Episode 7 Later... with Jools Holland


Episode 7

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What a lot of artists. Let's begin # You can't go home

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# You can walk a million miles # Just filling in the lines

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# No-one saves me, no-one loves # This place has a special kind

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# No-one knows where the edge of the knife is

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# And no-one knows where intelligent life is

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# Hey, no-one knows me No-one saves me

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# No-one loves or hates me

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# Going straight, I only ever really wanted a break

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# I've been away for too long

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# No, I never really wanted to stay I've been away for too long

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# I've been away for too long I've been away for too long

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# I've been away for too long

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# I've been away for too long

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# Keyholes, through keyholes

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# Where those I am still hiding everyone inside

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# Tank girls and fly guns and silver boots on my way home

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# Tank girls and fly guns and silver boots on my way home

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# Going straight, I only ever really wanted a break

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# I've been away for too long

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# No, I never really wanted to stay

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# Going straight, I only ever really wanted a break

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# I've been away for too long

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# No, I never really wanted to stay

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# I've been away for too long. #

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CHEERING AND APPLAUSE

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Thank

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Thank you

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Thank you Soundgarden.

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Thank you Soundgarden. Been Away Too Long. More from them later.

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A studio packed solid with amazing artists. We have Trey Songz. We

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have The Staves. From San Francisco, Bhi Bhiman. From Brighton, Bat For

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Lashes. Patricia Kaas. The greatest artist of France and

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now welcoming back to the show from Bangor, in Northern Ireland, we

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# Are you running faster # Sticks and stones

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# And all your words # There is no time

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# Of what we will be # It will all be clear

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# It's coming closer but we don't like to talk about it

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# The sticks and stones won't build you a home

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# And every word it will exert you

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# Till you're done

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# There is no time For wasting any time

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# This is the end of the line

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# The definite sign

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# Of what we will be Someday

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# Where do we start If we will end apart?

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# Where do we go from here?

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# It's head versus heart

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# It will all be clear Someday

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Apology for the loss of subtitles for 73 seconds

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Lovely

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Lovely to

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Lovely to have

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Lovely to have them back in this room. Thank you Two Door Cinema

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Club. # Never see a big church steeple

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# Never whisper you a great love story

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# Only scream and cry and moan

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# But you're a good man

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# But you're a good man

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# I keep telling myself to just let go

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# Ooh, let go...of the one who took all your gold

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# I get home and there's a love note waiting

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# But only he is here tonight

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# And the words the promises you're making

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# Only echo all his lies

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# And for every sweet nothing you whisper

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# Why is goodbye my reply?

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# Cos you're a good man

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# Cos you're a good man

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# I keep telling myself to just let go

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# There was someone that I knew before

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# A heart from the past That I cannot forget

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# I let him take all my gold And hurt me so bad

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# That now for you I have nothing left

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# Of all my gold

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# A ghost from the past Has turned my heart black

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# Am I ever gonna let him go? And get my gold back?

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# And today I was a dead girl walking

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# City light burnt through the tears

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# Heard you say my name and get to talking

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# About the love and all the fear

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# And you saw all the pain I was holding

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# And yet still you hold me near

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# Cos you're a good man

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# Cos you're a good man

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# I keep telling myself to just let go

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# There was someone that I knew before

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# A heart from the past That I cannot forget

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# I let him take all my gold And hurt me so bad

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# That now for you I have nothing left

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# Cos there was someone that I knew before

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# A heart from the past That I cannot forget

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# I let him take all my gold And hurt me so bad

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# That now for you I have nothing left

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# Of all my gold. #

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APPLAUSE AND CHEERING

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Thank

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Thank you

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Thank you wonderful

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Thank you wonderful Bat For Lashes, All Your Gold. A superb new album

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without called the Haunted Man. Getting to the top of the charts in

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America is difficult. Topping the charts all over the world is tricky.

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That is what our next arty has done. We are delighted to have him here,

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# That I will never ever # Oh, now I can't stop dreaming

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# That I will never ever see you again

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# And I'll never ever hold you again

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# In my arms, never ever again

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# And I will never ever feel you again

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# But I will always love you the same

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# My girl. never ever again

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# I wish we had a little more luck in love

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# Now you are long gone

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# But I still got your birthday card

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# Yeah, put a stamp on her address

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# Oh, now I can't stop dreaming 'bout you

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# I'm a lost star without you

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# It hurts but it's true

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# That I will never ever see you again

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# And I'll never ever hold you again

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# In my arms, never ever again

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# And I will never ever feel you again

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# But I will always love you the same

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# My girl never ever again

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# I wish we had a little more luck in love

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# Suddenly it takes me all along

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# To the point where it breaks my heart

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# Such a major love Never gonna touch again

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# I will never ever see you again

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# And I'll never ever hold you again

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# In my arms, never ever again

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# I wish we had a little more to look in love

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# Never ever again

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# Never ever again

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# Never again. #

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APPLAUSE AND CHEERING

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Joy

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Joy to

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Joy to have

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Joy to have tray songs in the studio with Never Again.

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Great to have you here. I've got the lot here. It is nice

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to have somebody who has a record. Can I get it out and smell it?

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have not seen this. I don't think any of us have. Oh, vinyl! Have a

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sniff of this! That is a nice quality piece of vinyl. People can

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see it, smell it, live it. It is the first record for 16 years. Why?

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What inspired you to make it after all this time - 16 years - why?

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discussed having a long history of recordings and albums and fans we

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were not in touch with. It was our responsible to go out there and

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reconnect with them. In that process, we decided, it is the most

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fun thing, but since... Making new music is the most fun thing. There

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are a lot of skulls here. And snow:. Correct me if I am wrong, but the

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ancient Greeks would hang these on the buildings of the wooden temples

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to ward off evil spirits. Is that what you were doing here? Exactly.

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It is a great record. You are playing back together, do you have

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a different atmosphere together after all this time? It makes 15

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years seem like not that long. Music seems to transcend time, when

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we are rehearsing a song we have not played in 25 years and we are

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listening to the radio and why we arrange it that way and you

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remember the room we were standing in and the discussion we were

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having. What made you want to start in the first place? What made you

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think, right I have to do music? are all big fans of music. I, for

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one, believed if I was good enough and into music as a musician and

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writer that the best band in the world would show up and beg me to

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be in their band and that didn't happen. So you had to get there.

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we had to invent our dream band and that's Soundgarden. You have done a

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superb job of it. Others all coming from Seattle - is that an important

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part of the city - did that play an important part in creating your

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sound and what you were about? think we were part of a bigger

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picture, which was the Indy scene, it was in the US, the UK, Australia,

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Canada. That is what we wanted to participate in and all our friends

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wanted to be part of that same thing. It is how it started out.

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Johnnie Cash did one of your songs, Rusty Cage. Did you meet him?

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was terrifying. He seemed to be 11 feet tall when he spoke. He had a

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very deep voice. He was a gentleman, a very sweet person, but I was

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afraid. Fantastic! He loved that song, he must have loved it to do

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it. He was great. He is almost part of the unique, special club of

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people who have recorded a James Bond theme, which is casino Royale.

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Were you a fan before that? I was a huge ShaunConnery fan and a huge

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fan of Paul McCartney, Live And Let Die. Did you know where the 007

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comes from? No. Well Ian Flemming lived in Kent and the bus, from

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Dover to London or Deal was 007. Is that true? As far as anything,

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truish. Do you have any tools you take with you? Just a respirator.

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Are there any gad goats you would like? The Aston -- any gadgets you

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would like to have? The Aston Martin. I wanted it when I wrote

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Martin. I wanted it when I wrote the song. It has been great having

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you here. The band is sounding marvellous. Thank you for joining

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D we will look forward to hearing Soundgarden in a moment. Now, let's

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momentarily discuss harmonies, harmonies, which can always be the

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sweetest, ladies and gentlemen. We welcome The Staves.

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# You, with your hands # Sing me a song

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# I'll take the high road that he walked

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# Once before

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# You sit and watch me as I come Through the door

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# Sing me a song Your voice is like silver

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# And I don't think that I can do this anymore

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# Oooh ooh ooh

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# Sing me a song Your voice is like silver

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# And I don't think that I can do this anymore

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# Show me the path down to the shoreline

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# Cos I don't know if I can do this anymore

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# A room with a window

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# Facing west. #

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APPLAUSE AND CHEERING

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# Ocean blue

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# What have I done to you?

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# Cut so deep

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# Yet growing through and through

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# Drawn apart

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# New York and London

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# All I see now

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# Are distant drumlins

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# The roads I knew

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# Became a city

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# And I wonder

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# Will you wait for me?

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# Although I'm far away

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# I know I'll stay

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# Right there with you

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# Though

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# It might be too late

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# What would you say?

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# What would you do?

:26:56.:27:06.
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# I built a hive

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# Became one with the bees

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# But we fell like rain

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# Got lost into the sea

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# If I don't know

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# The wind will carry me

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# So just hold tight

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# Though I'm far away

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# I know I'll stay

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# Right there with you

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# And though

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# It might be too late

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# What would you say?

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# What would you say?

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# What would you do?

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# Over and over

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# Many setting suns I have run

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# I have waited for the rain to come

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# When through that mist

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# I see the shape of you

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# And I know, and I know

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# That I'm in love with you

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# Though I'm far away

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# I know I'll stay

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# I know I'll stay

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# Right there with you

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# And though

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# It might be too late

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# What would you say?

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# What would you say?

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# What would you do? #

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APPLAUSE AND CHEERING

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Thank

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Thank you

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Thank you Two

:29:11.:29:17.

Thank you Two Door Cinema Club. Let's have -- it's nice to have

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them back in this room. We have a lot of artists here. Our next

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artist is absolutely marvellous! Born to Sri Lankan parents, brought

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up in America, here he is, he's the # I took the first train I saw

:29:41.:29:51.
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# I'm just a guttersnipe I got no place to wipe my nose

:29:57.:30:07.
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# I jumped the first train I saw it'll surely take me home

:30:11.:30:21.
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# A buzzard riding the railI steal my meals when all else fails

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# I'm right at home on the line I'm well on my way to feeling fine

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# I got some good friendssome folks to really help me through

:31:26.:31:36.
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# I been all over, I spend my time just like I do

:31:39.:31:49.
:31:49.:31:52.

# I stay out of trouble but it's got a way of finding you

:31:52.:32:02.
:32:02.:32:05.

# A buzzard riding the rail, I steal my meals when all else fails

:32:05.:32:15.
:32:15.:32:20.

# I'm right at home on the line but I'm well on my way to feeling fine

:32:20.:32:30.
:32:30.:32:56.

# A buzzard riding the rail, I steal my meals when all else fails

:32:56.:33:06.
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# I never heeded the sign I'm right at home on the line

:33:19.:33:22.

# But I'm well on my way to feeling fine. #

:33:22.:33:32.
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Apology for the loss of subtitles for 73 seconds

:33:32.:34:25.

# I

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# I can

:34:25.:34:25.

# I can hold

:34:25.:34:35.
:34:35.:34:36.

Apology for the loss of subtitles for 73 seconds

:34:36.:37:53.

Thank you Soundgarden. Before that we enjoyed Bhi Bhiman.

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And now, over at the piano, one of France's greatest artists, she has

:37:58.:38:03.

just played at the Albert Hall last week. She has done a marvellous

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record. I am delighted she is here, Patricia Kaas.

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Welcome to the show. Fantastic that Welcome to the show. Fantastic that

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you are here. , now we have this marvellous CD

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here. You are hugely successful all around the world, which is

:38:21.:38:25.

fantastic for a French-speaking artist. Was music a part of your

:38:25.:38:30.

upbringing? Were your parents very musical? Not really. My father

:38:30.:38:36.

liked to dance, but not a musician. What got you into the whole thing?

:38:36.:38:40.

Listen to records, sing in front of a mirror and then suddenly you wish

:38:40.:38:50.
:38:50.:38:53.

to be on a stage. And never looked back. You made this album of Edith

:38:53.:38:58.

Piaf. When did you first hear her? Maybe I was ten, because you had to

:38:58.:39:07.

sing a song of Piaf. I was more interested in Piaf when

:39:07.:39:11.

they tried to compare me to her because I wanted to understand. I

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think it's, to understand her music, you need to have an experience of

:39:16.:39:22.

life and knowing sadness and difficulties and.... It is like the

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blues music. It is like poetry, but it is grown up music, somebody who

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has lived a life. Of course you can listen to it when you are younger,

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but I think you understand it better. Also I, when I sang it,

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when I was younger, it was much different. Now I don't need to

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think about the emotions and everything, I just think, because I

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have more experience. In a moment, we're are going to do a song she

:39:52.:39:56.

wrote, which is Hymne A L'Amour. What is that song about? It's the

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end of love. Nothing can happen. Even God can't separate us - we'll

:40:03.:40:10.

be always together. It doesn't matter what happens. Yeah. I will

:40:10.:40:15.

introduce somebody over there and then I will be back hear and then I

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look forward to have an Edith Piaf song with Patricia Kaas, ladies and

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gentlemen. And now, let's enjoy, once again that chart-topping

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:40:37.:40:54.

sensation, who is top of the range # Splash, baby girl

:40:54.:41:02.

# Yeah, girl # Come a little closer

:41:02.:41:12.
:41:12.:41:14.

# Wanting to go deeper # Ooh you got that look

:41:14.:41:24.
:41:24.:41:27.

# What we 'bout to do # Swimming in your body

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# You know # Baby you, watch me stroke

:41:36.:41:46.
:41:46.:41:51.

# There ain't no running # Put me to the test, girl

:41:51.:42:01.
:42:01.:42:09.

# I'mma be the one # Won't drown

:42:09.:42:14.

# Now I just keep my head down Down, down

:42:14.:42:17.

# Swim for days I can doggy paddle all kind of ways

:42:17.:42:22.

# Girl, you got me

:42:22.:42:30.

# Wanting to go deeper than you'll ever know

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# Wanting to feel, the way you flow

:42:33.:42:34.

# Ooh you got that look up in your eyes

:42:34.:42:42.

# What we 'bout to do ain't no surprise

:42:42.:42:43.

# I'm about to dive in

:42:43.:42:45.

# Baby girl hold your breath

:42:45.:42:46.

# We about to get so wet

:42:46.:42:47.

# Swimming in your body Let me dive in

:42:47.:42:52.

# You know ain't no running 'round this pool

:42:52.:42:54.

# Going under just for you

:42:55.:42:57.

# Baby you, watch me stroke Left stroke, right stroke

:42:57.:43:00.

# Back stroke, girl

:43:00.:43:02.

# There ain't no running 'round this pool

:43:02.:43:04.

# Ooh I'm about to dive in

:43:04.:43:08.

# Baby girl hold your breath

:43:08.:43:10.

# We about to get so wet

:43:10.:43:12.

# Put me to the test, girl When I dive. #

:43:12.:43:22.
:43:22.:43:23.

# Put me to the test, girl When I dive. #

:43:23.:43:33.
:43:33.:43:41.

# Wanting to go deeper than you'll ever know

:43:41.:43:45.

# Swimming in your body Let me dive in

:43:45.:43:53.

# Swimming in your body Let me dive in

:43:53.:43:56.

# You know ain't no running 'round this pool

:43:56.:43:58.

# Going under just for you

:43:58.:44:01.

# Baby you, watch me stroke Left stroke, right stroke

:44:01.:44:04.

# Back stroke, girl

:44:04.:44:06.

# There ain't no running 'round this pool

:44:07.:44:09.

# Ooh I'm about to dive in

:44:09.:44:12.

# Baby girl hold your breath

:44:12.:44:14.

# We about to get so wet

:44:14.:44:17.

# Put me to the test, girl When I dive. #

:44:17.:44:27.
:44:27.:44:33.

# Put me to the test, girl When I dive. #

:44:33.:44:43.
:44:43.:44:43.

Apology for the loss of subtitles for 73 seconds

:44:43.:45:29.

# Et la terre peut bien s'ecrouler

:45:29.:45:36.

# Peu m'importe si tu m'aimes

:45:36.:45:43.

# Je me fous du monde entier

:45:43.:45:50.

# Tant qu'l'amour inond'ra mes matins

:45:50.:45:57.

# Tant que mon corps fremira sous tes mains

:45:57.:46:02.

# Peu m'importent les problemes

:46:02.:46:09.

# Mon amour puisque tu m'aimes

:46:09.:46:19.
:46:19.:46:29.

# J'irais jusqu'au bout du monde

:46:29.:46:32.

# Je me ferais teindre en blonde

:46:32.:46:35.

# Si tu me le demandais

:46:35.:46:40.

# J'irais decrocher la lune

:46:40.:46:43.

# J'irais voler la fortune

:46:43.:46:46.

# Si tu me le demandais

:46:46.:46:51.

# Je renierais ma patrie

:46:51.:46:54.

# Je renierais mes amis

:46:54.:46:56.

# Si tu me le demandais

:46:56.:47:02.

# On peut bien rire de moi

:47:02.:47:04.

# Je ferais n'importe quoi

:47:04.:47:06.

# Si tu me le demandais

:47:06.:47:15.

# Si un jour la vie t'arrache a moi

:47:15.:47:24.

# Si tu meurs que tu sois loin de moi

:47:24.:47:29.

# Peu m'importe si tu m'aimes

:47:29.:47:37.

# Car moi je mourrai aussi

:47:37.:47:45.

# Nous aurons pour nous l'eternite

:47:45.:47:50.

# Dans le bleu de toute l'immensite

:47:50.:47:56.

# Dans le ciel plus de problemes

:47:56.:48:02.

# Mon amour crois-tu qu'on s'aime

:48:02.:48:12.
:48:12.:48:27.

# Dieu reunit ceux qui s'aiment

:48:27.:48:37.
:48:37.:48:42.

APPLAUSE AND CHEERING

:48:42.:48:52.
:48:52.:48:57.

The

:48:57.:48:57.

The amazing

:48:57.:48:58.

The amazing and

:48:58.:49:04.

The amazing and wonderful Patricia Kaas and Hymne A L'Amour.

:49:04.:49:13.

From her album of Edith Piaf songs. Now we welcome back Two Door Cinema

:49:13.:49:23.
:49:23.:49:45.

# When I'm only fast asleep it takes # So I'll hold, hold, hold, hold it

:49:45.:49:55.
:49:55.:50:03.

# He sleeps alone, he needs no army # Cos he knows

:50:03.:50:06.

# And they can't hurt him if he can see them

:50:06.:50:12.

# And I may go to places I have never been to just to find

:50:12.:50:18.

# The deepest desires in my mind

:50:18.:50:24.

# We, we only know, what we see cos we're always fast asleep

:50:24.:50:34.
:50:34.:50:38.

# Cos it's so hard not to believe that we'll never know

:50:38.:50:48.
:50:48.:50:49.

# Oh hold, hold, hold, hold me close I've never been this far from home

:50:49.:50:57.

# Hold, hold, hold me close

:50:57.:51:04.

# He sleeps alone, he needs no army where he's headed

:51:04.:51:08.

# Cos he knows that they're just ghosts

:51:08.:51:12.

# And they can't hurt him if he can see them

:51:12.:51:17.

# And I may go to places I have never been to just to find

:51:17.:51:23.

# The deepest desires in my mind

:51:23.:51:30.

# It's in my head and I have said that I must be like him

:51:30.:51:36.

# He sleeps alone, he sleeps alone and one last chance

:51:36.:51:43.

# To make sense of what has long escaped us

:51:43.:51:48.

# He sleeps alone, I sleep alone

:51:48.:51:55.

# He sleeps alone, he needs no army where he's headed

:51:55.:52:00.

# Cos he knows that they're just ghosts

:52:00.:52:04.

# And they can't hurt him if he can see them

:52:04.:52:07.

# And I don't know if in the morning, I will be here

:52:07.:52:14.

# And if so let it be known

:52:14.:52:17.

# That I was worthy I was worthy, I was worthy

:52:17.:52:22.

# I was. #

:52:22.:52:32.
:52:32.:52:53.

CHEERING AND APPLAUSE

:52:53.:53:03.
:53:03.:53:08.

# Oh yeah, oh yeah

:53:08.:53:12.

# Oh yeah, oh yeah

:53:12.:53:19.

# Oh yeah, oh yeah

:53:19.:53:27.

# Oh yeah-oh yeah

:53:27.:53:28.

# Oh yeah, oh yeah

:53:28.:53:35.

# I am whole Hot is the night

:53:35.:53:40.

# The grass is so tall And slow

:53:40.:53:48.

# The air is wet And I feel alive

:53:48.:53:54.

# Let the perfume drip Let it rise!

:53:54.:54:02.

# I am whole And I walk the night

:54:02.:54:07.

# Luscious and lost So alone

:54:07.:54:16.

# Touch the rocks And lick the light

:54:16.:54:21.

# Let the hot winds howl So slow

:54:21.:54:27.

# Here am I Looking for a lover to climb inside

:54:28.:54:37.
:54:38.:54:40.

# Waiting like a flower to open wide I'm in bloom!

:54:40.:54:50.
:54:50.:55:10.

# I lie low I'm ready to try

:55:10.:55:17.

# The tapestries turn And grow

:55:17.:55:23.

# Creepers crawl And kiss my thighs

:55:23.:55:29.

# And the headiness howls Rise and rise!

:55:29.:55:39.
:55:39.:55:41.

# Here am I Looking for a lover to climb inside

:55:41.:55:46.

# Lying like a flower with no more time

:55:46.:55:48.

# Waiting for another to come inside I'm in bloom!

:55:48.:55:58.
:55:58.:56:06.

# Here I lie

:56:07.:56:09.

# Here am I Looking for a lover to climb inside

:56:09.:56:15.

# Waiting like a flower to open wide I'm in bloom!

:56:15.:56:25.
:56:25.:56:36.

APPLAUSE AND CHEERING

:56:36.:56:46.
:56:46.:56:47.

What

:56:47.:56:47.

What a

:56:48.:56:48.

What a treat

:56:48.:56:52.

What a treat to have - Bat For Lashes, back in this studio. Oh,

:56:52.:57:00.

yes. Thank you to all of our guests. Thank you to Trey Songz. Thank you

:57:00.:57:09.

to The Staves. Thank you to Bhi Bhiman.

:57:09.:57:17.

Thank you Bat For Lashes. Thank you Patricia Kaas.

:57:17.:57:21.

Thank you Two Door Cinema Club. We will be back, live on Tuesday at

:57:21.:57:31.

10pm. Now, we finish where we started

:57:31.:57:41.
:57:41.:57:54.

# And hit me with a hand # You tied my lead and pulled

:57:54.:58:04.
:58:04.:58:11.

# But I'm gonna break # I'm gonna break

:58:11.:58:21.
:58:21.:58:36.

# I'm gonna break # I'm burning diesel

:58:36.:58:46.

# And ride a pack of dogs I'm gonna break

:58:46.:58:52.

# I'm gonna break my

:58:52.:58:54.

# I'm gonna break my rusty cage and run

:58:55.:59:04.

# I'm gonna break my

:59:04.:59:06.

# I'm gonna break my rusty cage and run

:59:06.:59:16.
:59:16.:59:23.

# Hits like a Phillips head into my brain

:59:23.:59:31.

# It's gonna be too dark to sleep again

:59:31.:59:41.
:59:41.:59:41.

# Cutting my teeth on bars and rusty chains

:59:41.:59:48.

# I'm gonna break my rusty cage and run

:59:48.:59:58.
:59:58.:00:24.

# When the forest burns along the road

:00:24.:00:26.

# Like God's eyes in my headlights

:00:26.:00:36.
:00:36.:00:36.

# When the dogs are looking for their bones

:00:36.:00:43.

# And it's raining icepicks

:00:43.:00:53.
:00:53.:00:56.

# On your steel shore, I'm gonna break, I'm gonna break my

:00:56.:01:05.

# I'm gonna break my rusty cage and run. #

:01:05.:01:15.
:01:15.:01:21.

# I'm gonna break, I'm gonna break my

:01:21.:01:22.

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