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Welcome to Jools Holland. And Thank you Phoenix. Entertainment | :04:29. | :04:36. | |
and more from them later. A talent from North Carolina | :04:36. | :04:41. | |
tonight - we will be welcoming Eric Church. | :04:41. | :04:49. | |
We'll have Laura Marling. And in this room, one of the most legendry | :04:49. | :04:57. | |
bands of all time - the Eagles. Another amazing legend, we have | :04:57. | :05:04. | |
Petula Clark. From West Africa, we are thrilled | :05:04. | :05:09. | |
to have back in the studio Rokia Traore. | :05:09. | :05:19. | |
:05:19. | :05:19. | ||
Apology for the loss of subtitles for 232 seconds | :05:19. | :09:11. | |
But now, from London AlunaGeorge. We welcome a marvellous singer. We | :09:11. | :09:21. | |
:09:21. | :09:23. | ||
welcome her back - she has a lovely We'll hear songs now from Rokia | :09:23. | :09:33. | |
:09:33. | :09:33. | ||
Apology for the loss of subtitles for 232 seconds | :09:33. | :13:06. | |
Rokia Traore. She will be on the Pyramid Stage later in the year at | :13:06. | :13:12. | |
Glastonbury. Yes, Rokia Traore. Now, the next people I am toing to have | :13:12. | :13:17. | |
some routine inquir -- going to have some routine inquiries over | :13:17. | :13:27. | |
:13:27. | :13:27. | ||
here with, are the most successful band - yes, they are from the | :13:27. | :13:33. | |
Eagles. Great to have you here and you are here with the history of | :13:33. | :13:40. | |
the Eagles is coming out on a DVD. It is an extraordinary film. It | :13:40. | :13:45. | |
will be shown as well on BBC Two very shortly. In doing this film, | :13:45. | :13:48. | |
it must have made you look back at everything. Have you learned things | :13:48. | :13:53. | |
from it, do you think that you didn't realise yourself about the | :13:53. | :13:57. | |
didn't realise yourself about the band? Well, it helped me understand | :13:57. | :14:02. | |
some stuff that I was always scratching my head about. Hearing | :14:02. | :14:10. | |
the other guys - their part of the journey - a couple of times I said, | :14:10. | :14:19. | |
"Oh, I see! I see." Would you say that - is that true | :14:19. | :14:23. | |
to you? Definitely. A very interesting ride. When I came to | :14:23. | :14:27. | |
the band I heard all these stories that you see in the film, but I | :14:27. | :14:33. | |
didn't get a lot of the detail. The first time I saw the rough cut I | :14:33. | :14:40. | |
actually learnt some stuff myself. I think you came in '77. Joe you | :14:40. | :14:47. | |
were in '75. The group existed already up until then. Was it hard | :14:47. | :14:53. | |
to come into a group where they had two strong characters in it | :14:53. | :14:58. | |
already? There were some band dynamics going on, which I had to | :14:58. | :15:05. | |
step in and learn and adapt to. pecking order was already in | :15:05. | :15:10. | |
existence When you first went in and joined the Eagles, what was | :15:10. | :15:15. | |
your perception of the band and is that how it turned out, sort of | :15:16. | :15:21. | |
thing? All I really knew is I loved the band. I loved all their records | :15:21. | :15:30. | |
before I joined and I thought those vocals, with some rock'n'roll and | :15:30. | :15:36. | |
lead guitar could be very powerful, so that is how I kind of came in. | :15:36. | :15:44. | |
We all agreed that we would try me being in the band and out of that | :15:44. | :15:48. | |
came Hotel California. After that there was no turning back. In fact | :15:48. | :15:56. | |
we have a clip of Hotel California, from this history of the Eagles. | :15:56. | :16:00. | |
# There she stood in the door way # Heard the mission bell | :16:00. | :16:07. | |
# And I was thinking to myself # This could be heaven or this | :16:07. | :16:12. | |
could be hell # If she lit up a candle and she | :16:12. | :16:16. | |
showed me the way # There were voices down the | :16:16. | :16:19. | |
corridor # I thought I heard them say | :16:20. | :16:27. | |
# Welcome to the Hotel California # Such a lovely place | :16:27. | :16:37. | |
:16:37. | :16:38. | ||
# Such a lovely place # Fantastic stuff! | :16:39. | :16:45. | |
Really, really wonderful stuff, I mean and then, I mean, in the 1970s, | :16:45. | :16:51. | |
the group propelled, once you were all together, into earth-shattering | :16:51. | :16:56. | |
success. Did it surprise you the success the band had? It was pretty | :16:56. | :17:03. | |
successful by the time I joined. It continued before it actually fell | :17:03. | :17:08. | |
apart, it went up another notch and then it kind of imploded for a | :17:08. | :17:14. | |
while, for quite a while. Was it a champagne lifestyle all the way - | :17:14. | :17:24. | |
one of the most successful group ever. We could do pretty much all | :17:24. | :17:28. | |
we wanted. Everything you heard. is true. We dare not say it here on | :17:28. | :17:32. | |
the programme. They could see a glimpse of that. Eventually after | :17:32. | :17:38. | |
selling these millions of records, you got together in '94, but you | :17:38. | :17:47. | |
split up. What was the reason for that? I think we achieved a success | :17:47. | :17:52. | |
that we never dreamed. We never dreamed Hotel California would | :17:52. | :17:58. | |
affect that many people on if planet and then it got bigger than | :17:58. | :18:02. | |
that. Then we became financially important, and then it got bigger | :18:02. | :18:10. | |
than that. A lot of non-musical stuff came along with the success | :18:10. | :18:18. | |
that overshadowed the music, which is how we got there in the first. | :18:18. | :18:26. | |
We kind of lost our perspective. Also we were workaholics. We didn't | :18:26. | :18:31. | |
take enough breaks. Had we taken long vacations from each other, it | :18:31. | :18:36. | |
may not have exploded like that. It came to a head and we had to stop. | :18:36. | :18:43. | |
What is next for the band? Can we hope to see any tours or records? | :18:43. | :18:50. | |
think so. The documentary is out and I think it is our 41st year as | :18:50. | :19:00. | |
:19:00. | :19:00. | ||
a band. We're going to regroup and retool and get a new show based | :19:00. | :19:06. | |
around some of the retrospective stuff. I have heard some talk of | :19:06. | :19:11. | |
coming over this side of the world too. We would love to see you, | :19:12. | :19:20. | |
wouldn't we? Thank you very much for joining us. You can see the | :19:20. | :19:25. | |
History of the Eagles next month on BBC Two and it is out on DVD. Now I | :19:25. | :19:35. | |
:19:35. | :19:35. | ||
Apology for the loss of subtitles for 232 seconds | :19:35. | :22:49. | |
go to this direction and welcome The wonderful Eric Church - a Drink | :22:50. | :22:56. | |
In My Hand. Now we sweep around into the middle of the room,ing | :22:56. | :23:01. | |
back somebody who appeared on this show at 17 - we are delighted to | :23:01. | :23:11. | |
:23:11. | :23:11. | ||
Apology for the loss of subtitles for 232 seconds | :23:11. | :30:40. | |
have her back now. We welcome Laura Phoenix. In a moment I will chat | :30:40. | :30:50. | |
:30:50. | :30:51. | ||
Apology for the loss of subtitles for 232 seconds | :30:51. | :35:12. | |
with Petula Clark. First another And now, at the piano, I am | :35:12. | :35:21. | |
delighted to welcome somebody who come on with the big band - she is | :35:21. | :35:27. | |
so amazing. We love her - it is Petula Clark. It is lovely to have | :35:27. | :35:31. | |
you here. When you came on New Year's eve, you did one of the | :35:31. | :35:39. | |
songs you did was Crazy, which is from your new album. Lots of brand | :35:39. | :35:44. | |
new songs, some pletly brand new - what -- completely brand new - what | :35:44. | :35:50. | |
draws you to a song? I don't know - what draws you to a song? It is | :35:50. | :35:56. | |
music and lyrics. It is not just a great song, great lyrics - it's the | :35:56. | :36:02. | |
combination of the two. These wonderful young songwriters were | :36:02. | :36:07. | |
coming into the studio and I was like, yes, I want to do that. We | :36:07. | :36:15. | |
did some covers, including Down Town, which I didn't want to do, | :36:15. | :36:21. | |
but it is interesting. The Eagles and you have had a great success. | :36:21. | :36:28. | |
You became a great star in France - which is unique. Do they have a | :36:28. | :36:34. | |
different sense of music there - are they more romantic? | :36:34. | :36:38. | |
language is more romantic. I didn't speak any French. I wanted to be | :36:38. | :36:44. | |
with a bloke, you know. It was a love story and the career just | :36:44. | :36:47. | |
followed. I learnt a lot about singing in a slightly different way. | :36:47. | :36:56. | |
I saw Piaff and many other great artists. I was on tour and suddenly | :36:56. | :37:00. | |
I saw people giving their hearts, their souls and their guts and | :37:00. | :37:04. | |
everything in a song and I hadn't seen that before and that was quite | :37:04. | :37:10. | |
a lesson for me. Well, it was one that went very well because you | :37:11. | :37:16. | |
then had tremendous worldwide success. With the Tony Hatch songs | :37:16. | :37:26. | |
:37:26. | :37:28. | ||
- that sort of propelled.: We have # You walked out on me when we both | :37:28. | :37:31. | |
disagree # Because to reason is not what you | :37:31. | :37:41. | |
:37:41. | :37:43. | ||
care for # I've heard it all a million times | :37:43. | :37:47. | |
before # Take off your coat, my love | :37:47. | :37:53. | |
# And close the door # Don't sleep in the subway, | :37:53. | :37:57. | |
darling # Don't stand in the pouring rain | :37:57. | :38:01. | |
# Don't sleep in the subway, darling | :38:01. | :38:05. | |
# The night is long # Nothing's wrong | :38:06. | :38:15. | |
:38:16. | :38:24. | ||
APPLAUSE So glamorous - it seems like a | :38:25. | :38:29. | |
glamorous time. Are things different now? I think it was from | :38:29. | :38:33. | |
the States. It was well photographed and the songs were | :38:33. | :38:39. | |
amazing. Tony went on writing fantastic songs. Glamorous well, I | :38:39. | :38:45. | |
suppose I was working very hard. Seeing the guys from the Eagles - I | :38:46. | :38:51. | |
was such a fan of all the music. American music of the '60s was | :38:51. | :38:58. | |
amazing. It was a pretty intense time. I had two small children, I | :38:58. | :39:03. | |
was trying to be a good wife, mother, performer and all the | :39:03. | :39:08. | |
travelling and the stuff - you know all about that. Very busy? Yes, | :39:08. | :39:12. | |
very busy. This new record is great. In a moment we will do the title | :39:12. | :39:16. | |
track. Where does that one come from? Well, the hole of this record | :39:16. | :39:20. | |
was very easy to do because it was, we weren't trying to prove anything, | :39:20. | :39:26. | |
we were not trying to go back to the '60s and say it's time to do | :39:26. | :39:31. | |
that again. We not do that any way. This is a totally different feel. I | :39:31. | :39:36. | |
enjoy it immensely. Thank you very much, Petula Clark. | :39:36. | :39:43. | |
APPLAUSE We will be hearing the wonderful | :39:43. | :39:49. | |
Petula Clark in a moment. Now, as I said, bulging with talent, we go to | :39:49. | :39:59. | |
:39:59. | :39:59. | ||
Apology for the loss of subtitles for 232 seconds | :39:59. | :46:19. | |
The wonderful, the wonderful Petula Clark. Lost In You. Before that we | :46:19. | :46:29. | |
:46:29. | :46:29. | ||
Apology for the loss of subtitles for 232 seconds | :46:29. | :50:18. | |
heard AlunaGeorge. Now we welcome Laura Marling. Now we enjoy over | :50:18. | :50:28. | |
:50:28. | :50:28. | ||
Apology for the loss of subtitles for 232 seconds | :50:28. | :53:15. | |
here from North Carolina the sound # Maybe it's a suicide | :53:15. | :53:25. | |
:53:25. | :53:25. | ||
# I've got to get out while I'm still young | :53:25. | :53:35. | |
:53:35. | :53:45. | ||
# Maybe we were born to run # Oh-oh oh oh | :53:45. | :53:53. | |
# Whoa-whoa # Yes like that | :53:53. | :54:03. | |
:54:03. | :54:03. | ||
Apology for the loss of subtitles for 232 seconds | :54:03. | :59:05. | |
Before that we enjoyed Eric Church. And now I am delighted have them | :59:05. | :59:15. | |
:59:15. | :59:15. | ||
Apology for the loss of subtitles for 232 seconds | :59:15. | :02:31. | |
Thank you Phoenix. Marvellous to see them here in this | :02:31. | :02:37. | |
room. If you have enjoyed being in this room with you, you can see us | :02:37. | :02:42. | |
next week. As we have got to the end of this show, let's thank our | :02:42. | :02:51. | |
guests and go back to Dave. Have you got something in the key of G? | :02:51. | :02:55. | |
Nice! So, let's thank all our beautiful guests who have been here | :02:55. | :02:59. | |
this evening. Let's thank the wonderful Petula Clark. | :02:59. | :03:06. | |
APPLAUSE We were delighted to have the | :03:06. | :03:14. | |
Eagles. APPLAUSE We loved Laura Marling. APPLAUSE. | :03:14. | :03:22. | |
We really enjoyed much Eric Church. APPLAUSE | :03:22. | :03:28. |