Episode 6 Later... with Jools Holland

Welcome to Later, and welcome to # Blonde hair blowin'

# I'd been on her trail for a little while

# But that was the night that she broke down and held my hand

# The teenage rush

She said "Ain't we all just runaways?

# "We got time" Well, that ain't much

# We can't wait till tomorrow

# You gotta know that this is real baby, why you wanna fight it?

# It's the one thing you can choose, oh!

# We got engaged on a Friday night

# We got engaged on a Friday night

# I swore on the head of our unborn child

# That I could take care of the three of us

# But I got the tendency to slip when the nights get wild

# It's in my blood

# She says she might just runaway somewhere else, some place good

# We can't wait till tomorrow

# You gotta know that this is real baby, why you wanna fight it?

# It's the one thing you can choose

# Let's take a chance baby, we can't lose

# Ain't we all just runaways?

# I knew it when I met you I'm not gonna let you runaway

# I knew it when I held you I wasn't lettin' go

# We used to look at the stars and confess our dreams

# Hold each other to the morning light

# We used to laugh now we only fight

# Baby, are you lonesome now?

# At night I come home after they go to sleep

# Like a stumbling ghost I haunt these halls

# There's a picture of us on our wedding day

# I recognize the girl but I can't settle in these walls

# We can't wait till tomorrow

# No, we're caught up in the appeal baby, why you wanna hide it?

# It's the last thing on my mind Why you wanna hide it?

# I turn the engine over and my body just comes alive

# And we all just runaways

# I knew it when I met you I'm not gonna let you run away

# I knew it when I held you I wasn't lettin go

# Oh, oh, oh!

# Ain't we all just runaways?

# Yeah, runaway

# Ain't we all just runaways? Yeah

CHEERING AND APPLAUSE

A

A delight

A delight to

A delight to have them back in this room. The Killers, with runaways.

An exquisite line-up almost entirely from America. We welcome

from Minneapolis, Polica. From can Turkey, Jackie DeShannon. From

Atlanta, Georgia, Cody ChesnuTT. From Tennessee, Valerie June. I

will be chatting to the legendary Adam Ant. Now, somebody with a

delight for voice, we welcome Kristina Train. -- a delightful

Apology for the loss of subtitles for 93 seconds

# Cos this life # Dappled light is falling

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# Cos this life # Cos this life

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Dream of Lee, from her Dark Black L P, Kristina Train. -- dream of me.

We will, of course, look forward to hearing more of her later. It is a

room with legends and new artists, # What is mine

# Not my child # Until she's

# Ain't a man in this world # From my dark star

# I will remain there It's done me good so far

# Ain't a man in this world who can pull me down

# From my dark star dark star

# I will remain there It's done me good so far

# What is mine what is all mine

# Not my child not my child

# Hold you just a little while

# I'm gonna give her all my life

# Until she's until she's

# Swooped up, swooped up by the sea of love

# Ain't a man in this world who can pull me down

# From my dark star dark star

# I will remain there It's done me good so far

# Ain't a man in this world who can pull me down

# From my dark star dark star

# I will remain there It's done me good so far

# What is mine, oooh What is all mine

Not my child not my child

# Hold you just a little while

# I'm gonna give her all my life

# Until she's, until she's Swooped up by the sea of love. #

CHEERING AND APPLAUSE

Thank

Thank you,

Thank you, Polica.

Thank you, Polica. Dark Star, from their album. Lovely to see two

drummers in a room. And I am comfortable to step from brand new

artist to legend. That is what it is about in this room. I am

delighted to welcome a great legend, Adam Ant. Very good to see you.

Congratulations. Back with a marvellous new record, which you

have got here, and on tour. In this little chat, I would like to go to

the beginning. Where does music start for you? Would it be bazooka

Joe, or before then? That was the first time we got paid. It was a

fiver. It was a lot of them. I went to wake College of Art, and there

was this pub, and be used to go there, and I played bass and

learned to write. I remember that the members of Madness used to come

and do formation dancing. They still do that. What made you move

from playing base into the lead vocal situation? Seeing the Sex

Pistols in November 1975, their first performance at St Martin's

College of Art. It was like a moment. I thought, this is very

simple. They made it very clear that anybody could do it if they

worked hard enough. So I took over. Instead of doing backing vocals,

started writing and singing the lead. Your style was unique, a look

that nobody else had. Where did that come from? I have always liked

history and I liked the flamboyance of the eighteenth-century. Mix that

with the punk rock and the leva, and the glam era was very

influential, Marc Bolan. Just put them together. The videos were

fantastic. I think we're going to have a spurt over here of your new

video, called Kadlec zombie. What has inspired this? You directed it.

Yes, I directed it with Adam Ross. This is like a trailer because we

are still editing. There was a period when I lived in Tennessee. I

did one of those things. I was going from Miami and going to drive

up to Las Vegas. I stopped in a tiny town called Dayton, Tennessee.

I took out a magazine of local places to buy it. There was an A-

frame house in that top of Tennessee. I thought, have to buy

this. I lived there for two years. Let me get this straight. You were

driving along and happened to see a house on a hill. I was going to get

married in Las Vegas. Did you have a survey done? Really? Just on a

whim? It was one of those things, probably the most irresponsible

thing I have ever done. Basically, it was one of those things. It is a

period that I have not made public before. The thing was, Big Country

stars like Johnny Cash used to come through and play in these small

towns like this on a regular basis. My next-door neighbour, Ron, who

was in the American navy, he used to take me to visit some of his

mates in the woods, there were really out there. You thought you

would never come back. There was this idea of putting that in a song,

as a dedication to him, who sadly passed away. It was a very

different experience for me. What a great story. Let's look at the

# I bought an A-frame house that suited me in Tennessee

# The kind of place a lost soul can hide

# Has not changed since Bonnie and Clyde

# He took me on a tour of God's That is great. I can see from that,

you became a fashion icon, really. Is it true that you gave Michael

Jackson fashion tips? I did this wonderful show called the Motown 25.

I was invited to perform with all of the major Motown artists. Berry

Gordy asked me to choose a song from the repertoire. And I got to

know Michael through that. After the show, because I was 10 ft away

when he did his debut of the moonwalk, and I was next. And then

I got a call, when I was making Kings Of the Wild Frontier, at

about 6:00am. Hello, this is Michael, and I would like to speak

to Adam. I thought it was my drummer, so I swore at him and

slammed the phone down. He called again, and it was Quincy Jones

saying, it is Michael. Sorry about that. He asked me where I got my

jacket from. I gave him the Taylor and the place that I go, the

theatrical costume us. And he took it from there. Never looked back.

Giving tips to the famous. You are on tour. What can people hope to

see? Just to reacquaint the audience with the catalogue, which

is lovely. But now bringing in some new songs and a bit of dressing up.

The audience? Do they dress up? They do sometimes. I hope it goes

very well. We look forward to seeing you again very soon. Thank

you very much, Adam Ant. And now, over in this corner of the room, we

are delighted to welcome to the # I was a stranger in a foreign land

# I took a stroll # And I looked around

Apology for the loss of subtitles for 93 seconds

# I was a stranger in # When I was bound

# Lord knows I was a stranger # Said I was a stranger

# I was walking in darkness with no sense of direction

# Then you came and made a way for me

# To see all my afflictions

# Said I was a stranger in danger

# Stranger in a foreign land

# Stranger in a foreign land

# Stranger in a foreign land

# I was walking in darkness # Then you came, came

# I was walking in darkness # Then you came and made

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# Then you came and made # Borrowed time

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# Oh, but I still hear # You were standing with your

# When I look back on # The leather seats

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# But the fall from grace # It feels just like a dagger

# You run for cover but you can't escape the second attack

# Your soul was innocent

# She kissed him and she painted it black

# You should have seen your little face

# Miss Atomic Bomb

# Making out, we've got the radio on

# You're gonna miss me when I'm gone

# You're gonna miss me when I'm gone

# Racing shadows in the moonlight

# And taking chances on a hot night

# And for a second there we'd won

# Yeah, we were innocent and young

# The dust cloud has settled

# And my eyes are clear

# But sometimes in dreams of impact I still hear

# Miss Atomic Bomb

# But I'm standing here and you're too late

# But I'm standing here and you're too late

# You're gonna miss me when I'm gone

# Your shockwave whisper has sealed your fate

# It feels like a dagger buried deep in your back

# It's a cruel world

# You run for cover but you can't escape the second attack

# She kissed him and she painted it black

# And you turn your back on a losing game

# You should have seen your little face

# Burning for love holding on for your life

# All that I wanted was a little touch

# But you can't survive

# A little tenderness and truth

# When you want it all

# I didn't ask for much

# Talk about being at the

# There's another side

# Wrong place at the wrong time. #

CHEERING AND APPLAUSE

Miss

Miss Atomic

Miss Atomic Bomb.

Miss Atomic Bomb. The Killers. Before that, we enjoyed Valerie

June. In fact, if you have just joined us, there are a lot of

fantastic people yet to come. Polica over there, Jackie DeShannon

over there, Cody ChesnuTT over there. But now we welcome the

# I remember colours # Green was for the springtime

# And now the skies have darkened the white clouds turn to grey

# What a way to break a heart you took all the colours away

# Dark black is the colour of my life

# Since you've been gone Since you've been gone

# Oh, if you come back

# Make my whole world bright

# Since you've been gone

# Dark black is the colour of my life

# I remember visions you taught me how to see

# The world of vivid colours was right there in front of me

# Oh, but what good is a rainbow

# If the picture's in black and in white?

# Oh, what good is a future when there's not a colour in sight?

# Since you've been gone Since you've been gone

# Oh, if you come back Make my whole world bright

# Since you've been gone

# Dark black is the colour of my life

# Dark black Dark black

# Mmm, mmm, mmm. #

What

What an

What an enchanting

What an enchanting moment to have. Kristina Train. Dark Black. The

title track of her wonderful album. And now, into this corner, we will

enjoy once again the sensational # Who you gon' call now

# And when you're standing # Why you don't even

# And the lady that sacrificed # Saggin' round with an

# The only reason I take the time cos I don't want to bury ya

# Church boy, school boy, dope boy

# I ain't gon' throw my hands up I'ma love ya

# Love ya, love ya

# I know times can get hard

# But I love ya, son

# But bein' hard ain't gon' get the weight off

# And rid the scars

# No matter how you feel

# Your blood is on the seal

# You can't just treat her any way

# Law says here's the deal

# That's still Mama

# Yeah, that's still Mama

# Yeah, let the recognition show

# That's still Mama

# Your mama, ooh

# Church boy, school boy, dope boy

# I'm on fire, do it cos I love ya

# I'm on fire, do it cos I love ya

# Do it cos I love ya

# I do it, do it cos I love ya

# I do it, do it cos I love ya

# I do it, doo

# Cos I love ya

# I do it, doo

# Cos I love ya

# I do it, doo

# Cos I love ya

# I do it doo, ooh

# Had to clean your backside

# When you couldn't feed yourself

# Couldn't clean your eyes

# How on earth did you get so beside yourself

# And abuse a queen that did it all?

# Boy, you're confused

# No matter how you feel

# Your blood is on the seal

# You can't just treat her any way

# Law says here's the deal

# That's still Mama

# That's still your mama

# Let the recognition show

# I remember Mama

# I remember Mama

# I remember Mama

# Mama

# I remember Mama

# I remember her love and guidance. #

CHEERING AND APPLAUSE

# Yeah, i've been working like a man, y'all

# I've been working all my life, yeah

# All my life, yeah all my life, yeah

# Ain't no dinner on the table ain't no food in the frigerator

# I go to work and I'll be back later

# I go to work said I'll be back later

# I've been working like a man, y'all

all my life, yeah

# All my life, yeah

# Lord, you know I'm a good-looking woman

# Lord you know I'm a good-looking girl

# And if you want to give me something

# Anything in this great, big world

# Lord, you know that I am ready for my sugar, my sugar daddy

# Lord, you know that I am ready for my sugar, my sugar daddy. #

CHEERING AND APPLAUSE

Workin'

Workin' Woman

Workin' Woman Blues,

Workin' Woman Blues, Valerie June. Let's hear it for Valerie June. Yes.

So now, at the piano, a chat with the legend. Think of some of these

songs. When You Walk In The Room, Bette Davis eyes, breakaway, put a

little loving your heart. Just the tip of the iceberg with some of the

amazing songs this guest has written and sung. Please welcome at

the piano Jackie DeShannon. Thank you so much. You have this great

record, that you have done a lot of your songs acoustically, which we

will go to in a moment. But let's go back to the start. Were your

parents musical? Yes, my dad played guitar and sang with his brother,

way back in the day, like the Everly Brothers. And my mum was a

big band singer. My aunt taught at Conservatory in Chicago, classical

music. And what made you realise that you had a thing where you

could write and sing? I think basically when I was very young and

in school and writing poetry, I think the big push was that I

couldn't get material because it would go to people who had record

contracts. Everyone I talked to said, you'd better start writing if

you want some material, so I just started writing. Out of necessity.

A lot of people did that. The Beatles did that because they said

in Hamburg they did not have enough material so they had to write stuff.

And you toured with the Beatles on their first American tour. I had

the honour. They thought the world of you. Paul McCartney rang to say

hello to you. Hello. What was that like? It looks completely mad.

was pretty mad. Basically, they just screamed, we want the Beatles,

all through our songs, which was fine with me. It was a once-in-a-

lifetime thing. To be part of that is a great honour for me. In a

moment you're going to be doing When You Walk In The Room, a great

song. That has been covered by lots of people, amazing versions, but

you wrote it. There is something so great about the poetry of it,

because when the person does walk in the room, they can't say

anything. Who was the song written about? I can't tell you. They don't

even know. No one knows but me. It is a mystery and I want to keep it

a mystery. Another great song was put a little loving your heart,

which Al Green did and a lot of different people. Annie Lennox. You

can't get better than that. What inspired that? It came from my mum.

She used to say that about people being unkind, not being nice. She

used to say, why don't they put a little love in their heart? And of

course, I would not give her credit for that, but she really was the

inspiration behind that. Would you give us a burst of it? I would love

to. We need some rhythm. Everybody # Think of your fellow man, lend

him a helping hand # Put a little loving your heart

# You see, it's getting late # Please don't hesitate

# Everybody, put a little loving your heart

# And the world will be a better place

# And the world will be a better place for you

# Yes, and me # Why don't you wait and see

# Take a good look around # If you're looking down, put a

little loving your heart of # I am hoping you decide to let

kindness be your dined # Put a little loving your heart

# And don't you know the world will be a better place at

# And the world will be a better place for you

# Yes, and me # Why don't you wait and see

# And everybody, saying it # Put a little loving your heart

Bosong put a little love in your heart

# There's no other way # Why don't you?

# Put a little love in your heart. Thank you. The wonderful Jackie

DeShannon, who we will be hearing more of in a moment her. We will be

hearing one of a great songs. And now, a wonderful brand new singer.

The room is packed with amazing people tonight. We welcome Kristina

Apology for the loss of subtitles for 93 seconds

# I have fallen # Baby, don't you know

# I have fallen out of grace onto my knees

# Always searching for the ending

# But the cycle just repeats

# Are you a saviour

# Coming to love me

# When the night time takes a toll?

# Are you an angel

# Rising above me?

# You are so damn beautiful

# Baby, don't you know I'm a lonely sinner

# I don't want to strip you of your soul

# Baby, don't you know I'm a lonely sinner

# Baby, don't you know I'm a lonely sinner

# Baby, don't you know I'm a lonely sinner

# Baby, don't you know I'm a lonely sinner. #

Apology for the loss of subtitles for 93 seconds

# I can feel a new expression on my face

# I can feel a glowing sensation taking place

# I can hear the guitars playin' lovely tunes

# Every time that you walk in the room

# I close my eyes for a second and pretend it's me you want

# Meanwhile I try to act so nonchalant

# I feel a summer's night with a magic moon

# Every time that you walk in the room

# Baby it's a dream come true Standin' right along side of you

# Wish I could show you how much I care

# But I only have the nerve to stare

# I can feel a something pounding in my brain

# Just any time that someone speaks your name

# Trumpets sound I hear thunder boom

# Every time that you walk in the room

# Every time that you walk in the room

# Every time that you walk in the room

CHEERING AND APPLAUSE

The

The wonderful

The wonderful Jackie

The wonderful Jackie DeShannon, When You Walk In The Room. Before

that, Kristina Train. And now we # Get your cards out

# Lay your cards out # Lay your cards out

# Lay your cards out # Get your cards out

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# Lay your cards out # Get, get

Apology for the loss of subtitles for 93 seconds

# Girl, girl, get Thanks, Polica. A beautiful pair of

drummers. Thank you to all of our guests. Thank you to Jackie

DeShannon. Thank you to Cody ChesnuTT. Thank you to Valerie June.

Thank you to Adam Ant. Thank you to Kristina Train. Thank you. We will

be back on Tuesday. You can see more staff on the website, if you

want. But we finish where we started and we well, and say good

# A little birdie # You've been cooking up

# Put your hands in things you should have known

# You was riding in the danger zone

# Well, you had us all fooled with your quarterback smile

# And your crocodile tears there for a while

# And my paradigm shifted Man, you're making me shout

# Hey, from here from out

# Friends are gonna be hard to come by

# Left us wonderin' what it all was about

# He had it easy man, he chose the hard way

# Walk that old, lonely road in the shadow of a doubt

# From here on out

# Should our paths ever decide to cross

# You may wonder what the trouble cost

# That don't matter now life goes on

# Hallelujah, the trouble's gone

# No sense in holdin' grudges and it's better to forgive

# These are things that I must learn to practice while I live

# And my paradigm shifted man, you're making me shout

# Hey, from here on out

# Friends are gonna be hard to come by

# Left us wonderin' what it all was about

# He had it easy man, he chose the hard way

# Walk that old, lonely road in the shadow of a doubt

# Hey, from here on out

# Let the bugle blow a song of peace time

# Left us wonderin' what it all was about

# You may deny it but you carry it with you

# Down that old lonely road in the shadow of a doubt