Episode 2 Later... with Jools Holland

This programme contains some strong APPLAUSE

I am delighted to be back. I am # There's a time to remember

# Don't worry about things you # There's a place I wanna go

# It's all right, it's OK you can do just what you want to

# Take your time, walk away

# You can come back if you're supposed to

# I don't care about tomorrow when I feel like this today

# Fake nostalgia for another's past has never been my way

# Don't believe what they tell you let your will be your guide

# There's no point in pretending when you know that it's died

# It's all right, it's OK, you can't fix it once it's been broken

# Take your time, walk away

# You can't close it once it's been opened

# Many times all alone in your room at night

# And you cry, and you cry

# Walking down lonely streets no-one to speak

# And you cry, and you cry

# Ooh la la la Ooh la la la

# Ooh la la la Ooh la la la

# Ooh la la la Ooh la la la

Ooh la la la you've got everything you need

# In this asphyxiation culture there's no place for the weak

# People circle like vultures waiting for someone to freak

It's all right, it's OK, you can do just what you want to

# Take your time, walk away

# You can come back if you're supposed to

# Ooh la la la Ooh la la la

# Ooh la la la Ooh la la la

# Ooh la la la Ooh la la la

if you truly believe Ooh la la la

# It's all right, baby. # CHEERING AND APPLAUSE

It's Alright, It's OK, Primal Scream. From Essex, Jamie Cullum.

APPLAUSE All the way with an amazing voice,

Ana Moura. From Nashville, we welcome, nice Night Beds and now we

# Hey you, remember me? # My time, you took it all

# It isn't fair, to have your way to try and get up and go

# And na na na na now can't you see

# It isn't fair to have your way

# But I'm trying to get your attention

# And I need you to know that

# Hey you, hey you

# Can't you make this sane?

# I know, I know, I know you ain't the one to play the game

# Now I know I'm never gonna go your way

# If you go, now I know I know know know

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me

# Forever I'll try for you and I

# No, I never believed in their insight

# Just another good reason to get it right

# I don't want to turn around

# So come on, baby

# Come on and try to let it out let it go

# We're still the same

# So come on, baby

# Trigger the sound let's figure it out

# Let's get back to where we started out

# Hey you, hey you

# Can't you make this sane?

# I know, I know, I know you ain't the one to play the game

# Now I know I'm never gonna go your way

# If you go, now I know I know know know

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me

# Forever I'll try for you and I

# No, I never believed in their insights

# Just another good reason to get it right

# Go go go go get out get out of my memory

# No no no, not tonight I don't have the energy

# Go go go go get out get out of my memory

# No no no, not tonight oh not tonight, oh not tonight

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me forever I'll try for you and I

# No I never believed in their insight

# Just another good reason to get it right

# Forever we tried to make it right together we saw the end in sight

# I'm tired of fighting the good fight

# If you say the word then I'll say goodbye

# Forever I see you and me

# Forever I'll try for you and I

# No, I never believed in their insights

# Just another good reason to get it right

# Forever we tried forever we tried

# forever we tried forever we tried

# Forever we tried forever we tried

# Forever we tried forever we tried. #

CHEERING AND APPLAUSE

I am delighted to have our next guest,

guest, Jamie

guest, Jamie Cullum.

# So reach out for the things that you can use

# Buried in the ground

# I think I've been misunderstood

# Not all my choices have been good

# So we should put this one to bed before it bursts out of my head

# Ready for the fight

# When it gets too late and I find my place

# Who will save your soul and love me

# Here when it gets too far

# Well, let down your guard

# Who will save your soul and love me

# Here

# Inside of another tiny life full of big ideas

# It strikes me with the baggage left behind

# I could dry those tears

# All of my secrets they are free

# Now watch them tumble out of me into better days

# So save those homiletic tones and conjure singing from the moans

# And you'll hear me say

# When it gets too late and I find my place

# Who will save your soul and love me

# Here when it gets too far

# Well, let down your guard

# Who will save your soul and love me

# Here

# Oh oh oh oh

# Oh oh oh oh

# Oh oh oh oh

# Cleaner than where our pounding # When it gets too late and I find

# Who will save your soul and love me

# Here when it gets too far

# Well, let down your guard

# Who will save your soul and love me

# Here

CHEERING AND APPLAUSE

Thank

Thank you.

Thank you. The

Thank you. The wonderful and person that is Jamie Cullum. Save Your

Soul from his new album, men tum. Now, -- momentum, now, another

person with an amazing voice who told more of her life in her latest

book. Welcome Tracey. Jamie said it was a good book, he read it.

Talking about amazing voices, you have an amazing voice. When did you

first realise that you had that sort of gift and music was going to

be the thing for you? Well, I certainly didn't know at the

beginning. I tell the story in the book, the first band I was in, I

was the second guitarist, not the singer. We were rehearsing and one

of the guys said, "Can you sing?" I said, "I am too shy. Can I get

inside the wardrobe." I got inside and sang sang David Bowie's Rebel,

Rebel. That was the first moment I thought well, maybe I can sing.

The confidence wasn't there at that point? No, it wasn't.

Your book has two titles. Yes, Disco Queen and How I Grew Up and

Tried To Be A Pop star. There is people who think of me making indy

records from a bedsit in Hull and there is other eem other people who

think of me as making dance records. It is interesting when you are

around for a long time, you start to realise that you mean different

things to different people. And the other thing is you started

in smaller groups and then you had huge global success and hit records

in America and all that. Did that change your life dramatically?

it did. We had periods where we were successful and periods when it

died down again and the biggest period for us was after the success

of Missing and the album that came after that. We had two or three

years of being very successful and properly living the pop star

lifestyle. What kind of lifestyle? Non-stop

touring and recording and doing things like this.

We have got a little bit of footage because you collaborated with lots

of different people. Anyway, in this particular collaboration, I

think, we have got you on this very show... Probably.

With Massive Attack. # Freedom

# I can't say that better things will surely come my way

# I can't better things will surely APPLAUSE

Beautiful singing. Beautiful singing. The last time you were on

the show, you sang even more beautifully if I may say so at this

piano probably. Can you remember anything of that evening? Well, I

think that's the evening that I tell the story I have in my book.

Courtney Love was on the show. At the beginning of the show when when

everyone is around and before the show started, she put her guitar

down and strode across that central central space... She is quite an

opposing figure. She said, "I have to tell you, Kurt and I were huge

fans. We do a cover of one of your Marine Girls songs.

That was the first band I was in and very obscure and I thought, "Is

that even true?" I thought maybe that's through and Curt's journals

were released and there is his favourite albums and he goes public

enemy, The Marine Girls. You can never tell what people are

listening to, that's right and how it interconnects. Now, historically,

I was trying to think of this earlier, but there are a number of

people in music that work with their partners. I mean, Johnny Cash,

June Carter and Ashford and Simpson, Ike and Tina Turner...

It doesn't always work. Do you want to refer to that one? In music, it

is a thing. What are the good and the bad parts about that, because

you are, of course, musically and also a partner... Ben and I work

together and we were a couple for years and sometimes I look back and

think, "How did we make it work?" I do wonder. We got on well and

partly you share a lot in common because you are engaged in the same

process that you are inbled bli committed to. In a way that's good

for a partnership. I am not sure where we can do that forever. We

work more separately. We have a little bit more detachment from

each other and that's probably essential.

It has been lovely talking to. I I look forward to having you on

the show again and singing. Thank you.

Good, I think you will agree, well you probably already do, it is

# Yeah, so, um, wait a second # Sold your liver but you're still

# Sold my feelings now I'm hanging by a thread

# Bad and it's creeping its way through my windows

# And it's slithering under my door

# And it's in my peripheral vision And it's pourin' up under my floor

# And it's whispering into my eardrums

# And it's telling me that I want more

# But I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# And that eureka moment hits you like a cop car

# And you wake up just head and shoulders in a glass jar

# You clear your throat you raise your eyebrow but you don't say

# There's something wrong but it's OK if we're still getting paid

# Yeah, you're ravenous you're champing at the bit

# Just a cog next to a cog next to a pit

# I would burn to break away and rest my ears

# No more lightning no more solace in arrears

# Bad and it's creeping its way through my windows

# And it's slithering under my door And it's in my peripheral vision

# And it's pourin' up under my floor And it's whispering into my eardrums

# And it's telling me that I want more

# But I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# And that eureka moment hits you like a cop car

# And you wake up just head and shoulders in a glass jar

# You clear your throat

# You raise your eyebrow but you don't say

# There's something wrong but it's OK if we're still getting paid

# But I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# I'm coming alive I'm happening now

# And that eureka moment hits you like a cop car

# And you wake up just head and shoulders in a glass jar

# You clear your throat you raise your eyebrow but you don't say

# There's something wrong but it's OK if we're still getting paid

# But I'm coming alive Cough cough. #

CHEERING AND APPLAUSE

Everything

Everything Everything.

Everything Everything. Now,

Everything Everything. Now, we are privileged and honoured to welcome

one of the greatest singers from # You said "I am as constant

# And I said, # "If you want me

# I drew a map of Canada Oh, Canada

# With your face sketched on it twice

# Oh, you're in my blood like holy wine

# You taste so bitter and so sweet

# Oh, I could drink a case of you, darling

# And I would still be on my feet I would still be on my feet

# Oh, I am a lonely painter I live in a box of paints

# I'm frightened by the devil

# And I'm drawn to those ones that ain't afraid

# I remember that time you told me

# "Love is touching souls"

# Surely you touched mine cos part of you pours out of me

# In these lines from time to time

# Oh, you're in my blood like holy wine

# You taste so bitter and so sweet

# Oh, I could drink a case of you, darling

# And I would still be on my feet I would still be on my feet

# I met a woman She had a mouth like yours

# Oh, but you are in my blood You're my holy wine

# You taste so bitter and so sweet

# Oh, I could drink a case of you, darling

# And I would still be on my feet I would still be on my feet. #

CHEERING AND APPLAUSE

# 21st Century slaves A peasant underclass

# Television propaganda-fed How long will this shit last?

# Punk rock came and went and nothing changed

# Was it just a pose?

# Every generation buys the lies Just like the one before

# It's the final solution To teenage revolution

# The total subjugation of the rock and roll nation

# Inducted, corrupted, seduced and reduced

# Deluded, excluded Shackled and hooded

# 2013, 2013, 2013, 2013

# What happened to the voices of dissent?

# Getting rich I guess

# Become part of the establishment Power corrupts the best

# They killed the counter-culture underground

# It offers no critique

# No revolutionary spirit left They've sanitised the freaks

# 2013, 2013, 2013, 2013

# It's the final solution To teenage revolution

# The total subjugation Of the rock and roll nation

# Inducted, corrupted, seduced and reduced

# Deluded, excluded Shackled and hooded

# 2013, 2013, 2013, 2013

# 2013, 2013, 2013, 2013

CHEERING AND APPLAUSE

Primal

Primal Scream

Primal Scream 2013.

Primal Scream 2013. Yes, thank you so much.

Before that, a lot of beautiful voices in here tonight, we enjoyed

Ana Moura. We welcome now for a little chat about his new record,

Jamie Cullum. APPLAUSE

Now, Momentum, it is a great record and it seems to me, listening to it,

it is a different direction. Would I be right in thinking that? Yeah,

you would. I decide to give my own songs more of a chance. Normally it

has been half other people's songs and half my own songs and your own

songs never get a chance when they are up against others and I decided

I would give it a go and see if my songs could stand up on their own.

They sound great. The two covers that you have done, what made you

choose those? I did another Cold Porter song song called Love For

Sale. It is not like any other version of it I I have ever heard

and why do it the same? The Cold Porter estate were really

supportive. It seemed like an obvious thing and it sounds great.

What inspires you when you write? am a bit of a believer in showing

up to work, just showing up in front of the piano and seeing what

comes out. I had two kids in the last couple of years so a lot of

that fatherhood thing and just kind of manning up and finding out who

you really are is more of the stuff that happens in this record really.

You have been a great am bass dor for jazz, -- ambassador for jazz,

do you see yourself as a jazz artist or a broader artist?

jazz came later and my interest in jazz started out, I was trying to,

I just wanted to be good at the instrument and every time I went to

listen to jazz music I saw these gifted musicians who could do

anything. I will always play jazz and doing that enables you you to

try out this other stuff. What sort of music were you listening to

before that? Iron Maiden and heavy metal. It was the guitar solicitor

owes. I was always -- solos. It was the guitar players. I did what my

brother did! You can't go wrong to copy that thing. Like me, you have

a show on Radio 2. And I particularly, I love doing the show

because it means that I have to go through my record collection. It

also means I can have dialogues with the dead and find all sorts of

things that you couldn't play and it makes me go to second-hand

record shops and find all the things and that's why I love it.

What do you love about doing your radio show? I get to play this

music to 7pm on a Tuesday night on Radio 2 and it is such an odd place

and you get 13-year-olds saying I had no idea that Robbie Coltrane

who play the saxophone. It is a great opportunity. It is an

extension, I am always making mixes for people. It is a dream to do

that. It has been fantastic having you

here as our guest. Let's finish with, I think we are in the key of

APPLAUSE Thank you so much, Jamie Cullum.

We will be hearing more from him from his Momentum LP. Now, they are

both from Nashville, we welcome # Come on, Ramona

# Come on Ramona They give me nothing

# Bringing me something I know you feel so alone, alone

# With a heart that always fails

# My love's gone off the rails

# Like a ship without a sail

# Sinking underneath the wave Yeah!

# Come on, Ramona Church bells are ringing

# Everyone singing Why do we feel so alone?

# Come on, come on, Ramona Make it your mantra

# Lock what they taught ya Take back a laugh that they stole

# With a heart that always fails

# My love's gone off all the rails

# Like a ship without a sail

# Drowning underneath the wave

# With a heart that always fails

# My love's gone off all the rails

# All the planets have a way

# To meet us back to fate to never

# Never, never, never never, sever. #

# Never, never, never never, sever. #

# When you're gone all the dreams in my darkness

# Are your choice when they just finally start

# When you're gone all the dreams in my darkness

# Are your choice when they just finally start

# When you're gone all the dreams in my darkness

# Are your choice when they just finally start it's yours. #

CHEERING AND APPLAUSE

From

From Nashville,

From Nashville, thank

From Nashville, thank you, Night Beds.

APPLAUSE Now, let's go back into this corner

and welcome back from Los Angeles, # Take me back, ta-ta-take me back

# You say you will say you will save me

# You say you will say you will save me

# You say you will say you will save me

# You say you will say you will! Ah oh!

# Take me back Give it up, give it up to me

# Cos I can't go on if your love isn't strong

# See I want it all

Give me, give me all your love But if you can't hold on

# Then baby, baby don't save me now, no

# If your love isn't strong, baby Don't save me now, no, no

# All my life I wasn't trying to get on a highway

# I was wondering which way to go

# Spending all of my damn time

# Leaving all the weight behind yeah

# Take me back ta-ta-take me back

# To the song, how'd it used to go? Oh?

# Screaming for what was to come Now I'm dreaming 'bout the way I was

# You say you will say you will save me

# You say you will say you will save me

# You say you will say you will save me

# You say you will say you will! Ah, oh!

# Take me back Give it, up give it up to me

# Cos I can't go on if your love isn't strong

# See I want it all Give me, give me all your love

# But if you can't hold on

# Then baby, baby don't save me now If your love isn't strong

# No, baby don't save me now no, no

# And if I had to beg for your love

# Tell me, tell me Would it ever be enough?

# Te-te-tell me And if I had to beg for your love

# Tell me, tell me Would it ever be enough?

# So baby, don't save me No, baby, don't save me

# Baby, don't save me now, no, no If your love isn't strong

# Baby, don't save me now, no, no If your love isn't strong

# Baby, don't save me now, no, no If your love isn't strong

It's Alright, It's If your love isn't strong

Don't save me. # CHEERING AND APPLAUSE

# I've got some ways of believing now

# What you're leaving out what you're leaving out

# So take a reach down inside your soul

# What you gonna find? what you gonna find?

# And it's so deep down inside your soul

# What you leave behind what you leave behind

# I can hear it calling Can't you tell?

# I'm on the edge of something

# So I just keep running every time I lose my head

# I'm on the edge of something

# So I just keep falling every time I lose my head

# Are there some secrets embedded down

# In the frozen ground? in the frozen ground

# Under a cold moon and a fractured sky

# There's a universe there behind those eyes

# You're gonna make promises That you know you could

# That you know you could

# Cos no one here worships suddenness

# Though you wish they would though you wish they would

# I can hear it calling Can't you tell?

# I'm on the edge of something

# So I just keep running every time I lose my head

# I'm on the edge of something

# So I just keep falling every time I lose my head

# I don't need a vision

I'm just waiting on collisions of the brain and the heart

# Impatient for decisions and some stormy revelations

# I can claim from the start

# I'm kicking up a storm In the valley I was born

# I can hear the tower ring Out here on the edge of something

I'm on the edge of something

# So I just keep running every time I lose my head

# I'm on the edge of something

# So I just keep falling every time I lose my head yeah. #

CHEERING AND APPLAUSE

The

The brilliantly

The brilliantly talented,

The brilliantly talented, Jamie Cullum. From his Momentum LP.

Earlier on, we met some amazing singers and with a title track, we

# Canta-lo bem sem sequer # Senti-lo como ninguem

# Ai que tristeza esta minha alegria

# Ai que alegria esta tao grande tristeza

# Esperar que um dia eu nao espere mais um dia por aquele

# Que nunca vem e que aqui esteve presente

# Ai que saudade que eu tenho de ter saudade

# Saudades de ter alguem que aqui esta e nao existe

# Sentir-me triste so por me sentir tao bem

# E alegre sentir-me bem so por eu andar tao triste

# Ai se eu pudesse nao cantar "ai se eu pudesse"

# E lamentasse nao ter mais nenhum lamento

# Talvez ouvisse no silncio que fizesse

# Uma voz que fosse minha a cantar alguem ca dentro

# Ai que desgraa esta sorte que me assiste

# Ai mas que sorte eu viver tao desgraada

# Na incerteza que nada ais certo existe

# Alem da grande certeza de nao estar certa de nada

# Ai que saudade que eu tenho de ter saudade

# Saud ades de ter alguem que aqui esta e nao existe

# Sentir-me triste so por me sentir tao bem

# E alegre sentir-me bem so por eu andar tao triste

# Ai que saudade que eu tenho de ter saudade

# Saud ades de ter alguem que aqui esta e nao existe

# Sentir-me triste so por me sentir tao bem

# E alegre sentir-me bem so por eu andar tao triste. #

CHEERING AND APPLAUSE

# Four walls and a cauldron of Kalashnikoving

# And our home is a trigger that I'm always pulling

# At the border, at the, at the border

# I'm at the border, at the, at the border

# The short spears and the weak eternal monologuing

# And our war is the crucible of all your longing

# At the border, at the, at the border I'm at the border

# At the, at the border

# I was there when the clamour got real

# I was there when your brow smashed the wall

# It's like a riot with only two perps

# The more I'm here I'm making it worse

# But does it feel like you're already dead?

# Yes

# And do you feel like your brain stopped delivering?

# Yeah, break my finger shoot out my black eyes

# What does it matter if everyone dies?

# Hey, Kemosabe, I'm alone

# I, I am alone Hi-ho Silver away

# Hey, Kemosabe, I'm alone

# I, I am alone

# So fast hence take an arrow from your quiver

# Or we're, past-tense

# What's a trilobite to anyone?

# I'm outta my depth, outta, outta my depth

# I'm outta my depth, outta, outta my depth

# But I'm heaving

# The short spears and the weak eternal monologuing

# I was there when your brow smashed the wall

# No, your body was and the white of your rollin' eye

# I saw some terrible things on that night

# I done a lot of bad things with my life

# I put my fingers in there and I breeze past security

# Nobody checking on all of my deeds

# I need a checker for all of my deeds

# Hey, Kemosabe, I'm alone

# I, I am alone Hi-ho Silver away!

# Hey, Kemosabe, I'm alone

# I, I am alone

# And we be trapped in the amber last joy

# And I'm looking at a holy ghost

# But there's no silver bullet for a memory

# I field dress every moment but you're telling me that Tonto say

# I've lost my way

# Hey

# Hey...

# I, I am alone

# Mmm, and I'm lost

# And I'm drained enough genuflecting in a penitent way

# Hey, Kemosabe, I'm alone

# I, I am alone

# So yippee-kayay

# Hey, Kemosabe, I'm alone

# I, I am alone

# Hi-ho Silver away. #

CHEERING AND APPLAUSE

Everything

Everything Everything.

Everything Everything. Before

Everything Everything. Before that we enjoyed, Ana Moura who is

sitting just over there. Now, I think, our last live band this

evening, we welcome back Primal # Flashing lights, police cars

# The corner boys look like # Kebab shops, pubs and mosques

# Police stations, crack house zombies, readers' wives

# Suburban orgies

# Invisible city, invisible city invisible city, invisible city

# Pissed-up girls, Kia-Ora tans

# Mini skirts One-night stands

# Up the duff sun bed thighs

# Missing father all their lives

# Rain wet streets, hallucination

# Stretched faces like a Bacon painting

# Midnight drive in the neon sunshine

# I love this city such a beautiful city

# Invisible city, invisible city invisible city, invisible city

# Politician Death TV, psychic sewers spewing out garbage

# Politician Death TV, psychic sewers spewing out garbage

# Tune out of that frequency tune out of that frequency

# Rain wet street, hallucination

# Stretched faces like a Bacon painting

# Midnight drive in the neon sunshine

# I love this city such a beautiful city

# Invisible city, invisible city invisible city

# I love this city such a beautiful city. #

# Invisible city, invisible city invisible city

# I love this city such a beautiful city. #

CHEERING AND APPLAUSE

Invisible

Invisible City,

Invisible City, Primal

Invisible City, Primal Scream. I love them so much that I put them

on our website. There will be more of them. That's more or less all we

have time for tonight. We will be back next Tuesday at 10pm with

Phoenix and Eric Church and I might be chatting with the Eagles. Jamie,

it has been great having you this Yes!