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What a lot of artists. Let's begin # You can't go home | :01:26. | :01:36. | |
:01:36. | :01:43. | ||
# You can walk a million miles # Just filling in the lines | :01:43. | :01:53. | |
:01:53. | :02:08. | ||
# No-one saves me, no-one loves # This place has a special kind | :02:08. | :02:18. | |
:02:18. | :02:18. | ||
# No-one knows where the edge of the knife is | :02:18. | :02:25. | |
# And no-one knows where intelligent life is | :02:25. | :02:35. | |
:02:35. | :02:35. | ||
# Hey, no-one knows me No-one saves me | :02:35. | :02:42. | |
# No-one loves or hates me | :02:42. | :02:44. | |
# Going straight, I only ever really wanted a break | :02:44. | :02:47. | |
# I've been away for too long | :02:47. | :02:50. | |
# No, I never really wanted to stay I've been away for too long | :02:50. | :02:56. | |
# I've been away for too long I've been away for too long | :02:56. | :03:06. | |
:03:06. | :03:10. | ||
# I've been away for too long | :03:10. | :03:17. | |
# I've been away for too long | :03:17. | :03:27. | |
:03:27. | :03:32. | ||
# Keyholes, through keyholes | :03:32. | :03:39. | |
# Where those I am still hiding everyone inside | :03:39. | :03:49. | |
:03:49. | :03:49. | ||
# Tank girls and fly guns and silver boots on my way home | :03:49. | :03:57. | |
# Tank girls and fly guns and silver boots on my way home | :03:57. | :04:02. | |
# Going straight, I only ever really wanted a break | :04:02. | :04:11. | |
# I've been away for too long | :04:11. | :04:13. | |
# No, I never really wanted to stay | :04:13. | :04:17. | |
# Going straight, I only ever really wanted a break | :04:17. | :04:22. | |
# I've been away for too long | :04:22. | :04:26. | |
# No, I never really wanted to stay | :04:26. | :04:28. | |
# I've been away for too long. # | :04:29. | :04:35. | |
CHEERING AND APPLAUSE | :04:35. | :04:45. | |
:04:45. | :04:50. | ||
Thank | :04:50. | :04:52. | |
Thank you | :04:52. | :04:53. | |
Thank you Soundgarden. | :04:53. | :04:57. | |
Thank you Soundgarden. Been Away Too Long. More from them later. | :04:57. | :05:06. | |
A studio packed solid with amazing artists. We have Trey Songz. We | :05:06. | :05:16. | |
:05:16. | :05:16. | ||
have The Staves. From San Francisco, Bhi Bhiman. From Brighton, Bat For | :05:16. | :05:22. | |
Lashes. Patricia Kaas. The greatest artist of France and | :05:22. | :05:27. | |
now welcoming back to the show from Bangor, in Northern Ireland, we | :05:27. | :05:37. | |
:05:37. | :06:12. | ||
# Are you running faster # Sticks and stones | :06:12. | :06:22. | |
:06:22. | :06:25. | ||
# And all your words # There is no time | :06:25. | :06:35. | |
:06:35. | :06:45. | ||
# Of what we will be # It will all be clear | :06:45. | :06:55. | |
:06:55. | :07:02. | ||
# It's coming closer but we don't like to talk about it | :07:02. | :07:12. | |
# The sticks and stones won't build you a home | :07:12. | :07:15. | |
# And every word it will exert you | :07:15. | :07:18. | |
# Till you're done | :07:18. | :07:26. | |
# There is no time For wasting any time | :07:26. | :07:29. | |
# This is the end of the line | :07:29. | :07:30. | |
# The definite sign | :07:30. | :07:32. | |
# Of what we will be Someday | :07:32. | :07:40. | |
# Where do we start If we will end apart? | :07:40. | :07:42. | |
# Where do we go from here? | :07:42. | :07:44. | |
# It's head versus heart | :07:44. | :07:49. | |
# It will all be clear Someday | :07:49. | :07:59. | |
:07:59. | :07:59. | ||
Apology for the loss of subtitles for 73 seconds | :07:59. | :09:12. | |
Lovely | :09:12. | :09:13. | |
Lovely to | :09:13. | :09:13. | |
Lovely to have | :09:13. | :09:23. | |
Lovely to have them back in this room. Thank you Two Door Cinema | :09:23. | :09:33. | |
:09:33. | :09:35. | ||
Club. # Never see a big church steeple | :09:35. | :09:45. | |
:09:45. | :09:48. | ||
# Never whisper you a great love story | :09:48. | :09:51. | |
# Only scream and cry and moan | :09:52. | :09:55. | |
# But you're a good man | :09:55. | :09:57. | |
# But you're a good man | :09:57. | :09:59. | |
# I keep telling myself to just let go | :09:59. | :10:09. | |
:10:09. | :10:10. | ||
# Ooh, let go...of the one who took all your gold | :10:10. | :10:17. | |
# I get home and there's a love note waiting | :10:17. | :10:20. | |
# But only he is here tonight | :10:20. | :10:23. | |
# And the words the promises you're making | :10:23. | :10:27. | |
# Only echo all his lies | :10:27. | :10:30. | |
# And for every sweet nothing you whisper | :10:30. | :10:34. | |
# Why is goodbye my reply? | :10:34. | :10:37. | |
# Cos you're a good man | :10:37. | :10:40. | |
# Cos you're a good man | :10:40. | :10:41. | |
# I keep telling myself to just let go | :10:41. | :10:46. | |
# There was someone that I knew before | :10:46. | :10:49. | |
# A heart from the past That I cannot forget | :10:49. | :10:57. | |
# I let him take all my gold And hurt me so bad | :10:58. | :11:05. | |
# That now for you I have nothing left | :11:05. | :11:10. | |
# Of all my gold | :11:10. | :11:15. | |
# A ghost from the past Has turned my heart black | :11:15. | :11:18. | |
# Am I ever gonna let him go? And get my gold back? | :11:18. | :11:27. | |
# And today I was a dead girl walking | :11:27. | :11:30. | |
# City light burnt through the tears | :11:30. | :11:34. | |
# Heard you say my name and get to talking | :11:34. | :11:37. | |
# About the love and all the fear | :11:37. | :11:41. | |
# And you saw all the pain I was holding | :11:41. | :11:44. | |
# And yet still you hold me near | :11:44. | :11:48. | |
# Cos you're a good man | :11:48. | :11:50. | |
# Cos you're a good man | :11:50. | :11:52. | |
# I keep telling myself to just let go | :11:52. | :11:56. | |
# There was someone that I knew before | :11:56. | :12:01. | |
# A heart from the past That I cannot forget | :12:01. | :12:07. | |
# I let him take all my gold And hurt me so bad | :12:07. | :12:15. | |
# That now for you I have nothing left | :12:15. | :12:24. | |
# Cos there was someone that I knew before | :12:24. | :12:29. | |
# A heart from the past That I cannot forget | :12:29. | :12:36. | |
# I let him take all my gold And hurt me so bad | :12:36. | :12:43. | |
# That now for you I have nothing left | :12:43. | :12:49. | |
# Of all my gold. # | :12:49. | :12:59. | |
:12:59. | :13:08. | ||
APPLAUSE AND CHEERING | :13:08. | :13:18. | |
:13:18. | :13:25. | ||
Thank | :13:25. | :13:26. | |
Thank you | :13:26. | :13:26. | |
Thank you wonderful | :13:26. | :13:30. | |
Thank you wonderful Bat For Lashes, All Your Gold. A superb new album | :13:30. | :13:36. | |
without called the Haunted Man. Getting to the top of the charts in | :13:36. | :13:39. | |
America is difficult. Topping the charts all over the world is tricky. | :13:39. | :13:45. | |
That is what our next arty has done. We are delighted to have him here, | :13:45. | :13:55. | |
:13:55. | :14:29. | ||
# That I will never ever # Oh, now I can't stop dreaming | :14:29. | :14:32. | |
# That I will never ever see you again | :14:33. | :14:39. | |
# And I'll never ever hold you again | :14:39. | :14:44. | |
# In my arms, never ever again | :14:44. | :14:52. | |
# And I will never ever feel you again | :14:52. | :15:00. | |
# But I will always love you the same | :15:00. | :15:05. | |
# My girl. never ever again | :15:05. | :15:12. | |
# I wish we had a little more luck in love | :15:12. | :15:16. | |
# Now you are long gone | :15:16. | :15:21. | |
# But I still got your birthday card | :15:21. | :15:25. | |
# Yeah, put a stamp on her address | :15:25. | :15:33. | |
# Oh, now I can't stop dreaming 'bout you | :15:33. | :15:38. | |
# I'm a lost star without you | :15:38. | :15:40. | |
# It hurts but it's true | :15:40. | :15:43. | |
# That I will never ever see you again | :15:43. | :15:51. | |
# And I'll never ever hold you again | :15:51. | :15:57. | |
# In my arms, never ever again | :15:57. | :16:05. | |
# And I will never ever feel you again | :16:05. | :16:12. | |
# But I will always love you the same | :16:12. | :16:20. | |
# My girl never ever again | :16:20. | :16:25. | |
# I wish we had a little more luck in love | :16:25. | :16:29. | |
# Suddenly it takes me all along | :16:29. | :16:34. | |
# To the point where it breaks my heart | :16:34. | :16:39. | |
# Such a major love Never gonna touch again | :16:39. | :16:48. | |
# I will never ever see you again | :16:48. | :16:56. | |
# And I'll never ever hold you again | :16:56. | :17:00. | |
# In my arms, never ever again | :17:00. | :17:07. | |
# I wish we had a little more to look in love | :17:07. | :17:11. | |
# Never ever again | :17:11. | :17:18. | |
# Never ever again | :17:18. | :17:24. | |
# Never again. # | :17:24. | :17:29. | |
APPLAUSE AND CHEERING | :17:29. | :17:39. | |
:17:39. | :17:44. | ||
Joy | :17:44. | :17:45. | |
Joy to | :17:45. | :17:45. | |
Joy to have | :17:45. | :17:54. | |
Joy to have tray songs in the studio with Never Again. | :17:54. | :18:04. | |
:18:04. | :18:08. | ||
Great to have you here. I've got the lot here. It is nice | :18:08. | :18:13. | |
to have somebody who has a record. Can I get it out and smell it? | :18:13. | :18:22. | |
have not seen this. I don't think any of us have. Oh, vinyl! Have a | :18:22. | :18:27. | |
sniff of this! That is a nice quality piece of vinyl. People can | :18:27. | :18:34. | |
see it, smell it, live it. It is the first record for 16 years. Why? | :18:34. | :18:40. | |
What inspired you to make it after all this time - 16 years - why? | :18:40. | :18:43. | |
discussed having a long history of recordings and albums and fans we | :18:43. | :18:47. | |
were not in touch with. It was our responsible to go out there and | :18:47. | :18:54. | |
reconnect with them. In that process, we decided, it is the most | :18:54. | :18:59. | |
fun thing, but since... Making new music is the most fun thing. There | :18:59. | :19:08. | |
are a lot of skulls here. And snow:. Correct me if I am wrong, but the | :19:08. | :19:11. | |
ancient Greeks would hang these on the buildings of the wooden temples | :19:11. | :19:17. | |
to ward off evil spirits. Is that what you were doing here? Exactly. | :19:17. | :19:22. | |
It is a great record. You are playing back together, do you have | :19:22. | :19:29. | |
a different atmosphere together after all this time? It makes 15 | :19:29. | :19:35. | |
years seem like not that long. Music seems to transcend time, when | :19:35. | :19:39. | |
we are rehearsing a song we have not played in 25 years and we are | :19:39. | :19:44. | |
listening to the radio and why we arrange it that way and you | :19:44. | :19:48. | |
remember the room we were standing in and the discussion we were | :19:48. | :19:52. | |
having. What made you want to start in the first place? What made you | :19:52. | :19:59. | |
think, right I have to do music? are all big fans of music. I, for | :19:59. | :20:03. | |
one, believed if I was good enough and into music as a musician and | :20:03. | :20:07. | |
writer that the best band in the world would show up and beg me to | :20:07. | :20:12. | |
be in their band and that didn't happen. So you had to get there. | :20:12. | :20:20. | |
we had to invent our dream band and that's Soundgarden. You have done a | :20:20. | :20:29. | |
superb job of it. Others all coming from Seattle - is that an important | :20:29. | :20:33. | |
part of the city - did that play an important part in creating your | :20:33. | :20:38. | |
sound and what you were about? think we were part of a bigger | :20:38. | :20:45. | |
picture, which was the Indy scene, it was in the US, the UK, Australia, | :20:45. | :20:49. | |
Canada. That is what we wanted to participate in and all our friends | :20:49. | :20:55. | |
wanted to be part of that same thing. It is how it started out. | :20:55. | :21:03. | |
Johnnie Cash did one of your songs, Rusty Cage. Did you meet him? | :21:03. | :21:07. | |
was terrifying. He seemed to be 11 feet tall when he spoke. He had a | :21:07. | :21:12. | |
very deep voice. He was a gentleman, a very sweet person, but I was | :21:12. | :21:16. | |
afraid. Fantastic! He loved that song, he must have loved it to do | :21:16. | :21:22. | |
it. He was great. He is almost part of the unique, special club of | :21:22. | :21:30. | |
people who have recorded a James Bond theme, which is casino Royale. | :21:30. | :21:40. | |
:21:40. | :21:40. | ||
Were you a fan before that? I was a huge ShaunConnery fan and a huge | :21:40. | :21:50. | |
:21:50. | :21:51. | ||
fan of Paul McCartney, Live And Let Die. Did you know where the 007 | :21:51. | :22:01. | |
comes from? No. Well Ian Flemming lived in Kent and the bus, from | :22:01. | :22:09. | |
Dover to London or Deal was 007. Is that true? As far as anything, | :22:09. | :22:16. | |
truish. Do you have any tools you take with you? Just a respirator. | :22:16. | :22:23. | |
Are there any gad goats you would like? The Aston -- any gadgets you | :22:23. | :22:31. | |
would like to have? The Aston Martin. I wanted it when I wrote | :22:31. | :22:36. | |
Martin. I wanted it when I wrote the song. It has been great having | :22:36. | :22:39. | |
you here. The band is sounding marvellous. Thank you for joining | :22:39. | :22:49. | |
:22:49. | :22:53. | ||
D we will look forward to hearing Soundgarden in a moment. Now, let's | :22:53. | :22:57. | |
momentarily discuss harmonies, harmonies, which can always be the | :22:57. | :23:02. | |
sweetest, ladies and gentlemen. We welcome The Staves. | :23:02. | :23:12. | |
:23:12. | :23:33. | ||
# You, with your hands # Sing me a song | :23:33. | :23:43. | |
:23:43. | :23:57. | ||
# I'll take the high road that he walked | :23:57. | :24:04. | |
# Once before | :24:04. | :24:08. | |
# You sit and watch me as I come Through the door | :24:08. | :24:18. | |
:24:18. | :24:19. | ||
# Sing me a song Your voice is like silver | :24:19. | :24:26. | |
# And I don't think that I can do this anymore | :24:26. | :24:36. | |
:24:36. | :24:51. | ||
# Oooh ooh ooh | :24:51. | :24:57. | |
# Sing me a song Your voice is like silver | :24:57. | :25:02. | |
# And I don't think that I can do this anymore | :25:02. | :25:08. | |
# Show me the path down to the shoreline | :25:08. | :25:13. | |
# Cos I don't know if I can do this anymore | :25:13. | :25:23. | |
:25:23. | :25:32. | ||
# A room with a window | :25:32. | :25:41. | |
# Facing west. # | :25:41. | :25:42. | |
APPLAUSE AND CHEERING | :25:42. | :25:52. | |
# Ocean blue | :25:52. | :25:53. | |
# What have I done to you? | :25:53. | :25:57. | |
# Cut so deep | :25:57. | :25:59. | |
# Yet growing through and through | :25:59. | :26:09. | |
:26:09. | :26:21. | ||
# Drawn apart | :26:21. | :26:23. | |
# New York and London | :26:23. | :26:25. | |
# All I see now | :26:25. | :26:27. | |
# Are distant drumlins | :26:27. | :26:30. | |
# The roads I knew | :26:30. | :26:32. | |
# Became a city | :26:32. | :26:36. | |
# And I wonder | :26:36. | :26:38. | |
# Will you wait for me? | :26:38. | :26:40. | |
# Although I'm far away | :26:40. | :26:43. | |
# I know I'll stay | :26:43. | :26:46. | |
# Right there with you | :26:46. | :26:49. | |
# Though | :26:49. | :26:51. | |
# It might be too late | :26:51. | :26:53. | |
# What would you say? | :26:53. | :26:56. | |
# What would you do? | :26:56. | :27:06. | |
:27:06. | :27:11. | ||
# I built a hive | :27:11. | :27:12. | |
# Became one with the bees | :27:12. | :27:16. | |
# But we fell like rain | :27:16. | :27:17. | |
# Got lost into the sea | :27:17. | :27:19. | |
# If I don't know | :27:19. | :27:22. | |
# The wind will carry me | :27:22. | :27:24. | |
# So just hold tight | :27:24. | :27:30. | |
# Though I'm far away | :27:30. | :27:35. | |
# I know I'll stay | :27:35. | :27:36. | |
# Right there with you | :27:36. | :27:38. | |
# And though | :27:38. | :27:40. | |
# It might be too late | :27:40. | :27:43. | |
# What would you say? | :27:43. | :27:44. | |
# What would you say? | :27:44. | :27:45. | |
# What would you do? | :27:45. | :27:49. | |
# Over and over | :27:49. | :27:51. | |
# Many setting suns I have run | :27:51. | :27:55. | |
# I have waited for the rain to come | :27:55. | :27:59. | |
# When through that mist | :27:59. | :28:00. | |
# I see the shape of you | :28:00. | :28:03. | |
# And I know, and I know | :28:03. | :28:05. | |
# That I'm in love with you | :28:05. | :28:15. | |
:28:15. | :28:30. | ||
# Though I'm far away | :28:30. | :28:32. | |
# I know I'll stay | :28:32. | :28:33. | |
# I know I'll stay | :28:33. | :28:35. | |
# Right there with you | :28:35. | :28:38. | |
# And though | :28:38. | :28:39. | |
# It might be too late | :28:39. | :28:42. | |
# What would you say? | :28:42. | :28:43. | |
# What would you say? | :28:43. | :28:45. | |
# What would you do? # | :28:45. | :28:54. | |
APPLAUSE AND CHEERING | :28:54. | :29:04. | |
:29:04. | :29:10. | ||
Thank | :29:11. | :29:11. | |
Thank you | :29:11. | :29:11. | |
Thank you Two | :29:11. | :29:17. | |
Thank you Two Door Cinema Club. Let's have -- it's nice to have | :29:17. | :29:26. | |
them back in this room. We have a lot of artists here. Our next | :29:26. | :29:31. | |
artist is absolutely marvellous! Born to Sri Lankan parents, brought | :29:31. | :29:41. | |
:29:41. | :29:41. | ||
up in America, here he is, he's the # I took the first train I saw | :29:41. | :29:51. | |
:29:51. | :29:57. | ||
# I'm just a guttersnipe I got no place to wipe my nose | :29:57. | :30:07. | |
:30:07. | :30:11. | ||
# I jumped the first train I saw it'll surely take me home | :30:11. | :30:21. | |
:30:21. | :30:23. | ||
# A buzzard riding the railI steal my meals when all else fails | :30:23. | :30:33. | |
:30:33. | :30:36. | ||
# I'm right at home on the line I'm well on my way to feeling fine | :30:36. | :30:46. | |
:30:46. | :31:26. | ||
# I got some good friendssome folks to really help me through | :31:26. | :31:36. | |
:31:36. | :31:39. | ||
# I been all over, I spend my time just like I do | :31:39. | :31:49. | |
:31:49. | :31:52. | ||
# I stay out of trouble but it's got a way of finding you | :31:52. | :32:02. | |
:32:02. | :32:05. | ||
# A buzzard riding the rail, I steal my meals when all else fails | :32:05. | :32:15. | |
:32:15. | :32:20. | ||
# I'm right at home on the line but I'm well on my way to feeling fine | :32:20. | :32:30. | |
:32:30. | :32:56. | ||
# A buzzard riding the rail, I steal my meals when all else fails | :32:56. | :33:06. | |
:33:06. | :33:19. | ||
# I never heeded the sign I'm right at home on the line | :33:19. | :33:22. | |
# But I'm well on my way to feeling fine. # | :33:22. | :33:32. | |
:33:32. | :33:32. | ||
Apology for the loss of subtitles for 73 seconds | :33:32. | :34:25. | |
# I | :34:25. | :34:25. | |
# I can | :34:25. | :34:25. | |
# I can hold | :34:25. | :34:35. | |
:34:35. | :34:36. | ||
Apology for the loss of subtitles for 73 seconds | :34:36. | :37:53. | |
Thank you Soundgarden. Before that we enjoyed Bhi Bhiman. | :37:53. | :37:58. | |
And now, over at the piano, one of France's greatest artists, she has | :37:58. | :38:03. | |
just played at the Albert Hall last week. She has done a marvellous | :38:03. | :38:08. | |
record. I am delighted she is here, Patricia Kaas. | :38:08. | :38:12. | |
Welcome to the show. Fantastic that Welcome to the show. Fantastic that | :38:12. | :38:16. | |
you are here. , now we have this marvellous CD | :38:16. | :38:21. | |
here. You are hugely successful all around the world, which is | :38:21. | :38:25. | |
fantastic for a French-speaking artist. Was music a part of your | :38:25. | :38:30. | |
upbringing? Were your parents very musical? Not really. My father | :38:30. | :38:36. | |
liked to dance, but not a musician. What got you into the whole thing? | :38:36. | :38:40. | |
Listen to records, sing in front of a mirror and then suddenly you wish | :38:40. | :38:50. | |
:38:50. | :38:53. | ||
to be on a stage. And never looked back. You made this album of Edith | :38:53. | :38:58. | |
Piaf. When did you first hear her? Maybe I was ten, because you had to | :38:58. | :39:07. | |
sing a song of Piaf. I was more interested in Piaf when | :39:07. | :39:11. | |
they tried to compare me to her because I wanted to understand. I | :39:11. | :39:16. | |
think it's, to understand her music, you need to have an experience of | :39:16. | :39:22. | |
life and knowing sadness and difficulties and.... It is like the | :39:22. | :39:28. | |
blues music. It is like poetry, but it is grown up music, somebody who | :39:28. | :39:31. | |
has lived a life. Of course you can listen to it when you are younger, | :39:32. | :39:36. | |
but I think you understand it better. Also I, when I sang it, | :39:36. | :39:42. | |
when I was younger, it was much different. Now I don't need to | :39:42. | :39:46. | |
think about the emotions and everything, I just think, because I | :39:46. | :39:52. | |
have more experience. In a moment, we're are going to do a song she | :39:52. | :39:56. | |
wrote, which is Hymne A L'Amour. What is that song about? It's the | :39:56. | :40:03. | |
end of love. Nothing can happen. Even God can't separate us - we'll | :40:03. | :40:10. | |
be always together. It doesn't matter what happens. Yeah. I will | :40:10. | :40:15. | |
introduce somebody over there and then I will be back hear and then I | :40:15. | :40:21. | |
look forward to have an Edith Piaf song with Patricia Kaas, ladies and | :40:21. | :40:27. | |
gentlemen. And now, let's enjoy, once again that chart-topping | :40:27. | :40:37. | |
:40:37. | :40:54. | ||
sensation, who is top of the range # Splash, baby girl | :40:54. | :41:02. | |
# Yeah, girl # Come a little closer | :41:02. | :41:12. | |
:41:12. | :41:14. | ||
# Wanting to go deeper # Ooh you got that look | :41:14. | :41:24. | |
:41:24. | :41:27. | ||
# What we 'bout to do # Swimming in your body | :41:27. | :41:36. | |
# You know # Baby you, watch me stroke | :41:36. | :41:46. | |
:41:46. | :41:51. | ||
# There ain't no running # Put me to the test, girl | :41:51. | :42:01. | |
:42:01. | :42:09. | ||
# I'mma be the one # Won't drown | :42:09. | :42:14. | |
# Now I just keep my head down Down, down | :42:14. | :42:17. | |
# Swim for days I can doggy paddle all kind of ways | :42:17. | :42:22. | |
# Girl, you got me | :42:22. | :42:30. | |
# Wanting to go deeper than you'll ever know | :42:30. | :42:33. | |
# Wanting to feel, the way you flow | :42:33. | :42:34. | |
# Ooh you got that look up in your eyes | :42:34. | :42:42. | |
# What we 'bout to do ain't no surprise | :42:42. | :42:43. | |
# I'm about to dive in | :42:43. | :42:45. | |
# Baby girl hold your breath | :42:45. | :42:46. | |
# We about to get so wet | :42:46. | :42:47. | |
# Swimming in your body Let me dive in | :42:47. | :42:52. | |
# You know ain't no running 'round this pool | :42:52. | :42:54. | |
# Going under just for you | :42:55. | :42:57. | |
# Baby you, watch me stroke Left stroke, right stroke | :42:57. | :43:00. | |
# Back stroke, girl | :43:00. | :43:02. | |
# There ain't no running 'round this pool | :43:02. | :43:04. | |
# Ooh I'm about to dive in | :43:04. | :43:08. | |
# Baby girl hold your breath | :43:08. | :43:10. | |
# We about to get so wet | :43:10. | :43:12. | |
# Put me to the test, girl When I dive. # | :43:12. | :43:22. | |
:43:22. | :43:23. | ||
# Put me to the test, girl When I dive. # | :43:23. | :43:33. | |
:43:33. | :43:41. | ||
# Wanting to go deeper than you'll ever know | :43:41. | :43:45. | |
# Swimming in your body Let me dive in | :43:45. | :43:53. | |
# Swimming in your body Let me dive in | :43:53. | :43:56. | |
# You know ain't no running 'round this pool | :43:56. | :43:58. | |
# Going under just for you | :43:58. | :44:01. | |
# Baby you, watch me stroke Left stroke, right stroke | :44:01. | :44:04. | |
# Back stroke, girl | :44:04. | :44:06. | |
# There ain't no running 'round this pool | :44:07. | :44:09. | |
# Ooh I'm about to dive in | :44:09. | :44:12. | |
# Baby girl hold your breath | :44:12. | :44:14. | |
# We about to get so wet | :44:14. | :44:17. | |
# Put me to the test, girl When I dive. # | :44:17. | :44:27. | |
:44:27. | :44:33. | ||
# Put me to the test, girl When I dive. # | :44:33. | :44:43. | |
:44:43. | :44:43. | ||
Apology for the loss of subtitles for 73 seconds | :44:43. | :45:29. | |
# Et la terre peut bien s'ecrouler | :45:29. | :45:36. | |
# Peu m'importe si tu m'aimes | :45:36. | :45:43. | |
# Je me fous du monde entier | :45:43. | :45:50. | |
# Tant qu'l'amour inond'ra mes matins | :45:50. | :45:57. | |
# Tant que mon corps fremira sous tes mains | :45:57. | :46:02. | |
# Peu m'importent les problemes | :46:02. | :46:09. | |
# Mon amour puisque tu m'aimes | :46:09. | :46:19. | |
:46:19. | :46:29. | ||
# J'irais jusqu'au bout du monde | :46:29. | :46:32. | |
# Je me ferais teindre en blonde | :46:32. | :46:35. | |
# Si tu me le demandais | :46:35. | :46:40. | |
# J'irais decrocher la lune | :46:40. | :46:43. | |
# J'irais voler la fortune | :46:43. | :46:46. | |
# Si tu me le demandais | :46:46. | :46:51. | |
# Je renierais ma patrie | :46:51. | :46:54. | |
# Je renierais mes amis | :46:54. | :46:56. | |
# Si tu me le demandais | :46:56. | :47:02. | |
# On peut bien rire de moi | :47:02. | :47:04. | |
# Je ferais n'importe quoi | :47:04. | :47:06. | |
# Si tu me le demandais | :47:06. | :47:15. | |
# Si un jour la vie t'arrache a moi | :47:15. | :47:24. | |
# Si tu meurs que tu sois loin de moi | :47:24. | :47:29. | |
# Peu m'importe si tu m'aimes | :47:29. | :47:37. | |
# Car moi je mourrai aussi | :47:37. | :47:45. | |
# Nous aurons pour nous l'eternite | :47:45. | :47:50. | |
# Dans le bleu de toute l'immensite | :47:50. | :47:56. | |
# Dans le ciel plus de problemes | :47:56. | :48:02. | |
# Mon amour crois-tu qu'on s'aime | :48:02. | :48:12. | |
:48:12. | :48:27. | ||
# Dieu reunit ceux qui s'aiment | :48:27. | :48:37. | |
:48:37. | :48:42. | ||
APPLAUSE AND CHEERING | :48:42. | :48:52. | |
:48:52. | :48:57. | ||
The | :48:57. | :48:57. | |
The amazing | :48:57. | :48:58. | |
The amazing and | :48:58. | :49:04. | |
The amazing and wonderful Patricia Kaas and Hymne A L'Amour. | :49:04. | :49:13. | |
From her album of Edith Piaf songs. Now we welcome back Two Door Cinema | :49:13. | :49:23. | |
:49:23. | :49:45. | ||
# When I'm only fast asleep it takes # So I'll hold, hold, hold, hold it | :49:45. | :49:55. | |
:49:55. | :50:03. | ||
# He sleeps alone, he needs no army # Cos he knows | :50:03. | :50:06. | |
# And they can't hurt him if he can see them | :50:06. | :50:12. | |
# And I may go to places I have never been to just to find | :50:12. | :50:18. | |
# The deepest desires in my mind | :50:18. | :50:24. | |
# We, we only know, what we see cos we're always fast asleep | :50:24. | :50:34. | |
:50:34. | :50:38. | ||
# Cos it's so hard not to believe that we'll never know | :50:38. | :50:48. | |
:50:48. | :50:49. | ||
# Oh hold, hold, hold, hold me close I've never been this far from home | :50:49. | :50:57. | |
# Hold, hold, hold me close | :50:57. | :51:04. | |
# He sleeps alone, he needs no army where he's headed | :51:04. | :51:08. | |
# Cos he knows that they're just ghosts | :51:08. | :51:12. | |
# And they can't hurt him if he can see them | :51:12. | :51:17. | |
# And I may go to places I have never been to just to find | :51:17. | :51:23. | |
# The deepest desires in my mind | :51:23. | :51:30. | |
# It's in my head and I have said that I must be like him | :51:30. | :51:36. | |
# He sleeps alone, he sleeps alone and one last chance | :51:36. | :51:43. | |
# To make sense of what has long escaped us | :51:43. | :51:48. | |
# He sleeps alone, I sleep alone | :51:48. | :51:55. | |
# He sleeps alone, he needs no army where he's headed | :51:55. | :52:00. | |
# Cos he knows that they're just ghosts | :52:00. | :52:04. | |
# And they can't hurt him if he can see them | :52:04. | :52:07. | |
# And I don't know if in the morning, I will be here | :52:07. | :52:14. | |
# And if so let it be known | :52:14. | :52:17. | |
# That I was worthy I was worthy, I was worthy | :52:17. | :52:22. | |
# I was. # | :52:22. | :52:32. | |
:52:32. | :52:53. | ||
CHEERING AND APPLAUSE | :52:53. | :53:03. | |
:53:03. | :53:08. | ||
# Oh yeah, oh yeah | :53:08. | :53:12. | |
# Oh yeah, oh yeah | :53:12. | :53:19. | |
# Oh yeah, oh yeah | :53:19. | :53:27. | |
# Oh yeah-oh yeah | :53:27. | :53:28. | |
# Oh yeah, oh yeah | :53:28. | :53:35. | |
# I am whole Hot is the night | :53:35. | :53:40. | |
# The grass is so tall And slow | :53:40. | :53:48. | |
# The air is wet And I feel alive | :53:48. | :53:54. | |
# Let the perfume drip Let it rise! | :53:54. | :54:02. | |
# I am whole And I walk the night | :54:02. | :54:07. | |
# Luscious and lost So alone | :54:07. | :54:16. | |
# Touch the rocks And lick the light | :54:16. | :54:21. | |
# Let the hot winds howl So slow | :54:21. | :54:27. | |
# Here am I Looking for a lover to climb inside | :54:28. | :54:37. | |
:54:38. | :54:40. | ||
# Waiting like a flower to open wide I'm in bloom! | :54:40. | :54:50. | |
:54:50. | :55:10. | ||
# I lie low I'm ready to try | :55:10. | :55:17. | |
# The tapestries turn And grow | :55:17. | :55:23. | |
# Creepers crawl And kiss my thighs | :55:23. | :55:29. | |
# And the headiness howls Rise and rise! | :55:29. | :55:39. | |
:55:39. | :55:41. | ||
# Here am I Looking for a lover to climb inside | :55:41. | :55:46. | |
# Lying like a flower with no more time | :55:46. | :55:48. | |
# Waiting for another to come inside I'm in bloom! | :55:48. | :55:58. | |
:55:58. | :56:06. | ||
# Here I lie | :56:07. | :56:09. | |
# Here am I Looking for a lover to climb inside | :56:09. | :56:15. | |
# Waiting like a flower to open wide I'm in bloom! | :56:15. | :56:25. | |
:56:25. | :56:36. | ||
APPLAUSE AND CHEERING | :56:36. | :56:46. | |
:56:46. | :56:47. | ||
What | :56:47. | :56:47. | |
What a | :56:48. | :56:48. | |
What a treat | :56:48. | :56:52. | |
What a treat to have - Bat For Lashes, back in this studio. Oh, | :56:52. | :57:00. | |
yes. Thank you to all of our guests. Thank you to Trey Songz. Thank you | :57:00. | :57:09. | |
to The Staves. Thank you to Bhi Bhiman. | :57:09. | :57:17. | |
Thank you Bat For Lashes. Thank you Patricia Kaas. | :57:17. | :57:21. | |
Thank you Two Door Cinema Club. We will be back, live on Tuesday at | :57:21. | :57:31. | |
10pm. Now, we finish where we started | :57:31. | :57:41. | |
:57:41. | :57:54. | ||
# And hit me with a hand # You tied my lead and pulled | :57:54. | :58:04. | |
:58:04. | :58:11. | ||
# But I'm gonna break # I'm gonna break | :58:11. | :58:21. | |
:58:21. | :58:36. | ||
# I'm gonna break # I'm burning diesel | :58:36. | :58:46. | |
# And ride a pack of dogs I'm gonna break | :58:46. | :58:52. | |
# I'm gonna break my | :58:52. | :58:54. | |
# I'm gonna break my rusty cage and run | :58:55. | :59:04. | |
# I'm gonna break my | :59:04. | :59:06. | |
# I'm gonna break my rusty cage and run | :59:06. | :59:16. | |
:59:16. | :59:23. | ||
# Hits like a Phillips head into my brain | :59:23. | :59:31. | |
# It's gonna be too dark to sleep again | :59:31. | :59:41. | |
:59:41. | :59:41. | ||
# Cutting my teeth on bars and rusty chains | :59:41. | :59:48. | |
# I'm gonna break my rusty cage and run | :59:48. | :59:58. | |
:59:58. | :00:24. | ||
# When the forest burns along the road | :00:24. | :00:26. | |
# Like God's eyes in my headlights | :00:26. | :00:36. | |
:00:36. | :00:36. | ||
# When the dogs are looking for their bones | :00:36. | :00:43. | |
# And it's raining icepicks | :00:43. | :00:53. | |
:00:53. | :00:56. | ||
# On your steel shore, I'm gonna break, I'm gonna break my | :00:56. | :01:05. | |
# I'm gonna break my rusty cage and run. # | :01:05. | :01:15. | |
:01:15. | :01:21. | ||
# I'm gonna break, I'm gonna break my | :01:21. | :01:22. |