Episode 6 Later... with Jools Holland

This programme contains It is Friday. Everything is looking

super, super, because here are # I was looking downtown for a chick

# Said, "You let me down twice Now lead me to the painted passage"

# I wanna fall down today

# I followed her around Going underground, got me buzzing

# You looked me in the eye I'm not gonna lie, it's not a sin

# But don't she look nice? She's the centre of her own attention

# I wanna fall down today

# When I get down there There's people painting and dancing

# The city sleeps above I light candles in a wall of heads

# There's panic in the air Police have found us there

# We douse the fires

# Wanna fall down again

Apology for the loss of subtitles for 79 seconds

CHEERING AND APPLAUSE

will have Cerys Matthews, a sing song

song with

song with her.

song with her. We

song with her. We have the wonderful The Lee Thompson Ska Orchestra. And

from London we are delighted to welcome back into this room John

# Back then I often found myself # And the radio was broadcasting

# Warm late spring wind whips through my hair

# I am right here But I wanna be there

# And no-one in this world is gonna stop me

# Pale green ghosts at the end of May

# Soldiers of this black highway Helping me to know my place

# Pale green ghosts must take great care

# Release themselves into the air

# Reminding me that I must be aware

# At 25 and 36 to Boulder

# I was getting warm But now I'm getting colder

# And I stomp my feet Demanding like a child

# I hope you get everything you wanted, boy

# I hope you conquer the world and turn it into your toy

# But don't come crying when you're forced to learn the truth

# Pale green ghosts at the end of May

# Soldiers of this black highway Helping me to know my place

# Pale green ghosts must take great care

# Release themselves into the air

# Reminding me that I must be aware

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# Pale green ghosts at the end of May

# Soldiers of this black highway Helping me to know my place

# Pale green ghosts must take great care

# Release themselves into the air

# Reminding me that I must be aware. #

CHEERING AND APPLAUSE

studio packed full of interesting different

different things.

different things. Now

different things. Now Madness

different things. Now Madness have created this fantastic scar

orchestra. We welcome the The Lee # We are rocking

# Calypso keeps you rocking # Lee Thompson Orchestra with

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# As I will say, wha! # It's not what you earn

# But what you keep of it # Bam-ba-ba-do, ba-da-da-da-do

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featuring McLean. One of the best books and I would not say that

casually, one of the best books is this book and it is by the person at

the piano, Cerys Matthews. Fantastic to have you here. Why would I make

this? Why, oh, why would I say this is one of the best booksvy seen for

ages? -- best books I have seen for ages? How would you describe it?

is a sing along book. If you are at your kitchen and say, do you

remember that song from 1989? course I am on a long journey. It is

remembering all the words - all the words are there - they are what you

think you know and you don't really. I like bananas because they have no

bones. Everything needs to know that one! There are some old generals in

there. If you get stuck this will be the book to have in your parlour,

around the fire. There's Christmas ones in there. You can be in the

front room, or in people's consciousness. You at home can sing.

We all have a musical instrument, which is our voice. You can sound

bad, so long as you are enjoying yourself. We don't need no disco. I

want a sing along. Give us one, come on. You can make any noise you like.

The thing with these songs is they come with stories. This is a story

to warn people about the dangers of drinking alcohol near water and

basically the young man fancies a little young girl and gives her some

red wine. We'll know it, but this is a very old version.

# I see her lips above the waters # Blowing bubbles very fine

# No use # So I lost my Clementine

# Don't give your ladies too much wine

# In case, in this wet weather # They share the fate of Clementine

# Oh my darling Clementine # Now you were lost and gone forever

# I'm dreadful sorry dreadful sorry Songs you can sing at home, hook,

line and sinker. Christmas in the car n the bath - the lot. We are

delighted to welcome over in this corner from London Melt Yourself

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# I say we just seen # I say we just seen

# Together we will run # Arise filthy words

# I say we just seen # Beat, beat and the word again

# I say we are enough I say we are enough

# I say we are enough I say we are enough

# Oh yeah, oh yeah, oh yeah

# Oh yeah, oh yeah, oh yeah

# La-la-la la-la-laaaa

# La-la-la la-la-laaaa

# La-la-la la-la-laaaa

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# Cobbedy-air, cobbedy-air # Cobbedy-air, cobbedy-air

Cobbedy-ow # Cobbedy-air, cobbedy-air

# Oh yeah, oh yeah, oh yeah CHEERING AND APPLAUSE

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band, for the first time ever on # # Suicide

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# Even the stone finds a place # You could probably say I'm

# I overanalyze and over think # I'm usually only waiting for you

# Concerning two-way streets I have # But I am the greatest motherfucker

# From the top of my head down to the tips off the toes on my feet

# So go ahead and love me while it's still a crime

# And don't forget you could be laughing

# 65 percent more of the time

# You could be laughing 65 percent more of the time

# Half of the time I think I'm in some movie

# I play the underdog of course

# I wonder who they'll get to play me

# Maybe they could dig up Richard Burton's corpse

# I am not who you think I am

# I am quite angry which I barely can conceal

# You think I hate myself it's you I hate

# Because you have the nerve to make me feel

# But I am the greatest motherfucker that you'll ever gonna meet

# From the top of my head down to the tips off the toes on my feet

# So go ahead and love me while it's still a crime

# And don't forget you could be laughing

# 65 percent more of the time

# You could be laughing 65 percent more of the time

# I should've practised my scales I should not be attracted to males

# But you said that I should learn to love myself

# Make up your mind Doctor Frankenstein

# But I am the greatest motherfucker that you'll ever gonna meet

# From the top of my head down to the tips off the toes on my feet

# So go ahead and love me while it's still a crime

# And don't forget you could be laughing

# 65 percent more of the time

# You could be laughing 65 percent more of the time

# You could be laughing 25 percent more of the time. #

CHEERING AND APPLAUSE

The wonderful voice of Grant. Before that,

that, we

that, we enjoyed

that, we enjoyed Low.

that, we enjoyed Low. There is one more man we should applaud, and I

will tell you who it is - this week he would have been 109 had he been

able to come here this evening. He was one of the greatest composers,

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one of the inventors of jazz. I will # It was a cold September before the

# Went from station to station on a train across the nation

# And the rain of November

# That's the time that we ended

# She was the one, for me

# Well, all right

# Vodka with Coca Cola, cocaine tucked in her shoes

# Cigarettes over coffee

# Her halo slipped to a noose

# Take a slow boat to China

# You fly a rag around the moon

# She could take it or leave it

# I knew it had to end soon

# She was the one, for me

# She opened my eyes to see

# She was the one, for me

# Well, all right

# It was a cold September before the Indian summer

# That's the thing I remember when she gave me her number

# Went from station to station on a train across the nation

# And the rain of November, that's the time that we ended

# She was the one, for me

# She opened my eyes to see

# She was the one, for me

# Well, all right, all right, all right, yeah. #

CHEERING AND APPLAUSE

# Woman no wanna bangarang

# Woman no wanna bangarang

# Woman no wanna bangarang

Apology for the loss of subtitles for 79 seconds

Orchestra. Now, I am delighted to say that I am joined by the

incredibly talented person that is no other than Kelly Jones of

Stereophonics. Now, you have this fantastic record here and the first

thing, Graffiti On The Train - interesting title. Where does that

from come from? I was at home on my own. I heard footsteps. I shouted to

them politely one night, "What are you doing on my roof? " They said

they were trying to get to the train track behind my house to paint it. I

started to think of different stories of why you take risks to

leave your mark on it, really. It stemmed an idea for a song and a

film idea. You have a script for a feature film for it? Screen plays

have been developing with BAFTA for 15 months. We are starting to look

for money and producers. You have come to the right place. What do you

need? A lot.What have you got? Five quid! You have the brilliant David

Arnold, who does James Bond music and all sorts of things. When we

started to make demos of the record we had French horn ideas on a

keyboard. We never thought he would want to work with us. I played him

three songs and he liked it. He arranged some of the ideas and

contributed to Graffiti On The Train and with his orchestra. You first

came on the show, I think about 16 years ago - 1996. Would you say that

your philosophical is different now? -- Physically I am still a short

cars. And the third one? There were only three of us on the first one.

It is a change. You keep making it bigger. Ads a few more people.

-- add a few more people. Thank you for joining us, Kelly

Jones. So, one of the great things in this

show is we have fantastic music from all over the world. One artist who

has been a great success in parts of the world is a here now. From

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I am delighted to say Lee thom Thompson is standing by. Tell me who

Sister Mary is? She was a nun, who opened up the Alfha School for boys

in Kingston, Jamaica, in the early 1950s and she took in the likes of

the scatterlights and a friend of ours? Yes. You know more than me.

band were terrified of them, but they learnt music. Sister Mary gave

them an instrument each and said, music is the food of love, play on.

And he still has the photo in his wallet, until this day. And, so

marvellous. I salute you all, gentlemen. Good day. Now, we go up

this end here. What a love lovely variation of

stuff this evening. We have had ska. # I could tell the whole world

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# You say I'm something I'm not # I could tell the whole world

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# I could tell the whole world # What you can't mark your pretty

# Etch-a-sketch your way out of this one, reject

# You are at the height of your game aren't you

# Would you not say that you agree baby

# You got your grip all fine tuned and sparkling

# Yeah, you got your bored look all worked out

# You are all enlightened, nothing makes you frightened

# You ain't got no time to waste on entry level middle class

# You are supercilious, pretty and ridiculous

# You got really good taste, you know how to cut and paste

# What you got is a black belt in BS

# What you can't mark your pretty ways up in here any more

# Hit your head on the playground at recess

# Etch-a-sketch your way out of this one, reject

# You know how to get what you want don't you

# Would you not say that you agree baby

# You really think that you can school me in semantics

# I can't recommend that, baby

# I see through your antics

# You think you're mysterious you cannot be serious

# You got lots of time to think of new ways to deceive yourself

# You are callipygian, but look at the state you're in

# You got really nice clothes, bet you didn't pay for those

# What you got is a black belt in BS

# What you can't mark your pretty ways up in here any more

# Hit your head on the playground at recess

# Etch-a-sketch your way out of this one, reject

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# What you got is a black belt in BS

# What you can't mark your pretty ways up in here any more

# Hit your head on the playground at recess

# Etch-a-sketch your way out of this one, reject

# What you got is a black belt in BS

# What you can't mark your pretty ways up in here any more

# Hit your head on the playground at recess

# Etch-a-sketch your way out of this one, reject

# What you got is a black belt in BS

# What you can't mark your pretty ways up in here any more

# Hit your head on the playground at recess

# Etch-a-sketch your way out of this one, reject. #

# What you got is a black belt in BS

# What you can't mark your pretty ways up in here any more

# Hit your head on the playground at recess

# Etch-a-sketch your way out of this one, reject. #

CHEERING AND APPLAUSE

# Oh, the graffiti on the train

# Oh, the graffiti on the train

# Oh, no, rolled into her life

# Oh, the graffiti on the train

# Ohh, sets out He left his lover sleeping

# Rain falls He's drowning in his secret

# Wet streets are quiet as a church hall

# Last house Where children kick the football

# Crossroads His heart is beating faster

# Getting close to ask another question

# "Marry me" He wants to paint the words on

# The night train He's hiding with his spray cans

# Tonight he's gonna ride When the paint is done and dried

# Oh, come on, ohh-ohh-ohh

# The graffiti on the train

# Oh, the graffiti on the train

# Oh, the graffiti on the train

# Oh, she'll never be the same Oh, no

# Rolled into her life

# Oh, the graffiti on the train

# Oh, day breaks His lover yawns and wakes up

# Sips her cup and dusts her face in make-up

# Platform She hears the people whisper

# Someone died, they surfed the train and slipped up

# Train comes The coach she's always used to

# The doors read "Marry me, I love you"

# Heart stops Ecstatic and suspicious

# She makes the call But he don't pick the phone up

# The train sped down the line

# It was the last train he would ride, oh no

# Oh, the graffiti on the train

# Oh, the graffiti on the train

# Oh, the graffiti on the train

# Oh, she will never be the same Oh, no

# Rolled into her life

# Oh, the graffiti on the train