Episode 3 Later... with Jools Holland


Episode 3

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Welcome to Jools Holland. And Thank you Phoenix. Entertainment

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and more from them later. A talent from North Carolina

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tonight - we will be welcoming Eric Church.

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We'll have Laura Marling. And in this room, one of the most legendry

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bands of all time - the Eagles. Another amazing legend, we have

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Petula Clark. From West Africa, we are thrilled

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to have back in the studio Rokia Traore.

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Apology for the loss of subtitles for 232 seconds

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But now, from London AlunaGeorge. We welcome a marvellous singer. We

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welcome her back - she has a lovely We'll hear songs now from Rokia

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Apology for the loss of subtitles for 232 seconds

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Rokia Traore. She will be on the Pyramid Stage later in the year at

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Glastonbury. Yes, Rokia Traore. Now, the next people I am toing to have

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some routine inquir -- going to have some routine inquiries over

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here with, are the most successful band - yes, they are from the

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Eagles. Great to have you here and you are here with the history of

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the Eagles is coming out on a DVD. It is an extraordinary film. It

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will be shown as well on BBC Two very shortly. In doing this film,

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it must have made you look back at everything. Have you learned things

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from it, do you think that you didn't realise yourself about the

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didn't realise yourself about the band? Well, it helped me understand

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some stuff that I was always scratching my head about. Hearing

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the other guys - their part of the journey - a couple of times I said,

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"Oh, I see! I see." Would you say that - is that true

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to you? Definitely. A very interesting ride. When I came to

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the band I heard all these stories that you see in the film, but I

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didn't get a lot of the detail. The first time I saw the rough cut I

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actually learnt some stuff myself. I think you came in '77. Joe you

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were in '75. The group existed already up until then. Was it hard

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to come into a group where they had two strong characters in it

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already? There were some band dynamics going on, which I had to

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step in and learn and adapt to. pecking order was already in

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existence When you first went in and joined the Eagles, what was

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your perception of the band and is that how it turned out, sort of

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thing? All I really knew is I loved the band. I loved all their records

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before I joined and I thought those vocals, with some rock'n'roll and

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lead guitar could be very powerful, so that is how I kind of came in.

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We all agreed that we would try me being in the band and out of that

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came Hotel California. After that there was no turning back. In fact

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we have a clip of Hotel California, from this history of the Eagles.

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# There she stood in the door way # Heard the mission bell

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# And I was thinking to myself # This could be heaven or this

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could be hell # If she lit up a candle and she

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showed me the way # There were voices down the

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corridor # I thought I heard them say

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# Welcome to the Hotel California # Such a lovely place

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# Such a lovely place # Fantastic stuff!

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Really, really wonderful stuff, I mean and then, I mean, in the 1970s,

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the group propelled, once you were all together, into earth-shattering

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success. Did it surprise you the success the band had? It was pretty

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successful by the time I joined. It continued before it actually fell

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apart, it went up another notch and then it kind of imploded for a

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while, for quite a while. Was it a champagne lifestyle all the way -

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one of the most successful group ever. We could do pretty much all

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we wanted. Everything you heard. is true. We dare not say it here on

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the programme. They could see a glimpse of that. Eventually after

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selling these millions of records, you got together in '94, but you

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split up. What was the reason for that? I think we achieved a success

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that we never dreamed. We never dreamed Hotel California would

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affect that many people on if planet and then it got bigger than

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that. Then we became financially important, and then it got bigger

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than that. A lot of non-musical stuff came along with the success

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that overshadowed the music, which is how we got there in the first.

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We kind of lost our perspective. Also we were workaholics. We didn't

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take enough breaks. Had we taken long vacations from each other, it

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may not have exploded like that. It came to a head and we had to stop.

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What is next for the band? Can we hope to see any tours or records?

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think so. The documentary is out and I think it is our 41st year as

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a band. We're going to regroup and retool and get a new show based

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around some of the retrospective stuff. I have heard some talk of

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coming over this side of the world too. We would love to see you,

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wouldn't we? Thank you very much for joining us. You can see the

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History of the Eagles next month on BBC Two and it is out on DVD. Now I

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Apology for the loss of subtitles for 232 seconds

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go to this direction and welcome The wonderful Eric Church - a Drink

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In My Hand. Now we sweep around into the middle of the room,ing

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back somebody who appeared on this show at 17 - we are delighted to

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Apology for the loss of subtitles for 232 seconds

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have her back now. We welcome Laura Phoenix. In a moment I will chat

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Apology for the loss of subtitles for 232 seconds

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with Petula Clark. First another And now, at the piano, I am

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delighted to welcome somebody who come on with the big band - she is

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so amazing. We love her - it is Petula Clark. It is lovely to have

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you here. When you came on New Year's eve, you did one of the

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songs you did was Crazy, which is from your new album. Lots of brand

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new songs, some pletly brand new - what -- completely brand new - what

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draws you to a song? I don't know - what draws you to a song? It is

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music and lyrics. It is not just a great song, great lyrics - it's the

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combination of the two. These wonderful young songwriters were

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coming into the studio and I was like, yes, I want to do that. We

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did some covers, including Down Town, which I didn't want to do,

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but it is interesting. The Eagles and you have had a great success.

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You became a great star in France - which is unique. Do they have a

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different sense of music there - are they more romantic?

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language is more romantic. I didn't speak any French. I wanted to be

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with a bloke, you know. It was a love story and the career just

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followed. I learnt a lot about singing in a slightly different way.

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I saw Piaff and many other great artists. I was on tour and suddenly

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I saw people giving their hearts, their souls and their guts and

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everything in a song and I hadn't seen that before and that was quite

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a lesson for me. Well, it was one that went very well because you

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then had tremendous worldwide success. With the Tony Hatch songs

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- that sort of propelled.: We have # You walked out on me when we both

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disagree # Because to reason is not what you

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care for # I've heard it all a million times

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before # Take off your coat, my love

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# And close the door # Don't sleep in the subway,

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darling # Don't stand in the pouring rain

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# Don't sleep in the subway, darling

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# The night is long # Nothing's wrong

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APPLAUSE So glamorous - it seems like a

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glamorous time. Are things different now? I think it was from

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the States. It was well photographed and the songs were

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amazing. Tony went on writing fantastic songs. Glamorous well, I

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suppose I was working very hard. Seeing the guys from the Eagles - I

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was such a fan of all the music. American music of the '60s was

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amazing. It was a pretty intense time. I had two small children, I

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was trying to be a good wife, mother, performer and all the

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travelling and the stuff - you know all about that. Very busy? Yes,

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very busy. This new record is great. In a moment we will do the title

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track. Where does that one come from? Well, the hole of this record

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was very easy to do because it was, we weren't trying to prove anything,

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we were not trying to go back to the '60s and say it's time to do

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that again. We not do that any way. This is a totally different feel. I

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enjoy it immensely. Thank you very much, Petula Clark.

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APPLAUSE We will be hearing the wonderful

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Petula Clark in a moment. Now, as I said, bulging with talent, we go to

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Apology for the loss of subtitles for 232 seconds

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The wonderful, the wonderful Petula Clark. Lost In You. Before that we

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Apology for the loss of subtitles for 232 seconds

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heard AlunaGeorge. Now we welcome Laura Marling. Now we enjoy over

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Apology for the loss of subtitles for 232 seconds

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here from North Carolina the sound # Maybe it's a suicide

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# I've got to get out while I'm still young

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# Maybe we were born to run # Oh-oh oh oh

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# Whoa-whoa # Yes like that

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Apology for the loss of subtitles for 232 seconds

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Before that we enjoyed Eric Church. And now I am delighted have them

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Apology for the loss of subtitles for 232 seconds

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Thank you Phoenix. Marvellous to see them here in this

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room. If you have enjoyed being in this room with you, you can see us

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next week. As we have got to the end of this show, let's thank our

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guests and go back to Dave. Have you got something in the key of G?

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Nice! So, let's thank all our beautiful guests who have been here

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this evening. Let's thank the wonderful Petula Clark.

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APPLAUSE We were delighted to have the

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Eagles. APPLAUSE We loved Laura Marling. APPLAUSE.

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We really enjoyed much Eric Church. APPLAUSE

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