Episode 1 Later... with Jools Holland


Episode 1

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Transcript


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Welcome to a brand-new series. Welcome to Elbow.

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# I am electric. # With a bottle in me.

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# Got a bottle in me. # And glory be these lockers are

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ignoring me. # I'm from another century.

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# I am a preacher. # When I've got it on me.

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# And I've got it on me. # And glory be their ignoring me.

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# We never learn from history. # Hey, I am the beau who loved her

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so in every song. # And I designed that little mystery

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on your tongue. # I've broken jaws protecting laws

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to keep you free. # I made your day so take a seat by

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me. # I am an old tree.

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# Gonna talk my jaw free. # Someone come and get me.

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# Another night beside myself would finish me.

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# Give us G T and sympathy. # I am the die-hard with an empty

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dance card propping up a young bar. # I'm pouring oil in double time

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upon the troubled rising tide inside of me.

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# Upon my history # . I have broken jaws protecting laws

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to keep proofreading. I made your day so take a seat by me.

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I am the bone who love to you so. # I have a man, I love him so

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I have broken jaws, protecting laws, to keep you free. I have made

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your day so keep a seat by me. We are delighted to have Elbow. From

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Los Angeles, we have Engelbert Humperdinck. We are delighted to

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welcome from Copenhagen, Agnes O'Byrne. -- Agnes about.

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Also a collective with marvellous tunes that have been number one,

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Clean Bandit froth stop --. From Leeds, Eagulls. From Stockholm,

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London and New York, it is Neneh Cherry.

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# I have a man, I love him so much. # Sometimes I hate it, just can't

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let go. # Together we stand, divided we

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fall. # Driving me crazy, I need it all.

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# On my 28th day he is my victim. # He is my saviour, he breaks my

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phone. # The things that we say, all

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stacked in one pile. # Stay fresh and good while upright

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I call. # Too many times you come crawl,

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then say sorry too late. # Paper cup regrets will not stick,

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better change. # Too many times you come crawl,

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then say sorry too late. # Paper cup regrets will not stick,

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better change. # Need to be right, right to be

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wrong. # Sometimes a loser, lost down the

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hall. # Leave me alone but don't leave me

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lonely. # And please don't look now, can you

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see this? # Does my ass look big in these new

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trousers. # My ego won't let me, I forget.

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# I feel so small, I hate you, I hate you.

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# I love you, I love you, I love it all.

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I love you. # Too many times you come crawl,

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then say sorry too late. # Paper cup regrets will not stick,

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better change. # Too many times you come crawl,

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then say sorry too late. # Paper cup regrets will not stick,

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better change. # Nowhere to run, nowhere to hide.

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# Husband and wife, leaking perfection.

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# All kinds of fun, oceans of pride. # We're super, why? We got

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protection. # We got protection.

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# Too many times you come crawl, then say sorry too late.

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# Paper cup regrets will not stick, better change.

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# Too many times you come crawl, then say sorry too late.

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# Paper cup regrets will not stick, better change. # I love you. Yes, I

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do. Love you. I hate you. I hate you. Love you. I hate you. I love

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you. Hate you. I love you. I hate you. # .

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The wonderful Neneh Cherry. Her first album for 18 years. Our next

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artists are a collective but originally formed from a string

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quartet at Cambridge University. They are Clean Bandit.

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# You can see there's something in the way.

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# I've tried to show you, my door is open.

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# I don't know how much more I can take.

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# Since you've chosen, to leave me frozen.

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# Am I the only one, who see's what you've become?

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# Will you drift away? # We're running out of time, two

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wrongs can make it right. # Could I make you stay?

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# People making choices they can't fake.

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# Sacrifice it all and maybe say. # Something extraordinary.

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# Something real (something real). # To fill my days and nights with

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something. # That I can feel.

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# I'm not gonna compromise. # Surely you can simplify?

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# Say you feel the same. # You've wandered down a path I

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can't explain. # Have you seen her? The grass is

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greener. # To let me pass you by would be a

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shame. # If she's your only then why are

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you lonely? # Cos I'm the only one, who knows

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the things you've done. # I'm so good for you.

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# We're running out of time, two wrongs can make it right.

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# Could I make you do? # Something extraordinary.

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# Something real (something real). # To fill my days and nights with

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something. # That I can feel (I can feel). I'm

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not gonna compromise. # Surely you can simplify?

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# Say you feel the same. # Just don't say it will be all

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right # You're not holding yourself in your arms tonight.

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# Don't say it will all be fine. # In only a moment you'll say

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goodbye. # I, I, I, I, I...

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# Something extraordinary. # Something real.

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# To fill my days and nights with something.

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# That I can feel (I can feel). # Oh, oh, oh, oh.

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# I, I, I, I, I. # Something extraordinary.

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# Something real. # To fill my days and nights with

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something. # That I can feel.

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# Just don't say it will be all right.

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# You're not holding yourself in your arms tonight.

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# Don't say it will all be fine. # In only a moment you'll say

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goodbye. # . That was Clean Bandit featuring Rae

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Morris. All right, so now, I think it is time to welcome a legend in

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the corner. We like people who have been very successful and selling

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great records over the years. So we welcome at the piano, Engelbert

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Humperdinck! It is really great to have you here. Now, you have got

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this new record, it is your 80th record, it is your first record of

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duets ever, amazing people, Elton John, Beverley Knight, that is just

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the tip of the iceberg. I'm credible idea, when did you decide to do --

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why did you decide to do duets record now so late? I was listening

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to one of Elton John's live shows. He said, I was struggling and

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waiting for Engelbert Humperdinck to come along. That got the ball

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rolling. You said, I have come along. He said it was wonderful. He

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said he was the honeycomb and everyone else followed. Where does

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the title come from? He said, my son said because we call everybody up,

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it is Engelbert Calling. The next one will be called Engelbert redial!

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He calls back. In the 1960s, that is when he first became a phenomenon,

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selling millions of records and hitting the TV screens and becoming

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a huge star all over the world. We have got a clip from Top Of The Pops

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I think in 1967. It is one of your marvellous songs, Last Waltz.

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# I had the last waltz with you, two lonely people together.

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# all fell in love with you, the last waltz will last forever.

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That is great. You are one of Britain's greatest

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sinners there are. Was it a different world to the rock 'n' roll

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world that was going on? It happened in the same era. Release Me came

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along in 1967. It was doing nothing for three months and then I did

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Sunday night at the London Palladium and then it went up to 127,000 a day

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from 80,000. It stopped the Beatles from going to number one with their

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30th number one. That is an amazing story, people all over the world

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buying that record. On the record you have revisited the song Spanish

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Eyes which Elvis recorded. Were you good friends with Elvis? Nella Macri

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yes, he was a want for man. We saw each other a lot in Vegas. He said

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some wonderful things, he said he always considered me the twin

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brother he lost at birth. I think that is one of the reasons he put

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those sideburns on! That is lovely! Also, there is another and new

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version on here of Release Me. That is an amazing song. Where did you

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get that song from? That song came from Nashville. It was a country

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song to start with. It was given a wonderful arrangement over here in

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London. All of a sudden, it just took off. It made my day, made my

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year, made my life actually. And thank you for choosing it for me to

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do with you tonight. We are looking forward to it. We will be singing

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with the trio later on. Looking forward to that, a marvellous song,

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and marvellous guest to have here. Superb. Engelbert Humperdink, thank

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you very much. See you later. And so, we will be hearing the great

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song Release Me in a moment. But now, from Leeds, we welcome the

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Eagulls! # My eyes feel funny and I can't

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seem to think. # The voice inside my head tells me

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to flinch when I sing. # I've flipped my wig back, wound my

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neck in. # Done all things that don't help.

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# Don't think I have a problem. # I just think I like to feel I'm

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possessed. # I'm possessed.

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# I don't want to know what you think.

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# I know something else. # I don't want to know what you

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think. # I know something else.

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# I'm possessed. # I'm possessed.

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# I'm possessed. # I don't want to know what you

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think. # I don't want to know what you

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think. # I don't want to know what you

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think. # I know something else.

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# I'm possessed. # I'm possessed.

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# My eyes feel funny and I can't seem to think.

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# The voice inside my head tells me to flinch when I sing.

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# I've flipped my wig back, wound my neck in.

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# Done all things that don't help. # Don't think I have a problem.

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# I just think I like to feel I'm possessed. #.

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CHEERING # Please Release Me.

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# Let me go. # For I.

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# Don't love you anymore. # To waste our lives.

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# Would be a sin. # Release Me.

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# And let me love again. # I have found.

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# A new love dear. # And I will always.

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# Want her near. # Her lips are warm.

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# While yours are cold. # Release me, my darling.

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# Let me go. # For I.

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# Don't love you anymore. # So release me.

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# And let me love again. # Please release me.

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# Can't you see. # You'd be a fool.

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# To cling to me. # To live a lie.

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# Would bring us pain. # Release me.

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# And let me love again. #. The legendary Engelbert

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Humperdinck! Therefore that, we enjoyed Eagulls. And now, Elbow!

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# If you wake in the quake in the roll of the heartbroken.

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# Pounding the ground in a sawn off ballet.

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# Bring us in an indigo dawn with the lovelorn and renegade.

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# You always found peace in the grip of the beat, darling.

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# Time alone with the pounding of your heart.

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# As it starts to heal you'll find a better mirror in another.

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# You have never known dumbfounded. # So out of reach and hollowed

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through. # Blue and white the light and sound

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surrounded. # As the music pulls you through.

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# And on that hallelujah morning. # In the arms of new love, the peace

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that you feel's real life. # Go straight to the place where you

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first lost your balance. # And find your feet with the people

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that you love. # And bring us in an indigo dawn

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with the lovelorn and renegade. # Yes, you were the eyes of a men

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not forgotten. # Get hold of the night that rises

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in your blood. # Focus on your pulse, focus on your

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breath, know that we're never far away.

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# You have never known dumbfounded. # So out of reach and hollowed

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through. # Blue and white the light and sound

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surrounded. # As the music pulls you through.

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# And on that hallelujah morning. # In the arms of new love, the peace

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that you feel's real life. # You have never known dumbfounded.

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So out of reach and followed through. Blue and white than light

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and sound surrounded. As the music pulls you through. And on that

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hallelujah morning. In the arms of new love, the piece that you feel 's

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real life. # . From then number one EP. Now it is

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then a cherry. -- Neneh Cherry. Welcome back to the show. We really

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have missed you. You have not heard a solo record for 18 years. Why have

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we had to wait so long? I think I needed to take a left turn. After

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I've finished my last album, Man, I was a bit tired of myself. I was 16

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when I joined. I'd took some time out to be with my family and to kind

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of not be a front person for a while. I was writing and

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collaborating and I was in a band for a while. That kind of thing. The

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album has been around me. It has been brewing. I was all was going to

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make it. 18 years since your last solo record. Is the act of making

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and engaging music different? It is always changing and it is always

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different. I have always come back to my roots a bit. I made a record

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before this, which was pretty raw. We recorded this album live. Getting

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there. So, BBC Two is, of course, celebrating capturing wonderful

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music on film. You're one of those singers. This is your first

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performance in June, 1993. The show was in its second series. # I took a

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picture with my camera. I like my own bedroom best. I put chill

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fingers through my... Watch out how you know. Watch out how you are

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giving. Watch out how you know. # . That was the first one. That was the

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first time you were on the show. I was trying to remember what was

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where. That was our second series. That has been captured. Here we are

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capturing more and keeping going. 18 years have flown by. You have been

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doing this 22 years. White I think 270 years! -- I think 270 years!

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There is always something new to discover with music. There is always

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something fresh, a fresh pitch to come out. At this point in your

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career, the last question would be best. You have a musical family. You

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are surrounded by a lot of interesting people. All these year

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later, do think those things are very important? I think that it is

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all there in my backbone. It was like going in the studio and

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bringing panic for the first time. Not really knowing what I was going

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to do but feeling, on balance, it is in there. I need to maybe know it in

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here. I think that is like, you are just saying, music is was

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different. There are always places to go where you have never been.

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That is the joy. I have it all in there somewhere. We are looking

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forward to hearing more of it in a short while. Thank you very much for

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joining us. Now from Copan Hagen, Denmark, the wonderful voice of

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Agnes Obel. # I wanna buy you roses.

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# Cos the words are dead. # Follow in the blindness.

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# On the arrow head. # Cos the words are dead.

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# And you know it. # Yeah, the words are dead.

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# Lower them down. # Didn't know if you could deny the

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dead. # Leaving them in silence on their

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mouldy bed. # Oh, I am numb.

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# And over their kingdom come. # Lower me down.

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# Oh, don't cry for me. # Oh, don't cry for me.

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# Oh, don't you cry for me. # Lower them down in the ground. #

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Lower them down in the ground. # Lower them down in the ground.

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Walking down the street, lost my way. Every thought I had just runs

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away. Frustrated, angry. Put my fingers in my ears. I can't

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hear you. What I can't here won't upset me. Don't touch me. Don't test

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me. Everything is everything. Good things come to those who wait.

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Everything is everything. Good things come to those who wait. They

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say. I can't here with my right ear. I can't see with the left eye. The

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doctor has been telling me I have got the stress. Listen to my chest.

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Looking good, I've passed the test. Got my fingers in my ear, I can't

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hear you. What I can't here can't upset me. What I know I can't here

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can't upset me. Don't touch me, don't stress me. Everything is

:42:11.:42:16.

everything. Good things come to those who wait, they say. If

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everything is everything, good things come to those who wait, they

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say. Everything is everything. Good

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things come to those who wait. Everything is everything. I mean it.

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Good things come to those who wait. I hold you down. I don't want to

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know. I want it now, I want it now. I climbed to the top. I can hear

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you. Everything, everything is everything. Everything is

:43:26.:43:28.

everything. Heh, heh. Yeah, yeah. All right.

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Yeah, yeah. Oh, oh. Yeah, yeah. All right. That 's right. Oh, oh. Yeah,

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yeah. Hold you down. In your filthy ways,

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singing me your bitter song. Everything is everything. Everything

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is everything. # . Thank you, Neneh Cherry,

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Everything. Before that, we enjoyed Agnes Obel. CHEERING And this in

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here, the amazing Guy Garvey is at the piano.

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It is great to have you on the show. The reason I have got you at the

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piano is to discuss something we are going to do in a moment. On this

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show, let's face it, as Neneh Cherry was then, music is learning

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something new. You and I are doing an old song which I did not know but

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now I love it. It is a brand-new friend. It is Everything Happens To

:45:20.:45:32.

Me. It is a wistful song and about someone who is kind of happiness. I

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love the song but I did not know it. That is what I love about music.

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Also, I do not think people have heard you in this zone before which

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is what I am looking forward to. Thank you for the opportunity. Thank

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you, Guy Garvey. We will be with you in the second. By the way, if you

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want to know how I got here, after this there is a programme all about

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me, so it is my night on BBC Two. Now we enjoy a wonderful band from

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Leeds. Eagulls! # As long as you gonna sex for me.

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# Behind my AWKWARD smile. # I've never listened, I've never

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listened your type. # Stop singing that verse, stop

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feelings like that. # Stop singing that song.

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# You stand on this, you stand till this world dies.

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# Can't find my head. # No music, no sex, no immediate out

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just for my health. # I'm still nervous, I'm still

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nervous, I'm drunk. # This cold feeling, nervous, my

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feelings spread out. # I feel like that.

:47:21.:47:23.

# Still nerve endings. # Still nerve endings won't die.

:47:24.:47:28.

# Come find that out. # Come find that out.

:47:29.:47:32.

# No-one, nowhere. # Nowhere, no-one.

:47:33.:47:37.

# Come find that out. # Nowhere, nowhere.

:47:38.:47:41.

# Come find that out. # Nowhere, nowhere.

:47:42.:47:46.

# Come find that out. # I could never have a problem with

:47:47.:48:04.

a feeling. # All behind, just like that.

:48:05.:48:08.

# I'm still lonely, I'm still lonely in my head.

:48:09.:48:12.

# I'm still feeling nervous, these feelings go worse.

:48:13.:48:16.

# I stay trying. # My nerve endings.

:48:17.:48:19.

# My nerve endings won't die. # Come find that out.

:48:20.:48:27.

# No-one, nowhere. # Nowhere, no-one.

:48:28.:48:46.

# Come find that out. # No-one, nowhere.

:48:47.:48:49.

# Nowhere, no-one. # Come find that out.

:48:50.:49:17.

?NEWLINE # I'm still lonely, I'm still lonely in my head.

:49:18.:49:21.

# I'm still feeling nervous, these feelings go worse.

:49:22.:49:24.

# I stay trying. # My nerve endings.

:49:25.:49:29.

# My nerve endings won't die. # Come find that out.

:49:30.:49:30.

# Come find that out. # I make a date for golf, and you

:49:31.:50:13.

can bet your life it rains. # I try to give a party, and the guy

:50:14.:50:22.

upstairs complains. # I guess I'll go through life, just

:50:23.:50:33.

catching colds and missing trains. # Everything happens to me.

:50:34.:50:44.

# I never miss a thing. I've had the measles and the mumps.

:50:45.:50:51.

# And every time I play an ace, my partner always trumps.

:50:52.:50:59.

# I guess I'm just a fool, who never looks before he jumps.

:51:00.:51:15.

# Everything happens to me. # At first, my heart thought you

:51:16.:51:23.

could break this jinx for me. # That love would turn the trick to

:51:24.:51:32.

end despair. # But now I just can't fool this

:51:33.:51:40.

head that thinks for me. # I've mortgaged all my castles in

:51:41.:51:49.

the air. # I've telegraphed and phoned and

:51:50.:51:58.

sent an air mail special too. # Your answer was goodbye and there

:51:59.:52:07.

was even postage due. # I fell in love just once, and then

:52:08.:52:17.

it had to be with you. # Everything happens to me.

:52:18.:52:32.

CHEERING Everything happens to me. -- Everything Happens To Me, Guy

:52:33.:52:50.

Garvey as you have never seen him before. Before that, we enjoyed

:52:51.:53:01.

Eagulls. And now, it is Mozart's string Quartet number 21 and

:53:02.:53:05.

featuring the voice of Love Ssegga, it is Clean Bandit!

:53:06.:53:15.

# I don't know, skip a beat. # I don't know, skip a beat.

:53:16.:53:19.

# I don't know, skip a beat. # I don't know, skip a beat.

:53:20.:53:46.

# Find myself on stage but I hate to speak.

:53:47.:53:49.

# I said I don't know, skip a beat. # It's my right to dance without two

:53:50.:53:52.

left feet. # I said I don't know, skip a beat.

:53:53.:53:57.

# Wanna be a social but I hate to creep.

:53:58.:53:59.

# I said I don't know, skip a beat. # Scared of heights but I gotta

:54:00.:54:02.

leap. # I said I don't know, skip a beat.

:54:03.:54:06.

# Cos I'm leaping for the stars. # No clothes, I'm far from far.

:54:07.:54:10.

# If I won't try, I won't go. # I'll never leave, I won't go.

:54:11.:54:14.

# Can't believe it, I won't go. # No, not far.

:54:15.:54:18.

# Move your left, move your right. # I kept it in my head and I kept

:54:19.:54:22.

trying to fight. # I said, mm, move your left, move

:54:23.:54:25.

your right. # Come a little closer if you like

:54:26.:54:27.

the limelight. # I said, mm, move your left, move

:54:28.:54:30.

your right. # I want to surround and keep your

:54:31.:54:33.

here in my sight. # I said move your left, move your

:54:34.:54:36.

right. # Getting abuse cos everyone's

:54:37.:54:38.

taking all their time. # They chase and flex the beat, it's

:54:39.:54:41.

on my mind. #Moves like that aren't cool, or

:54:42.:54:43.

even crime. # Now they one-handed, won't land

:54:44.:54:45.

it. # Won't stand it, rebranded.

:54:46.:55:12.

# Here's a toucho, pizzicato. # Relax the tempo.

:55:13.:55:15.

# Sips some movato. # And if I get too animato.

:55:16.:55:19.

# Tan my face with that paggiato. # Aliente, mezzoforte, allegro or

:55:20.:55:21.

andante. # I can make this voice, da-da-to,

:55:22.:55:26.

one two, music for legato. # I don't know, skip a beat.

:55:27.:55:29.

# We're rushing now, we're building heat.

:55:30.:55:32.

# The doors are open, but the music's in time.

:55:33.:55:35.

# Is this the place, the final round?

:55:36.:55:37.

# Cruising at the speed where where consider.

:55:38.:55:39.

# Watching the beat, we'll get to Vienna.

:55:40.:55:41.

# Without a doubt, the strings are fine the bass is out.

:55:42.:55:45.

# Give us a beat, you wrote this house.

:55:46.:55:49.

# Couple of skip beats, a couple of movements, ow.

:55:50.:55:51.

# Now we made it to Mozart's House. # Couple of skip beats, a couple of

:55:52.:55:54.

movements, ow. # Couple of skip beats, a couple of

:55:55.:55:57.

movements, ow. # Couple of skip beats, a couple of

:55:58.:55:59.

movements, # Who's that gigolo on the street #

:56:00.:56:29.

With his hands in his pockets and his crocodile feet # Hanging off the

:56:30.:56:33.

curb, looking all disturbed # At the boys from home.

:56:34.:56:37.

They all came running # They were making noise, manhandling toys #

:56:38.:56:40.

That's the girls on the block with the nasty curls # Wearing padded

:56:41.:56:43.

bras sucking beers through straws # Dropping down their drawers, where

:56:44.:56:50.

did you get yours? # Gigolo, Huh, sukka?

:56:51.:57:04.

# Gigolo. # Who's looking good today?

:57:05.:57:07.

# Who's looking good in every way? # No style rookie.

:57:08.:57:10.

# You better watch don't mess with me.

:57:11.:57:22.

# No moneyman can win my love. # It's sweetness that I'm thinking

:57:23.:57:27.

of. # We always hang in a Buffalo

:57:28.:57:29.

Stance. # We do the dive every time we

:57:30.:57:31.

dance. # I'll give you love baby not

:57:32.:57:34.

romance. # I'll make a move nothing left to

:57:35.:57:37.

chance. # So don't you get fresh with me.

:57:38.:57:50.

# So, you say you wanted money but you know it's never funny, # When

:57:51.:57:56.

your shoes worn through and there's a rumble in your tummy.

:57:57.:57:59.

# But you had to have style get a gold tooth smile.

:58:00.:58:03.

# Put a girl on the corner so you can make a pile.

:58:04.:58:06.

# Committed a crime and went inside. # It was coming your way but you had

:58:07.:58:09.

to survive. # When you lost your babe, you lost

:58:10.:58:11.

the race. # Now you're looking at me to take

:58:12.:58:14.

her place. # Who's looking good today?

:58:15.:58:17.

# Who's looking good in every way? # No style rookie.

:58:18.:58:20.

# You better watch don't mess with me.

:58:21.:58:34.

# Looking good, hanging with the wild bunch.

:58:35.:58:38.

# Looking good in a Buffalo Stance. # Looking good when it comes to the

:58:39.:58:40.

crunch. # Looking good's a state of mind.

:58:41.:58:44.

# State of mind don't look behind you.

:58:45.:58:46.

# State of mind or you'll be dead. # State of mind may I remind you.

:58:47.:59:12.

# wind in my hair, water from my eyes.

:59:13.:59:27.

# No moneyman can win my love. # It's sweetness that I'm thinking

:59:28.:59:31.

of. # We always hang in a Buffalo

:59:32.:59:33.

Stance. # We do the dive every time we

:59:34.:59:35.

dance. # I'll give you love baby not

:59:36.:59:38.

romance. # I'll make a move nothing left to

:59:39.:59:40.

chance. # So, don't you get fresh with me.

:59:41.:59:50.

# No moneyman can win my love. # It's sweetness that I'm thinking

:59:51.:59:56.

of. # No moneyman can win my love.

:59:57.:00:00.

# It's sweetness that I'm thinking of.

:00:01.:00:31.

The wonderful Neneh Cherry. If you have been enjoying the show, I

:00:32.:00:45.

wonder how much music you have watched on television and how long

:00:46.:00:49.

you have been watching it off. BBC Two has been putting music on the

:00:50.:00:53.

television for 50 years. Tomorrow night at 10:30pm you can see Pop

:00:54.:01:02.

Goes BBC Two. Now back into the present. We are here with Elbow.

:01:03.:01:21.

# I'm running out of miracles. # Oh my soul.

:01:22.:01:35.

# And the streets are lined with one-man shows.

:01:36.:01:46.

# Oh my soul. # Corner boys were moved along.

:01:47.:01:58.

# Oh, my soul. # We're plummeting like crippled

:01:59.:02:03.

crows. # Oh, my soul.

:02:04.:02:18.

# Oh, long before. # You and I were born.

:02:19.:02:25.

# Others beat these benches with their empty cups.

:02:26.:02:33.

# To the night and the stars. # To be here, and now, and who we

:02:34.:02:36.

are. # Another sunrise with my sad

:02:37.:02:43.

captains. # With who I choose to lose my mind.

:02:44.:02:51.

# And if it's all we only pass this way but once.

:02:52.:02:53.

# What a perfect waste of time. # The BMX apothecary.

:02:54.:03:23.

# Oh, my soul. # The architect of infamy.

:03:24.:03:36.

# Oh, my soul. # For each and every train we

:03:37.:03:42.

missed. # Oh, my soul.

:03:43.:03:48.

# A bitter little Eucharist. # Oh, long before.

:03:49.:04:15.

# You and I were born. # Others beat these benches with

:04:16.:04:20.

their empty cups. # To the night and the stars.

:04:21.:04:26.

# To be here, and now, and who we are.

:04:27.:04:29.

# Another sunrise with my sad captains.

:04:30.:04:40.

# With who I choose to lose my mind. # And if it's all we only come this

:04:41.:04:44.

way but once. # What a perfect waste of time.

:04:45.:04:54.

# Another sunrise with my sad captains.

:04:55.:05:03.

# With who I choose to lose my mind. # And if it's all we only pass this

:05:04.:05:09.

way but once. # What a perfect waste of time.

:05:10.:05:21.

Thank you. Thank you, Elbow. What a lovely, epic poem that is. What a

:05:22.:05:52.

way to end the show! If you have enjoyed this, you can go to the

:05:53.:06:01.

website. We will be back on Tuesday. We will also, if you stay

:06:02.:06:07.

tuned after this programme, you will find out how I did not get where I

:06:08.:06:12.

am, I got here will stop how did I get here? There is a programme all

:06:13.:06:21.

about me straight after this. Do you remember what we chatted about

:06:22.:06:23.

earlier? Thanks. # Thank you to all our guests here.

:06:24.:06:40.

Thank you to Elbow. Thank you to Agnes Obel. Thank you to Engelbert

:06:41.:06:45.

Humperdinck. Thank you to Neneh Cherry. Thank you, Eagulls.

:06:46.:07:09.

Thank you, Clean Bandit. We love you madly. CU straight after

:07:10.:07:10.

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