Episode 8 Later... with Jools Holland

# Clap your hands, everybody come on

# Clap your hands

# Clap your hands, everybody come on

# One, two, three, hit it. #

FUNK MUSIC

What a groovy way to start.

Let's start with Band Of Horses.

# Woo

# Woo, woo, woo-woo-woo

# Woo, woo, woo-woo-woo

# Better things come to those who wait

# Then bitterness left for all too late

# Greatness achieved

# And darkness defeated

# A ram shack crew with something to prove

# And the truck load up believe it

# You see me go, there's something coming your way

# Everything I want and everything I need

# So say it to me

# Say it to my face

# There's no time to be

# Reserved or safe

# Call just chill, whenever

# Glory till the end

# Everything I want

# Everything I'll get

# It's coming now

# It's going down

# The stars are falling

# Walls are crumbling on the ground

# Knocking on the doorway, look what's coming your way

# Everything I want, everything I need

# Knocking on the door Knocking on the door

# Knocking on the door Knocking on the door

# Ooh, ooh, ooh-ooh

# Ooh, ooh, ooh-ooh-ooh

# The world's going nowhere

# The right ones with the green

# Proving me wrong

# The other one's between hell fire

# Bring on these

# Look what's in the door There's something coming your way

# Everything I want Everything I need

# Knocking on the doorway, look what's coming your way

# It's everything I want It's everything I need

# Knocking on the door Knocking on the door

# Knocking on the door Knocking on the door

# Knocking on the door Knocking on the door

# Knocking on the door Knocking on the door

# Knock-knocking on the door

# Ooh, ooh, ooh-ooh. #

CHEERING AND APPLAUSE

Band Of Horses, Knock Knock.

So, who do we dare to have on our show this evening?

An amazing array of line-up, an amazing array of guests.

From Oakland, California,

we will be having Larry Graham and Graham Central Station.

We will be talking to the legendary Jimmy Page.

From Detroit, Rodriguez.

From Lisbon in Portugal, Luisa Sobral.

From Oxford, Foals.

Delighted to have them back in this room.

And now, from Hereford, please big it up for Ellie Goulding!

# Stripped to the waist

# We fall into the river

# Cover your eyes

# So you don't know the secret

# I've been trying to hide

# We held our breath

# To see our names are written

# On the wreck of '86

# That was the year

# I knew the panic was over

# Since we found out

# Since we found out

# That anything could happen

# Anything could happen

# Anything could happen Anything could happen

# Anything could happen

# Anything could happen Ooh, yeah

# Oooh

# After the war we said we'd fight together

# I guess we thought that's just what humans do

# Letting darkness grow as if we need its palette

# And we need its colour

# But now I've seen it through

# And now I know the truth

# That anything could happen

# Anything could happen

# Anything could happen Anything could happen

# Anything could happen

# Anything could happen, oh yeah

# Oooh

# Baby

# I'll give you everything you need

# I'll give you everything you need, oh

# I'll give you everything you need

# But I don't think I need you

# I know it's going to be

# I know it's going to be

# I know it's going to be I know it's going to be

# I know it's going to be

# I know it's going to be I know it's going to be

# I know it's going to be

# Oooh

# And I don't think I need you

# Oooh

# And I don't think I need you

# Oooh

# And I don't think I need you

# Oooh

# And I don't think I need you. #

CHEERING AND APPLAUSE

Ellie Goulding, Anything Could Happen.

From her Halcyon LP.

More from her later on.

What were you doing in 2007?

Well, don't think too hard, but if you were watching this show

you would have enjoyed the first appearance of this lovely group.

Foals!

APPLAUSE

MUSIC: "Inhaler" by Foals

# Sticks and stones

# Break my bones

# You make believe

# It's lock and load

# It's a dead-end road to you and me

# It's not rust or gold

# I'm strict for soul

# I make believe

# And I'm not for rent

# My head is spent

# I guarantee

# So can you not go away

# If just for one day

# Woo-ooo-ooo

# Impossible, possible way

# How d'you feel now?

# How d'you feel now?

# In a war

# War sounds in you

# Throw your fortune away

# Cos I can't get enough

# Space

# Space

# Space

# Space

# I'm pale and coy

# I'm almost born

# I make believe

# I shimmy-shake

# I wake and bake

# I'm over me

# I lost the beat

# I cannot breathe

# Don't follow me

# You push and shove

# I've had enough

# Don't mess with me

# So can you not go away?

# If just for one day

# Woo-ooo-ooo

# Impossible, possible way

# How d'you feel now?

# How d'you feel now?

# In a war

# War sounds in you

# Don't throw your fortune away

# Cos I can't get enough

# Space

# Space

# Space

# Space. #

APPLAUSE

Thank you, Foals!

Lovely song called Inhaler from their Holy Fire LP.

So now, one of the great, actually one of the greatest guitarists

Britain has ever produced, a man that started off

playing sessions for everybody

and ended up playing for one of the most popular groups on earth.

We welcome, Jimmy Page!

APPLAUSE

Very nice.

First of all, welcome to the show. It's great to have you here. Very pleased.

-Is that really your beer?

-No, it's not my beer.

It's not my red wine. Love the way they thought that's what we'd have.

-It's been put there as a prop.

-I see, I see.

If you'd rather have a red wine, do.

Now, the first thing I've got to ask you, cos you really are

of the guitar, lots of people have copied your style.

Lots of young guitarists have listened to you and thought,

"That's what I want to play like."

Who was it that wanted to play like when you first started out?

Well, when I was a kid, when I first started playing,

it's undeniable, Lonnie Donegan and his group was the skiffle group

of our era that caught everybody up.

But bit by bit, there was no doubt it was Scotty Moore with Elvis

and that was just phenomenal, his playing and what he made,

-his architecture behind Elvis.

-Yeah, yeah.

And then James Burton and it sort of went on from there

into sort of Blues players.

To be honest with you, I've just got such a whole collection of heroes

that, you know, I owe my playing to, to be honest.

-Do you still to listen to them now?

-Yeah, to be honest with you,

like Chuck Berry, for example, yeah.

If I'm a little bit down,

I just put those records on and I'm way up in the air again.

Speaking of being way up in the air,

you've got this DVD out of this incredible show,

which was the Led Zeppelin reunion.

And what was the last gig you did before this in 2007?

With Jason, I think it was the Atlantic 40th,

which would have been about 27 years before that, so.

We leave it a bit between gigs.

Exactly, you don't rush into it, exactly.

What made you decide to reform at that point?

Well, there was a call, you know,

to do this date for Ahmet's charity and the foundation.

-Ahmet Ertegun?

-Ahmet Ertegun, yeah, of Atlantic Records.

And he was such a wonderful sort of presence

in the music industry and everyone came to this to do this.

Originally it was said, "Do 20 minutes,"

well there was no way we could do 20 minutes,

so we ended up doing whatever it was -

two hours and 20 minutes.

-Which is fantastic.

-After having not playing for so long,

it seemed really important to go out there and show what we were about.

-It's fantastic sounding thing. Let's have a little look.

-All right.

# Ah-ha

-AUDIENCE:

-# Ah-ha

# Ah-ha

# Ah-ha

# Ah

# Ah-ha

# Oh

MUSIC: "Black Dog" by Led Zeppelin

Very exciting. Very exciting.

What a riff!

I mean, 20 million people.

Yes, let's just bask in that figure for a moment, shall we?

Not 20, not 20,000, not 200,000,

but 20 million people applied for tickets and couldn't get them.

That's a lot of people, isn't it?

That's more than all of these people.

It is when you're doing one show.

-Yes, exactly. Anyway, they couldn't get in.

-No.

So, all those people who couldn't get tickets,

would you do any more shows for them?

I don't... Jools, it's been five years, now, since that show.

Come December, it's five years and there hasn't been

any sort of whispers or hints to play all together again.

So, you know. At least we've got this.

Exactly. Which is a lovely reminder of a great show.

Looking back at it all, the whole of the amazing history

of Led Zeppelin and your own musical career,

is there anything you would have ever done differently?

Erm... no, I don't think so.

It's a hypothetical question, I don't really know.

It's been pretty good.

You know, this is pretty good too. We're still there. We're still there.

-We're still rocking, man.

-That's very good.

Thank you very much for joining me, Jimmy Page.

The legendary, Jimmy Page.

Now another legend, a man who was part of Sly And The Family Stone,

one of the originators of funk music,

yes, Larry Graham and Graham Central Station.

CHEERING

MUSIC: "It's Alright (The New Master)" by Larry Graham and Graham Central Station

# Does the music make you feel like moving?

# It's all right

# Yeah

# Does it make you feel like grooving?

# It's all right

# Yeah

# Does it make you feel like dancing?

# It's all right

# Yeah

# Does it make you clap your hands?

# It's all right

# Yeah

# Yeah

# Does it make you feel like clapping?

# It's all right

# Yeah

# Energy is what's happening

# It's all right

# Yeah

# Does it make you feel like singing?

# It's all right

# Yeah

# Energy is what we're bringing

# It's all right

# Yeah

# Dancing and singing, well

# That's really all I ever wanted to do

# Woo-hoo-ooo, I said

# Dancing and singing

# That's all I ever really wanted to do... #

-Don't you know that...

-# Dancing and singing

# That's all I really ever wanted to do

# People

# Dancing and singing

# That's all I ever really wanted to do... #

Tell me, do you feel like dancing?

-AUDIENCE:

-Yeah!

Do you feel like standing up?

-AUDIENCE:

-Yeah!

Do you feel like screaming, y'all?

-AUDIENCE:

-Yeah!

Then scream! AUDIENCE CHEERS

# Dancing and singing

# That's all I really ever wanted to do

# Dancing and singing

# That's all I ever really wanted to do

-# Keep on

-# Dancing and singing

# That's all I really ever wanted to do

# Don't you want to keep singing?

# Dancing and singing

# That's all I ever really wanted to do

# Come on! #

CHEERING

# Welcome to another world

# Look at the water

# Look at whatever

# Broke the last one apart

# Put it back together

# It didn't matter

# It's a little biblical

# A little bit tragic

# Maybe fantastic

# Every once in a while

# Every little thing

# Every little thing

# I'm old enough to know

# I'm holding on for something

# I'm old enough to see

# I'm not the only one

# When we get back to town

# Back from the islands

# Back to where I live

# Well we need to have a word

# A topic to touch on

# The topic is touchy

# Yeah, this is pitiful

# A lack of reception

# You never listen

# I don't need another round

# Nothing is perfect

# This isn't worth it

# I'm old enough to know

# I'm holding on for something

# I'm old enough to see

# I'm not the only one

# Yeah, smashed it apart

# The rains wouldn't start

# Everybody was gone

# Moving on to the next one

# I'm old enough to know

# I'm holding on for something

# I'm old enough to see

# I'm not the only one

# I'm old enough to know

# I'm holding on for something

# I'm old enough to see

# I'm not the only one

# One

# One. #

APPLAUSE

Band Of Horses,

A Little Biblical, from their Mirage Rock LP.

APPLAUSE

So now, let's go into this corner.

I love it when we have a lovely international flavour in this room.

So, now, please welcome, from Lisbon, in Portugal,

the wonderful Luisa Sobral.

CHEERING AND APPLAUSE

Um, dois, tres...

# Clementine was born not to be

# Born not to love

# Like you and me

# No-one's ever seen her cry

# But hidden in her eyes

# There's a whole wide sea

# Clementine walks around at night

# Talks the moonlight into sleep

# Wakes up slowly taking her time

# She has no-one to meet

# No-one wonders where she's from

# If she's ever had Someone of her own

# She is just a part of the sea

# A part of you and me

# Clementine reads all day long

# Carries the world Of someone unknown

# Finds her castle

# Sits on her throne

# Then, she is not alone

# No-one wonders where she's from

# If she's ever had Someone of her own

# She is just a part of the sea

# A part of you and me

# No-one wonders where she's from

# If she's ever had Someone of her own

# She is just a part of the sea

# A part of you and me

# Clementine was born...

not to be. #

CHEERING AND APPLAUSE

# That feeling that doesn't go away Just did

# And I walked a thousand miles To prove it

# And I'm caught in the crossfire Of my own thoughts

# The colour of my blood is all I see on the rocks

# As you sail from me

# Alarms will ring for eternity

# The waves will break Every chain on me

# My bones will bleach

# My flesh will flee

# So help my lifeless frame To breathe

# And God knows I'm not dying But I breathe now

# And God knows it's the only Way to heal now

# With all the blood I lost with you

# It drowns the love I thought I knew

# The lost dreams are buried In my sleep for him

# And this was the ecstasy Of a love forgotten

# And I'm thrown in the gunfire Of empty bullets

# And my blood is all I see

# As you steal my soul from me

# Alarms will ring for eternity

# The waves will break Every chain on me

# And God knows I'm not dying But I breathe now

# And God knows it's the only way To heal now

# With all the blood I lost with you

# It drowns the love I thought I knew

# Oh, oh, oh Oh, oh, oh, oh, oh

# Oh, oh, oh Oh, oh, oh, oh, oh

# Oh, oh, oh Oh, oh, oh, oh, oh

# Oh, oh, oh Oh, oh, oh, oh, oh

# Oh, oh, oh Oh, oh, oh, oh, oh

# Oh, oh, oh Oh, oh, oh, oh, oh

# And God knows I'm not dying But I breathe now

# And God knows it's the only way To heal now

# With all the blood I lost with you

# It drowns the love I thought I knew

# I thought I knew

# I thought I knew

# And God knows I breathe now

# It's the only way to heal now

# With all the blood I lost with you

# I lost with you

# I lost with you

# I thought I knew

# I thought I...

# Mmmmm, mmmmm, mmmmm

# Mmmmm, mmmmm, mmmmm. #

CHEERING AND APPLAUSE

Thank you, Ellie Goulding!

And before that,

thank you, Luisa Sobral.

CHEERING AND APPLAUSE

Thanks for the vocalisation... harmonisation there.

So our next guest has an extraordinary story.

His career was struggling in the 1970s in America.

And, unbeknown to him, he had become a huge star in South Africa.

There's a film all about this amazing story,

Searching For Sugar Man.

And he is, who I welcome now, Rodriguez.

CHEERING AND APPLAUSE

-Welcome to our show. It's great to see you here.

-Hello, hello.

So, so you recorded two albums in the early 1970s...

-Yes.

-..and then, you seem to sort of disappear.

What happened? Did you stop making music?

Well, the company went under.

I...I recorded, in '71, my last album, Coming From Reality,

and the company went under and, from '74 till '98, I pretty much stayed...

Except, I stayed at others' music scene,

-but I did do two tours of Australia.

-Right.

-So you sort of managed to stay in there a little bit.

-Yes.

But then, 30 years later,

-you were contacted by a South African fan...

-Yes.

..who explained to you that, in South-Africa, you were more popular

than sort of Elvis or something.

Well, as the story goes,

but Steven Sugarman came to my house in Detroit and he showed me CDs

and he told me about the stories about the fanbase

of Afrikaans in South Africa,

and that the first time I knew about that, yes.

And so, what did you do then, what...you know?

Well, we planned to go there and, in '98, we did our first tour there.

And it was pretty amazing. The turnout was like 5,000 seaters.

-So, from nothing to that, it was pretty...

-That's great.

Late in your career as well, really, you know, that's...

Yeah. Some have sold in the '70s and the thing is yeah, yeah,

so for that to happen...

So all the people there loved you and loved your music,

-but what did they think had happened to you?

-Well, the rumours were

that I had demised different ways.

Some thought that I had burnt myself on stage and...

-Burnt yourself on stage?

-Yeah.

-That's strange.

But how could a rumour like that start without some sort of basis?

Well, I don't know how it started. Maybe, he went up in smoke

or went up in a blaze of glory or he burnt out.

So maybe that was a possible explanation.

-So they thought you were dead?

-Yes.

-And that worshiped all this music you'd made.

-Yeah.

And when they found out you were alive,

-huge celebrations all round.

-Oh, yeah.

LAUGHTER

I've been, I've been down there four times and it's a beautiful country,

gorgeous people, Afrikaans.

Well, we've got a little footage of your first concert in South Africa.

-Oh, OK, yeah. This is from the movie, I think.

-Yeah.

CHEERING AND APPLAUSE

MUSIC: "I Wonder" by Rodriguez

# I wonder how many times You've been had

# And I wonder how many plans Have gone bad

# I wonder how many times you had sex

# And I wonder, do you know Who'll be next?

# I wonder

# I wonder

# Wonder I do... #

CHEERING AND APPLAUSE

At your zenith there, and the film of that comes out

-at the end of December, the DVD comes out.

-Yes.

And the soundtrack is out already.

And in the film, Searching for Sugar Man,

it shows you briefly in London in the early 1970s,

-what was happening there?

-I had...

I came to London on the invitation of Steve Rowland,

he was an actor turned music producer.

And he produced my second album.

And we did it in Lansdowne Studios, on Lansdowne Road, and it was...

We thought it was going to happen, but it didn't happen either, so...

-So this great success...

-Yes.

-..really comes later in your career.

Was it much sweeter, would you say, the second time around?

I think that's one way you could put it, yes.

And it's better late than never, you know, so...

-Yeah, and we're delighted to have you here now.

-Thank you so much.

What are you going to be playing for us in a moment?

I'm going to do Crucify Your Mind, if that's OK.

We're looking forward to that very much indeed.

-Thank you very much for joining us.

-Thank you.

-Rodriguez.

CHEERING AND APPLAUSE

And now...

What an extraordinary story.

Now, let's welcome, over in this corner, once again, Foals.

CHEERING AND APPLAUSE

# You don't have my number

# We don't need any trouble now

# We don't need the city

# Who create all the culture now

# Cos I feel

# I feel alive

# I feel, I feel alive

# I feel that the streets are All pulling me down

# So people of the city

# I don't need your counsel now

# And I don't need that good advice

# Cos you don't have my lover's touch

# You don't have my number

# We don't need any trouble now

# Who create all the culture

# We can move beyond it now

# The wolf is knocking at my door

# Them bang-banging ask for more

# Stand with you, stand tall

# We could move beyond these walls

# I don't need your counsel

# And I don't need that good advice

# And I don't need no-one now

# Cos you don't have my lover's touch

# You don't have my number

# We don't need any trouble now

# Who create all the culture

# You don't have my lover's touch

# Do you even hear me?

# Do you even know my name?

# Let's see the ocean there

# I'll hold you in my arms tight

# Can you hear me?

# I know you're listening now

# You don't have my number

# And I don't need no-one else

# I don't need the city streets

# Who create all the culture now. #

CHEERING AND APPLAUSE

# Was it a huntsman or a player

# That made you pay the cost

# That now assumes relaxed positions

# And prostitutes your loss?

# Were you tortured by your own thirst

# In those pleasures that you seek

# That made you Tom the curious

# That makes you James the weak?

# And you claim you've got something going

# Something you call unique

# But I've seen your self-pity showing

# When the tears rolled down your cheeks

# Soon you know I'll leave you

# And I'll never look behind

# Cos I was born for the purpose

# That crucifies your mind

# So con, convince your mirror

# As you've always done before

# Giving substance to shadows

# Giving substance ever more

# But you assume you got something to offer

# Secrets shiny and new

# But how much of it is repetition

# That you didn't whisper to him too. #

CHEERING AND APPLAUSE

Rodriguez.

Crucify Your Mind (Searching for Sugarman).

Before that, we enjoyed Foals.

CHEERING AND APPLAUSE

Now, let's meet one of the originators of funk music,

the one and only Mr Larry Graham.

Welcome to the show.

CHEERING AND APPLAUSE

I loved, just when you started, when you started that groove,

at the beginning of it, suddenly I thought, "This is great."

It's so great to have you here.

-I'm going to go back before we go forward a little bit.

-OK.

Cos, of course, you were one of the originators and one of the key members in Sly and the Family Stone.

Yes.

Now that group, really, for me,

-they're unique, there's nothing else like them.

-Thank you.

Amazing music.

It seemed to invent a whole new style.

What's your take on it when you look back?

Well, it was a different band for the time.

It was male and female, black and white,

we were playing a mixture of all kinds of music and so, you know,

we were speaking about a lot of the things

that were relevant during the times

and people caught on to it,

and really after Woodstock in front of half a million people

that just launched our career into high gear.

Yeah, it was great, cos nothing like it had been before that band.

Because they seemed to mash up all these different things and your own thing came out.

One of the things, of course, is your amazing bass style

which has been much copied by people.

How did you develop that style?

Well, my mother and I worked together.

My mother played piano and singing I played guitar.

So at this one club we worked at

they had an organ that had bass pedals and I would play the bass pedals with my foot

at the same time as playing the guitar,

so we got used to having the bottom.

And then the organ broke down

and now we sounded empty without that bottom.

I ran bass temporarily until the organ could be repaired.

It turned out it couldn't be repaired so I got stuck on the bass.

And them my mother decided, "OK, we're just going to be piano and bass, no drums."

So now I had to make up for not having the drums

so I would thump the strings with my thumb

and pluck it with my fingers, thumbing and plucking. Slap bass, out of necessity.

Trying to make up for not having drums.

And inventing a whole new style in the process.

So recently you were sharing the stage with Prince

who is on your record.

How did all that come about?

He's my really good friend.

We met about 14 or 15 years ago.

He was playing the big arena in Nashville, Tennessee

and I was playing the amphitheatre

and he heard I was in town

and invited me to one of his famous after shows.

And so we went to this club and we jammed together for the first time

and we just connected immediately

like we had been playing together for life,

but what I didn't know is he was raised up on my music through Graham Central Station.

And then he went back and got into Sly and the Family Stone.

Now you have got this great new Graham Central Station record come out,

what can people expect to hear?

It's lovely to have a record if I may say so.

-Oh, I love a record.

-Thank you.

Well, three of the cuts feature Prince,

and one cut features Raphael Saadiq,

and there's a remake of Stevie Wonder, my good friend Stevie, Higher Ground.

And some of the songs we will be performing at the Jazz Cafe here in London on March 5th and 6th.

If you forget the dates, look at larrygraham.com.

Exactly!

I'll never forget the dates!

What are you going to play for us next?

We're going to do a combination.

There's a song called Throw-N-Down The Funk,

we're going to hit you with that,

and then going to slip you back in time

and hit you with a little Dance To The Music.

Oh, yes!

It is fantastic to have you here.

Looking forward to more.

Larry Graham and Graham Central Station.

We'll be hearing more later on with his wonderful band.

Now, we have a wonderful band in every corner of this room.

We have Band Of Horses.

CHEERING AND APPLAUSE

# Listen to the motor getting louder as we go

# One way or another gonna make it back home

# Mountains to the water Chewing up the scenery

# Fog, it only hovers Or the blinding sun beams

# This is what he does Travelling the open road

# Get here on the double Make it right away

# This is what he loves Travelling in the open road

# Now she's talking dirty I get there in a hurry and see

# She don't have to worry A secret little birdie told me

# Keeping things in motion, baby Keep on running for me

# Only static on the radio Picking up speed

# Hear me out, Mama I don't mean for you to weep

# I get back to you tomorrow Now don't you lose sleep

# This is what he does

# Travelling the open road

# Hey, it's nine-thirty My vision's getting blurry and weak

# I'd get there in a hurry but the police are following me

# Keep it in perspective Maybe come visit and free me

# Unit on the interstate Nashville, Tennessee

# Hey yeah

# Yeah

# Yeah, oh

# Oh

# Keeping things in motion, baby keep on running for me

# Only static on the radio picking up speed

# Hey yeah

# Hey yeah

# Hey yeah

# Oh. #

CHEERING AND APPLAUSE

# Only you can be the aching in my heart

# My enemy The only animal I couldn't fight

# You hold me in the dark when storms arrive

# Only you

# Only you can see the emptiness I feel when you're with me

# When everything you say I'm on my knees

# Baby, I'm on my knees Baby, I'm on my knees

# Baby, I'm on my knees

# When everything you say I'm on my knees

# Baby, I'm on my knees Baby, I'm on my knees

# Baby, I'm on my knees

# Only you can be the aching in my heart

# My enemy The only animal I couldn't fight

# You hold me in the dark when storms arrive

# Only you

# Only you can see the emptiness I feel when you're with me

# When everything you say I'm on my knees

# Baby, I'm on my knees

# Baby, I'm on my knees

# Baby, I'm on my knees

# When everything you say I'm on my knees

# Baby, I'm on my knees

# Baby, I'm on my knees

# Baby, I'm on my knees

# Only can be the aching in my heart

# My enemy, the only animal I couldn't fight

# You hold me in the dark when storms arrive

# Only you

# Only you, only you

# Only you, only you

# Only you, only you

# Only you, only you

# Only you can be the aching in my heart

# My enemy, the only animal I couldn't fight

# You hold me in the dark when storms arrive

# Only you. #

CHEERING AND APPLAUSE

Ellie Goulding and Only You.

Thank you to all our guests,

thank you, Foals.

CHEERING AND APPLAUSE

Thank you, Luisa Sobral.

CHEERING AND APPLAUSE

Thank you, Band Of Horses.

CHEERING AND APPLAUSE

Thank you, Rodriguez.

CHEERING AND APPLAUSE

Thank you, Jimmy Page.

We will be back on Tuesday with Sinead O'Connor, Biffy Clyro,

Mud Morganfield, Courtney Pine, and loads more

and you can look at more on the website like so and enjoy much more.

But now I think it's time for me to get funky and really enjoy myself,

and welcome now Larry Graham and Graham Central Station.

# Been here, there and everywhere throw-n-down some funk

# Been here, there and everywhere Throw-n-down some funk

# Been here, there and everywhere Throw-n-down some funk

# Been here, there and everywhere Throw-n-down some funk

# I was there, feeling fine

# Playing on my guitar

# Join the drum, feeling fine

# Let me have my way

# They call me Jimmy Joy

# Jamming with my favourite toy

# Wind me up, I'll play for you

# I'll be your shining star

# They call me Graham as in Graham Central Station

# We're spreading funk Throughout the nation

Come on! Dance! Come on!

Everybody get up.

And dance to the music.

Come on!

Get up.

And dance to the music, come on!

# Dance to the music

# Dance to the music

# Dance to the music

# Dance to the music

# All we need is a drummer

# For people who only need a beat Yeah

# I'm going to add a little guitar

# To make it easier to move your feet

# I'm gonna add some bottom

# So that the dancers just won't hide

# You might like to hear my organ

# I said him, "Ride, Sally, ride"

# Dance to the music

# Dance to the music

# Yeah, yeah

# Dance to the music

# Dance to the music. #

Thank you for letting us be ourselves again.

CHEERING AND APPLAUSE

Subtitles by Red Bee Media Ltd