Episode 6 Later... with Jools Holland

It is ten o'clock, and we are alive. We are welcoming the wonderful

Kelis! # And my ear drum reminds me.

# His name was just way down in my feet.

# And this moment, well, I can't breathe.

# You can't control something that's getting free.

# And the rhythm's exciting. # Oh, when I start this road full of

streets. # I'm glad you get this one for

cheap. # In Harlem, where I started to

breathe. # In Harlem, where I started to

# Your beat was like a soundtrack to me.

# I was the girl, my daddy was the world.

# I was the girl, my daddy was the # He played the notes and keys.

# He said to look for melody in everything.

# It feels just like it should. # I wake up, this, this is what it

looks like. # So don't

looks like. it looks like.

# So call on me, it feels just like it should.

# So call on me. # The best favourites go through me.

# I press the strings, I love everything.

# Hurtful pain, forget the time and # Hurtful pain, forget the time and

# Hold the doors, dance and give it away.

# Just around me, I hear it. # And melody was right over me.

# But whistle-blowers happened for me.

# But whistle-blowers happened for # It feels just like it should.

# I wake up, this, this is what it looks like.

# So don't miss this, this is what it looks like.

# So call on me, it feels just like it should.

# So call on me. # It feels just like it should.

# I wake up, this, this is what it looks like.

# So don't miss this, this is what it looks like.

# So call on me, it feels just like it should.

# So call on me. Thank you, Kelis, with her song,

Jerk Ribs. Who have we got this evening? I am delighted to say, from

New Orleans, no, from London, we have Nick Mulvey! From New Orleans,

we have Hurray For The Riff Raff. And Ed Sheeran. I will be talking to

Judas Priest. Now with her first solo record ever, it is Chrissie

Hynde! # Baby get your groove back, another

kind of life. # One you think that you deserve.

# Nothing you should lack. # Now reverting back to type.

# Never mind, you lost your nerve. # Yeah, you had a go with.

# Sleeping in the van. # But you couldn't let it go too

far. # Now you got a pension plan.

# And your name's on the insurance. # And you can't drive another

woman's car. # A kind of glamour.

# You commit yourself. # Like dark sunglasses.

# You remember. # How good it tasted.

# Inside the ruling classes. # Wasted behind your dark

sunglasses. # She's kind of bald.

# Kind of Chinese and such like. # Like a debutante from days gone

by. # Shaving, wearing a tie, isn't

sacrificing much. # You lucky guy, you can still get

high. # Yes sir, no, sir.

# Sunday will be there. # You only have to please that lady.

# Take anything you like. # But be careful what you say.

# For another warm night, another dry day.

# A kind of glamour. # You commit yourself.

# Like dark sunglasses. # You remember.

# How good it tasted. # Inside the ruling classes.

# Wasted behind your dark sunglasses.

# I'm not throwing a line. # You'll be fine.

# I'm not toeing the line. # A kind of glamour.

# You commit yourself. # Like dark sunglasses.

# You remember. # How good it tasted.

# Inside the ruling classes. # A kind of glamour.

# You can lend yourself. # Like dark sunglasses.

# You remember. # How good it tasted.

# Inside the ruling classes. # Wasted behind your dark

sunglasses. # Wasted behind your dark

sunglasses. Chrissie Hynde! Sensational. Her

first solo record after The Pretenders. You can see more of our

guests on Friday for hour-long edition. This is the short edition.

I'm delighted to have this man here now. He first came on the show three

years ago. He is now a worldwide phenomenon. Why? Because he execs

stored in our talented. We welcome Ed Sheeran!

# It's late in the evening. # Glass on the side.

# I've been sat with you. # For most of the night.

# Ignoring everybody here. # We wish they would disappear.

# So maybe we could get down now. # I don't wanna know.

# If you're getting ahead of the programme.

# I want you to be mine, lady. # To hold your body close.

# Take another step into the no- man's land.

# For the longest time, lady. # I need you, darling.

# Come on, set the tone. # If you feel you're falling.

# Won't you let me know? # Oh-Oh-Oh-Ooh-Oh.

# If you love me, come on, get involved.

# Feel it rushing through you from your head to toe.

# Oh-Oh-Oh-Ooh-Oh. # Oh-Oh-Oh-Ooh-Oh.

# Sing! # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # Louder!

# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh- oh-oh-oh.

# Sing! # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # This love is a blaze.

# I saw flames from the side of the stage.

# And the fire brigade comes in a couple of days.

# Until then, we got nothing to say and nothing to know.

# But something to drink and maybe something to smoke.

# Let it go until our roads'll change.

# Singing we found love in a local rave.

# No, I don't really know what I'm supposed to say.

# But I can just figure it out and hope and pray.

# I told her my name and said, "It's nice to meet ya".

# And then she handed me a bottle of water with tequila.

# I already know she's a keeper. # Just from this one small act of

kindness. # I'm in deep.

# If anybody finds out. # I'm meant to drive home, but I've

drunk all of it now, no. # Sobering up, we just sit on the

couch. # One thing led to another.

# Now she's kissing my mouth. # I need you, darling.

# Come on, set the tone. # If you feel you're falling.

# Won't you let me know? # Oh-Oh-Oh-Ooh-Oh.

# If you love me, come on, get involved.

# Feel it rushing through you from your head to toe.

# Oh-Oh-Oh-Ooh-Oh. # Oh-Oh-Oh-Ooh-Oh.

# Sing! # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # Louder!

# Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh- oh-oh-oh.

# Sing! # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # Can you feel it? All the guys in

here don't even wanna dance. # Can you feel it? All that I can

hear is music from the back. # Can you feel it?

# Found you hiding here, so won't you take my hand, darling.

# Before the beat kicks in again. # Can you feel it?

# Sing! # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-

oh-oh-oh. # I need you, darling.

# Come on, set the tone. # If you feel you're falling.

# Won't you let me know? # Oh-Oh-Oh-Ooh-Oh.

# If you love me, come on, get involved.

# Feel it rushing through you from your head to toe.

# Oh-Oh-Oh-Ooh-Oh. # Oh-Oh-Oh-Ooh-Oh.

# Sing! Thank you, Ed Sheeran.

delighted to have some legends Thank you, Ed Sheeran.

Mel, who are Thank you, Ed Sheeran.

Priest! Marvellous to have you here. Incredibly successful group.

It is now 40 years since the release of your first records. And you have

got this new record about to come out any moment now. How do you

celebrate such a great cavalcade of triumphs? 40 years is remarkable.

You don't know where to start. It has been an amazing journey. Each of

us has a way of celebrating. A lot of people think of you as the wild

men of rock 'n' roll. When we are on stage, we have still got that

dynamic. This guy is the one that keeps it going. You are brand-new in

the group. Is it easy getting on with them all, or is it

intimidating? It is fantastic. I grew up with this band. They taught

me how to write songs and practice in front of the mirror with a tennis

racket. It was organic and natural. What were you practising with a

tennis racket? Cricket bat, tennis racket, doesn't matter. Rob, people

love your music all over the world. Millions play your records. Is it

true that you trade marks the name metal God? Yeah, I did, actually. I

would never put myself up on a pedestal. That was the title of the

fans started to give me after the famous British steel album. And it

is something I cherish. I don't want anybody asked to be the metal God.

You did a huge tour in 2012 and said he would never tour again. Now I

think we will have to. Hooray! Now, quickly, we have Kelis over here.

She is a trained Cordon Bleu chef. She has an alternative career if it

all goes wrong. What would you do as an alternative career?

Airline pilot. I can do a good beans on toast. I always wanted to be a

train driver. Should check the opening titles of this programme.

There is the model railway. How long have you got left? We should move

along now to something else. Thank you, Ian Hill, Rob Halford and

Ritchie Falkner of Judas Priest! Lets go right to the other end of

the studio to welcome some fans -- some bands from the other side of

the world. From New Orleans, Hurray For The Riff Raff!

# My heart is a blue rich moutaine. # My head an over floor foutaigne.

# My heart is a blue rich moutaine. # But I never knew, I never knew, I

never knew. # I never knew, I never knew.

# When I woke up this morning. # And I saw a new dawn in.

# Ooh I woke up this morning. # But I never knew, I never knew.

# I never knew, never, never. # I never knew, I never knew.

# My hands are like Jean Henry. # Sing a song for whisper memory.

# It's a song, a men can be. # But I never, never, knew, I never

knew, I never knew. # Never, never, never knew, I never

knew. # When I woke up this morning.

# And I saw a new dawn in. # Ooh I woke up this morning.

# But I never knew, I never knew, I never knew, never, never.

# I never knew, I never knew. # My heart is a blue rich moutaine.

# My head an over floor foutaigne. # My heart is a blue rich moutaine.

# But I never knew, I never knew, I never knew, never knew.

# I never knew, I never knew. # Well I never, never, knew, I never

knew, I never knew. # Never, never, never knew, I never

knew. # Ooh I never, never, knew, I never

knew, I never knew. # Never, never, never knew, I never

knew. APPLAUSE AND CHEERING

The Hurray for the Riff Raff. We welcome from Austin, Texas, White

Denim. # Yesterday there was an accident.

# On the street where they held hands.

# They were looking for their hearts.

# They were there from the start from me to we.

# Just a little too young then to understand.

# What's easy to advance isn't always made to last.

# Oh, here we are. # Caught shufflin' past ambivalence

somewhere. # Considering her half.

# And trying not to laugh. # When they can see.

# The reckless blood of humanity tempers the quiet.

# And all the time they spent. # Has led 'em to another end again

and again. # At night in dreams of a thousand

moons and clear blue rain. # Sometimes it seems as if we could

build a love to free us from pain. # I know you think that it's easy to

change but it's a symptom of age. # Portrait of two in white in a

church house made of glass. # Play an imaginary part and they

knew it from the start. # Now here we are, barely holding on

to a promise of forever. # Made lying in the grass oh it

isn't such a task. # Or maybe we.... Just a little too

cool not to understand. # When reason finds its end, where

an open heart begins. # To love again.

# At night in dreams of a thousand moons and clear blue rain.

# Sometimes it seems as if we could build a love to free us from pain.

# I know you think that it's easy to change but it's a symptom of age.

# At night in dreams of a thousand moons and clear blue rain.

# Sometimes it seems as if we could build a love to free us from pain.

# I know you think that it's easy to change but it's a symptom of age.

# We don't move on, when we don't have to.

# We can go, we understand. # More life, more vision.

# People seeing what they can. # At night in dreams of a thousand

moons and clear blue rain. # Sometimes it seems as if we could

build a love to free us from pain. # I know you think that it's easy to

change but it's a symptom of age. APPLAUSE AND CHEERING

Top of the range combination there. Thank you White Denim. Our next

artist is - his debut record has gone to number ten in the charts. We

now welcome Nick Mulvey. # So whether music or madness.

# Live by one of the two. # By one of the two.

# Go on, fill your heart up with gladness.

# Not a moment too soon. # Not a moment too soon.

# Should we ration the reasons. # To the charts that ignore.

# Of this I've never been sure. # So I will follow the feeling.

# And sing fever to the form. # Oh

# Cos' the very thing you're afraid, afraid

# Cos' the very thing you're afraid, # It keeps you clean but unclear.

# Clean but unclear. # Is the dirt that you're made,

you're made of. # Is the dirt that you're made,

# And that's nothing to fear. # No, it's nothing my dear.

# And that's nothing to fear. # How did I know what you're

thinking. # Maybe I thought it before.

# Maybe that's why I'm at your window.

# Hear me at your door. # Singing give me some more.

# Oh fever to the form. # Won't you hear me at your door.

# Singing give me some more. # Cos' you were never empty.

# And we've been here before. # Yes, we've been here before.

# But now there's always plenty. # Yet still we ask for more.

# Singing fever to the form. APPLAUSE AND CHEERING

Nick Mulvey! Thank you to all our guests. How long have we got for

this now? 30 seconds. Thank you very much indeed Chrissie Hynde, Ed

Sheeran, White Denim, Judas Priest. How long have we got? Ten seconds.

Thank you for joining us, this is a lovely live broadcast. We finish

where we started with the wonderful Kelis.

# I said, oh my daddy, game's over. # I said, oh my daddy, game's over.

# I'm down on my knees. # Give me what I want.

# Give me what I need. # I said, I'm begging you, please.

# I'm down on my knees. # Give me what I want.

# Give me what I need. # I said, I'm begging you, please.

# I'm down on my knees. # Give me what I want.

# Give me what I need. # I said, I'm begging you, please.

# I'm down on my knees. # You said: that's the thing.

# And I just don't want to fight. # See, the bottom of what I said.

# Is that, take that man, take that man to bed.

# On the contrary. # I know who to sit.

# I know you ain't right. # You ain't right.

# Give me what I want. # Give me what I need.

# I said, I'm begging you, please. # I'm down on my knees.

# Give me what I want. # Give me what I need.

# I said, I'm begging you, please. # I'm down on my knees.

# Give me what I want. # Give me what I need.

# I said, I'm begging you, please. # I'm down on my knees.

# Give me what I want. # Give me what I need.

# I said, I'm begging you, please. # I'm down on my knees.

# The idea sounds nice but. # Darling, you're not even my type,

you see. # Hey, you, yeah, you, yeah, you.

# I need ice, cold water. # I need ice, cold water.

# She needs ice, cold water. # She needs ice, cold water.

# No, not too close to me. # Give me what I want.

# Give me what I need. # I said, I'm begging you, please.

# I'm down on my knees. # Give me what I want.

# Give me what I need. # I said, I'm begging you, please.

# I'm down on my knees. # Give me what I want.

# Give me what I need. # I said, I'm begging you, please.

# I'm down on my knees. # Give me what I want.

# Give me what I need. # I said, I'm begging you, please.

# I'm down on my knees. MUSIC: "Wizard"

by Martin Garrix and Jay Hardway