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Welcome to this strange world. And welcome to The National! | :00:33. | :00:46. | |
# Will you say you love me, Jo? # How am I supposed to know? | :00:47. | :01:04. | |
# If I stay here trouble will find me | :01:05. | :01:43. | |
# If I stay here trouble will find me | :01:44. | :01:53. | |
# But they say love is a virtue don't they? | :01:54. | :02:38. | |
# But they say love is a virtue don't they? | :02:39. | :02:47. | |
# But they say love is a virtue don't they? | :02:48. | :02:56. | |
# But they say love is a virtue don't they? | :02:57. | :03:06. | |
Thanks to The National with Sea of Love We welcome back to the room | :03:07. | :04:29. | |
Lissie! Beautifully reformed, Graeme Parker and The Rumour! From London, | :04:30. | :04:35. | |
they're brand-new and sensational, London Grammar! Yes, we have the | :04:36. | :04:42. | |
legendary amazing Sir Terry Pratchett and the amazing Maddy. | :04:43. | :04:51. | |
From west Africa, Ballake Sissoko! Now, from Fairfield, Connecticut, a | :04:52. | :04:58. | |
man who can boogie the guitar, it's John Mayer. | :04:59. | :05:13. | |
# River's strong you can't swim inside it | :05:14. | :05:17. | |
# We could string some lights up the hill beside it | :05:18. | :05:23. | |
# You could drive with your headlights out | :05:24. | :05:32. | |
# Cos a little bit of summer's what the whole year's all about | :05:33. | :05:41. | |
# Cos a little bit of summer makes a lot of history | :05:42. | :06:40. | |
# I got a rock from the river in my medicine bag | :06:41. | :07:24. | |
The amazing voice and guitar of John Mayer from Paradise Valley. What a | :07:25. | :08:59. | |
great voice and guitar and room full of people! Our next artist first | :09:00. | :09:03. | |
came on the show in 2010 with her first song. It was fantastic. She's | :09:04. | :09:05. | |
back with another. # With my blue jeans on | :09:06. | :09:13. | |
and you stuck in my head # I take it all back | :09:14. | :09:19. | |
I don't mean what I said # Dead roses on the bedside table | :09:20. | :09:25. | |
and a movie on # I've been here for days | :09:26. | :09:28. | |
so what's a couple days more? # I've been sleepwalking | :09:29. | :09:38. | |
dreams talking # Telling myself that soon | :09:39. | :09:45. | |
I will be feeling all right # Till I get blue in the face | :09:46. | :09:57. | |
while you're waking the dead # Life is so incomplete | :09:58. | :10:03. | |
everywhere I look # And every set of eyes I meet | :10:04. | :10:20. | |
read me like a book # They can tell I've been | :10:21. | :10:32. | |
sleepwalking dreams talking # Telling myself that soon | :10:33. | :10:40. | |
I will be feeling all right # Have you been cheap thrillin' | :10:41. | :10:48. | |
and freewheeling # Taking your worries | :10:49. | :10:54. | |
and giving them up to the night? # I've been sleepwalking | :10:55. | :10:58. | |
dreams talking # Telling myself that soon | :10:59. | :11:35. | |
I will be feeling all right # Have you been cheap thrillin' | :11:36. | :11:42. | |
and freewheeling # Taking your worries | :11:43. | :11:49. | |
and giving them up to the night? # I've been sleepwalking | :11:50. | :11:54. | |
dreams talking # Telling myself that soon | :11:55. | :12:04. | |
I will be feeling all right. # What a treat to have Lissie back in | :12:05. | :12:27. | |
this room. Sleepwalking from her album. Speaking of good albums, here | :12:28. | :12:33. | |
is paradise Valley, the next artists. We heard one song from them | :12:34. | :12:37. | |
and, I have to say, I was particularly struck with his amazing | :12:38. | :12:40. | |
guitar playing. It was that guitar playing that really got me going. | :12:41. | :12:44. | |
He's John Mayer. Great to have you here, John. Great record. Now, | :12:45. | :12:50. | |
you've just sold out Wembley Arena and the 02 and, you are even bigger | :12:51. | :12:57. | |
in America, 20 million records, it's gone megafor you. What is different | :12:58. | :13:01. | |
about it here in England for you? The boring answers like time zones | :13:02. | :13:05. | |
and stuff like that, other than that it's the same, you know. People tend | :13:06. | :13:09. | |
to react to the same music no matter where you go. On this record, you've | :13:10. | :13:19. | |
included a cover of JJ Kales who sadly died earlier this year. Yes. | :13:20. | :13:24. | |
What was it you liked about him? There was an unpretentiousness to it | :13:25. | :13:30. | |
musically. It's probably the coolest music around. You think of real cool | :13:31. | :13:35. | |
and put that on, it's not trying to be epic. I think for as much music | :13:36. | :13:40. | |
as I was listening to in the last ten years, everybody going for the | :13:41. | :13:47. | |
larger sound, it's sunglasses half on half off the nose, that playing | :13:48. | :13:52. | |
really struck me when I heard it. Everyone's heard the big cuts but it | :13:53. | :13:56. | |
was a record called Naturally that I listened to and everything on it has | :13:57. | :14:00. | |
a relaxed coolness that maybe I'll never be, but I can try to be on | :14:01. | :14:04. | |
some songs. I think you have managed it pretty well. We have a clip of | :14:05. | :14:15. | |
him here. Let's have a look # Ain't nobody ever told you # | :14:16. | :14:48. | |
# I ain't got no halo... # Fantastic. I wanna live in that | :14:49. | :14:58. | |
world. You wanna be from that world. I think you are from that world. But | :14:59. | :15:01. | |
whatever that music is, you want to go to that place. The attitude and | :15:02. | :15:04. | |
everything is great isn't it? It's cool. I didn't realise. I knew you | :15:05. | :15:11. | |
were a great guitarist, but suddenly seeing you, you've got the boogie | :15:12. | :15:16. | |
muscle. Thanks, man. You had the line of Hopkins? Yes. Give me that. | :15:17. | :15:22. | |
Oh, yeah. Yes! | :15:23. | :15:35. | |
CHEERING AND APPLAUSE Great. What are the other blues | :15:36. | :15:44. | |
people that you like? You can trace it from T-bone Walker all the way to | :15:45. | :15:52. | |
Stevie Reevon which is Guys Like Me and BB King. Give us a bit of BB? | :15:53. | :15:55. | |
Goodness. CHEERING AND APPLAUSE | :15:56. | :16:43. | |
Oh, yes What a lovely bit of guitaring. Looking forward to | :16:44. | :16:49. | |
hearing some more in a moment. Sewly acoustic coming up? Yes. The | :16:50. | :16:54. | |
wonderful Mr John Mayer! Yes. We'll hear from him later Now I'm thrill | :16:55. | :16:59. | |
and excited because, a band have reformed which is great and they are | :17:00. | :17:04. | |
here reformed and they're here more importantly! Graham Parker and The | :17:05. | :17:07. | |
Rumour! # And there's nothing | :17:08. | :17:24. | |
to hold on to # She knows how hard her heart grows | :17:25. | :17:38. | |
under the nuclear shadows # She can't escape the feeling | :17:39. | :17:54. | |
repeating in her head # When after all the urges some | :17:55. | :18:00. | |
kind of truth emerges # Seeing a million miles | :18:01. | :18:05. | |
between their joke and smiles # As the tears dropped sideways | :18:06. | :18:44. | |
down her face, face # I woke up talking in the tongue | :18:45. | :18:54. | |
of a different race, race # And as the flight touches down | :18:55. | :19:00. | |
my watch says 8.02 # I dreamed headlong collisions | :19:01. | :19:05. | |
in jet lag panavisions # I shouted sayonara | :19:06. | :19:34. | |
It didn't mean goodbye # But lovers turn to posers | :19:35. | :19:40. | |
Show up in film exposures Graham Parker and The Rumour More | :19:41. | :20:45. | |
from them later A brand-new group, highly acclaimed, with their debut | :20:46. | :20:47. | |
LP from London, # And I'm so damn caught | :20:48. | :21:00. | |
in the middle # And I'm so down caught | :21:01. | :21:32. | |
in the middle # Excuse me for a while | :21:33. | :21:51. | |
turn a blind eye # With a stare | :21:52. | :22:25. | |
caught right in the middle # Oh, when I lift you up you feel | :22:26. | :22:29. | |
like a hundred times yourself # I wish everybody knew what's so | :22:30. | :24:32. | |
great about you # And I said I wouldn't get | :24:33. | :24:38. | |
sucked in # I was thinking that you'd call | :24:39. | :24:56. | |
somebody closer to you # Oh, when I lift you up you feel | :24:57. | :25:18. | |
like a hundred times yourself # I wish everybody knew | :25:19. | :26:25. | |
what's so great about you. # And I said I wouldn't | :26:26. | :26:30. | |
get sucked in # It takes a lot of pain | :26:31. | :26:42. | |
to pick me up # It takes a lot of pain | :26:43. | :28:00. | |
to pick me up London Grammar. Now, just the | :28:01. | :28:10. | |
APPLAUSE. Before that, we enjoyed London Grammar. Now, just the | :28:11. | :28:54. | |
guitar, the wonderful John Mayer. # Catch a boat to England, baby | :28:55. | :29:18. | |
Maybe to Spain # Go bring me whisky, baby | :29:19. | :29:21. | |
Go bring me gin # Well you know | :29:22. | :29:37. | |
you'll find me crying # Wherever I have gone | :29:38. | :30:23. | |
the blues run the game # I'll wake up older | :30:24. | :30:37. | |
and just stop all my trying John Mayer! Blues Run The Game. One | :30:38. | :31:44. | |
of Britain's greatest awe thours and folk musicians joins me now. How do | :31:45. | :31:48. | |
they connect? Let's find out as we meet Sir Terry Pratchett and Maddy | :31:49. | :31:56. | |
Prior. Great to meet you both. Thrilled to have you in this room | :31:57. | :32:00. | |
with us. First thing I suppose, there is a brand-new record out. How | :32:01. | :32:07. | |
did that come about? It was a mutual appreciation society. I've been a | :32:08. | :32:12. | |
spanner since my... I can't remember when! But how did that come about? | :32:13. | :32:18. | |
We are friends and we know each other and he mentioned that it would | :32:19. | :32:21. | |
be really nice for us to look at these books so we did. We came up | :32:22. | :32:27. | |
with the songs that we did and he likes them. Excellent. That's how it | :32:28. | :32:33. | |
went. Once you heard it, was it what you expected? I was sitting there | :32:34. | :32:38. | |
not being able to say anything. Really, it was wonderful. It was so | :32:39. | :32:44. | |
good that I wish I'd done it even better. It wouldn't have been | :32:45. | :32:48. | |
possible, I'm sure. And out of interest, the sleeve here, what is | :32:49. | :33:04. | |
the person or creature on the front? The Wintersmith is the winter. He | :33:05. | :33:09. | |
becomes alive, because there is a dance called the Morris, and the | :33:10. | :33:20. | |
nice young lady actually dance s. She is out of kilter and has to deal | :33:21. | :33:26. | |
with it. When you've got winter wanting to have you as his wife, you | :33:27. | :33:31. | |
have to be really nippy. Yes. I bet. Yes. I'm going to discuss more in a | :33:32. | :33:37. | |
moment, but we have a little clip, I'm delighted to say, of the Dark | :33:38. | :33:47. | |
Morris , This is the land of mystery and | :33:48. | :34:03. | |
myth # This is a world of a Wintersmith. | :34:04. | :34:14. | |
# Dance Morris you will find summer turns to winter time | :34:15. | :34:20. | |
# Deep in the winter forest # Never dance back... # | :34:21. | :34:29. | |
APPLAUSE It's a wonderful album. Sounds | :34:30. | :34:33. | |
great. Winter is coming. It's going to affect us all. There's not a | :34:34. | :34:38. | |
single viewer, no man, woman or child can't not notice the leaves | :34:39. | :34:42. | |
coming off the trees, winter is approaching. What does this mean to | :34:43. | :34:47. | |
you? Is it a magical time? How does winter affect us? Never really. I | :34:48. | :34:52. | |
like winter. I like winter, I really do. It clears things up. Yes. Yes. | :34:53. | :35:00. | |
Do you do any special preparations for winter, do you? I do a tour. | :35:01. | :35:07. | |
Yes. A winter tour, yes! Great Will you be doing to see them? At least | :35:08. | :35:14. | |
twice I believe Yay! Fantastic to have you both here and I wish you | :35:15. | :35:21. | |
very good luck with your winter tour and exploits. Thank you, Terry | :35:22. | :35:30. | |
Pratchett and Maddy private. Now from one friend to another -- Maddy | :35:31. | :35:36. | |
Prior. Give it up now in the best possible way for Ballake Sissoko! | :35:37. | :37:49. | |
Ballake Sissoko. The beautiful sound of Maimoura Just what you would | :37:50. | :38:44. | |
expect in this room. Now, reformed and I'm delighted to say on this | :38:45. | :38:46. | |
programme, Graham Parker and Thai rumour. | :38:47. | :40:07. | |
# You can't help it if it's coming down | :40:08. | :41:26. | |
# Not a metaphor, just solid ground # Jump in the back | :41:27. | :41:30. | |
# To feel your head # Just one drop | :41:31. | :41:35. | |
# It's just one drop # That's what I said | :41:36. | :41:41. | |
# Stop Crying About The Rain # Stop cie ing Stop Crying About The | :41:42. | :41:50. | |
Rain # It's just water on your window | :41:51. | :41:54. | |
pane # Stop cie ing abt Stop Crying About | :41:55. | :42:09. | |
The Rain Stop, stop, stop, stop your crying | :42:10. | :42:17. | |
# Stop, stop, stop, stop your crying # Stop Crying About The Rain... # | :42:18. | :42:34. | |
APPLAUSE Of of | :42:35. | :43:12. | |
# Take your hand and come and find me | :43:13. | :44:02. | |
# Take your hand and come and find me | :44:03. | :44:50. | |
# Take your hand and come and find me. | :44:51. | :45:13. | |
APPLAUSE Thank you London Grammar. We were | :45:14. | :45:36. | |
here over in this corner and delighted because Graham Parker and | :45:37. | :45:41. | |
The Rumour have reformed. You are here, Graham Parker! Thank you. Very | :45:42. | :45:48. | |
nice to see you. I remember doing a fantastic show with you in Boston in | :45:49. | :45:53. | |
1981 and the way you played was great. I'm so delighted you are back | :45:54. | :45:56. | |
together. What got you back together? Well, it was loose words, | :45:57. | :46:00. | |
you know, be careful with them, you know. I said a few things and it | :46:01. | :46:04. | |
sort of went around the band and they all said yes, so something I | :46:05. | :46:09. | |
didn't think too much about and then a few weeks later, we got invited to | :46:10. | :46:13. | |
be in a film, we got cast into a film. You'd been written into a | :46:14. | :46:19. | |
film? As a character, yes. As yourself? Yes, acting as myself. The | :46:20. | :46:25. | |
timing couldn't have been better. I don't think it would have made sense | :46:26. | :46:30. | |
in the '80s or the '90s and so we had to do it pretty soon while some | :46:31. | :46:35. | |
of the audience members were still actually breathing, you know. And | :46:36. | :46:38. | |
many of them are this evening. They are. Slightly quicker as soon as you | :46:39. | :46:43. | |
started to play. Oh, that's good. The effect is still there then. Yes. | :46:44. | :46:48. | |
Is it a great joy to be back together? Joy, the interplay is | :46:49. | :46:57. | |
unique, it's a unique band I think and the songs work really well. | :46:58. | :47:02. | |
Great to have you here. Thank you very much Graham Parker And now, I'm | :47:03. | :47:08. | |
so pleased she's back here with the second album, it's Lissie. | :47:09. | :47:21. | |
MUSIC: "Further Away (Romance Police)" by Lissie | :47:22. | :47:27. | |
# Creeping It's natural as breathing | :47:28. | :47:31. | |
# Need him but you're never gonna keep him | :47:32. | :47:40. | |
# You should get used to this feeling | :47:41. | :47:45. | |
# Take what they want, take it and run out the door | :47:46. | :48:04. | |
# With every step that you take Yeah, yeah | :48:05. | :48:22. | |
# Make him go, watch him go Oh oh, oh | :48:23. | :48:49. | |
# Take what they want, take it and run out the door | :48:50. | :49:00. | |
# With every step that you take Yeah, yeah | :49:01. | :49:26. | |
# Take what they want, take it and run out the door | :49:27. | :50:53. | |
# With every step that you take Yeah, yeah | :50:54. | :51:06. | |
# I don't have the sunny side to face this | :51:07. | :51:55. | |
# God loves everybody Don't remind me | :51:56. | :52:26. | |
# I took the medicine and I went missing | :52:27. | :52:29. | |
# But it would be a shame to waste this | :52:30. | :52:46. | |
# I took the medicine and I went missing | :52:47. | :53:20. | |
# All of my thoughts of you Bullets through rotten fruit | :53:21. | :53:31. | |
# Take the white ones They're my favourites | :53:32. | :53:45. | |
# If you're dead in the mind it'll brighten the place. | :53:46. | :54:00. | |
# Don't let them die on the vine It's a waste | :54:01. | :54:02. | |
# There's a science to walking through windows | :54:03. | :54:14. | |
# There's a science to walking through windows | :54:15. | :54:18. | |
# Take the white ones They're my favourites | :54:19. | :54:45. | |
# It's the side effects that save us. | :54:46. | :54:46. | |
# Grace put the flowers you find in a vase | :54:47. | :54:59. | |
# If you're dead in the mind it'll brighten the place | :55:00. | :55:00. | |
# Don't let them die on the vine It's a waste | :55:01. | :55:02. | |
# Grace put the flowers you find in a vase | :55:03. | :55:14. | |
# If you're dead in the mind it'll brighten the place | :55:15. | :55:17. | |
# Don't let them die on the vine It's a waste | :55:18. | :55:21. | |
APPLAUSE Thank you The National. Graceless. | :55:22. | :55:55. | |
Before that it was Lissie! And now, let's return to the man with the | :55:56. | :55:59. | |
sensational voice and the marvellous guitar, it's John Mayer. | :56:00. | :56:14. | |
# There ain't no change in the weather | :56:15. | :57:02. | |
MUSIC: "They Call Me The Breeze" by John Mayer | :57:03. | :58:27. | |
Thank you. The great John Mayer, Call Me The Breeze. Go to the | :58:28. | :59:58. | |
website to see some of J Kain and some of Lou Reid. We'll be back on | :59:59. | :00:03. | |
Tuesday with the Killers, Boy George and much, much more. I think we'll | :00:04. | :00:07. | |
finish now with a bit of this sort of thing. | :00:08. | :00:24. | |
Thank you to our guests. John Mayer! Ballake Sissoko! London Grammar! The | :00:25. | :00:45. | |
Rumour. Lissie and The National! | :00:46. | :00:52. |