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with us. I'm delighted it is with us. I'm delighted it is | :00:39. | :00:49. | |
:00:49. | :00:52. | ||
with us. I'm delighted it is # I was looking downtown for a chick | :00:52. | :01:02. | |
:01:02. | :01:11. | ||
# I was looking downtown for a chick # She looked me in the eye | :01:11. | :01:21. | |
:01:21. | :01:30. | ||
# Said, "You let me down twice # I followed her around | :01:30. | :01:40. | |
:01:40. | :01:43. | ||
# But don't she look nice? She's the centre of her own attention | :01:43. | :01:48. | |
# I wanna fall down today | :01:48. | :01:58. | |
:01:58. | :02:05. | ||
# When I get down there There's people painting and dancing | :02:05. | :02:11. | |
# The city sleeps above I light candles in a wall of heads | :02:11. | :02:21. | |
# We douse the fires | :02:21. | :02:23. | |
# Wanna fall down again | :02:23. | :02:33. | |
:02:33. | :02:37. | ||
# Will you help me? # | :02:37. | :02:47. | |
:02:47. | :02:47. | ||
Apology for the loss of subtitles for 64 seconds | :02:47. | :03:51. | |
CHEERING AND APPLAUSE | :03:51. | :04:01. | |
:04:01. | :04:01. | ||
Live here in the studio broadcasting to | :04:01. | :04:02. | |
to you, | :04:02. | :04:02. | |
to you, thank | :04:02. | :04:02. | |
to you, thank you | :04:02. | :04:07. | |
to you, thank you Stereophonics. More from them later. From Beirut we | :04:07. | :04:15. | |
have Yasmine Hamdan. From Minnesota there's Low. There's Cerys Matthews. | :04:15. | :04:19. | |
There's The Lee Thompson Ska There's The Lee Thompson Ska | :04:19. | :04:29. | |
:04:29. | :04:38. | ||
There's The Lee Thompson Ska # You are at the height | :04:38. | :04:43. | |
# You got your grift all fine-tuned and sparkling | :04:44. | :04:47. | |
# Yeah, you got your bored look all worked out | :04:47. | :04:51. | |
# You are all enlightened Nothing makes you frightened | :04:51. | :04:55. | |
# You ain't got no time to waste on entry level middle class | :04:55. | :04:59. | |
# You are supercilious Pretty and ridiculous | :04:59. | :05:03. | |
# You got really good taste You know how to cut and paste | :05:03. | :05:08. | |
# What you got is a black belt in BS | :05:08. | :05:11. | |
# But you can't hawk your pretty wares up in here any more | :05:11. | :05:16. | |
# Hit your head on the playground at recess | :05:16. | :05:19. | |
# Etch-a-sketch your way out of this one...reject | :05:19. | :05:29. | |
:05:29. | :05:39. | ||
# You know how to get what you want, don't you? | :05:39. | :05:43. | |
# Would you not say that you agree, baby? | :05:43. | :05:47. | |
# You really think that you can school me in semantics | :05:47. | :05:51. | |
# I can't recommend that, baby I see through your antics | :05:51. | :05:56. | |
# You think you're mysterious You cannot be serious | :05:56. | :05:59. | |
# You got lots of time to think of new ways to deceive yourself | :05:59. | :06:03. | |
# You are callipygian But look at the state you're in | :06:03. | :06:07. | |
# You got really nice clothes Bet you didn't pay for those | :06:07. | :06:12. | |
# What you got is a black belt in BS | :06:12. | :06:15. | |
# But you can't hawk your pretty wares up in here any more | :06:15. | :06:20. | |
# Hit your head on the playground at recess | :06:20. | :06:23. | |
# Etch-a-sketch your way out of this one...reject | :06:23. | :06:33. | |
:06:33. | :06:33. | ||
Apology for the loss of subtitles for 64 seconds | :06:33. | :07:16. | |
# What you got is a black belt in BS | :07:16. | :07:19. | |
# But you can't hawk your pretty wares up in here any more | :07:19. | :07:23. | |
# Hit your head on the playground at recess | :07:24. | :07:27. | |
# Etch-a-sketch your way out of this one...reject | :07:27. | :07:37. | |
:07:37. | :07:48. | ||
# What you got is a black belt in BS | :07:48. | :07:51. | |
# But you can't hawk your pretty wares up in here any more | :07:51. | :07:56. | |
# Hit your head on the playground at recess | :07:56. | :07:59. | |
# Etch-a-sketch your way out of this one...reject | :07:59. | :08:03. | |
# What you got is a black belt in BS | :08:04. | :08:07. | |
# But you can't hawk your pretty wares up in here any more | :08:07. | :08:12. | |
# Hit your head on the playground at recess | :08:12. | :08:15. | |
# Etch-a-sketch your way out of this one...reject | :08:15. | :08:19. | |
# What you got is a black belt in BS | :08:20. | :08:23. | |
# But you can't hawk your pretty wares up in here any more | :08:23. | :08:28. | |
# Hit your head on the playground at recess | :08:28. | :08:31. | |
# Etch-a-sketch your way out of this one...reject. # | :08:31. | :08:37. | |
CHEERING AND APPLAUSE | :08:37. | :08:47. | |
:08:47. | :08:55. | ||
the 1950s sister Mary started the Alpha | :08:55. | :08:56. | |
Alpha school. | :08:56. | :08:57. | |
Alpha school. Now | :08:57. | :08:58. | |
Alpha school. Now Mark | :08:58. | :09:02. | |
Alpha school. Now Mark Bedford and Lee Thompson from Madness have the | :09:02. | :09:04. | |
Lee Thompson from Madness have the Lee Thompson from Madness have the | :09:04. | :09:14. | |
:09:14. | :09:16. | ||
Lee Thompson from Madness have the # Lee Thompson Orchestra with | :09:16. | :09:26. | |
:09:26. | :09:26. | ||
Apology for the loss of subtitles for 64 seconds | :09:26. | :11:15. | |
# As I will say, wha! # It's not what you earn | :11:15. | :11:25. | |
:11:25. | :11:55. | ||
# But what you keep of it # Bam-ba-ba-do, ba-da-da-da-do | :11:55. | :12:05. | |
:12:05. | :12:45. | ||
# Bam-ba-ba-do, ba-da-da-da-do The Lee Thompson Ska Orchestra from | :12:45. | :12:49. | |
their album. Now I'm delighted to say I'm thrilled because this is one | :12:49. | :12:54. | |
of the best books I've seen for years, it's hook line and singer and | :12:54. | :12:58. | |
the singer is Cerys Matthews. Welcome to the show. | :12:58. | :13:03. | |
APPLAUSE This book has got a thousand songs | :13:03. | :13:09. | |
that we nearly all know but don't quite, both from the nursery rime -- | :13:09. | :13:13. | |
rhyme to the sing alongs. Some of the best cooking is the stuff you | :13:13. | :13:17. | |
cook at home. It's the same with music. You don't have to sound like | :13:17. | :13:20. | |
the radio or the TV. You can make your own music. This is a recipe | :13:20. | :13:25. | |
book for singing. You go into the pub, we don't want the disco, we | :13:25. | :13:29. | |
don't want the karaoke, just sing how you sing it. You can leave the | :13:29. | :13:34. | |
football on, but with the volume back. Bed, bath, car, no matter | :13:34. | :13:39. | |
where you are. Give us an example. Tell us about this song. This is a | :13:39. | :13:44. | |
great song. It was sold for $100. It's good if you want to learn the | :13:44. | :13:49. | |
ukelele. Tails bluegrass kind of thing. This book is good if you are | :13:49. | :13:57. | |
a one-note piano player, not you. So it's a bit like this. Do you want to | :13:57. | :14:03. | |
play with me? It's all about us singing. Join in.Join in at home, | :14:03. | :14:08. | |
definitely. # come from Alabama with a banjo on | :14:08. | :14:13. | |
my knee # going to lose losa -- Louisiana my | :14:13. | :14:18. | |
true love to see # rained all night the day I lefted | :14:18. | :14:24. | |
# weather it was dry # sun so hot I froze to death, | :14:24. | :14:28. | |
Susanna don't you cry # Susanna don't you cry for me | :14:28. | :14:34. | |
# come from Alabama with a banko on my knee | :14:34. | :14:41. | |
# Susanna, don't you cry for me # I come from Alabama with a banjo | :14:41. | :14:45. | |
on my knee. #. APPLAUSE | :14:45. | :14:50. | |
What a fantastic sound. What a fantastic book. Can you have the | :14:50. | :14:54. | |
book at home, wherever you like, it's one of the most useful things | :14:54. | :14:59. | |
I've ever seen. I'm giving that to my mum. Thank you very much, Cerys | :14:59. | :15:04. | |
my mum. Thank you very much, Cerys Matthews! Now, on this show, I'm | :15:04. | :15:07. | |
delighted to say we can have music from every part of the globe. | :15:07. | :15:13. | |
Somebody that is a great success all over the world. We welcome now from | :15:13. | :15:16. | |
over the world. We welcome now from over the world. We welcome now from | :15:16. | :15:26. | |
:15:26. | :15:26. | ||
Apology for the loss of subtitles for 64 seconds | :15:26. | :19:54. | |
over the world. We welcome now from # I say we just seen | :19:54. | :19:58. | |
# I say we just seen # Together we will run | :19:58. | :20:08. | |
:20:08. | :20:09. | ||
# Arise filthy words # I say we just seen | :20:09. | :20:17. | |
# I say we are enough I say we are enough | :20:17. | :20:20. | |
# I say we are enough I say we are enough | :20:20. | :20:27. | |
# Oh yeah, oh yeah, oh yeah | :20:27. | :20:34. | |
# Oh yeah, oh yeah, oh yeah | :20:34. | :20:44. | |
:20:44. | :21:03. | ||
# La-la-la la-la-laaaa | :21:03. | :21:06. | |
# La-la-la la-la-laaaa | :21:06. | :21:11. | |
# La-la-la la-la-laaaa | :21:11. | :21:21. | |
:21:21. | :21:22. | ||
Apology for the loss of subtitles for 64 seconds | :21:22. | :22:02. | |
# Cobbedy-air, cobbedy-air # Cobbedy-air, cobbedy-air | :22:02. | :22:12. | |
:22:12. | :22:19. | ||
Cobbedy-ow # Cobbedy-air, cobbedy-air | :22:19. | :22:29. | |
:22:29. | :22:37. | ||
# Oh yeah, oh yeah, oh yeah # Ahhhh. # | :22:37. | :22:47. | |
:22:47. | :22:54. | ||
CHEERING AND APPLAUSE Over | :22:54. | :22:59. | |
Over in this corner, celebrating 20 years together, we welcome for the | :22:59. | :23:09. | |
:23:09. | :23:09. | ||
Apology for the loss of subtitles for 64 seconds | :23:09. | :23:58. | |
years together, we welcome for the # # Suicide | :23:58. | :24:08. | |
:24:08. | :24:08. | ||
Apology for the loss of subtitles for 64 seconds | :24:08. | :26:00. | |
# Even the stone finds a place Thank you Low. Thank you to all of | :26:00. | :26:10. | |
:26:10. | :26:11. | ||
my guests this evening. We should have a final last round of applause | :26:11. | :26:16. | |
for the marvellous key board player of the Doors who pass add way. You | :26:16. | :26:21. | |
can see more from my guests on Friday at 11. 1.05. Now we finish | :26:21. | :26:24. | |
where we started with the where we started with the | :26:24. | :26:34. | |
:26:34. | :27:08. | ||
where we started with the # Ohh, sets out | :27:08. | :27:16. | |
# Wet streets are quiet as a church hall | :27:16. | :27:20. | |
# Last house Where children kick the football | :27:20. | :27:23. | |
# Crossroads His heart is beating faster | :27:23. | :27:26. | |
# Getting close to ask another question | :27:26. | :27:29. | |
# "Marry me" He wants to paint the words on | :27:29. | :27:33. | |
# The night train He's hiding with his spray cans | :27:33. | :27:36. | |
# Tonight he's gonna ride When the paint is done and dried | :27:36. | :27:42. | |
# Oh, come on, ohh-ohh-ohh | :27:42. | :27:49. | |
# The graffiti on the train | :27:49. | :27:55. | |
# Oh, the graffiti on the train | :27:55. | :28:01. | |
# Oh, the graffiti on the train | :28:01. | :28:08. | |
# Oh, she'll never be the same Oh, no | :28:08. | :28:15. | |
# Rolled into her life | :28:15. | :28:22. | |
# Oh, the graffiti on the train | :28:22. | :28:29. | |
# Oh, day breaks His lover yawns and wakes up | :28:29. | :28:34. | |
# Sips her cup and dusts her face in make-up | :28:34. | :28:37. | |
# Platform She hears the people whisper | :28:37. | :28:40. | |
# Someone died, they surfed the train and slipped up | :28:40. | :28:44. | |
# Train comes The coach she's always used to | :28:44. | :28:47. | |
# The doors read "Marry me, I love you" | :28:47. | :28:50. | |
# Heart stops Ecstatic and suspicious | :28:50. | :28:54. | |
# She makes the call But he don't pick the phone up | :28:54. | :28:57. | |
# The train sped down the line | :28:57. | :29:00. | |
# It was the last train he would ride, oh no | :29:00. | :29:07. | |
# Oh, the graffiti on the train | :29:07. | :29:16. | |
# Oh, the graffiti on the train | :29:16. | :29:22. | |
# Oh, the graffiti on the train | :29:22. | :29:29. | |
# Oh, she will never be the same Oh, no | :29:29. | :29:36. | |
# Rolled into her life | :29:36. | :29:43. | |
# Oh, the graffiti on the train | :29:43. | :29:49. |