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CHEERING AND APPLAUSE It's Wednesday and not Tuesday, | :01:26. | :01:35. | |
:01:36. | :01:55. | ||
# Shake my tree # No point laughing | :01:55. | :02:05. | |
:02:05. | :02:07. | ||
# The word is up if you're tough enough | :02:07. | :02:11. | |
# The word is up if you're tough enough | :02:11. | :02:17. | |
# Girl in the queue got her eye on you | :02:17. | :02:21. | |
# You think you're in and she's looking for sin | :02:21. | :02:24. | |
# Yes, you're not wrong, she wants to know what's in your pocket | :02:24. | :02:28. | |
# Sing her that song, dig it all night long | :02:28. | :02:37. | |
# The word is up if you're tough enough | :02:37. | :02:40. | |
# The word is up if you're tough enough | :02:40. | :02:44. | |
# The word is up if you're tough enough | :02:44. | :02:49. | |
# The word is if you're tough enough | :02:49. | :02:59. | |
:02:59. | :03:01. | ||
# Come on, show what you love now | :03:01. | :03:04. | |
# Come on, show what you love now | :03:04. | :03:08. | |
# Come on, show what you love now | :03:09. | :03:18. | |
:03:19. | :03:44. | ||
# Shake my tree, where's the apple # No point laughing if you don't | :03:44. | :03:54. | |
:03:54. | :03:56. | ||
# The word is up if you're tough enough | :03:56. | :03:59. | |
# The word is up if you're tough enough | :03:59. | :04:03. | |
# The word is up if you're tough enough | :04:04. | :04:08. | |
# The word is if you're tough enough | :04:08. | :04:12. | |
# The word is up if you're tough enough | :04:12. | :04:16. | |
# The word is up if you're tough enough | :04:16. | :04:20. | |
# The word is up if you're tough enough | :04:21. | :04:24. | |
# The word is if you're tough enough | :04:24. | :04:30. | |
# Come on, show what you love now | :04:30. | :04:33. | |
# Come on, show what you love now | :04:33. | :04:37. | |
# Come on, show what you love now | :04:37. | :04:47. | |
:04:47. | :04:47. | ||
Apology for the loss of subtitles for 97 seconds | :04:47. | :06:25. | |
# Burned the house # This terrifying wall of pain is | :06:25. | :06:35. | |
:06:35. | :06:35. | ||
Apology for the loss of subtitles for 97 seconds | :06:35. | :07:42. | |
# Praying that your heart # Trapped inside a head | :07:42. | :07:49. | |
# Tearing all the flesh away from bone | :07:49. | :07:59. | |
:07:59. | :08:11. | ||
# I can't live I can't live with you | :08:11. | :08:14. | |
# And I can't live I can't live without you | :08:14. | :08:17. | |
# I can't live I can't live with you | :08:17. | :08:21. | |
# And I can't live without you now | :08:21. | :08:24. | |
# I can't live I can't live with you | :08:24. | :08:28. | |
# And I can't live I can't live without you | :08:28. | :08:31. | |
# I can't live I can't live with you | :08:31. | :08:35. | |
# And I can't live without you now. # | :08:35. | :08:45. | |
:08:45. | :08:54. | ||
CHEERING AND APPLAUSE | :08:54. | :09:04. | |
:09:04. | :09:09. | ||
says is one of the most important 100 | :09:09. | :09:09. | |
100 people. | :09:09. | :09:09. | |
100 people. He's | :09:09. | :09:10. | |
100 people. He's at | :09:10. | :09:15. | |
100 people. He's at the top of the charts in America, and he's here, | :09:15. | :09:25. | |
:09:25. | :09:25. | ||
Apology for the loss of subtitles for 97 seconds | :09:25. | :11:16. | |
# Ah, let it dress you down # Don't you let nobody tell you | :11:16. | :11:26. | |
:11:26. | :11:26. | ||
Apology for the loss of subtitles for 97 seconds | :11:26. | :12:18. | |
# The same way that the stars adorn # Oh, love ain't never looked so | :12:18. | :12:28. | |
:12:28. | :12:49. | ||
Thank you Miguel! That's Adorn from Kaleidoscope Dream. Now I'm | :12:49. | :12:53. | |
delighted to welcome Liam Gallagher and Andy of Beady Eye. Welcome to | :12:53. | :12:59. | |
the show. First of all, the brand-new album is about to come | :12:59. | :13:05. | |
out, the title, Be, where does it come from? Nothing to do with me, | :13:05. | :13:15. | |
:13:15. | :13:16. | ||
man. It stands for Beady Eye. abbreviation? Not just Be? | :13:16. | :13:26. | |
:13:26. | :13:28. | ||
whatever you want it to be. Just be a Be! I knew somebody that collect | :13:28. | :13:35. | |
collected bee skins for the pelts, not the honey. Right.You never | :13:35. | :13:40. | |
thought of beekeeping? No, not for they. It is a great person on the | :13:40. | :13:49. | |
cover, who is it? A great nipple.I was thinking of the design... | :13:49. | :13:55. | |
still a great nipple. It was taken by Harry and that's his wife. | :13:55. | :14:03. | |
nice. It is a whole new sound, a new bass player I believe and two | :14:03. | :14:06. | |
drummers, which sounds fantastic, and a lovely four-piece horn | :14:06. | :14:10. | |
section. Would you say you are trying to achieve something | :14:10. | :14:14. | |
different than you were with the last record? Yeah, we are trying to | :14:14. | :14:19. | |
sell records. LAUGHTER Twice the drummers, twice | :14:19. | :14:24. | |
the record sales? Yes. No, we are trying something new, man. We are | :14:24. | :14:27. | |
always trying something new but we are trying this new, and it stuck, | :14:27. | :14:34. | |
you know what I mean? Is it harder trying new things? It is hard, yes, | :14:34. | :14:39. | |
especially for us, because we are kind of stuck in a rut in the '6 | :14:39. | :14:45. | |
#0s, but we've got the brass down. Lovely with the two drummers. You | :14:45. | :14:51. | |
were doing a lot of live shows all over the place. Three.Yes, three, | :14:51. | :14:55. | |
so it is a busy touring schedule this year. It is going to be flat | :14:55. | :15:00. | |
out, man. And a lot of rests in between. When you are towering, | :15:00. | :15:06. | |
would you say you are like you were when you used to tour? I know you | :15:06. | :15:11. | |
like a light ale? I'm still mad, yeah. So they can look forward... | :15:11. | :15:15. | |
I'm just thinking of the hotel owners around Britain, just letting | :15:15. | :15:22. | |
them know. They can look forward to me stumbling around the gaff. | :15:22. | :15:28. | |
three gigs only. Marvellous to see you, and the record is superb. Thank | :15:28. | :15:33. | |
you Andy Bell and Liam Gallagher of Beady Eye. They'll be back with us | :15:33. | :15:43. | |
:15:43. | :15:43. | ||
Apology for the loss of subtitles for 97 seconds | :15:43. | :19:16. | |
# Do you know what you've done KT Tunstall! And now a sensational | :19:16. | :19:26. | |
:19:26. | :19:26. | ||
Apology for the loss of subtitles for 97 seconds | :19:26. | :20:11. | |
duo full of excitement, from Los # Baby, do you love me like you say | :20:11. | :20:21. | |
# And if you wanna serve me show me you deserve me | :20:21. | :20:27. | |
# Cos if you really love me you'll be a bigger man than you | :20:27. | :20:33. | |
# Oh-oh-oh | :20:33. | :20:36. | |
# Oh-oh-oh | :20:36. | :20:39. | |
# Oh-oh-oh | :20:39. | :20:46. | |
# Now are you gonna please me like you swore you would | :20:46. | :20:51. | |
# Was it just to tease me better treat this woman good | :20:51. | :20:58. | |
# No, you don't get this if you don't treat me well | :20:58. | :21:04. | |
# Cos what you call love, baby I call hell | :21:04. | :21:14. | |
:21:14. | :21:29. | ||
# Oh-oh-oh | :21:29. | :21:31. | |
# Oh-oh-oh | :21:31. | :21:34. | |
# Oh-oh-oh | :21:34. | :21:44. | |
:21:44. | :21:44. | ||
Apology for the loss of subtitles for 97 seconds | :21:44. | :23:18. | |
# You should have stayed at home # These games you play, they're | :23:18. | :23:28. | |
:23:28. | :23:46. | ||
# It's 8.15, and that's the time that it's always been | :23:46. | :23:51. | |
# We got your message on the radio | :23:51. | :23:55. | |
# Conditions normal and you're coming home | :23:55. | :24:05. | |
:24:05. | :24:27. | ||
# Enola Gay, is mother proud of little boy today | :24:27. | :24:32. | |
# Aha, this kiss you give it's never ever gonna fade away | :24:32. | :24:42. | |
:24:42. | :25:07. | ||
# Enola Gay, it shouldn't ever have to end this way | :25:07. | :25:11. | |
# Aha, Enola Gay, it shouldn't fade in our dreams away | :25:11. | :25:20. | |
# It's 8.15, and that's the time that it's always been | :25:20. | :25:25. | |
# We got your message on the radio | :25:25. | :25:28. | |
# Conditions normal and you're coming home | :25:28. | :25:34. | |
# Enola Gay, is mother proud of little boy today | :25:34. | :25:44. | |
:25:44. | :25:44. | ||
# Aha, this kiss you give | :25:44. | :25:46. | |
# It's never ever gonna fade away. # | :25:46. | :25:54. | |
CHEERING AND APPLAUSE | :25:54. | :26:04. | |
:26:04. | :26:13. | ||
a of our guests - Deap Vally, Miguel and | :26:13. | :26:13. | |
and KT | :26:13. | :26:13. | |
and KT Tunstallment | :26:13. | :26:13. | |
and KT Tunstallment there'll | :26:13. | :26:18. | |
and KT Tunstallment there'll be more from all of my guests on Friday at | :26:18. | :26:23. | |
11 o'clock on BBC Two, plus a bit of this man who you are going to get a | :26:23. | :26:30. | |
short bit of now, George the Poet. Whether it is making money or | :26:30. | :26:36. | |
spitting fire in a booth my number one goal is inspiring the youth. | :26:36. | :26:42. | |
Please don't let this life make you cold, you are far too young, I was | :26:42. | :26:48. | |
given this world but I didn't make it, but I bet it can make it better. | :26:48. | :26:56. | |
Make sure your love is the greatest ever. It is the gardener's job to | :26:56. | :27:01. | |
terminate the weeds though, everything is going to be fine, | :27:01. | :27:09. | |
breathe slow. Much more from him, but now Beady | :27:09. | :27:19. | |
:27:19. | :27:19. | ||
Apology for the loss of subtitles for 97 seconds | :27:19. | :27:59. | |
# Woke up this morning I was laid # With the moon and the room on the | :27:59. | :28:08. | |
# I took a needle, sewed myself right back at the seams | :28:08. | :28:13. | |
# I saw my universal gleam | :28:13. | :28:23. | |
:28:23. | :28:24. | ||
# I see the wonder of life and love for the one | :28:24. | :28:30. | |
# Just taking a walk in the sun in time | :28:30. | :28:37. | |
# In just a second, like the ghost of a bad idea | :28:37. | :28:43. | |
# I feel myself getting the fear | :28:43. | :28:53. | |
:28:53. | :29:05. | ||
# Come on, have we decided if we like being part of the plan? | :29:06. | :29:13. | |
# The sands are shifting and there's nowhere to land | :29:13. | :29:18. | |
# It's on | :29:18. | :29:21. | |
# It doesn't matter if all the best tickets are sold | :29:21. | :29:26. | |
# And all the old stories are told | :29:26. | :29:32. | |
# I know | :29:32. | :29:35. | |
# You're gonna tell me that you hear every word I say | :29:35. | :29:40. |