Episode 7 Later... with Jools Holland

A room packed with incredible # You think you're in

# And she's looking for sin Sing it out, sing it all night long

# What is love if you're tough enough

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# What is love if you're tough # Shake my tree

# Where agencies the apple for me # Tickle my feet with the

NME$$TRANSMIT # No point laughing in you don't

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It was Beady Eye. A myriad of talent that awaits in

this room to give you lots of lovely evening this night for St

Andrew's. And the beautiful poems from George the poet. From also ang

lease, Miguel. From San Fernando valley, Deap

For the first time, unbelievably, ever, on this show, from the Wirral,

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it's drbg Orchestral Manoeuvers in # Set the dials to overload

# My head is ready to explode # I can't breathe the air you leave

# Abandoned for your fantasy # Torn the children far away and

burned the house where they once played

# This terrifying wall of pain # Is pouring down upon me once

# Silence screaming louder still # Tortured but it will not kill

# Burn the soul down to the core # Kick the ashes to the floor fors

force -- to the floor # Everything I tried to say

# Everything I tried to do # Everything you begged of me

# Now you know it hurts to be alone # Praying that your heart was made

of stone # Trapped inside a head but not at

home # Tearing all the flesh away from

the bone # I can't live

# I can't live with you # And I can't live

# I can't live without you # I can't live

# I can't live with you # And I can't live without you, now

# I can't live # I can't live with you

# And I can't live, I can't live without you

# I can't live # I can't live with you

Thank you Orchestral Manoeuvers in the Dark. I shall be chatting with

them later. Let's move into this corner. Our next guest has been

rated in Time Magazine as one of the most 100 influential people

around at the moment. We are very pleased to have him here, it's

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# I can't wait # Till they play our song

# Till the lights come on # Ti, lwe can't drive home

# Give me more # Til we're alone, 'til we greet

the sun. Give me more, give me more, yeah

# Give me more # Yeah, yeah, yeah

# I can't wait # Do you hear what I'm saying

# Yeah, yeah Thank you Miguel. That's from his

LP. Also from California, we're delighted to have in this corner,

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# Oh, oh, oh # Baby do you love me

# Like you say you do # Baby do you love me

# Is this good love to you if you wanna serve me

# Show me you deserve me # Cuz if you really love me

# You'd be a bigger man than you # Oh, oh, oh oh, oh, oh oh, oh, oh

# Are you gonna please me # Like you swore you would

#S with it just to tease me # Better treat this woman good

# No you don't get this # If you don't treat me well

# Cuz what you call love, baby, I # Oh, oh oh, oh

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# Oh, oh APPLAUSE

Deap Vally with their marvellous record.

Baby I Call Hell. So I'm now - it seems incredible that this band

have really been around for 35 years and this is the first time

we've had them on the show. We've enjoyed having Orchestral

Manoeuvers in the Dark over there a moment ago. Here is Paul Humphreys

and Andy McLusky. Now, congratulations. Excellent OMD

record here. The first thing, this English Elect Rick, where does this

title come from? It is the name of a British company in the '50s and

'60 called English Electric. They made things for the future,

locomotives and the first supercomputer and aircraft for the

Royal Airforce. They were complais basteically making the future. --

they were basically making the future. We started trying to make

music for the future. They went bust. We haven't yetment 35 years

later, we still doing it. Out of the future, you anticipated - the

future you anticipated has been cancelled. That's what it says in

here. It does. Was the future that you imagined, all those years ago,

that's now the present we are in, is it very different the present we

are, in to how you imagined it was going to be? I don't think we

anticipated we wouldnd up in a post- -modern era when things went

around kind of reverentially. The future seems to be self-referring

now. We thought we'd get to 2013 and we'd all be in flying cards

and... Mobile phones and what have you. We'd all live for 200 years.

They were all kind of crazy ideas. We didn't get there. Were you both

modernists. You remember you came on the Tube, which must have been

on 1981, you had the most modern technology available making this

unique, mazeing music. We had sem afor flags and decided to mime our

song -- semaphor. You had a typewriter. You have a

great memory. The musical technology is incredible. We didn't

know what happened with the internet and MP3s and the music we

are using now, we couldn't have dreamed off. Do you have some of

those old instruments from years ago and treasure them? We have all

our early sinths. Well, we don't have them. When we got back

together, we had to buy them off ebai. The ones we used to have are

broken. -- off eBay. We are sound- specific. So we had to get them

that made the sound. We ended up bidding against each other. It is

hard. I think I bought back something of mine that didn't work.

We have a clip from Top of the Pops from 1982.

# Joan of Arc # Had a heart

# But she gave it as a gift Orchestral Manoeuvers in the Dark.

Beautiful, yes. Thank you. Looking back. Was there

ning you would change? The sweaters, probably. -- Was there anything you

wo change? You have always been at the cutting edge of technology and

doing things. At home are you great modern technologists. Does your

fridge automatically open with the perfect thing and the house kept at

a perfect temperature? Maybe not quite to that level. Personally

I've always been a bit of a geek, really and had a love for

technology. So, yeah, my studio is hyper modern and my home is pretty

modern as well. Anything old at all? You. Me. You have to have one

element. Like the end of 2000 1, with the astronauts. He has all the

modernist stuff but gets old in the middle. What am I saying? It has

been fantastic to have you as guests. Paul and Andy from

Orchestral Manoeuvers in the Dark. Now the person who first appeared

on the show with just a guitar is back with just a guitar. She has an

incredible album out. She is going to be performing from it. We

# I'm growing like a seed # Rain's been falling on me

# I've been covered and cold # I've been shrouded in doubt.

# My heart is on a wire # Sitting pretty like a bird

# But the hunter is out # And the eagle has heard the word

# That I feel it all # Is that I still feel it all

# I'm looking to the sky # And Isle's be listening to the

stars # And maybe thinking of you

# And wondering where you are # And do you know what you've done

for me # You've made my branches grow

# Now they can play with the wind # And they can carry the snow

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# And they can feel it all # So take what you want

# Leave what you don't need # And I'll go looking for you

# You cope your eye out for me # Cause our heart is on a wire

# Sitting pretty like a bird # But the hunter is hunted and the

eagle is us # And we can feel, feel it all

# Yes, we can feel, feel it all # We can feel, feel it all

# We can feel, feel, feel it all # We can feel, feel it all

# Feel, feel, feel it all # # Get up off your knees, my friend

# Promise never to pretend # You're the apple of my eye

# Spread your wings and learn to # All I know is you can be

# Everything you want to be life is short, so don't be shy tears of joy

are Albright you find # Soul love, soul love

# Come into my word # It's all for you, everything I do

# It's all for you # You can never be too sure

# What or who's behind your door # Watch the people gather round

# The circles have just come to town

# All I know is I can be # Everything I want to be

# Life is short, so you don't be shy spread your wings and learn to

# Soul love, soul love # come into my world

# It's all for you, in erving I do # -- it's all for you

# Everything I do # Soul love, soul love

# Come into my world # It's all for you

# Everything I do # It's all for you

# All for you # It's all for you

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Thank you, Beady Eye. We will be chatting to some of them later.

Before that we enjoyed KT Tunstall. Now, we visit a lovely poet from

north London, please, welcome, This is a poem about a craze. This

craze is a phrase. Now this phrase of a phrase is hopefully a phase.

Yolo stands for, you only live once. This goes for my generation. I'm

here to say, say something everyone knows. Millions of people in the

last six months just recently discovered, you only live once. She

took hers off, rip yours off. Now dance on stage until your wig falls

off and ignore the consequences at all costs. Convince yourselves this

isn't your loss. That the last time I say Yolo. I staggered from the

left to the right and I still can't remember the rest of the night.

It's not even comishing it's a par. I told my friend, I'm sorry for the

vomit in your car, but you know, bror, yolo. It's an inefficient

reminder that inhibitions are mine ofrplt release is a must like a

proper safe account. Cos life' like a calculator and a dealer's amount

of paper. I live for the moment reassess what I'm prepared to give

for the moment. Allow my focus to symbolise to the movement

symbolised this drink. Means less likely I'm not to shairt detail and

increased the times I forgot to wear a seatbelt. See, girls, we

males, we could toast to a good health but we toast to getting

wrong. And we say that we're young and we're supposed to get it wrong,

that' why we get lean as opposed to getting strong. Go to the gym and

work on our upper body strength but we hardly go on treds cogs that's

card yes and legs. See we're short- sighted we don't know what that

foresielgt is. That's the reason why we laugh whole heartedly. You

work in an office and your day's a drg, on the which it the station,

race a jag. Then wipe the sweat from your face and brag about your

newfound Jason Stathamswag, that's called Yolo. But I could lose a

brer this fell out with me and that would bother the hell out of me. So

I'm tearing and calling him up in the prison, hearing him falling in

love with the vision of when he's here and we can ball in another

division and you hear from me that all of the brothers have risen. I'm

repeated myself. All my po recommends starting to sound the

same, which is koorblgs as long as my heart isn't down the drain. I

wouldn't even mind getting martyred without the fame because you only

live once. You've got to make it count. As much as it's a reason to

go mad in a rave I'm so gld it's a wave cos this one makes sense. It's

just used to justify laft dumb statements. But those after-effects

do stick with me, though, so if I use yes low to help me sin, why

wouldn't I use it to help me win. I could get wasted and buzz about for

days. This is something everyone doesn't like to say but breathing

is a luxury could die today but I would like change like a shopkeeper.

I cannot ignore the fact that life is deeper. Some stuff isn't worth

the bull. Some of that dumb diverve isn't reversible. I tell myself

don't go 250 crazy, Yolo could leave you with a whole new baby. Or,

if not, the prospect of terminating one. We find germinateing fun but

learning ain't the one and some of them STIs can burn and they can bun

and if I'm very loose and you see me with the pills and the cranberry

juice, you'll be looking at me like I'm actually scrum. So the point is,

Yolo doesn't have to be dumb. There is no doubt in my brain you can

change the world. I'd go out of my way to prove it. But if the stake's

too high, you've got it take it doub. I said if the stake's too

high you've got to take it down. You only live once. You've got to

So, I'm delighted to say I'm here with Miguel.

Yes. Now, it's excellent to have you

here. First of all, did you like George? It's the first time I'm

hearing his poetry. I'm so inspired. It was awesome to watch and listen

to a great message be told in a language I can understand. It's

incredible. Now you've had incredible success. Time mag zaen

said you are one of the top 100 people. -- magazine. Your record is

going threw the roo. You have written songs for people. -- going

through the roof. How this is been? You must be feeling positive?

a blessing to have an audience and people pay attention to your art.

You know, we intend on making the most of it and having a great time

doing it. Tonight you were doing a show, some shows with Lisa Yeates.

My birthday I think is the next day from her. Did she tell you anything

about the show? She said - you are going to love. Was she cross you

had to come away like this? No, I think she was excited for me and

she was kind of like - oh, you need to do this, you should be do it. We

will be OK over here. Congrtlations on your tremendous success, which

is well-deserved. -- congratulations. Thank you. Miguel.

Now, we enjoy, Orchestral # You've come a long way from just

tsm V # From a digs tapbt voice to

ecstasy -- from just TV, from a distant voice to ecstasy.

# Now you need to know what's on my mind

# Can I break your heart with every time

# She gives no love but won't let # And when she fails she tells you

# The perfect touch is cold and clean

# She steals your soul when kissing # The hand of love it shrouds my

face # She moves and turns with rigid

gris # The light reflection on her skin

# The words repeat and draw me in # And what I say is what sheel' do

# Repeat the words I told her to # The perfect touch is cold and

clean # She steals your soul when kissing

# Ich mocht das du mich willst $$TRANSMIT...

# If destiny is sometimes cruel # Then once again I am its fool

# To give my heart to wires and steel

# But what you get is what you feel # No flesh and blood can give you

more # The key to love is at this door

# The perfect touch is cold and clean

# She steals your soul when kissing the machine

# Kissing your machine # Kissing the machine

# Kissing the machine # Plus plaus # Have you ever felt alone

# All right now # Do you still believe in love

# All right now, yeah # Do you like drugs

# Do you like drugs, yes # Well, me, too, me too, me too,

babe, me too # Do you like love

# Yeah # Me too

# It's what we gonndo # What about matinee movies and

pointless secrets, midnight summers, swim private beaches

# Rock, paper scissors, wait best out of three

# McGuinness said the greatest thing in life are free

# What about lust # What about trust

# What about fun # She said you know that I do

# Oh, you do biby # Hope you do now

# You do, do, do # Do you like drugs

# Me too, me too # Me too do you like love

# Oh, I feel like we've got so much in common

# Right about now, baby, # It's what we gonna do

# So tonight, let's dance a little harder

# Yeah 'til I feel like I know # 'Til I know

# All the things # Yeah, yeah me too, baby, me too,

feel like we go the so much in common oh, oh let's go little

darling, steer it up # Oh, yeah, I want you to steer it

up oh, oh # Little darling

# Let's steer it up, oh, yeah, say, yeah yeah

# Never # Never baby, do you, feel it,

darling, darling, darling you and I, you and I darling, do you like

drugs? Yeah, yeah yeah, yeah, yeah tonight... # Thank you, Miguel.

Miguel. Thank you. And now I'm joined at the piano by

the wonderful KT Tunstall. Lovely to see you. Hello. Now, at the love

you here. You have this great, lovely, lovely record. It seems to

have changed since your last record. What was the motivation behind this

record? Very different. I just got really inspired to make a record

that was just all about voice which, weirdly I have not done yet. I

proceeded myself with this package that was rhythm and guitar and

writing and performing and never really just trusted singing. So

this is' what this was about. It was old songs from the heart. A

very emotional record where I'd been really into sound and

production, this is definitely about sitting and playing again.

Based on difficult experiences and a fantastic lovely gentle piano and

guitar, very stripped down. A lovely record. But the voice is

great, as a thing? It is a human instrument which we all have, and

you can sing in all different styles. I mean, give us the two

different types of ranges? How would you describe one end and the

other end? When I first started singing, I didn't really start

until I was about 14 or 15. And I just naturally graph taited towards

a blues voice. It's always been a very natural place for me. But all

the time I've written upbeat songs and knees-up pub songs I've always

written ballads at the same time, so there has always been this

softer voice that I've had. I think from busking you get used to

yelling all the time. It is also very addictive, getting a crowd

jumping. And, so, sometimes the quieter stuff just gets trampled.

Another voice you have - because you did some shows with my big band.

You can sing like an old-styley voice as well. I would love that.

What have we go the there # Like the beat, beat, beat of the

tomtom$$NEWLINE# When the junkle shadows fall

# Like the tick, tick, tock of the stately clock up against the wall

# Like the drip, drip, drip of the rain drops

# When the sun would shower through # I hear a voice inside repeating

you, you, you... # Night and day

# You are the one. # Only you beneath the moon

# And under the sun # And it won't be through until you

let me spend my life making love to # Day and night

# Night and day # Keep in the heart of me

# There is such a hungry yearning burning inside of me

# In the lonely traffic's boom # In the silence of my lonely room

# I think of you # Night and day #

APPLAUSE The wonderful, KT Tunstall.

You say marry a rich man # Find a rich one if you can can.

Ddy don't you understand # I'm gonna make my own money

# You say marry a rich man # Find a rich one, if you can

# Daddy don't you understand # I'm gonna make my own money

# Oh, oh, oh, oh, oh, oh oh, oh, # You say marry a rich man

# Find a rich one if you can # Daddy don't you understand

# I'm gonna make my own money # Gonna buy my own land

#, you say marry a rich man # Find a rich one if you can

# Daddy don't you understand # I'm gonna make my own money

# Gonna buy my own land # You say marry a rich man

# Find a rich one if you can # Daddy don't you understand

# I'm gonna make my own money Thank you Deap Vally now, KT

# I thought the candle was gonna go # The wind was blowing and the door

was open # But the candle never went out

# Never went out # The wave found its way to the

shore # I thought it was a ripple and

nothing more # But the wave found its way all

the way to the shore # Oh I wanna burn this house

# I know I'll wanna jump into the fire

# Oh I've gotta tear them down # The pinnicals of my invisible

# I know the gamble never works twice

# All the distractions at the table and a weighted dice.

# But the thrill that feels so nice you'd do it all again

# But I'd look to the chips I'd lose

# I'm standing on the platform with my neck in the noose$$NEWLINE# And

# And I know it's not my time knob not my time knob and if I do all

the things I do # While I tell myself that I'm

staying true # You know I'll never stop

# You know I'll never think about # I'll put an end to all this time

# That I would spend with it on my mind

# And never stopped # You know I never stopped

# You know I always wondered about # I wondered about the wonder

# Oh I wear a rusting crown and # I know this dynasty is falling

# The crowd shouts for another round

# To see the ruin # The spectacular

# Die monds bearing icebergs # The minaret, is and the

marketplaces # The signal fires of my invisible

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empire # Enola Gay you should have stayed

at home yesterday # Aha words can't describe

# The feeling and the way you lied # These games you play they're

gonna end in more than tears some # Aha Enola Gay, it shouldn't ever

have to end this way # It's 8.15 and that's the time

that it's always been # We go the your message on the

radio, conditions normal inair coming home -- and you're coming

# Enola Gay is mother proud of little boy today

# Aha this kiss you give, it's # Enola Gay

# It shouldn't ever have to end this way

# Aha enla gi # It shouldn't fade in our dreams

away -- Enola Gay # It's 8.15 and that's the time

that it's always been # We got your message on the radio

# Conditions normal and you're coming home

# Be Enola Gay, is mother proud of little boy today

# Aha this kiss you give # It's never ever gonna fade away #

Orchestral Manoeuvers in the Dark, Enola Gay. Before that we enjied KT

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# Woke up this morning # I was laid out flat on the dark

side # With the moon and the room on the

wrong side # I took a needle, sod myself right

back at the seams # I saw my universial gleam

# See the wonder of life and love for the one

# Just taking a walk in the sun, in time

# In just a second, like a ghost of a bad idea

# I feel myself getting the fear # Come on

# Have we decided if we like being part of the plan

# The sands are shifting and there's nowhere to land

# It's on # It doesn't matter if all the best

tickets are sold # And all the old stories are told

# I know you're gonna tell me what you hear every word that I say

# But the future gets written today # Yeah the if you tour gets written

today -- the future gets written today. Don't be received when our

revolution has been finally stamped out and that they pat you

paternally on the shoulder and say that there's no inequality worth

speaking of and no more reason for fighting. Because if you believe

them, they will be completely in charge, in their marble homes and

granite banks from which they rob the people of the world, under the

pretence of bringing them culture. Watch out, for as soon as it

pleases them, they'll send you out to protect their gold in wars,

whose weapons, rapidly developed by servile scientists, will become

more and more deadly until they can, with a flick of the finger, tear a

APPLAUSE Thank you Beady Eye. We will be

back on Tuesday at 10.00pm. We will have Disclosure, Johny Marrand much,

much more. If you look at our website you can enjoy KT Tunstall

in 2004. It's been marvellous having you hear this evening. I