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Welcome to a brand-new series. Welcome to Elbow. | :00:58. | :01:14. | |
# I am electric. # With a bottle in me. | :01:15. | :01:23. | |
# Got a bottle in me. # And glory be these lockers are | :01:24. | :01:29. | |
ignoring me. # I'm from another century. | :01:30. | :01:35. | |
# I am a preacher. # When I've got it on me. | :01:36. | :01:48. | |
# And I've got it on me. # And glory be their ignoring me. | :01:49. | :01:54. | |
# We never learn from history. # Hey, I am the beau who loved her | :01:55. | :02:00. | |
so in every song. # And I designed that little mystery | :02:01. | :02:10. | |
on your tongue. # I've broken jaws protecting laws | :02:11. | :02:20. | |
to keep you free. # I made your day so take a seat by | :02:21. | :02:26. | |
me. # I am an old tree. | :02:27. | :02:31. | |
# Gonna talk my jaw free. # Someone come and get me. | :02:32. | :02:37. | |
# Another night beside myself would finish me. | :02:38. | :02:45. | |
# Give us G T and sympathy. # I am the die-hard with an empty | :02:46. | :02:53. | |
dance card propping up a young bar. # I'm pouring oil in double time | :02:54. | :02:57. | |
upon the troubled rising tide inside of me. | :02:58. | :03:00. | |
# Upon my history # . I have broken jaws protecting laws | :03:01. | :03:40. | |
to keep proofreading. I made your day so take a seat by me. | :03:41. | :04:25. | |
I am the bone who love to you so. # I have a man, I love him so | :04:26. | :04:45. | |
I have broken jaws, protecting laws, to keep you free. I have made | :04:46. | :04:56. | |
your day so keep a seat by me. We are delighted to have Elbow. From | :04:57. | :05:37. | |
Los Angeles, we have Engelbert Humperdinck. We are delighted to | :05:38. | :05:47. | |
welcome from Copenhagen, Agnes O'Byrne. -- Agnes about. | :05:48. | :05:59. | |
Also a collective with marvellous tunes that have been number one, | :06:00. | :06:15. | |
Clean Bandit froth stop --. From Leeds, Eagulls. From Stockholm, | :06:16. | :06:23. | |
London and New York, it is Neneh Cherry. | :06:24. | :06:36. | |
# I have a man, I love him so much. # Sometimes I hate it, just can't | :06:37. | :06:42. | |
let go. # Together we stand, divided we | :06:43. | :06:45. | |
fall. # Driving me crazy, I need it all. | :06:46. | :06:51. | |
# On my 28th day he is my victim. # He is my saviour, he breaks my | :06:52. | :06:54. | |
phone. # The things that we say, all | :06:55. | :06:57. | |
stacked in one pile. # Stay fresh and good while upright | :06:58. | :06:59. | |
I call. # Too many times you come crawl, | :07:00. | :07:10. | |
then say sorry too late. # Paper cup regrets will not stick, | :07:11. | :07:16. | |
better change. # Too many times you come crawl, | :07:17. | :07:23. | |
then say sorry too late. # Paper cup regrets will not stick, | :07:24. | :07:29. | |
better change. # Need to be right, right to be | :07:30. | :07:31. | |
wrong. # Sometimes a loser, lost down the | :07:32. | :07:34. | |
hall. # Leave me alone but don't leave me | :07:35. | :07:37. | |
lonely. # And please don't look now, can you | :07:38. | :07:42. | |
see this? # Does my ass look big in these new | :07:43. | :07:45. | |
trousers. # My ego won't let me, I forget. | :07:46. | :07:49. | |
# I feel so small, I hate you, I hate you. | :07:50. | :07:52. | |
# I love you, I love you, I love it all. | :07:53. | :08:04. | |
I love you. # Too many times you come crawl, | :08:05. | :08:10. | |
then say sorry too late. # Paper cup regrets will not stick, | :08:11. | :08:16. | |
better change. # Too many times you come crawl, | :08:17. | :08:22. | |
then say sorry too late. # Paper cup regrets will not stick, | :08:23. | :08:23. | |
better change. # Nowhere to run, nowhere to hide. | :08:24. | :09:05. | |
# Husband and wife, leaking perfection. | :09:06. | :09:07. | |
# All kinds of fun, oceans of pride. # We're super, why? We got | :09:08. | :09:16. | |
protection. # We got protection. | :09:17. | :09:20. | |
# Too many times you come crawl, then say sorry too late. | :09:21. | :09:24. | |
# Paper cup regrets will not stick, better change. | :09:25. | :09:29. | |
# Too many times you come crawl, then say sorry too late. | :09:30. | :09:46. | |
# Paper cup regrets will not stick, better change. # I love you. Yes, I | :09:47. | :10:01. | |
do. Love you. I hate you. I hate you. Love you. I hate you. I love | :10:02. | :10:16. | |
you. Hate you. I love you. I hate you. # . | :10:17. | :10:30. | |
The wonderful Neneh Cherry. Her first album for 18 years. Our next | :10:31. | :10:40. | |
artists are a collective but originally formed from a string | :10:41. | :10:45. | |
quartet at Cambridge University. They are Clean Bandit. | :10:46. | :10:50. | |
# You can see there's something in the way. | :10:51. | :10:53. | |
# I've tried to show you, my door is open. | :10:54. | :10:56. | |
# I don't know how much more I can take. | :10:57. | :10:59. | |
# Since you've chosen, to leave me frozen. | :11:00. | :11:04. | |
# Am I the only one, who see's what you've become? | :11:05. | :11:13. | |
# Will you drift away? # We're running out of time, two | :11:14. | :11:17. | |
wrongs can make it right. # Could I make you stay? | :11:18. | :11:20. | |
# People making choices they can't fake. | :11:21. | :11:31. | |
# Sacrifice it all and maybe say. # Something extraordinary. | :11:32. | :11:39. | |
# Something real (something real). # To fill my days and nights with | :11:40. | :11:46. | |
something. # That I can feel. | :11:47. | :11:50. | |
# I'm not gonna compromise. # Surely you can simplify? | :11:51. | :12:01. | |
# Say you feel the same. # You've wandered down a path I | :12:02. | :12:04. | |
can't explain. # Have you seen her? The grass is | :12:05. | :12:08. | |
greener. # To let me pass you by would be a | :12:09. | :12:14. | |
shame. # If she's your only then why are | :12:15. | :12:16. | |
you lonely? # Cos I'm the only one, who knows | :12:17. | :12:20. | |
the things you've done. # I'm so good for you. | :12:21. | :12:25. | |
# We're running out of time, two wrongs can make it right. | :12:26. | :12:31. | |
# Could I make you do? # Something extraordinary. | :12:32. | :12:39. | |
# Something real (something real). # To fill my days and nights with | :12:40. | :12:47. | |
something. # That I can feel (I can feel). I'm | :12:48. | :12:52. | |
not gonna compromise. # Surely you can simplify? | :12:53. | :13:03. | |
# Say you feel the same. # Just don't say it will be all | :13:04. | :13:06. | |
right # You're not holding yourself in your arms tonight. | :13:07. | :13:13. | |
# Don't say it will all be fine. # In only a moment you'll say | :13:14. | :13:21. | |
goodbye. # I, I, I, I, I... | :13:22. | :13:29. | |
# Something extraordinary. # Something real. | :13:30. | :13:34. | |
# To fill my days and nights with something. | :13:35. | :13:40. | |
# That I can feel (I can feel). # Oh, oh, oh, oh. | :13:41. | :14:04. | |
# I, I, I, I, I. # Something extraordinary. | :14:05. | :14:06. | |
# Something real. # To fill my days and nights with | :14:07. | :14:08. | |
something. # That I can feel. | :14:09. | :14:11. | |
# Just don't say it will be all right. | :14:12. | :14:14. | |
# You're not holding yourself in your arms tonight. | :14:15. | :14:24. | |
# Don't say it will all be fine. # In only a moment you'll say | :14:25. | :14:26. | |
goodbye. # . That was Clean Bandit featuring Rae | :14:27. | :14:46. | |
Morris. All right, so now, I think it is time to welcome a legend in | :14:47. | :14:53. | |
the corner. We like people who have been very successful and selling | :14:54. | :15:00. | |
great records over the years. So we welcome at the piano, Engelbert | :15:01. | :15:05. | |
Humperdinck! It is really great to have you here. Now, you have got | :15:06. | :15:13. | |
this new record, it is your 80th record, it is your first record of | :15:14. | :15:18. | |
duets ever, amazing people, Elton John, Beverley Knight, that is just | :15:19. | :15:28. | |
the tip of the iceberg. I'm credible idea, when did you decide to do -- | :15:29. | :15:35. | |
why did you decide to do duets record now so late? I was listening | :15:36. | :15:41. | |
to one of Elton John's live shows. He said, I was struggling and | :15:42. | :15:51. | |
waiting for Engelbert Humperdinck to come along. That got the ball | :15:52. | :15:56. | |
rolling. You said, I have come along. He said it was wonderful. He | :15:57. | :16:03. | |
said he was the honeycomb and everyone else followed. Where does | :16:04. | :16:14. | |
the title come from? He said, my son said because we call everybody up, | :16:15. | :16:21. | |
it is Engelbert Calling. The next one will be called Engelbert redial! | :16:22. | :16:27. | |
He calls back. In the 1960s, that is when he first became a phenomenon, | :16:28. | :16:33. | |
selling millions of records and hitting the TV screens and becoming | :16:34. | :16:36. | |
a huge star all over the world. We have got a clip from Top Of The Pops | :16:37. | :16:45. | |
I think in 1967. It is one of your marvellous songs, Last Waltz. | :16:46. | :17:00. | |
# I had the last waltz with you, two lonely people together. | :17:01. | :17:11. | |
# all fell in love with you, the last waltz will last forever. | :17:12. | :17:27. | |
That is great. You are one of Britain's greatest | :17:28. | :17:39. | |
sinners there are. Was it a different world to the rock 'n' roll | :17:40. | :17:47. | |
world that was going on? It happened in the same era. Release Me came | :17:48. | :17:52. | |
along in 1967. It was doing nothing for three months and then I did | :17:53. | :17:55. | |
Sunday night at the London Palladium and then it went up to 127,000 a day | :17:56. | :18:04. | |
from 80,000. It stopped the Beatles from going to number one with their | :18:05. | :18:09. | |
30th number one. That is an amazing story, people all over the world | :18:10. | :18:12. | |
buying that record. On the record you have revisited the song Spanish | :18:13. | :18:21. | |
Eyes which Elvis recorded. Were you good friends with Elvis? Nella Macri | :18:22. | :18:25. | |
yes, he was a want for man. We saw each other a lot in Vegas. He said | :18:26. | :18:33. | |
some wonderful things, he said he always considered me the twin | :18:34. | :18:36. | |
brother he lost at birth. I think that is one of the reasons he put | :18:37. | :18:41. | |
those sideburns on! That is lovely! Also, there is another and new | :18:42. | :18:47. | |
version on here of Release Me. That is an amazing song. Where did you | :18:48. | :18:51. | |
get that song from? That song came from Nashville. It was a country | :18:52. | :18:57. | |
song to start with. It was given a wonderful arrangement over here in | :18:58. | :19:00. | |
London. All of a sudden, it just took off. It made my day, made my | :19:01. | :19:07. | |
year, made my life actually. And thank you for choosing it for me to | :19:08. | :19:11. | |
do with you tonight. We are looking forward to it. We will be singing | :19:12. | :19:16. | |
with the trio later on. Looking forward to that, a marvellous song, | :19:17. | :19:21. | |
and marvellous guest to have here. Superb. Engelbert Humperdink, thank | :19:22. | :19:26. | |
you very much. See you later. And so, we will be hearing the great | :19:27. | :19:35. | |
song Release Me in a moment. But now, from Leeds, we welcome the | :19:36. | :19:37. | |
Eagulls! # My eyes feel funny and I can't | :19:38. | :19:58. | |
seem to think. # The voice inside my head tells me | :19:59. | :20:03. | |
to flinch when I sing. # I've flipped my wig back, wound my | :20:04. | :20:05. | |
neck in. # Done all things that don't help. | :20:06. | :20:17. | |
# Don't think I have a problem. # I just think I like to feel I'm | :20:18. | :20:22. | |
possessed. # I'm possessed. | :20:23. | :20:27. | |
# I don't want to know what you think. | :20:28. | :20:28. | |
# I know something else. # I don't want to know what you | :20:29. | :20:31. | |
think. # I know something else. | :20:32. | :20:37. | |
# I'm possessed. # I'm possessed. | :20:38. | :20:44. | |
# I'm possessed. # I don't want to know what you | :20:45. | :21:40. | |
think. # I don't want to know what you | :21:41. | :21:43. | |
think. # I don't want to know what you | :21:44. | :21:48. | |
think. # I know something else. | :21:49. | :21:53. | |
# I'm possessed. # I'm possessed. | :21:54. | :22:07. | |
# My eyes feel funny and I can't seem to think. | :22:08. | :22:11. | |
# The voice inside my head tells me to flinch when I sing. | :22:12. | :22:14. | |
# I've flipped my wig back, wound my neck in. | :22:15. | :22:17. | |
# Done all things that don't help. # Don't think I have a problem. | :22:18. | :22:21. | |
# I just think I like to feel I'm possessed. #. | :22:22. | :22:29. | |
CHEERING # Please Release Me. | :22:30. | :22:55. | |
# Let me go. # For I. | :22:56. | :23:07. | |
# Don't love you anymore. # To waste our lives. | :23:08. | :23:19. | |
# Would be a sin. # Release Me. | :23:20. | :23:30. | |
# And let me love again. # I have found. | :23:31. | :23:40. | |
# A new love dear. # And I will always. | :23:41. | :23:51. | |
# Want her near. # Her lips are warm. | :23:52. | :24:02. | |
# While yours are cold. # Release me, my darling. | :24:03. | :24:07. | |
# Let me go. # For I. | :24:08. | :24:37. | |
# Don't love you anymore. # So release me. | :24:38. | :24:56. | |
# And let me love again. # Please release me. | :24:57. | :25:06. | |
# Can't you see. # You'd be a fool. | :25:07. | :25:18. | |
# To cling to me. # To live a lie. | :25:19. | :25:28. | |
# Would bring us pain. # Release me. | :25:29. | :25:31. | |
# And let me love again. #. The legendary Engelbert | :25:32. | :26:12. | |
Humperdinck! Therefore that, we enjoyed Eagulls. And now, Elbow! | :26:13. | :26:38. | |
# If you wake in the quake in the roll of the heartbroken. | :26:39. | :26:45. | |
# Pounding the ground in a sawn off ballet. | :26:46. | :26:49. | |
# Bring us in an indigo dawn with the lovelorn and renegade. | :26:50. | :26:57. | |
# You always found peace in the grip of the beat, darling. | :26:58. | :27:02. | |
# Time alone with the pounding of your heart. | :27:03. | :27:07. | |
# As it starts to heal you'll find a better mirror in another. | :27:08. | :27:24. | |
# You have never known dumbfounded. # So out of reach and hollowed | :27:25. | :27:32. | |
through. # Blue and white the light and sound | :27:33. | :27:42. | |
surrounded. # As the music pulls you through. | :27:43. | :27:59. | |
# And on that hallelujah morning. # In the arms of new love, the peace | :28:00. | :28:08. | |
that you feel's real life. # Go straight to the place where you | :28:09. | :28:13. | |
first lost your balance. # And find your feet with the people | :28:14. | :28:18. | |
that you love. # And bring us in an indigo dawn | :28:19. | :28:29. | |
with the lovelorn and renegade. # Yes, you were the eyes of a men | :28:30. | :28:32. | |
not forgotten. # Get hold of the night that rises | :28:33. | :28:35. | |
in your blood. # Focus on your pulse, focus on your | :28:36. | :28:39. | |
breath, know that we're never far away. | :28:40. | :28:46. | |
# You have never known dumbfounded. # So out of reach and hollowed | :28:47. | :29:03. | |
through. # Blue and white the light and sound | :29:04. | :29:13. | |
surrounded. # As the music pulls you through. | :29:14. | :29:29. | |
# And on that hallelujah morning. # In the arms of new love, the peace | :29:30. | :29:32. | |
that you feel's real life. # You have never known dumbfounded. | :29:33. | :30:05. | |
So out of reach and followed through. Blue and white than light | :30:06. | :30:16. | |
and sound surrounded. As the music pulls you through. And on that | :30:17. | :30:34. | |
hallelujah morning. In the arms of new love, the piece that you feel 's | :30:35. | :30:38. | |
real life. # . From then number one EP. Now it is | :30:39. | :31:10. | |
then a cherry. -- Neneh Cherry. Welcome back to the show. We really | :31:11. | :31:17. | |
have missed you. You have not heard a solo record for 18 years. Why have | :31:18. | :31:25. | |
we had to wait so long? I think I needed to take a left turn. After | :31:26. | :31:32. | |
I've finished my last album, Man, I was a bit tired of myself. I was 16 | :31:33. | :31:43. | |
when I joined. I'd took some time out to be with my family and to kind | :31:44. | :31:48. | |
of not be a front person for a while. I was writing and | :31:49. | :31:53. | |
collaborating and I was in a band for a while. That kind of thing. The | :31:54. | :31:59. | |
album has been around me. It has been brewing. I was all was going to | :32:00. | :32:07. | |
make it. 18 years since your last solo record. Is the act of making | :32:08. | :32:15. | |
and engaging music different? It is always changing and it is always | :32:16. | :32:21. | |
different. I have always come back to my roots a bit. I made a record | :32:22. | :32:37. | |
before this, which was pretty raw. We recorded this album live. Getting | :32:38. | :32:51. | |
there. So, BBC Two is, of course, celebrating capturing wonderful | :32:52. | :32:54. | |
music on film. You're one of those singers. This is your first | :32:55. | :33:01. | |
performance in June, 1993. The show was in its second series. # I took a | :33:02. | :33:17. | |
picture with my camera. I like my own bedroom best. I put chill | :33:18. | :33:31. | |
fingers through my... Watch out how you know. Watch out how you are | :33:32. | :33:37. | |
giving. Watch out how you know. # . That was the first one. That was the | :33:38. | :34:00. | |
first time you were on the show. I was trying to remember what was | :34:01. | :34:11. | |
where. That was our second series. That has been captured. Here we are | :34:12. | :34:19. | |
capturing more and keeping going. 18 years have flown by. You have been | :34:20. | :34:25. | |
doing this 22 years. White I think 270 years! -- I think 270 years! | :34:26. | :34:36. | |
There is always something new to discover with music. There is always | :34:37. | :34:41. | |
something fresh, a fresh pitch to come out. At this point in your | :34:42. | :34:47. | |
career, the last question would be best. You have a musical family. You | :34:48. | :34:56. | |
are surrounded by a lot of interesting people. All these year | :34:57. | :34:59. | |
later, do think those things are very important? I think that it is | :35:00. | :35:11. | |
all there in my backbone. It was like going in the studio and | :35:12. | :35:17. | |
bringing panic for the first time. Not really knowing what I was going | :35:18. | :35:21. | |
to do but feeling, on balance, it is in there. I need to maybe know it in | :35:22. | :35:28. | |
here. I think that is like, you are just saying, music is was | :35:29. | :35:32. | |
different. There are always places to go where you have never been. | :35:33. | :35:40. | |
That is the joy. I have it all in there somewhere. We are looking | :35:41. | :35:45. | |
forward to hearing more of it in a short while. Thank you very much for | :35:46. | :35:57. | |
joining us. Now from Copan Hagen, Denmark, the wonderful voice of | :35:58. | :36:01. | |
Agnes Obel. # I wanna buy you roses. | :36:02. | :36:29. | |
# Cos the words are dead. # Follow in the blindness. | :36:30. | :36:36. | |
# On the arrow head. # Cos the words are dead. | :36:37. | :36:43. | |
# And you know it. # Yeah, the words are dead. | :36:44. | :36:47. | |
# Lower them down. # Didn't know if you could deny the | :36:48. | :37:24. | |
dead. # Leaving them in silence on their | :37:25. | :37:31. | |
mouldy bed. # Oh, I am numb. | :37:32. | :37:43. | |
# And over their kingdom come. # Lower me down. | :37:44. | :37:51. | |
# Oh, don't cry for me. # Oh, don't cry for me. | :37:52. | :38:34. | |
# Oh, don't you cry for me. # Lower them down in the ground. # | :38:35. | :40:01. | |
Lower them down in the ground. # Lower them down in the ground. | :40:02. | :40:10. | |
Walking down the street, lost my way. Every thought I had just runs | :40:11. | :40:44. | |
away. Frustrated, angry. Put my fingers in my ears. I can't | :40:45. | :41:03. | |
hear you. What I can't here won't upset me. Don't touch me. Don't test | :41:04. | :41:16. | |
me. Everything is everything. Good things come to those who wait. | :41:17. | :41:22. | |
Everything is everything. Good things come to those who wait. They | :41:23. | :41:36. | |
say. I can't here with my right ear. I can't see with the left eye. The | :41:37. | :41:43. | |
doctor has been telling me I have got the stress. Listen to my chest. | :41:44. | :41:57. | |
Looking good, I've passed the test. Got my fingers in my ear, I can't | :41:58. | :42:02. | |
hear you. What I can't here can't upset me. What I know I can't here | :42:03. | :42:10. | |
can't upset me. Don't touch me, don't stress me. Everything is | :42:11. | :42:16. | |
everything. Good things come to those who wait, they say. If | :42:17. | :42:20. | |
everything is everything, good things come to those who wait, they | :42:21. | :42:22. | |
say. Everything is everything. Good | :42:23. | :42:57. | |
things come to those who wait. Everything is everything. I mean it. | :42:58. | :43:07. | |
Good things come to those who wait. I hold you down. I don't want to | :43:08. | :43:16. | |
know. I want it now, I want it now. I climbed to the top. I can hear | :43:17. | :43:25. | |
you. Everything, everything is everything. Everything is | :43:26. | :43:28. | |
everything. Heh, heh. Yeah, yeah. All right. | :43:29. | :43:54. | |
Yeah, yeah. Oh, oh. Yeah, yeah. All right. That 's right. Oh, oh. Yeah, | :43:55. | :44:01. | |
yeah. Hold you down. In your filthy ways, | :44:02. | :44:11. | |
singing me your bitter song. Everything is everything. Everything | :44:12. | :44:27. | |
is everything. # . Thank you, Neneh Cherry, | :44:28. | :44:49. | |
Everything. Before that, we enjoyed Agnes Obel. CHEERING And this in | :44:50. | :44:58. | |
here, the amazing Guy Garvey is at the piano. | :44:59. | :45:01. | |
It is great to have you on the show. The reason I have got you at the | :45:02. | :45:05. | |
piano is to discuss something we are going to do in a moment. On this | :45:06. | :45:10. | |
show, let's face it, as Neneh Cherry was then, music is learning | :45:11. | :45:14. | |
something new. You and I are doing an old song which I did not know but | :45:15. | :45:19. | |
now I love it. It is a brand-new friend. It is Everything Happens To | :45:20. | :45:32. | |
Me. It is a wistful song and about someone who is kind of happiness. I | :45:33. | :45:36. | |
love the song but I did not know it. That is what I love about music. | :45:37. | :45:41. | |
Also, I do not think people have heard you in this zone before which | :45:42. | :45:45. | |
is what I am looking forward to. Thank you for the opportunity. Thank | :45:46. | :45:52. | |
you, Guy Garvey. We will be with you in the second. By the way, if you | :45:53. | :45:56. | |
want to know how I got here, after this there is a programme all about | :45:57. | :46:02. | |
me, so it is my night on BBC Two. Now we enjoy a wonderful band from | :46:03. | :46:05. | |
Leeds. Eagulls! # As long as you gonna sex for me. | :46:06. | :46:36. | |
# Behind my AWKWARD smile. # I've never listened, I've never | :46:37. | :46:41. | |
listened your type. # Stop singing that verse, stop | :46:42. | :46:44. | |
feelings like that. # Stop singing that song. | :46:45. | :46:49. | |
# You stand on this, you stand till this world dies. | :46:50. | :46:51. | |
# Can't find my head. # No music, no sex, no immediate out | :46:52. | :47:08. | |
just for my health. # I'm still nervous, I'm still | :47:09. | :47:13. | |
nervous, I'm drunk. # This cold feeling, nervous, my | :47:14. | :47:20. | |
feelings spread out. # I feel like that. | :47:21. | :47:23. | |
# Still nerve endings. # Still nerve endings won't die. | :47:24. | :47:28. | |
# Come find that out. # Come find that out. | :47:29. | :47:32. | |
# No-one, nowhere. # Nowhere, no-one. | :47:33. | :47:37. | |
# Come find that out. # Nowhere, nowhere. | :47:38. | :47:41. | |
# Come find that out. # Nowhere, nowhere. | :47:42. | :47:46. | |
# Come find that out. # I could never have a problem with | :47:47. | :48:04. | |
a feeling. # All behind, just like that. | :48:05. | :48:08. | |
# I'm still lonely, I'm still lonely in my head. | :48:09. | :48:12. | |
# I'm still feeling nervous, these feelings go worse. | :48:13. | :48:16. | |
# I stay trying. # My nerve endings. | :48:17. | :48:19. | |
# My nerve endings won't die. # Come find that out. | :48:20. | :48:27. | |
# No-one, nowhere. # Nowhere, no-one. | :48:28. | :48:46. | |
# Come find that out. # No-one, nowhere. | :48:47. | :48:49. | |
# Nowhere, no-one. # Come find that out. | :48:50. | :49:17. | |
?NEWLINE # I'm still lonely, I'm still lonely in my head. | :49:18. | :49:21. | |
# I'm still feeling nervous, these feelings go worse. | :49:22. | :49:24. | |
# I stay trying. # My nerve endings. | :49:25. | :49:29. | |
# My nerve endings won't die. # Come find that out. | :49:30. | :49:30. | |
# Come find that out. # I make a date for golf, and you | :49:31. | :50:13. | |
can bet your life it rains. # I try to give a party, and the guy | :50:14. | :50:22. | |
upstairs complains. # I guess I'll go through life, just | :50:23. | :50:33. | |
catching colds and missing trains. # Everything happens to me. | :50:34. | :50:44. | |
# I never miss a thing. I've had the measles and the mumps. | :50:45. | :50:51. | |
# And every time I play an ace, my partner always trumps. | :50:52. | :50:59. | |
# I guess I'm just a fool, who never looks before he jumps. | :51:00. | :51:15. | |
# Everything happens to me. # At first, my heart thought you | :51:16. | :51:23. | |
could break this jinx for me. # That love would turn the trick to | :51:24. | :51:32. | |
end despair. # But now I just can't fool this | :51:33. | :51:40. | |
head that thinks for me. # I've mortgaged all my castles in | :51:41. | :51:49. | |
the air. # I've telegraphed and phoned and | :51:50. | :51:58. | |
sent an air mail special too. # Your answer was goodbye and there | :51:59. | :52:07. | |
was even postage due. # I fell in love just once, and then | :52:08. | :52:17. | |
it had to be with you. # Everything happens to me. | :52:18. | :52:32. | |
CHEERING Everything happens to me. -- Everything Happens To Me, Guy | :52:33. | :52:50. | |
Garvey as you have never seen him before. Before that, we enjoyed | :52:51. | :53:01. | |
Eagulls. And now, it is Mozart's string Quartet number 21 and | :53:02. | :53:05. | |
featuring the voice of Love Ssegga, it is Clean Bandit! | :53:06. | :53:15. | |
# I don't know, skip a beat. # I don't know, skip a beat. | :53:16. | :53:19. | |
# I don't know, skip a beat. # I don't know, skip a beat. | :53:20. | :53:46. | |
# Find myself on stage but I hate to speak. | :53:47. | :53:49. | |
# I said I don't know, skip a beat. # It's my right to dance without two | :53:50. | :53:52. | |
left feet. # I said I don't know, skip a beat. | :53:53. | :53:57. | |
# Wanna be a social but I hate to creep. | :53:58. | :53:59. | |
# I said I don't know, skip a beat. # Scared of heights but I gotta | :54:00. | :54:02. | |
leap. # I said I don't know, skip a beat. | :54:03. | :54:06. | |
# Cos I'm leaping for the stars. # No clothes, I'm far from far. | :54:07. | :54:10. | |
# If I won't try, I won't go. # I'll never leave, I won't go. | :54:11. | :54:14. | |
# Can't believe it, I won't go. # No, not far. | :54:15. | :54:18. | |
# Move your left, move your right. # I kept it in my head and I kept | :54:19. | :54:22. | |
trying to fight. # I said, mm, move your left, move | :54:23. | :54:25. | |
your right. # Come a little closer if you like | :54:26. | :54:27. | |
the limelight. # I said, mm, move your left, move | :54:28. | :54:30. | |
your right. # I want to surround and keep your | :54:31. | :54:33. | |
here in my sight. # I said move your left, move your | :54:34. | :54:36. | |
right. # Getting abuse cos everyone's | :54:37. | :54:38. | |
taking all their time. # They chase and flex the beat, it's | :54:39. | :54:41. | |
on my mind. #Moves like that aren't cool, or | :54:42. | :54:43. | |
even crime. # Now they one-handed, won't land | :54:44. | :54:45. | |
it. # Won't stand it, rebranded. | :54:46. | :55:12. | |
# Here's a toucho, pizzicato. # Relax the tempo. | :55:13. | :55:15. | |
# Sips some movato. # And if I get too animato. | :55:16. | :55:19. | |
# Tan my face with that paggiato. # Aliente, mezzoforte, allegro or | :55:20. | :55:21. | |
andante. # I can make this voice, da-da-to, | :55:22. | :55:26. | |
one two, music for legato. # I don't know, skip a beat. | :55:27. | :55:29. | |
# We're rushing now, we're building heat. | :55:30. | :55:32. | |
# The doors are open, but the music's in time. | :55:33. | :55:35. | |
# Is this the place, the final round? | :55:36. | :55:37. | |
# Cruising at the speed where where consider. | :55:38. | :55:39. | |
# Watching the beat, we'll get to Vienna. | :55:40. | :55:41. | |
# Without a doubt, the strings are fine the bass is out. | :55:42. | :55:45. | |
# Give us a beat, you wrote this house. | :55:46. | :55:49. | |
# Couple of skip beats, a couple of movements, ow. | :55:50. | :55:51. | |
# Now we made it to Mozart's House. # Couple of skip beats, a couple of | :55:52. | :55:54. | |
movements, ow. # Couple of skip beats, a couple of | :55:55. | :55:57. | |
movements, ow. # Couple of skip beats, a couple of | :55:58. | :55:59. | |
movements, # Who's that gigolo on the street # | :56:00. | :56:29. | |
With his hands in his pockets and his crocodile feet # Hanging off the | :56:30. | :56:33. | |
curb, looking all disturbed # At the boys from home. | :56:34. | :56:37. | |
They all came running # They were making noise, manhandling toys # | :56:38. | :56:40. | |
That's the girls on the block with the nasty curls # Wearing padded | :56:41. | :56:43. | |
bras sucking beers through straws # Dropping down their drawers, where | :56:44. | :56:50. | |
did you get yours? # Gigolo, Huh, sukka? | :56:51. | :57:04. | |
# Gigolo. # Who's looking good today? | :57:05. | :57:07. | |
# Who's looking good in every way? # No style rookie. | :57:08. | :57:10. | |
# You better watch don't mess with me. | :57:11. | :57:22. | |
# No moneyman can win my love. # It's sweetness that I'm thinking | :57:23. | :57:27. | |
of. # We always hang in a Buffalo | :57:28. | :57:29. | |
Stance. # We do the dive every time we | :57:30. | :57:31. | |
dance. # I'll give you love baby not | :57:32. | :57:34. | |
romance. # I'll make a move nothing left to | :57:35. | :57:37. | |
chance. # So don't you get fresh with me. | :57:38. | :57:50. | |
# So, you say you wanted money but you know it's never funny, # When | :57:51. | :57:56. | |
your shoes worn through and there's a rumble in your tummy. | :57:57. | :57:59. | |
# But you had to have style get a gold tooth smile. | :58:00. | :58:03. | |
# Put a girl on the corner so you can make a pile. | :58:04. | :58:06. | |
# Committed a crime and went inside. # It was coming your way but you had | :58:07. | :58:09. | |
to survive. # When you lost your babe, you lost | :58:10. | :58:11. | |
the race. # Now you're looking at me to take | :58:12. | :58:14. | |
her place. # Who's looking good today? | :58:15. | :58:17. | |
# Who's looking good in every way? # No style rookie. | :58:18. | :58:20. | |
# You better watch don't mess with me. | :58:21. | :58:34. | |
# Looking good, hanging with the wild bunch. | :58:35. | :58:38. | |
# Looking good in a Buffalo Stance. # Looking good when it comes to the | :58:39. | :58:40. | |
crunch. # Looking good's a state of mind. | :58:41. | :58:44. | |
# State of mind don't look behind you. | :58:45. | :58:46. | |
# State of mind or you'll be dead. # State of mind may I remind you. | :58:47. | :59:12. | |
# wind in my hair, water from my eyes. | :59:13. | :59:27. | |
# No moneyman can win my love. # It's sweetness that I'm thinking | :59:28. | :59:31. | |
of. # We always hang in a Buffalo | :59:32. | :59:33. | |
Stance. # We do the dive every time we | :59:34. | :59:35. | |
dance. # I'll give you love baby not | :59:36. | :59:38. | |
romance. # I'll make a move nothing left to | :59:39. | :59:40. | |
chance. # So, don't you get fresh with me. | :59:41. | :59:50. | |
# No moneyman can win my love. # It's sweetness that I'm thinking | :59:51. | :59:56. | |
of. # No moneyman can win my love. | :59:57. | :00:00. | |
# It's sweetness that I'm thinking of. | :00:01. | :00:31. | |
The wonderful Neneh Cherry. If you have been enjoying the show, I | :00:32. | :00:45. | |
wonder how much music you have watched on television and how long | :00:46. | :00:49. | |
you have been watching it off. BBC Two has been putting music on the | :00:50. | :00:53. | |
television for 50 years. Tomorrow night at 10:30pm you can see Pop | :00:54. | :01:02. | |
Goes BBC Two. Now back into the present. We are here with Elbow. | :01:03. | :01:21. | |
# I'm running out of miracles. # Oh my soul. | :01:22. | :01:35. | |
# And the streets are lined with one-man shows. | :01:36. | :01:46. | |
# Oh my soul. # Corner boys were moved along. | :01:47. | :01:58. | |
# Oh, my soul. # We're plummeting like crippled | :01:59. | :02:03. | |
crows. # Oh, my soul. | :02:04. | :02:18. | |
# Oh, long before. # You and I were born. | :02:19. | :02:25. | |
# Others beat these benches with their empty cups. | :02:26. | :02:33. | |
# To the night and the stars. # To be here, and now, and who we | :02:34. | :02:36. | |
are. # Another sunrise with my sad | :02:37. | :02:43. | |
captains. # With who I choose to lose my mind. | :02:44. | :02:51. | |
# And if it's all we only pass this way but once. | :02:52. | :02:53. | |
# What a perfect waste of time. # The BMX apothecary. | :02:54. | :03:23. | |
# Oh, my soul. # The architect of infamy. | :03:24. | :03:36. | |
# Oh, my soul. # For each and every train we | :03:37. | :03:42. | |
missed. # Oh, my soul. | :03:43. | :03:48. | |
# A bitter little Eucharist. # Oh, long before. | :03:49. | :04:15. | |
# You and I were born. # Others beat these benches with | :04:16. | :04:20. | |
their empty cups. # To the night and the stars. | :04:21. | :04:26. | |
# To be here, and now, and who we are. | :04:27. | :04:29. | |
# Another sunrise with my sad captains. | :04:30. | :04:40. | |
# With who I choose to lose my mind. # And if it's all we only come this | :04:41. | :04:44. | |
way but once. # What a perfect waste of time. | :04:45. | :04:54. | |
# Another sunrise with my sad captains. | :04:55. | :05:03. | |
# With who I choose to lose my mind. # And if it's all we only pass this | :05:04. | :05:09. | |
way but once. # What a perfect waste of time. | :05:10. | :05:21. | |
Thank you. Thank you, Elbow. What a lovely, epic poem that is. What a | :05:22. | :05:52. | |
way to end the show! If you have enjoyed this, you can go to the | :05:53. | :06:01. | |
website. We will be back on Tuesday. We will also, if you stay | :06:02. | :06:07. | |
tuned after this programme, you will find out how I did not get where I | :06:08. | :06:12. | |
am, I got here will stop how did I get here? There is a programme all | :06:13. | :06:21. | |
about me straight after this. Do you remember what we chatted about | :06:22. | :06:23. | |
earlier? Thanks. # Thank you to all our guests here. | :06:24. | :06:40. | |
Thank you to Elbow. Thank you to Agnes Obel. Thank you to Engelbert | :06:41. | :06:45. | |
Humperdinck. Thank you to Neneh Cherry. Thank you, Eagulls. | :06:46. | :07:09. | |
Thank you, Clean Bandit. We love you madly. CU straight after | :07:10. | :07:10. |