |
# Anything could happen | 0:01:59 | 0:02:01 | |
# Anything could happen anything could happen | 0:02:01 | 0:02:11 | |
0:02:11 | 0:02:34 | ||
# But I don't think I need you but I don't think I need you | 0:02:34 | 0:02:41 | |
# I know it's gonna be, I know it's gonna be, I know it's gonna be | 0:02:41 | 0:02:43 | |
# I know it's gonna be, I know it's gonna be, I know it's gonna be | 0:02:43 | 0:02:51 | |
# Oh | 0:02:51 | 0:03:00 | |
# But I don't think I need you but I don't think I need you | 0:03:00 | 0:03:10 | |
0:03:10 | 0:03:18 | ||
# But I don't think I need you but I don't think I need you | 0:03:18 | 0:03:28 | |
0:03:28 | 0:03:43 | ||
The | 0:03:43 | 0:03:44 | |
The fab | 0:03:44 | 0:03:45 | |
The fab artist, | 0:03:45 | 0:03:50 | |
The fab artist, Ellie Goulding. Live in the room, full of amazing | 0:03:50 | 0:04:00 | |
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artists. We have, rod geez. -- rod -- Jimmy Page and Larry Graham & | 0:04:01 | 0:04:09 | |
Graham Central Station. And we have the Foals and from Portugal, we are | 0:04:09 | 0:04:19 | |
having Luisa Sobral. And now from south of Caroline that, we enjoy | 0:04:19 | 0:04:29 | |
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# Look at the water, look at # And put it back together | 0:04:32 | 0:04:34 | |
# It's a little biblical a little bit tragic | 0:04:34 | 0:04:36 | |
# It may be fantastic | 0:04:36 | 0:04:38 | |
# Every once in a while, every little thing, every little thing | 0:04:38 | 0:04:45 | |
# But I'm old enough to know I'm holding on for something | 0:04:45 | 0:04:52 | |
# I'm old enough to see I'm not the only one | 0:04:52 | 0:05:02 | |
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# When you get back to town back from the islands | 0:05:03 | 0:05:07 | |
# Back to where I live | 0:05:07 | 0:05:10 | |
# Well, we need to have a word | 0:05:10 | 0:05:13 | |
# A topic to touch on, the topic is touchy | 0:05:13 | 0:05:16 | |
# Yeah, this is pitiful | 0:05:16 | 0:05:20 | |
# The lack of reception you never listen | 0:05:20 | 0:05:26 | |
# I don't need another round | 0:05:26 | 0:05:28 | |
# Nothing is perfect but this isn't worth it | 0:05:28 | 0:05:34 | |
# And I'm old enough to know that I'm holding on for something | 0:05:35 | 0:05:41 | |
# I'm old enough to see I'm not the only one | 0:05:41 | 0:05:51 | |
0:05:51 | 0:05:56 | ||
# I smashed it apart and the rains wouldn't stop | 0:05:56 | 0:06:01 | |
# Till everybody was gone, moving on to the next one | 0:06:01 | 0:06:11 | |
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# I'm old enough to know I'm holding on for something | 0:06:24 | 0:06:32 | |
# I'm old enough to know I'm holding on for something | 0:06:32 | 0:06:41 | |
# I'm old enough to know I'm holding on for something | 0:06:41 | 0:06:46 | |
# I'm old enough to see I'm not the only one. # | 0:06:46 | 0:06:56 | |
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CHEERING AND APPLAUSE | 0:06:58 | 0:07:08 | |
0:07:08 | 0:07:13 | ||
Band | 0:07:13 | 0:07:14 | |
Band Of | 0:07:14 | 0:07:14 | |
Band Of Horses | 0:07:14 | 0:07:22 | |
Band Of Horses from their LP. Our next artist invented a style of | 0:07:22 | 0:07:25 | |
bass playing and he had grand central station and he's Larry | 0:07:25 | 0:07:35 | |
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# If the music makes you feel like # Yeah, if the music makes you feel | 0:07:48 | 0:07:55 | |
# Yeah, if the music makes you feel like dancing, it's all right | 0:07:55 | 0:08:02 | |
# Yeah, because the music might become enhancing, it's all right | 0:08:02 | 0:08:09 | |
# Yeah | 0:08:09 | 0:08:19 | |
0:08:19 | 0:08:29 | ||
# If the music makes you feel like clapping, it's all right | 0:08:29 | 0:08:37 | |
# Yeah, you know GCS is happening it's all right | 0:08:37 | 0:08:43 | |
# Yeah | 0:08:43 | 0:08:45 | |
# If the music makes you feel like singing, it's all right | 0:08:45 | 0:08:49 | |
# Yeah | 0:08:49 | 0:08:52 | |
# Good music to you is what we're bringing | 0:08:52 | 0:08:55 | |
# It's all right | 0:08:55 | 0:08:58 | |
# Yeah | 0:08:58 | 0:09:08 | |
0:09:08 | 0:09:33 | ||
# Dancing and singing is all I really ever wanted to do | 0:09:33 | 0:09:40 | |
# I said dancing and singing well is all I really ever wanted to do | 0:09:40 | 0:09:50 | |
# Don't you know that dancing and singing | 0:09:50 | 0:09:52 | |
# Is all I really ever wanted to do | 0:09:52 | 0:09:57 | |
# I said dancing and singing is all I really ever wanted to do | 0:09:57 | 0:10:04 | |
# Do you feel like dancing | 0:10:04 | 0:10:08 | |
# Yeah, do you feel like singing yeah, do you feel like screaming | 0:10:08 | 0:10:14 | |
# Yeah, then scream, yeah | 0:10:14 | 0:10:21 | |
# Dancing and singing is all I really ever wanted to do | 0:10:21 | 0:10:28 | |
# Dancing and singing is all I really ever wanted to do | 0:10:28 | 0:10:36 | |
# Dancing and singing is all I really ever wanted to do | 0:10:36 | 0:10:46 | |
0:10:46 | 0:11:09 | ||
Dancing and singing is all CHEERING AND APPLAUSE | 0:11:09 | 0:11:13 | |
Larry Graham & Graham Central Station! One of the originators of | 0:11:13 | 0:11:19 | |
funk music. That's from his Raise Up LP. Speaking of originators and | 0:11:19 | 0:11:29 | |
0:11:29 | 0:11:33 | ||
legends, I have another one right here in the form of Jimmy Page. And | 0:11:33 | 0:11:38 | |
Led Zeppelin performed in 2007, after everybody kept begging you to | 0:11:38 | 0:11:43 | |
get back together and you made a DVD of that amazing one-off | 0:11:43 | 0:11:53 | |
0:11:53 | 0:11:55 | ||
performance. What was it that made you get back together? Well, Arnie | 0:11:55 | 0:12:01 | |
from Atlantic Records, he died and there was this call to have a | 0:12:01 | 0:12:05 | |
foundation really and there was a charity gig that was lined up to be | 0:12:05 | 0:12:10 | |
done at the O2. Originally they had asked us to do 20 minutes, but we | 0:12:10 | 0:12:13 | |
did two hours and 20 minutes, but so many other bands came along too | 0:12:13 | 0:12:20 | |
to support the charity. You must have thought such a lot of Ahmed to | 0:12:20 | 0:12:25 | |
do a gig, because everyone had been begging you for ages? We have come | 0:12:25 | 0:12:31 | |
together with Jason to play the Atlantic 40th, which was 20- | 0:12:31 | 0:12:35 | |
something years beforehand, so it was good to bet back together and | 0:12:35 | 0:12:40 | |
have a serious crack. You get the whole story. Jason must have | 0:12:40 | 0:12:46 | |
brought a different dimension to the group? Well, yes, he did. By my | 0:12:46 | 0:12:51 | |
estimation he had the hardest job of anybody there. We put a lot of | 0:12:51 | 0:12:59 | |
rehearsal into it and a lot of work, so we had a tight fit and so we | 0:12:59 | 0:13:03 | |
would go off on one tangent and another and the whole energy that | 0:13:03 | 0:13:09 | |
Jason had all the way through was phenomenal. We'll look a little. We | 0:13:09 | 0:13:19 | |
0:13:19 | 0:13:58 | ||
# It passes on... # APPLAUSE | 0:13:58 | 0:14:03 | |
Amazing footage in there. Once you got back on stage and you were on | 0:14:03 | 0:14:08 | |
the stage did it feel like the same and like you were in a comfortable | 0:14:08 | 0:14:13 | |
place to be back in? It was the only gig we did. We didn't do any | 0:14:13 | 0:14:17 | |
warmups, so it was the only way we could gauge in front of the | 0:14:17 | 0:14:22 | |
audience and a lot of it, to be honest, it was very powerful on | 0:14:22 | 0:14:25 | |
stage. There were serious moments and you can catch that in this. | 0:14:25 | 0:14:31 | |
Even when we looked at this, we thought wow. It is captured on this. | 0:14:31 | 0:14:35 | |
Finally, I suppose 20 million people applied for tickets for that | 0:14:35 | 0:14:41 | |
show and you could only fit 20,000, only 20,000, but Led Zeppelin are | 0:14:41 | 0:14:44 | |
very, very popular. That's more people than this, more people | 0:14:44 | 0:14:52 | |
that's in my Big Band, unbelievably, or more than anybody I know, so | 0:14:52 | 0:14:57 | |
there are they to be disappointed, or is there likely to be another? | 0:14:57 | 0:15:03 | |
We are almost five years after the O2 concert and I must say that I | 0:15:03 | 0:15:06 | |
thought there might be some other sort of get-together for some | 0:15:06 | 0:15:12 | |
reason or another, but as the years tick by one year, two, three, four | 0:15:12 | 0:15:16 | |
and now almost five years, it doesn't look very little, does it? | 0:15:16 | 0:15:20 | |
You have captured the wonderful moment there. It's all there. | 0:15:20 | 0:15:23 | |
you very much for joining us, Jimmy Page. | 0:15:23 | 0:15:26 | |
APPLAUSE And now, come over here, because we | 0:15:26 | 0:15:33 | |
are live and we don't have lots of time, but I love it when we visit | 0:15:33 | 0:15:37 | |
other artists. She is from list Bonn and superb. Please welcome, | 0:15:37 | 0:15:47 | |
0:15:47 | 0:15:57 | ||
# I see children playing going # And a big scarecrow with a hat on | 0:15:57 | 0:16:07 | |
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# But I'm not there yet but someday # Will you hold me and dance will | 0:16:21 | 0:16:31 | |
0:16:31 | 0:16:31 | ||
Apology for the loss of subtitles for 44 seconds | 0:16:31 | 0:17:15 | |
# But you're not there yet # Will we have a Sunday picnic | 0:17:15 | 0:17:25 | |
0:17:25 | 0:17:33 | ||
# Will we make everybody watch # But we're not there yet | 0:17:33 | 0:17:43 | |
0:17:43 | 0:17:43 | ||
Apology for the loss of subtitles for 44 seconds | 0:17:43 | 0:18:37 | |
# But we're not there yet Luisa Sobral. Luisa Sobral! 2007, | 0:18:37 | 0:18:41 | |
the year that Led Zeppelin were doing their show, was the first | 0:18:41 | 0:18:51 | |
0:18:51 | 0:18:58 | ||
year this band appeared on the show. # You don't have my number | 0:18:58 | 0:19:08 | |
0:19:08 | 0:19:10 | ||
# Now I feel I feel alive I feel I feel alive | 0:19:10 | 0:19:17 | |
# I feel the streets are all pulling me down | 0:19:17 | 0:19:25 | |
# So people of the city I don't need your counsel | 0:19:25 | 0:19:32 | |
# Now I don't need your good advice You don't have my lover's touch | 0:19:32 | 0:19:41 | |
# You don't have my number we don't need each other now | 0:19:41 | 0:19:47 | |
# The creed or the culture we can move beyond it now | 0:19:47 | 0:19:57 | |
0:19:57 | 0:20:03 | ||
# Now the wolf is knocking at my door, bang bang, it asks for more | 0:20:03 | 0:20:09 | |
# Stand here we stand tall we can move beyond these walls | 0:20:09 | 0:20:16 | |
# I don't need your counsel I don't need these city streets | 0:20:16 | 0:20:23 | |
# I don't need that good advice we can move beyond it now | 0:20:23 | 0:20:33 | |
# You don't have my number we don't need each other now | 0:20:33 | 0:20:39 | |
# The creed or the culture you don't have my lover's touch | 0:20:39 | 0:20:49 | |
0:20:49 | 0:21:11 | ||
# Can you even hear me do you even know my name | 0:21:11 | 0:21:13 | |
# Can you see the ocean there you don't have my lover's touch | 0:21:13 | 0:21:23 | |
0:21:23 | 0:21:31 | ||
# You don't have my number you don't have my number | 0:21:31 | 0:21:40 | |
# I don't need these city streets the creed or the culture now. # | 0:21:40 | 0:21:50 | |
0:21:50 | 0:21:59 | ||
CHEERING AND APPLAUSE | 0:21:59 | 0:22:09 | |
0:22:09 | 0:22:15 | ||
We welcome back Foals. So, | 0:22:15 | 0:22:16 | |
We welcome back Foals. So, there's | 0:22:16 | 0:22:16 | |
We welcome back Foals. So, there's an | 0:22:16 | 0:22:16 | |
an extraordinary | 0:22:16 | 0:22:17 | |
an extraordinary story | 0:22:17 | 0:22:17 | |
an extraordinary story attached | 0:22:17 | 0:22:20 | |
an extraordinary story attached to the next artist. He was struggling | 0:22:20 | 0:22:23 | |
in Detroit. For many years, he didn't realise that his records had | 0:22:23 | 0:22:30 | |
been released in South Africa, where he was worshipped like Elvis. | 0:22:30 | 0:22:36 | |
It features in a film called Searching for Sugar Man. He's rod | 0:22:36 | 0:22:46 | |
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# Sugarman, won't ya hurry # For a blue coin won't ya bring | 0:22:58 | 0:23:08 | |
0:23:08 | 0:23:09 | ||
# Silver magic ships, you carry Jumpers, coke, sweet MaryJane | 0:23:09 | 0:23:19 | |
0:23:19 | 0:23:23 | ||
# Sugarman met a false friend on a lonely, dusty road | 0:23:23 | 0:23:33 | |
0:23:33 | 0:23:33 | ||
# Lost my heart when I found it it had turned to dead, black coal | 0:23:33 | 0:23:43 | |
0:23:43 | 0:23:45 | ||
# Silver magic ships, you carry Jumpers, coke, sweet MaryJane | 0:23:45 | 0:23:55 | |
0:23:55 | 0:23:59 | ||
# Sugarman, you're the answer that makes my questions disappear | 0:23:59 | 0:24:09 | |
0:24:09 | 0:24:10 | ||
# Sugarman, cos I'm weary of these double games | 0:24:10 | 0:24:20 | |
0:24:20 | 0:24:36 | ||
# Sugarman, Sugarman, Sugarman | 0:24:36 | 0:24:46 | |
0:24:46 | 0:24:49 | ||
CHEERING AND APPLAUSE | 0:24:49 | 0:24:58 | |
Rodriguez | 0:24:58 | 0:24:59 | |
Rodriguez with | 0:24:59 | 0:24:59 | |
Rodriguez with Sugar | 0:24:59 | 0:25:04 | |
Rodriguez with Sugar Man. He'll be in on Friday, explaining about his | 0:25:04 | 0:25:07 | |
amazing life. Thank you to all of my guests. Behind him, is Larry | 0:25:07 | 0:25:16 | |
Graham & Graham Central Station. Thank you, Jimmy Page. Thank you | 0:25:16 | 0:25:22 | |
Band Of Horses. Luisa Sobral and her wonderful group. Foals. But | 0:25:22 | 0:25:25 | |
there's much more guests on Friday and we'll chat away to them and on | 0:25:25 | 0:25:31 | |
the website, which is there, you can see Jimmy Page and Robert Plant | 0:25:31 | 0:25:37 | |
in this room. Now we finish where we started. I hope you enjoyed us. | 0:25:37 | 0:25:43 | |
We started live and we ended up live. We have to introduce the | 0:25:43 | 0:25:52 | |
programme at the right time so we can finish on time. But now I can | 0:25:52 | 0:26:02 | |
0:26:02 | 0:26:07 | ||
# Only you can be the aching # My enemy, the only animal | 0:26:07 | 0:26:10 | |
# You hold me in the dark when storms arrive | 0:26:10 | 0:26:12 | |
# Only you, only you can see the emptiness I feel | 0:26:12 | 0:26:17 | |
# When you're with me, when everything you say I'm on my knees | 0:26:17 | 0:26:25 | |
# Baby, I'm on my knees, baby, I'm on my knees, baby, I'm on my knees | 0:26:25 | 0:26:35 | |
0:26:35 | 0:26:40 | ||
# When everything you say I'm on my knees | 0:26:40 | 0:26:45 | |
# Baby, I'm on my knees, baby, I'm on my knees, baby, I'm on my knees | 0:26:45 | 0:26:52 | |
# Only you can be the aching in my heart | 0:26:52 | 0:26:57 | |
# My enemy, the only animal I couldn't fight | 0:26:57 | 0:27:04 | |
# You hold me in the dark when storms arrive | 0:27:04 | 0:27:09 | |
# Only you, only you, only you, only you can see the emptiness I feel | 0:27:09 | 0:27:19 | |
0:27:19 | 0:27:39 | ||
# Only you, only you, only you can see the emptiness I feel | 0:27:39 | 0:27:44 | |
# When you're with me | 0:27:44 | 0:27:46 | |
# When everything you say I'm on my knees, baby, I'm on my knees | 0:27:46 | 0:27:49 | |
# Baby, I'm on my knees baby, I'm on my knees | 0:27:49 | 0:27:59 | |
0:27:59 | 0:28:01 | ||
# When everything you say I'm on my knees, baby, I'm on my knees | 0:28:01 | 0:28:07 | |
# Baby, I'm on my knees baby, I'm on my knees | 0:28:07 | 0:28:13 | |
# Only you, only you can be the aching in my heart | 0:28:13 | 0:28:17 | |
# My enemy, the only animal I couldn't fight | 0:28:17 | 0:28:24 | |
# You hold me in the dark when storms arrive | 0:28:24 | 0:28:29 | |
# Only you, only you | 0:28:29 | 0:28:39 | |
0:28:39 | 0:28:57 | ||
# Only you, only you | 0:28:57 | 0:29:07 | |
0:29:07 | 0:29:07 | ||
# Only you, only you | 0:29:07 | 0:29:16 | |
# Only you can be the aching in my heart | 0:29:16 | 0:29:17 | |
# My enemy, the only animal I couldn't fight | 0:29:17 | 0:29:25 | |
# You hold me in the dark when storms arrive | 0:29:25 | 0:29:30 |