Episode 5 Later... with Jools Holland


Episode 5

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Transcript


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Welcome to the show! Welcome to John Newman!

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# Know I've done wrong left your heart torn

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# Took you so long where only fools gone

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# Feel with all the strength I found there's nothing I can't do

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# It's unforgivable I stole and burnt your soul

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# They rule the worst in me destroy everything

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# Filled with all the strength # There's nothing I can't do

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# Do this again, do this again oh oh

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How wonderful to have that talented man back in this room, John Newman,

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Love Me Again. It is a room packed of extraordinary and diverse talent.

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We will welcome MGMT. I will have a close and personal encounter with

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one of the greatest Londoners of all time, Sykes. -- Suggs. And,

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Passenger. Also, per week. From south-west London, Anna Calvi. But

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now, from Glasgow and New York, one talented man, Lloyd Cole.

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# Taking unpaid leave from my women's studies, uh huh

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# Out here in the meadow With A People's History Of America

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# I smoke a pipe to Johnny 99 Bipartisan Consensus

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# I'm keeping it dry, nothing flighty

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# We were young and we were stupid and it was fine while it lasted

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# To complete my education I wake up in your bathtub

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# Oh, those Monday morning quarters I grew so accustomed to

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# I've seen enough, I've made my recommendations

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# Your powers of reduction remain strangely undiminished

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# Yes you, in your hushed tones and your campus etiquette

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# Then nothing should keep her mouth shut

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# We were young and we were stupid and it was fine while it lasted

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# Are these riches here the spoils of my retreat?

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# These rented rooms and bachelors degree

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# It's a Penguin Classic scene broken spine and faded green

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# Trying to re-locate my arms around a memory

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# Taking unpaid leave from my women's studies, uh huh

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# Hiding up here in my library/study with The Great Wall Of China

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# If Josef K was from Edinburgh and Fast Product from Prague

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# If Josef K was from Edinburgh # The lonely won't hold me for good

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# Tomorrow, tomorrow's too late so hold me up

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# Hold me up I know that I could be you, Eliza

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# So dress-less and godless I wait to leave

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# This should behind entangled the jangle of bells

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# They ring my fear through the night

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Thank you, Anna Calvi, with Eliza. Now, regular viewers will notice I

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am bunked up, because I have a slight cold, but they say feed a

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cold, so I have decided to feed it with delightful music. These next

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artists took a year out to recharge themselves before creating a

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wonderful new record, MGMT. # He knows it's all right

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to live a life # Not knowing that your life

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is a lie Thank you, MGMT, Your Life Is A Lie.

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From the album temp -- from the album MGMT. I have a talented man in

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the studio, the band that they dare to call Suggs! Welcome to the show,

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nice to see do, I am sorry I have a cold. An amazing autobiography, you

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cannot put it down. It should be flunk with great force out of the

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train window. I saw somebody reading it like this. Fantastic. The first

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question has to be, why? Because he wanted to reflect on where you have

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been before you can move on, or because he wanted a load of money?

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Or both? A bit of both. A set of converging circumstances. It was my

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50th birthday party, I was contemplating the half-century on

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the planet. My cat fell off the shelf and died beside me. It was

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very upsetting. A portent. Given the dreadful things that may or may not

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have happened to me, that tipped me over the edge into contemplating

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what I have been doing. A lot of great things in here, it is funny

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and moving. You run the gamut. Where did Suggs come from? Legend has it

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that I decided to pick a new name for myself and I put a pin in an

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encyclopaedia of jazz musicians, and it stuck in the middle of the letter

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E of the name Peter. I thought, that is no good! Then, I read his second

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name, Suggs. Things fall into mythology, it was Peter Suggs, a

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drummer from Kentucky. He played piano as well. I wondered if there

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were any other parallels? Probably, but the coincidence starts to strike

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more coincidently, the older you get! I was just saying that! You

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have met so many more people, been through so many more situations.

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Touchingly, you have dedicated a chapter to Television Centre. You

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were there when it closed. I was talking to your producer, who

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invited us to play at the closing, and he gave me a last chapter to the

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book. I was finding it difficult to round off. I be lysed in the end,

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having closed the jubilate, the Olympics, I then closed Television

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Centre, which are in the market for closing things! Cyprus and the Post

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Office have been on the phone! We have got a clip right now.

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# Our house. # In the middle of our street.

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# Our house. # That was where we used to sleep.

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Also, you have been doing a fantastic one-man show, how would

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you describe it to people who have not seen it? A musical, semi-tragic

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comedy, laugh a minute, fantastic but nonsense. It is a must see. It

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describes my life story. If you are nervous about buying the book, come

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and see me in December. If they have come to see you, and they have

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bought the book, what do they do then? Can they go on holiday with

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you? Maybe we should take them on holiday together! Please do not ask

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me what I am doing next, it is grinding to a halt! I am finally

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finished, talking about myself. It is wonderful to have Suggs on the

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show, with his superb book. Thank you, Suggs. The greatest living

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Englishman! Now, an amazing singer from Brighton, Passenger.

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# Well, you only need the light when it's burning low

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# Only miss the sun when it starts to snow

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# Only know you love her when you let her go

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# Only know you've been high when you're feeling low

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# Only hate the road when you're missin' home

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# Only know you love her when you let her go

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# Staring at the bottom of your glass

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# Hoping one day you'll make a dream last

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# But dreams come slow and they go so fast

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# You see her when you close your eyes

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# Well, you only need the light when it's burning low

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# Only miss the sun when it starts to snow

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# Only know you love her when you let her go

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# Only know you've been high when you're feeling low

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# Only hate the road when you're missin' home

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# Only know you love her when you let her go

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# Cos you only need the light when it's burning low

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# Only miss the sun when it starts to snow

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# Only know you love her when you let her go

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# Only know you've been high when you're feeling low

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# Only hate the road when you're missin' home

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# Only know you love her when you let her go

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MUSIC: "Out Of My Head" John Newman

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# As time goes by there's no pieces left

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# To shut out feeling lonely I get out of my head

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#To shut out feeling lonely I get out of my head

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# Why would you want to love somebody

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# Free to see the world now as my own

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# Breaks through my mind what I have lost

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# To shut out feeling lonely I get out of my head

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# To shut out feeling lonely I get out of my head

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# Why would you want to love somebody

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# You called to say you're missing me

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# I'm out of my mind but learning to get on by fine

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# To shut out being lonely I get out of my head

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# To shut out being lonely I get out of my head

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# Why would you want to love somebody

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From his album, Out Of My Head, the wonderful voice of John Newman.

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Before that, we enjoyed Passenger. Next, the start of the international

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Latin world, everybody says she is marvellous, please welcome Buika.

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# You would be the one to come a knocking at my door

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# And I would be the one to let you in and nothing more

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# You would break the bread and we would drink the blood of Christ

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# Blessed are the lovers for theirs shall be the night

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# And in the morning you' be lying by my side

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# You would be the one to lay the blanket on the ground

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# And I would come to you but you'd be nowhere to be found

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# So I would turn to her for she was always, always there

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# Lost will be the souls of the wanton and the weak

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# Lost in the morning she'd be lying next to me

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# So then it was for me to come a calling at your window

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# She doesn't live here - just the thin girl

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# So I would lay the table and I'd wait for you to call

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# I became the one who sits and watches from afar

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# Now, who should be the one to come a striding down my street?

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# To what do we owe this apparent sense of urgency?

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# And I should be the one touched by your very presence, dear?

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# The longer you were gone the less the longing

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Thank you, Lloyd Cole, from his LP. I will be discussing things with him

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in a moment. Before that, we enjoyed Buika. Another woman with an amazing

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voice, Anna Calvi. # Crawling out

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you need to protect me # I'm calling out

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find me a stronger hand # Better confess

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it tastes like I'm leaving # Ashes to ashes it leaves me with

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nothing. # I'm falling away well, if you want

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it. # The touch and the spell her eyes

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are so wild. # We stand on the edge it tastes

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like I'm leaving. Anna Calvi, Suddenly. Over in this

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corner, I am delighted to meet the man who was performing for us so

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brilliantly there, for the first time on this show, Lloyd Cole.

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Welcome to the show. I have given my cold to Suggs! A great new record,

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Bob Dylan was instrumental in new putting this together? I suppose so,

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I reviewed Tempest last year, and I was blown away by how he does not

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change what he is doing. It is possible but in the last ten years I

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might have been too worried about what was age-appropriate music, so I

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decided to see what would happen if I did not think about it. You are

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going back to your earlier roots. It is an electric pop record, which is

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what I'd use today. I have been getting quieter over the years, and

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this is loud again. You have not been on the show before, it is nice

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to have you here. At the beginning of the show, we say, where would you

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like us to say you are from, but you wanted to be from Glasgow, New York

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and Buxton. Is it possible? Yes, I was born in Buxton, I am an honorary

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Glaswegian, and I have lived in New York for a long time. Home now is in

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Massachusetts. I am there purely out of inertia, I have two kids and

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their wife, I would rather be in Whitby. It is very nice! We have a

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clip of you, that have a look. # Too easily.

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# Too easily. What year is that? 1985.

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Terrifying! The same year that you saw me and Miles Davis talking on

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the television. It was hilarious, he wanted to talk about his drawings of

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his wife, primarily from behind. That did have a hand in the

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inspiration for the song I signed earlier, Women's Studies. I said to

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Miles Davis, you connect your visual art with your music? He paused, it

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got to the end of the interview, and he said, yeah, sure. What are you

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going to do for us next? An old one, Perfect Skin. A nice band you have

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got with you as well. It is good to see you, Lloyd Cole. Everywhere this

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man goes, people love him, he has been on tour with me, he is great,

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he is Passenger. # I know a man

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with nothing in his hands # He told me about

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when his house burnt down # They were gonna ask

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his mother to choose # She said one day her husband

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went to get a paper # Mortgage to pay

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and four kids to raise # She said, "The wolf's just a puppy

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and the door's double locked # "Now he left a hole in my heart

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a hole in a promise # "Oh, now that he's gone

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well, life carries on # "And I miss him like

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a hole in the head!" # Well sometimes you can't change

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and you can't choose # And sometimes it seems

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you gain less than you lose # Now we've got holes in our hearts

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yeah, we've got holes in our lives # Where we've got holes,

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we've got holes but we carry on # Where we've got holes

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in our hearts # Where we've got holes

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we've got holes but we carry on # Said we've got holes in our hearts

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yeah, we've got holes in our lives # Where we've got holes

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we've got holes but we carry on # Said we've got holes in our hearts

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we've got holes in our lives # We've got holes, we've got holes

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but we carry on # Said we've got holes

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in our hearts # We've got holes, we've got holes

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but we carry on # Said we've got holes in our hearts

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yeah, we've got holes in our lives # Where we've got holes

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we've got holes but we carry on. # Thank you, Passenger. From his

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album, that is Holes. Wonderful. Now, it is MGMT.

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MUSIC: "Plenty Of Girls In The Sea" MGMT

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# No it's whatever you want it to be.

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# There's plenty of girls in the sea.

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# Ah, the passionate painter will say with a brush.

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# "It's best to accept it and not make a fuss.

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# "Just cos the grass isn't green". # Yeah, there's plenty of girls in

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the sea. # There's plenty of girls in the

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sea. # And plenty of clowns in the

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village. # The trick is to try to be free.

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# And tend to the void don't just fill it.

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# The bartender concedes from inside his vest.

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# That none of the best ones were ever the best.

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# So keep it short, simple and sweet.

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# Cos there's plenty of girls in the sea.

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# Cos there's plenty of girls in the sea.

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# Cos there's plenty of girls in the sea.

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# Whenever you want there to be. # I choose my friends

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only far too well # I'm up on the pavement

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they're all down in the cellar # With their government grants

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and my IQ # She's up on the pavement

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yes, she's a weather girl # And I'm staying up here

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so I may be undone # She's inappropriate

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but then she's much more fun and # Shame on you

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you've got no sense of grace # Other than that

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which is absolutely necessary # Louise is the girl

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with the perfect skin # She says turn on the light

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otherwise it can't be seen # She's got cheekbones like geometry

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and eyes like sin # And she's sexually enlightened

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by Cosmopolitan and # She takes me down to the basement

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to look at her slides # Of her family life

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pretty weird at times # At the age of ten she looked like

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Greta Garbo and I loved her then # She takes me down to the basement

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to look at her slides Thank you, Lloyd Cole with Perfect

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Skin. Before that, MGMT. Now, we finish where we started, we are

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delighted to have this man back in the room, what a voice, John

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Newman! # Gold dust.

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# Teardrops. # Teardrops.

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# Did I break your trust completely? # Can't bear to see you leaving.

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# Gold dust. # Gold dust.

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# Teardrops. # Teardrops.

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# Gold dust. # Gold dust.

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# Teardrops. # Teardrops.

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# Gold dust. # Gold dust.

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# Teardrops. # Teardrops.

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# Gold dust. # Gold dust.

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# Teardrops. # Teardrops.

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# Teardrops. The wonderful John Newman, with Gold

:00:40.:00:56.

Dust! They will be back on cheesesteak at 10pm, live. But now,

:00:57.:01:08.

would you have a nice groove to give us? May be in HD? Let's thank our

:01:09.:01:17.

superb guests. Feeling better already! Thank you, John Newman!

:01:18.:01:25.

Thank you, Suggs! Thank you, Passenger! Thank you, Buika! Thank

:01:26.:01:34.

you, Anna Calvi! What a lovely instrument! Thank you, Lloyd Cole!

:01:35.:01:47.

Thank you, MGMT! Feeling good?

:01:48.:01:53.

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