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In love, it's Tuesday, it Kasabian. Ganache it's ten o'clock. | :00:41. | :00:59. | |
# Eez-Eh, I'll make you mad. # Please staying sleazy. | :01:00. | :01:14. | |
# If you want to, I take you out. # 'Cause I got a feeling that I'm | :01:15. | :01:17. | |
gonna keep you up all. # Gonna keep you up all. | :01:18. | :01:19. | |
# Gonna keep you up all night! # Tired of taking orders. | :01:20. | :01:28. | |
# Coping with disorders. # Running out of power. | :01:29. | :01:33. | |
# Sun in my milk shower. # Tired of taking orders. | :01:34. | :01:38. | |
# Coping with disorders. # Running out of power. | :01:39. | :01:56. | |
# Turning my milk sour. #Turning my milk sour. | :01:57. | :02:01. | |
# Eez-Eh, I'll make you mad. # Please staying sleazy. | :02:02. | :02:04. | |
# If you're trying up the one so right. | :02:05. | :02:07. | |
# If you want to, I take you out. # 'Cause I got a feeling that I'm | :02:08. | :02:10. | |
gonna keep you up all. # Eez-Eh, but it ain't that bad. | :02:11. | :02:16. | |
# Go round my muse, and I'll try to send the world a live. | :02:17. | :02:21. | |
# You got problems, so have I. # And I got a feeling that I'm gonna | :02:22. | :02:24. | |
keep you up all. # Gonna keep you up all. | :02:25. | :02:26. | |
# Gonna keep you up all night! # Finally we lost it. | :02:27. | :02:47. | |
# Everyday is brutal. # Now we're being watched by Google. | :02:48. | :02:56. | |
# Got to keep it simple. # Everyone's on bugle. | :02:57. | :03:07. | |
# Now we're being watched by Google. # And if you want to, I'll take you | :03:08. | :03:11. | |
out. Cos I've got the feeling that I'm | :03:12. | :03:16. | |
going to keep you up all night. # Life ain't easy but it ain't that | :03:17. | :03:21. | |
bad. # No reason to try and set the world | :03:22. | :03:25. | |
alight. # You've got problems but so have I. | :03:26. | :03:31. | |
# I've got a feeling that I'm going to keep you up all night. | :03:32. | :03:38. | |
# Going to keep you up all... # Going to keep you up all... | :03:39. | :03:42. | |
# Going to keep you up all night. # Going to keep you up all... | :03:43. | :04:22. | |
# Going to keep you up all night. APPLAUSE. | :04:23. | :04:28. | |
Kasabian, Eez-Eh! Delighted to have them in the studio. Who else are our | :04:29. | :04:33. | |
amazing guests tonight? From New York, we will be welcoming Natalie | :04:34. | :04:38. | |
Merchant. From London, Brian Eno and Karl Hyde. From Bristol, George | :04:39. | :04:44. | |
Ezra. From all over the world, Ibibio Sound Machine. And now, from | :04:45. | :04:47. | |
Dallas, Texas, St Vincent. # Get back to your seats. | :04:48. | :05:13. | |
# Get back, gnashing teeth. # I want all of your mind. | :05:14. | :05:19. | |
# People turn the TV on it looks just like a window. | :05:20. | :05:25. | |
# Yeah. # People turn the TV on it looks | :05:26. | :05:32. | |
just like a window. # Yeah. | :05:33. | :05:39. | |
# Digital witnesses. # What's the point of even sleeping? | :05:40. | :05:50. | |
# If I can't show it, you can't see me. | :05:51. | :05:52. | |
# What's the point of doing anything? | :05:53. | :06:03. | |
# This is no time for confessing. # I want all of your mind. | :06:04. | :06:17. | |
# Digital witnesses. # People turn the TV on and throw it | :06:18. | :06:30. | |
out the window yeah. # People turn the TV on it looks | :06:31. | :06:37. | |
just like a window. # Digital witnesses. | :06:38. | :06:43. | |
# What's the point of even sleeping? # If I can't show it, you can't see | :06:44. | :06:49. | |
me. # Watch me jump right off the London | :06:50. | :06:52. | |
Bridge. # This is no time for confessing. | :06:53. | :07:10. | |
# People turn the TV on and throw it out the window. | :07:11. | :07:19. | |
# Yeah. # Get back to your stare. | :07:20. | :07:28. | |
# I care but I don't care. # Oh, oh, I want all of your mind. | :07:29. | :07:38. | |
# Gimme all of your mind. # I want all of your mind. | :07:39. | :07:44. | |
# What's the point of even sleeping? # If I can't show it, you can't see | :07:45. | :08:02. | |
me. # What's the point of doing | :08:03. | :08:04. | |
anything? # What's the point of even sleeping? | :08:05. | :08:11. | |
# So I stopped sleeping, # What's the point of even sleeping? | :08:12. | :08:14. | |
# Won't somebody sell me back to me? Thank you, St Vincent. More of her | :08:15. | :08:36. | |
on Friday. Now, an extraordinary collective from Nigeria, Brazil and | :08:37. | :08:39. | |
beyond. But they all formed in London, they are Ibibio Sound | :08:40. | :08:40. | |
Machine! APPLAUSE. | :08:41. | :12:08. | |
Thank you, Ibibio Sound Machine! Now, a brand-new artist, a man | :12:09. | :12:12. | |
everyone has been writing about. You can see him at all the festivals. | :12:13. | :12:16. | |
You will hear for yourself and stop from Bristol, George Ezra. | :12:17. | :12:27. | |
# My house in Budapest. # My hidden treasure chest. | :12:28. | :12:32. | |
# Golden grand piano. # My beautiful Castillo. | :12:33. | :12:37. | |
# For you. # You. | :12:38. | :12:42. | |
# I'd leave it all. # My acres of a land. | :12:43. | :12:46. | |
# I have achieved. # It may be hard for you to. | :12:47. | :12:50. | |
# Stop and believe. # But for you. | :12:51. | :12:53. | |
# You. # I'd leave it all. # For you, you, | :12:54. | :13:07. | |
I'd leave it all. # Give me one good reason. | :13:08. | :13:18. | |
# Why I should never make a change. # And baby if you hold me. | :13:19. | :13:22. | |
# Then all of this will go away. # My many artifacts. | :13:23. | :13:26. | |
# The list goes on. # If you just say the words. | :13:27. | :13:30. | |
# I'll up and run. # Oh, to you. | :13:31. | :13:33. | |
# You. # I'd leave it all. # For you, you, | :13:34. | :13:46. | |
I'd leave it all. # Give me one good reason. | :13:47. | :13:54. | |
# Why I should never make a change. # And baby if you hold me. | :13:55. | :14:02. | |
# Then all of this will go away. # Give me one good reason. | :14:03. | :14:10. | |
# Why I should never make a change. # And baby if you hold me. | :14:11. | :14:19. | |
# Then all of this will go away. # My friends and family. | :14:20. | :14:23. | |
# They, don't understand. # They fear they'd lose so much. | :14:24. | :14:27. | |
# If, you took my hand. # But, for you. | :14:28. | :14:30. | |
# You. # I'd lose it all. # For you, you, | :14:31. | :14:44. | |
I'd lose it all. # Give me one good reason. | :14:45. | :14:51. | |
# Why I should never make a change. # And baby if you hold me. | :14:52. | :15:01. | |
# Then all of this will go away. # Give me one good reason. | :15:02. | :15:09. | |
# Why I should never make a change. # And baby if you hold me. | :15:10. | :15:16. | |
# Then all of this will go away. # My house in Budapest. | :15:17. | :15:20. | |
# My hidden treasure chest. # Golden grand piano. | :15:21. | :15:24. | |
# My beautiful castillo. # You. | :15:25. | :15:36. | |
# I'd leave it all. # For you, you, I'd leave it all. George Ezra! From | :15:37. | :15:54. | |
his album Wanted on Voice. We love a collaboration on this show. If you | :15:55. | :16:00. | |
get a legendry dance music pioneer and producer, you put them together | :16:01. | :16:03. | |
and you have Brian Eno and Karl Hyde. | :16:04. | :16:46. | |
# Daddy's car # Street lights shimmer shimmering | :16:47. | :17:15. | |
# Lend you daddy's car # Laughter in the dark | :17:16. | :17:27. | |
# Children in the dark glowing # Stress-free fathers | :17:28. | :18:18. | |
# Lend you daddy's car # Street lights shimmering | :18:19. | :18:40. | |
# If I was to lend you daddy's car # Laughter in the dark | :18:41. | :18:47. | |
# The earth is turning # If I was to lend you daddy's car | :18:48. | :18:55. | |
# Turning, turning # Up on his shoulders | :18:56. | :19:52. | |
# Enjoying the thrill of it all # Up on his shoulders and loving the | :19:53. | :20:00. | |
thrill of it # | :20:01. | :20:03. | |
APPLAUSE AND CHEERING Live and direct in this room, | :20:04. | :20:07. | |
brilliant Brian Eno and Karl Hyde. Now we go over to this corner, from | :20:08. | :20:15. | |
the Hudson Valley, New York, a marvellous poet and singer, we | :20:16. | :20:18. | |
welcome Natalie Merchant. # Gonna get what's mine and wild | :20:19. | :20:28. | |
horses couldn't keep it from me. # Gonna get what's mine and wild | :20:29. | :20:37. | |
# Papa says I'm a # Gonna get what's mine and wild | :20:38. | :20:41. | |
the whole world's gonna fall at my feet. | :20:42. | :20:46. | |
# It's all coming to me. # Going down picking when it's | :20:47. | :20:48. | |
harvest time. # Gonna get my share, gonna get | :20:49. | :21:04. | |
what's mine for me. # Ole sweet tooth aching in my head. | :21:05. | :21:08. | |
# Gonna fill my belly to the brim, oh yes indeed! | :21:09. | :21:11. | |
# Hive is a-buzzing in a hollow tree. | :21:12. | :21:14. | |
# And I don't care if I gotta kill a little honeybee. | :21:15. | :21:23. | |
# When I get my little eye on it. # When I get my little mind on it, | :21:24. | :21:29. | |
you best believe. # Oh my, it's all coming to me. | :21:30. | :21:46. | |
# Gonna get what's mine and wild horses couldn't keep it from me. | :21:47. | :21:57. | |
# Papa says I'm a golden child and the whole world is gonna fall at my | :21:58. | :22:09. | |
feet. # It's all coming to me. | :22:10. | :22:19. | |
# Pumpin' and a-suckin' till the well is dry. | :22:20. | :22:22. | |
# Nobody's booming in these busted times like me. | :22:23. | :22:34. | |
# Down in Texas where the cattle don't roam. | :22:35. | :22:37. | |
# Oil is a-dripping and the savings and loans, they bleed. | :22:38. | :22:43. | |
# When I get my little eye on it. # When I get my little mind on it, | :22:44. | :22:51. | |
you best believe. # Oh my, it's all coming to me. | :22:52. | :23:04. | |
# Papa came along and he shook the tree. | :23:05. | :23:12. | |
# Down came a bushel and a peck for me. | :23:13. | :23:18. | |
# Papa shooed away all the honeybees. | :23:19. | :23:29. | |
# Papa dug a well and it flowed for me. | :23:30. | :23:36. | |
# Papa caught the mother-lode fish for me. | :23:37. | :23:43. | |
# Papa set a fire and it burned for me. | :23:44. | :23:50. | |
# Papa put a skillet in the flame to fry. | :23:51. | :23:53. | |
# Papa filled this little silver spoon of mine. | :23:54. | :24:00. | |
# Papa said the Lord took a shine to me. | :24:01. | :24:05. | |
# Papa said I gotta set the whole world free. # Whole world free. | :24:06. | :24:36. | |
# Papa said how it's gonna be. APPLAUSE AND CHEERING | :24:37. | :24:39. | |
Thank you, Natalie Merchant. It's time now to thank all our guests. | :24:40. | :24:44. | |
How long have we got? How much? We have one minute. Before we thank | :24:45. | :24:51. | |
everybody quickly I have Brian Eno, we will pick a card and this is | :24:52. | :24:55. | |
live, this is a nice live experiment. These are your cards at | :24:56. | :24:59. | |
random, one of your strategies, whatever we say, let's try a few | :25:00. | :25:03. | |
seconds of it live. Are you ready for this risk? Yes. There are some | :25:04. | :25:08. | |
dangerous cards in here. OK. What does it say? Simply a matter of | :25:09. | :25:13. | |
work. Simply a matter of work. Just means carry on. Well, that's a very | :25:14. | :25:19. | |
good advice. That's the most undangerous strategy you could have | :25:20. | :25:23. | |
picked! Try another one? It's a risk. How long have we got? 30 | :25:24. | :25:28. | |
seconds. It's a matter of work, I am following that through. State the | :25:29. | :25:31. | |
problem in words as clearly as possible. And then it's made easier. | :25:32. | :25:36. | |
My problem is I only have 15 seconds and I have to finish the show. Thank | :25:37. | :25:41. | |
you very much Brian Eno! Thank you St Vincent, thank you Ibibio Sound | :25:42. | :25:49. | |
Machine and Natalie Merchant and George Ezra, more from our guests on | :25:50. | :25:51. | |
Friday, and now it's Kasabian! # Getting a message, a message from | :25:52. | :26:20. | |
me # I am caught up in love | :26:21. | :26:26. | |
# I am in ecstasy # What can I do now | :26:27. | :26:32. | |
# When nothing's the same # I want to do it again | :26:33. | :26:38. | |
# Tell me now # It's so simple | :26:39. | :26:43. | |
# When you are with me # When we're together | :26:44. | :26:47. | |
# I'm in ecstasy # I'm in ecstasy | :26:48. | :27:15. | |
# Yeah, yeah, yeah # You got to be | :27:16. | :27:31. | |
# As a matter of fact # Welcome you now to the second act | :27:32. | :27:43. | |
# I thought of robots and men in suits | :27:44. | :27:46. | |
# Wearing out the soles of your monkey boots | :27:47. | :27:48. | |
# I can't get enough of the sunshine # Can't get enough of the moonlight | :27:49. | :27:56. | |
# Coming on strong # Trying to hold on | :27:57. | :27:59. | |
# Can't get enough of the ocean # Can't get enough of the mantra | :28:00. | :28:07. | |
# All we will ever be is ecstasy # We're in ecstasy | :28:08. | :28:22. | |
# Yeah, yeah, yeah # Yeah, yeah, yeah | :28:23. | :28:45. | |
# You got to be # # Can't get enough of the sunshine | :28:46. | :29:01. | |
# Can't get enough of the moonlight # I feel it's coming on strong | :29:02. | :29:05. | |
# Can't get enough of the oceans # Can't get enough of the mantra | :29:06. | :29:12. | |
# All we will ever feel is ecstasy # We're in ecstasy | :29:13. | :29:49. | |
# Yeah, yeah, yeah # Yeah, yeah, yeah | :29:50. | :29:52. |