Episode 6 Later... with Jools Holland


Episode 6

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Welcome to my world and welcome to Arctic Monkeys!

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# Have you got colour in your cheeks?

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# Do you ever get that fear that you can't shift the tide.

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# That sticks around like summat in your teeth?

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# Are there some aces up your sleeve?

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# Have you no idea that you're in deep?

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# I've dreamt about you nearly every night this week.

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# How many secrets can you keep? # Cos there's this tune I found that

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makes me think of you somehow. # And I play it on repeat.

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# Until I fall asleep. # Spilling drinks on my settee.

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# Do I wanna know. # If this feeling flows both ways?

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# Sad to see you go. # I've started hoping that you'd

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stay. # Didn't we both know.

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# That the nights were mainly made for saying things.

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# That you can't say tomorrow day? # Crawling back to you.

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# Ever thought of calling when you've had a few?

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# Cos I always do. # Maybe I'm too busy being yours to

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fall for somebody new. # Now I've thought it through

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crawling back to you. # So have you got the goods?

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# Been wondering if your heart's still open.

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# And if so I wanna know what time it shuts.

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# Simmer down and pucker up. # I'm sorry to interrupt.

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# It's just I'm constantly on the cusp of trying to kiss you.

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# I don't know if you feel the same as I do.

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# We could be together. # If you wanted to.

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# Do I wanna know. # If this feeling flows both ways?

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# Sad to see you go. # I've started hoping that you'd

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stay. # Didn't we both know.

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# That the nights were mainly made for saying things.

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# That you can't say tomorrow day? # Crawling back to you, crawling

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back to you. # Ever thought of calling when

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you've had a few?. # You've had a few.

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# Cos I always do. # Cos I always do.

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# Maybe I'm too busy being yours to fall for somebody new.

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# Now I've thought it through. # Crawling back to you.

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# Do I wanna know. # If this feeling flows both ways?

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# Sad to see you go. # I've started hoping that you'd

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stay. # Didn't we both know.

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# That the nights were mainly made for saying things.

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# That you can't say tomorrow day? # Do I wanna know?

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# Too busy being yours to fall. # Sad to see you go.

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# Ever thought of calling, darlin'? # Do I wanna know?

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# Do you want me crawling back to you? #.

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Number one band, Arctic Monkeys! A room filled to the rafters with

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amazing people from Texas, we're welcoming Gary Clark Jr. From way

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down south, we welcome Katy B. The amazing Benjamin Clementine. I will

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be chatting to the legendary Earth Wind Fire. But now, with a

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sensational new album, we welcome from Liverpool, Paul McCartney.

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# I can try to give you everything you ever wanted.

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# You're not hard to please. # And the only thing I'm asking in

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return is something. # You can give with ease.

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# Keep on sending your love. # In the heat of battle.

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# You've got something that'll save us.

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# Save us now. # I've got the feeling of a jungle

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rhythm beating in me. # When I'm close to you.

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# I don't really want to ask for many favours.

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# But there's something you can do. # Keep on sending your love.

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# In the heat of battle. # You've got something that'll save

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us. # Save us now.

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# Ohhhhhh. # You're my woman.

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# Ohhhhhh. # Keep it coming.

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# You got something that can save us, save us, save us.

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# Keep on sending your love. # In the heat of battle.

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# You've got something that'll save us.

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# Save us now. # Save us now.

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# Save us now. #. APPLAUSE AND CHEERING. A joy to have

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Paul McCartney in this room. From his exquisite new album. Now, our

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next artist, just hold it there a moment, her first record came out in

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2010, but it's not until now that we've had her on the show. She has a

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brand new record out in the new year. She is Katy B!

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# My feet won't stop, I can't keep still.

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# Be rocking this until the sunlight.

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# That beat so sick, that tune so ill.

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# Seems they know just how to move me right.

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# He looks my way, won't waste my time.

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# Looking in all the wrong places. # And let history repeat in parallel

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lines. # A sucker for those pretty faces.

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# Ooh, I need somebody to calm me down.

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# A little loving like Valium. # I need somebody to knock me out I

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need some loving like. # Ooh, I don't know what I'm running

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from. # But when the sun comes up it won't

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be wrong. # I need some loving like Valium.

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# I need some loving like. # It's 5am, all on my own.

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# I just need someone to talk with me.

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# I lost my friends, I check my phone.

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# Still searching for someone to walk with me.

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# My demons rise, they take their place.

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# All of a sudden this don't feel right.

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# I wish I had a pure embrace to keep me warm until the sunlight.

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# Ooh, I need somebody to calm me down.

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# A little loving like Valium. # I need somebody to knock me out.

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# I need some loving like. # Ooh, I don't know what I'm running

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from. # But when the sun comes up it won't

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be wrong. # I need some loving like Valium.

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# I need some loving like. # I need some loving like.

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# Close my eyes, numb the pain, feel my worries melt away.

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# Lay me down, treat me kind, take the stresses off my mind.

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# Kiss my neck, feel my touch, let nothing in the way of us.

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# Keep me here, keep me calm, in my dreams, in your arms.

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# Ooh, I need somebody to calm me down.

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# A little loving like Valium. # I need somebody to knock me out I

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need some loving like. # Ooh, I don't know what I'm running

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from. # But when the sun comes up it won't

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be wrong. # I need some loving like Valium.

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# I need some loving like. # I need some loving like. I need

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some loving like #. Thank you Katy B! The next person

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I'm going to chat with at the pinot, has this super record out called

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New. He's had marvellous records in the last few years. This is one of

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the very best. Welcome Paul McCartney.

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APPLAUSE Oh, interesting sitting on the

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pinot, straddle. What inspired you to get back into the studio? I was

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just fed up. Yes. No, it was time. I'd written a bunch of songs and I

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had done some other stuff in the meantime. I had done an album of old

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standards, of my dad's era and your era of music. Exactly! I just

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thought I had some new songs so it was time. The song you just played

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there, what inspired that song? Where did it come from? It was made

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up. I went into a session with Paul Epworth. We made up the rhythm track

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and I started blocking out some words and finally these words "save

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us" came. And I started to make sense of it. It was made up on the

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spot. Bearing in mind, you have been one of the most successful composure

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of -- composers of all time, you say just making it up. I'd like to look

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into it. Yes, we are all just making it up. But where do you start with

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composition? Does it start with the words or the headline or an

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instrument? It depends. You just get something that starts you. If you've

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got no idea at all, you can just look for something on the pinot. You

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know, I don't know. You could look for something like that. And start

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yourself off. Maybe get a little rhythm thing going. You go, no, I

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hate that. So you change it. We liked that. You just develop it. Out

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of interest, have you just made that one up? Yeah. First time... See

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that's, really that was thinking. If you thought about it, you couldn't

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do it. But just instinctively that's what you've made up. Cancel the

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show, we'll write it now. Amazing. I think, we've seen the process close

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up. Oh, shut up! Yes, it's true. So now, the other thing, what about all

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the songs you've written, because there are great songs on here which

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we're going to be hearing more of, but you have written a whole

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catalogue of amazing songs, Wings, the Beatles, all the great songs,

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when you look back, what are the ones that you are most fond of? It's

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difficult to answer that question. Because number one, you change your

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favourites. And number two, they're like your babies. You don't want a

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favourite. Here, There and Everywhere. Yeah, nice. I like that.

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Yesterday I like because I dreamed it, so I have no idea where that one

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came fr. I woke up one morning and I had that tune. That was special.

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Elnor Ri -- Eleanor Rigby. Lots of people have covered them. They have

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all done, in fact, one of your favourites was by maybe Earth Wind

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Fire. That was one of my best favourites. I thought so... Because

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they're here tonight! I didn't know (! ) Fantastic.

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APPLAUSE I am really very lucky because some

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incredible people have covered my songs and I just feel very lucky

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that they would do that. How about the song writers, the composers that

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you like, like a lot of the musicians in this room, including

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me, owe you. Who is a great song writer and it's you, but who is the

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person that you have? I look to different eras. If you are look

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being back to -- to my dad's era, Cole Porter and HogieCarmichael. And

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then Stevie Wonder is a monster. It goes on. There's a load of great

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people out there and out now. Hearing more from this great record

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in a moment. Thank you. The wonderful Sir Paul McCartney. More

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from you in a moment. Now, one of the great new blues

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artists of today, it is Gary Clark Jr.

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# Well, I'm numb. # Yeah, woman, I can't feel a thing.

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# Well, I'm numb. # Yeah, woman, I can't feel a thing.

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# She give me a hard time in the day.

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# A hard time at night. # She can be so sweet till she wanna

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fuss and fight. # Well, I'm numb.

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# Yeah, woman, I can't feel a thing. # Well, I'm numb.

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# Yeah, woman, I can't feel a thing. # Ain't passing from the right.

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# I'm passing to the left. # Burn this whole thing down by

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myself. # Well, I'm numb.

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# Yeah, woman, I can't feel a thing. # Well, I'm numb.

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# Yeah, woman, I can't feel a thing. # Well, I'm numb.

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# Yeah, woman, I can't feel a thing. # Well, I'm numb

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# Yeah, woman, I can't feel a thing. Gary Clark Jr! Nice. Our next

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artist, living in London, he moved to Paris and whilst busking on the

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Metro was discovered by music bigwigs. Here he is, it's the

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wonderful, Benjamin Clementine. # If I held my breath on you

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# I'll die a thousand times # If I was to show you how much I

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care # I'd probably be wearing dentures

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by now # Promises broken

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# Gnome Is your token # -- nemesis your token.

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# You turn around and march into your new home

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# Whenever you've gone darling # Please don't you ever forget to

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treat others the way you want to be treated

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# Yeah, remember your days, yeah. # I said if I held my breath on you,

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I'll die a thousand times # If she was to show you how much

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were to care, I'd be wearing dentures by now

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# I'm trying to say darling, I no ewhere you're going

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# But aren't you forget # These days dries my face

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# Such innocence smiles back at me # Herecy might be your new faith

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# But whatever you believe in, darling, don't you everer forget

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# To treat others the way you want to be treated, yeah

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# Remember your days fooling, yeah # Treat others the way you want to

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be treated # Remember your days full in number

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# I can't say nothing for you no more

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# Nemises # Treat others way the you want to

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be treated # Other-wise you'll get your

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punishment # Nemises, is bitter

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# Life is and it's come on, come on # Come on, yeah.

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# One for the road. # One for the road.

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# From the bottom of your heart. # The relegation zone.

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# I saw this coming from the start. # The shake, rattle and roll.

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# The cracks in blackout blinds cast patterns on the ceiling.

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# But you're feeling fine. # I thought it was dark outside.

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# One for the road. # So we all go back to yours and you

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sit and talk to me on the floor. # There's no need to show me round,

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baby. # I feel like I've been here before.

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# I've been wondering whether later when you tell everybody to go.

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# Will you pour me one for the road? # I knew this would be on the cards.

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# I knew you wouldn't fold. # I saw this coming from start.

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# The shake, rattle and roll. # One for the road.

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# So we all go back to yours. # And you sit and talk to me on the

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floor. # There's no need to show me round,

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baby. # I feel like I've been here before.

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# I've been wondering whether later when you tell everybody to go.

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# Will you pour me one for the road? # The mixture hits you hard.

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# Don't get that sinking feeling, don't fall apart.

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# Some out of tune guitar. # Soundtrack to disaster.

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# One for the road. # One for the road.

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# One for the road. # So we all go back to yours.

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# And you sit and talk to me on the floor.

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# One for the road. # There's no need to show me round,

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baby. # I feel like I've been here before.

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# One for the road. APPLAUSE AND CHEERING. Thank you

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Arctic Monkeys. Before that we enjoyed Benjamin Clementine. Now,

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Paul McCartney at the pinot and talking about a band that had

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covered one of their songs. We have fill p, raffle and Verdine, because

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we have Earth Wind Fire here. -- Philip, Ralph and Verdine. You

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have this new record out and on it, you've captured that amazing and

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unique sound of Earth Wind Fire, which is a unique sound. Where does

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it come from? My brother, the leader and the founder, devised a concept

:29:01.:29:07.

with the sound which came from Chicago, all of these years we've

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all put in the sound and made it really a great ridge make and horn

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sound. That huge sound, with the funk, it always gets me going. When

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the group first started what music inspired you? A little bit of

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everything actually. Kind of wanted to make the music very commercial,

:29:30.:29:34.

but at the same time, different genres of music together. Give it a

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little more of a jazz edge, Latin, Cuban, a little bit of everything.

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It is very distinctive Kind of a gumbo soup. Delicious. Lots of

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lovely ingredients. And your live shows were a spectacle. You have

:29:52.:29:56.

just done some shows in London, is that right? Yes, the Royal Albert

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Hall. It was great music, vishuals. Did you deliberately decide you

:30:03.:30:07.

would have a spectacle when you had live shows? When we started it was

:30:08.:30:11.

just about wanting to be a great band period. As the band progressed,

:30:12.:30:17.

as Maurice kept taking a look Atumpan it, he wanted to expand the

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concept in terms of what we were doing live. Bring more theatre to

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it. Every zone of it was expanding in an amazing way. We have a bit of

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fantasy from 1978 here. We can go down the time tunnel together and

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hold hands. Here we are. S

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MUSIC: Kan fantasy APPLAUSE

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fantastic. # A David Cameron 70s moment and

:31:18.:31:24.

icon -- a fantastic 70s moment. It was a time of mullet hear, dimmer

:31:25.:31:30.

switches, quite an extreme, you know people were, baths of champagne, you

:31:31.:31:35.

know, excessive, let's say that. Let's not go into details. Platform

:31:36.:31:39.

shoes. Yes and people getting off their nut basically. I heard, and I

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don't know if it's true, that you didn't do this. You avoided,

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amazingly, avoided that. We all lives in capsules. I thought so!

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That's why you look so well now. Take your vitamins, say your prayers

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and drink the green tea. You look very well on it. You also did a

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great cover of Can't Get You Into My Life. Yes. We do it every night in

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our show. Did you hear that? Every tight. Yes, got -- Every night. Yes.

:32:15.:32:21.

Have you met him? We met him at the rock-and-roll Hall of Fame when we

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were inducted in 2,000. He said it was one of his favourite covers. Not

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just because he was here. We're going to start a new band and he's

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the fourth member. Earth Wind Fire and Paul. Great. Lovely. He's

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nodding away. Can you hear a word we're saying? No.

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Great, OK. He said he'd love to. Thank you very much for joining us,

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Earth Wind Fire! APPLAUSE

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Now, the man we spoke of a moment ago, it is Paul McCartney.

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# Don't look at me. # It's way too soon to see what's

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gonna be. # Don't look at me.

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# All my life I never knew what I could be.

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# What I could do. # Then we were new.

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# Ooh-ooh-ooh. # You came along and made my life a

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song. # One lucky day you came along.

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# Just in time. # While I was searching for a rhyme.

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# You came along. # Then we were new.

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# Ooh-ooh-ooh. # We can do what we want.

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# We can live as we choose. # You see there's no guarantee.

:33:52.:33:59.

# We've got nothing to lose. # Don't look at me, I can't deny the

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truth. # It's plain to see don't look at

:34:04.:34:07.

me. # All my life I never knew what I

:34:08.:34:11.

could be. # What I could do.

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# Then we were new. # Ooh-ooh-ooh.

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# We can do what we want. # We can live as we choose.

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# You see there's no guarantee. # We've got nothing to lose.

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# Don't look at me. # It's way too soon to see.

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# What's gonna be, don't look at me. # All my life I never knew what I

:34:47.:34:50.

could be. # What I could do.

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# Then we were new. # Ooh-ooh-ooh.

:34:56.:35:03.

# Then we were new. # Ooh-ooh-ooh.

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# Now we are new. # Ooh-ooh-ooh.

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# Ooh-ooh. #. # I pushed all my problems to the

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back of my mind. # Then they surfaced in my dreams,

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vague on the light. # I sweep all my issues to somewhere

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I can find. # In hope that I'll forget but

:35:55.:35:58.

there's just so many times. # Why can't I be strong and just

:35:59.:36:02.

confront all my fears? # When my fear is hurting you I'm

:36:03.:36:06.

being sincere. # But how many more days can I run?

:36:07.:36:11.

How many years. # Emotions flooding and I was so

:36:12.:36:15.

soon and so clear. # Crying for no reason, feel the

:36:16.:36:19.

tears roll down. # I felt strong but am I breaking

:36:20.:36:24.

now? # Crying for no reason cos I buried

:36:25.:36:28.

it deep. # I made promises I could not keep.

:36:29.:36:34.

# Cos I never faced all the pain I caused.

:36:35.:36:38.

# Now the pain is hitting me full force.

:36:39.:36:46.

# I pushed all my problems to the back of my brain.

:36:47.:36:51.

# A darkness deep inside where I just can't find my way.

:36:52.:36:56.

# How can I walk with a smile? Get on with my day.

:36:57.:36:59.

# When I deceived myself pretending it's all OK.

:37:00.:37:04.

# I tried my best to hold it all together, I know.

:37:05.:37:08.

# The strings have worn away and now I'm all exposed.

:37:09.:37:13.

# I try and hide it all away on top of the shelf.

:37:14.:37:18.

# I can lie to everyone but not to myself.

:37:19.:37:21.

# Crying for no reason, feel the tears roll down.

:37:22.:37:26.

# I felt strong but am I breaking now?

:37:27.:37:30.

# Crying for no reason cos I buried it deep.

:37:31.:37:36.

# I made promises I could not keep. # Cos I never faced all the pain I

:37:37.:37:41.

caused. # Now the pain is hitting me full

:37:42.:37:43.

force. # Forgive me now cos I said that.

:37:44.:38:00.

# I'll be there for you, care for you.

:38:01.:38:02.

# I let you down, I walked away. # Cos there were things I couldn't.

:38:03.:38:06.

# Say to you, say to you. # I'm breakin' now.

:38:07.:38:09.

# I burned some bridges down. # There must be some way out.

:38:10.:38:12.

# The voices speak so loud. # Will you forgive me now?

:38:13.:38:16.

# I burned some bridges down. # There must be some way out.

:38:17.:38:20.

# The voices speak so loud. # Will you forgive me now?

:38:21.:38:25.

# Crying for no reason, feel the tears roll down.

:38:26.:38:30.

# I felt strong but am I breaking now?

:38:31.:38:34.

# Crying for no reason cos I buried it deep.

:38:35.:38:41.

# I made promises I could not keep. # Cos I never faced all the pain I

:38:42.:38:45.

caused. # Now the pain is hitting me full

:38:46.:38:47.

force. APPLAUSE AND CHEERING. Thank you

:38:48.:39:25.

Katy B. If you have a stereo fobbic television you can pan from one

:39:26.:39:29.

side, this side for you, over to this side for you now. I'll wait a

:39:30.:39:34.

moment so you can get your control and be comfortable. Pan from this

:39:35.:39:38.

side to this side, sitting comfortably, indeed you should,

:39:39.:39:42.

because now it is Gary Clark Jr. # Woke up in.

:39:43.:40:07.

# Woke up in New York City. # Lying on the floor.

:40:08.:40:17.

# Just outside of Marcy's - West 54, wow.

:40:18.:40:29.

# You gonna know my name by the end of the night, yeah.

:40:30.:40:39.

# You gonna know my name by the end of the night, wow.

:40:40.:40:49.

# Bright lights, big city going to my head.

:40:50.:40:55.

# Bright lights, big city going to my head.

:40:56.:41:01.

# Bright lights, big city going to my head.

:41:02.:41:08.

# I don't care, no. # Cos you don't care, no.

:41:09.:41:22.

# Start off with the bottle. # End it up with the bottle.

:41:23.:41:30.

# Taking shots, waiting on tomorrow. # Trying to fill up, was hollow.

:41:31.:41:39.

# You gonna know my name. # You gonna know my name.

:41:40.:41:46.

# Bright lights, big city going to my head.

:41:47.:41:54.

# Bright lights, big city going to my head.

:41:55.:41:58.

# Bright lights, big city going to my head.

:41:59.:42:02.

# I don't care, no. # Cos you don't care, no.

:42:03.:43:18.

# You're gonna know my name # Hey, you're gonna know my name by

:43:19.:43:27.

the end of the night. # APPLAUSE AND CHEERING. The wonderful

:43:28.:43:47.

Gary Clark Jr. And now, I'm delighted to be joined

:43:48.:43:51.

by a man who's been having tremendous success lately, Alex

:43:52.:43:55.

Turner, from the Arctic Monkeys. Marvellous to have you back at the

:43:56.:44:00.

show. How are you doing, all right? I'm pleased you've got a drink.

:44:01.:44:04.

Yeah, I'm just over here having a casual red wine by myself. I've

:44:05.:44:10.

joined you now. They should get you one. No, nothing for me. You should

:44:11.:44:17.

be celebrating because AM, your fifth album, the fifth to go

:44:18.:44:20.

straight to number one. Congratulations. Thank you.

:44:21.:44:27.

APPLAUSE How do you celebrate this then? Do

:44:28.:44:35.

you faux what -- do you faux what, we -- do you know what, we haven't

:44:36.:44:42.

had time for a celebration. This room seems like a wonderful reward.

:44:43.:44:47.

What a great reward. We've come up trumps tonight with the guests. An

:44:48.:44:52.

amazing lot of guests. Right? Right guys. A load of great guests and one

:44:53.:44:56.

glass of wine. There we go. Is it right you've moved now. You're

:44:57.:45:00.

living in LA? We've been spending a lot of time there. We did the record

:45:01.:45:04.

there. We've been there a lot in the last year. Does that make the record

:45:05.:45:07.

sound different do you think? Perhaps some days I feel like it

:45:08.:45:11.

does. Perhaps I haven't got the hindsight on it yet to make a

:45:12.:45:15.

judgment on that. Still a bit close. Yeah. But maybe it makes it more

:45:16.:45:20.

laid back or something. This might sound like a daft question, what's

:45:21.:45:24.

the main differences between Sheffield and Los Angeles?

:45:25.:45:28.

LAUGHTER I don't think that requires - that

:45:29.:45:34.

laughter just was the best answer to that question perhaps. I don't know.

:45:35.:45:37.

You can ride your motorbike all year round. That's the only difference.

:45:38.:45:41.

Other than that, it's pretty much the same. Similar, yeah. I love

:45:42.:45:48.

Sheff. As do I. We were there this weekend. We caught up with old

:45:49.:45:51.

friends on Saturday night, it was great. Of course, Josh Hom came on

:45:52.:45:57.

the show and he told us you go motorcycling with him. Is that a big

:45:58.:46:02.

lie? No, that's true. That's not him making the myths. So you ride all

:46:03.:46:08.

the year round, not just fair weather? I make out like I ride

:46:09.:46:13.

hard, but I'm just a terrible poser, really. What sort of motorbike do

:46:14.:46:22.

you have? I got a YamahaXS 650. Are you into that? I used to know about

:46:23.:46:26.

the old bikes. I haven't kept up with the modern ones. That's a 70s

:46:27.:46:32.

bike. How much I know then. I'm still with the Brough, superiors.

:46:33.:46:39.

You strike me as four wheels. No I like the Vincent. The black shadows.

:46:40.:46:45.

Or the lightning, if you could get one. Very hard to find. A bit out of

:46:46.:46:51.

my range at the moment. They break a legal. -- leg. Move a few more

:46:52.:46:55.

units, you never know. This record is going the right way. You were

:46:56.:47:03.

given a Q award for the best track I Want To Know. More things to

:47:04.:47:10.

celebrate. Cheers! Yes! APPLAUSE

:47:11.:47:14.

You must have a lot of awards now. Where do you keep those awards? I

:47:15.:47:19.

don't know where any of them are. I remember one BRIT Award that we had

:47:20.:47:25.

was in Jamie's fridge for a long time, just by the mustard and

:47:26.:47:28.

ketchup in the door. Is that what you keep in the fridge? That's where

:47:29.:47:32.

he was keeping one. I do keep the ketchup in the fridge.

:47:33.:47:36.

I don't think there's anything unusual about a Brit in the fridge,

:47:37.:47:41.

but why ketchup? I don't know. What about Marmite, in the fridge or in

:47:42.:47:45.

the cupboard? Cupboard, definitely. I want room temperature. I agree

:47:46.:47:52.

there. A chilled award yes. Room temperature condiments? Hmmm. Does

:47:53.:47:57.

Marmite get classed as a condiment, though or is that ahead in this

:47:58.:48:00.

game. Spread - now that's a question. Or is it a smear? Or maybe

:48:01.:48:05.

just a way of life. It's a statement. Exactly. Well

:48:06.:48:07.

congratulations on it all. Marvellous to have you back here.

:48:08.:48:11.

Thanks for having us. Pleased we could give you a glass of Red wine.

:48:12.:48:17.

Sorry we couldn't give me one. Thanks for being here, Alex Turner

:48:18.:48:21.

Islam now the -- Alex Turner. Now the man we met earlier. He's

:48:22.:48:24.

wonderful, Benjamin Clementine. # I'm alone in a box of stone.

:48:25.:49:00.

# When all is said and done. # As the wind blows to the east from

:49:01.:49:07.

the west. # Unto this bed my tears have their

:49:08.:49:14.

solemn rest. # I am lonely, alone in a box of my

:49:15.:49:21.

own. # They claimed to love me but they

:49:22.:49:26.

were all lying. # I am lonely, alone in a box of my

:49:27.:49:32.

own. # And this is the place I now

:49:33.:49:38.

belong. # It's my home, home, home, home.

:49:39.:49:54.

# It wasn't easy getting used to this.

:49:55.:49:59.

# I used to scream. # It's not true that it's only when

:50:00.:50:03.

the door is locked. # That nobody enters.

:50:04.:50:09.

# Cos mine has been opened till your demise.

:50:10.:50:17.

# But none has come, well, who am I?.

:50:18.:50:22.

# What have I done wrong?. # I've been lonely, alone in a box

:50:23.:50:29.

of my own. # They claim to be near me but

:50:30.:50:34.

they're all lying. # I've been lonely, alone in a box

:50:35.:50:39.

of my own. # This is the place I know I now

:50:40.:50:45.

belong. # My home, home, home, home, home.

:50:46.:51:03.

# Friends I have met. # Lovers have slept and wept.

:51:04.:51:14.

# Promises to stay never been kept. # This bare truth of which most

:51:15.:51:22.

won't share. # So I hope you share, I hope you

:51:23.:51:28.

share. # For I have been lonely.

:51:29.:51:34.

# Alone in a box of stone. # they claim to love me and be near

:51:35.:51:37.

me. # But they are all lying.

:51:38.:51:41.

# I have been lonely, alone in a box of my own.

:51:42.:51:47.

# And this is the place I now know I belong.

:51:48.:51:51.

# It's my home, home, home, home, home.

:51:52.:51:54.

# It's my home, home, home, home, home.

:51:55.:52:24.

# There were rules you never told me.

:52:25.:52:46.

# Never came up with a plan. # All the stories that you sold me.

:52:47.:52:50.

# Didn't help me understand. # But I had to get it worked out.

:52:51.:52:55.

# Had nobody who could help. # So then in the end it turned out.

:52:56.:53:01.

# That I had to do it. # By myself.

:53:02.:53:06.

# That's the game of rags to riches. # Dogs and bitches hunt for fame.

:53:07.:53:20.

# Until you think you know which way to turn.

:53:21.:53:22.

# Make the day all the switches. # Wicked witches fan the flame.

:53:23.:53:26.

# Careful what you touch in case you burn.

:53:27.:53:28.

# Queenie eye, queenie eye, who's got the ball?

:53:29.:53:32.

# I haven't got it, it isn't in my pocket.

:53:33.:53:34.

# O-U-T spells out that's out. # Without a shadow of a doubt.

:53:35.:53:39.

# She could put it in about. # Hear the people shout.

:53:40.:53:48.

# Play the game, taking chances. # Every dance is much the same.

:53:49.:53:52.

# Doesn't matter which event you choose.

:53:53.:53:59.

# Never blame the circumstances. # With romances seldom came.

:54:00.:54:04.

# Never pick a fight you're gonna lose.

:54:05.:54:08.

# Queenie eye, queenie eye, who's got the ball?

:54:09.:54:11.

# I haven't got it, it isn't in my pocket.

:54:12.:54:13.

# O-U-T spells out. # That's out.

:54:14.:54:18.

# Without a shadow of a doubt. # She could put it in about.

:54:19.:54:22.

# Hear the people shout. # Hear the people shout.

:54:23.:54:31.

# It's a long way to the finish. # When you've never been before.

:54:32.:54:39.

# I was nervous, but I did it. # Now I'm going back for more.

:54:40.:55:02.

# Queenie eye, queenie eye, who's got the ball?

:55:03.:55:21.

# I haven't got it, it isn't in my pocket.

:55:22.:55:22.

# O-U-T spells out. # That's out.

:55:23.:55:28.

# Without a shadow of a doubt. # She could put it in about.

:55:29.:55:32.

# Hear the people shout. # Hear the people shout.

:55:33.:55:46.

# That's out # Without a shadow of a doubt

:55:47.:55:52.

# Because you've been putting it about

:55:53.:55:55.

# Hear the people shout # Hear the people shout #

:55:56.:56:05.

#. APPLAUSE AND CHEERING. Paul

:56:06.:56:10.

McCartney from his brand new album New! Fantastic. What a mafb Russ

:56:11.:56:18.

room full of people -- marvellous room we've had. Before that we

:56:19.:56:23.

enjoyed Benjamin Clementine. Now let's enjoy Arctic Monkeys.

:56:24.:56:36.

# I'm a puppet on a string, Tracy Island.

:56:37.:56:37.

# Time-traveling diamond-cutter-shaped heartaches.

:56:38.:56:39.

# That's come to find you. # Four in some velvet morning years

:56:40.:56:42.

too late. # She's a silver lining, Lone Ranger

:56:43.:56:44.

riding. # Through an open space in my mind.

:56:45.:56:48.

# When she's not right there beside me.

:56:49.:56:51.

# I go crazy cos here isn't where I want to be.

:56:52.:56:54.

# And satisfaction feels like a distant memory.

:56:55.:57:00.

# And I can't help myself. # All I want to hear her say.

:57:01.:57:07.

# Is "Are you mine?". # Well, are you mine?

:57:08.:57:16.

# Are you mine? # Are you mine?

:57:17.:57:26.

# I guess what I'm trying to say is I need the deep end.

:57:27.:57:32.

# I keep imagining meeting. # Wished away entire lifetimes.

:57:33.:57:36.

# Unfair we're not somewhere misbehaving for days.

:57:37.:57:41.

# Great escape. # Lost track of time and space.

:57:42.:57:45.

# She's a silver lining climbing on my desire.

:57:46.:57:49.

# And I go crazy cos here isn't where I want to be.

:57:50.:57:53.

# And satisfaction feels like a distant memory.

:57:54.:57:58.

# And I can't help myself. # All I want to hear her say.

:57:59.:58:07.

# Is "Are you mine?". # Well, are you mine?

:58:08.:58:11.

# Are you mine tomorrow? # Are you mine?

:58:12.:58:15.

# Or just mine tonight? # Are you mine?

:58:16.:58:31.

# And the thrill of the chase moves in mysterious ways.

:58:32.:58:34.

# So in case I'm mistaken I just want to hear you say.

:58:35.:58:38.

# You've got me, baby, are you mine? # She's a silver lining, Lone Ranger

:58:39.:58:55.

riding. # Through an open space in my mind.

:58:56.:59:01.

# When she's not right there beside me.

:59:02.:59:03.

# And I go crazy cos here isn't where I want to be.

:59:04.:59:06.

# And satisfaction feels like a distant memory.

:59:07.:59:11.

# And I can't help myself. # All I want to hear her say is "Are

:59:12.:59:14.

you mine?". # Well, are you mine?

:59:15.:59:23.

# Are you mine tomorrow? # Are you mine?

:59:24.:59:28.

# Or just mine tonight? # Are you mine?

:59:29.:59:34.

# Are you mine tomorrow? # Or just mine tonight? #.

:59:35.:59:41.

APPLAUSE AND CHEERING. Arctic Monkeys! Thank you for joining us

:59:42.:59:55.

this evening. I'm back on Tuesday at 10pm. Now thank you to all our

:59:56.:00:02.

guests, Paul McCartney, could I invite your drummer to give us a bit

:00:03.:00:08.

of a groove? Yeah. I think that might be in the key of

:00:09.:00:13.

A. Thank you to all our guests tonight - Paul McCartney and his

:00:14.:00:18.

wonderful band. Thank you Earth Wind wonderful band. Thank you Earth Wind

:00:19.:00:25.

Fire. Thank you Benjamin Clementine. Thank you Katy B. Thank

:00:26.:00:42.

you Gary Clark Jr. And celebrating their fifth number one, keeping

:00:43.:00:54.

their awards in the fridge, thank you Arctic Monkeys! Be seeing you.

:00:55.:01:00.

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