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I hope you enjoyed the opening titles. I did. Here is the wonderful | :00:55. | :00:59. | |
Paolo Nutini. # She's the bass, she's the beat. | :01:00. | :01:34. | |
# She's the rhythm, she's the band. # Just funk my life up. | :01:35. | :01:37. | |
# And the girl, so fine. # Makes you wanna scream Hallelujah. | :01:38. | :01:45. | |
# Sly hands, spinning webs like silk. | :01:46. | :01:51. | |
# Beats are dripping on me like spider milk. | :01:52. | :01:56. | |
# And I never heard the warning when I woke up this morning. | :01:57. | :02:00. | |
# With my sunshine on a drip. # She's my rock, she's my bud. She's | :02:01. | :02:02. | |
tequila, she's a trip. # And that girl, so fine. | :02:03. | :02:11. | |
# Makes you wanna scream Hallelujah. # How can I refuse? I'm not fit to | :02:12. | :02:19. | |
chose. # Just funk my life up. | :02:20. | :02:24. | |
# I said the only way I win is the way I lose. | :02:25. | :02:27. | |
# Just funk my life up. # And I never got the script I | :02:28. | :02:30. | |
unzipped. # Got a little bit wet up in my | :02:31. | :02:32. | |
brain. # She's your church, she's your sin. | :02:33. | :02:35. | |
She's atomic. # She's the... Oh, she's the rain. | :02:36. | :02:43. | |
# And the girl, so fine you wanna scream. | :02:44. | :02:47. | |
# Yeah, yeah. # She gets me silly. She's like a | :02:48. | :03:03. | |
trick on me. # Hell, I don't even know her name | :03:04. | :03:07. | |
but yet she sticks to me. # And in the climax she would scream | :03:08. | :03:09. | |
with me. # Yeah, she sticks to me. | :03:10. | :03:13. | |
# She gets me funny She doesn't want none of my money. | :03:14. | :03:17. | |
# So I pour it over her like gasoline. | :03:18. | :03:19. | |
# Light a match and then I'm back in my teens. | :03:20. | :03:22. | |
# Me and super girl smoking my green. | :03:23. | :03:24. | |
# Me and super girl smoking my green. | :03:25. | :03:28. | |
# Unload, reload. Eyes back, swinging,. | :03:29. | :03:31. | |
# Sweet thing, knows things Jeff Beck sings. | :03:32. | :03:40. | |
# Roundhouse, Going Down, Let's go! # And the girl so fine makes you | :03:41. | :03:46. | |
wanna scream Hallelujah. # Hallelujah. | :03:47. | :03:50. | |
# Yeah, the girl, so fine You wanna scream... #. # Yeah, yeah, yeah. # | :03:51. | :04:09. | |
APPLAUSE AND CHEERING. We love this record. Paolo Nutini. | :04:10. | :04:25. | |
More from him later. We have a myriad of amazing artists. We will | :04:26. | :04:31. | |
have Royal Blood. Delighted now to have in the studio, from Brooklyn, | :04:32. | :04:39. | |
New York, Joan As Police Woman. A jazz star from Essex, we welcome | :04:40. | :04:46. | |
Zara McFarlane. More people from Brooklyn. Her marvellous to have two | :04:47. | :04:53. | |
lots of people from Brooklyn, in the form of Lucius. Welcoming back to | :04:54. | :04:56. | |
the sure the wonderful man from New Zealand, yes, it is Neil Finn. | :04:57. | :05:15. | |
# You must reveal your infinite sorrow. | :05:16. | :05:24. | |
# Show what you're made of and what you're afraid of. | :05:25. | :05:32. | |
# You'll have to leave the comfort of shadows. | :05:33. | :05:41. | |
# The places you came from. The troubles you played on. | :05:42. | :05:50. | |
# Out on the landing leaves are descending. | :05:51. | :05:57. | |
# Summer is ending and daylight is blue. | :05:58. | :06:07. | |
# Is that you rising up. # Flying in the face of love. | :06:08. | :06:15. | |
# Now you set your mind to run. # In circles around everyone. | :06:16. | :06:23. | |
# Flying in the face of love. # Thinking enough is enough. | :06:24. | :06:37. | |
# Before you get too involved. # Like this isn't real. It's just a | :06:38. | :06:40. | |
feeling. # That gets in the way sometimes. | :06:41. | :06:54. | |
# Every distraction you can imagine. # Like a disclaimer it's turning | :06:55. | :07:00. | |
off. # Always turning you off. | :07:01. | :07:06. | |
# Flying in the face of love. # Now you've set your mind to run. | :07:07. | :07:13. | |
# In circles around everyone. # Flying in the face of love. | :07:14. | :07:26. | |
# And dreaming of the one you lost. # Wake up to barking dogs. | :07:27. | :07:34. | |
# Were you thinking of her when you wrote that song. | :07:35. | :07:40. | |
# Sing it to me. # Your mysterious life I'm reminded | :07:41. | :07:46. | |
of. # Think about her. | :07:47. | :07:51. | |
# And it feels like a new sensation Then it's gone. | :07:52. | :08:00. | |
# Flying in the face of love. # How much longer will you run. | :08:01. | :08:04. | |
# In circles around everyone. # Flying in the face of love. | :08:05. | :08:16. | |
# Dreaming of the one you lost. # Wake up to barking dogs. | :08:17. | :08:24. | |
# Flying in the face of love. # Flying in the face of love. | :08:25. | :08:50. | |
# All the years are catching up. # How does it feel to be wrong? #. | :08:51. | :09:00. | |
APPLAUSE AND CHEERING. Neil Finn, back in the room, from | :09:01. | :09:17. | |
his Dizzy Heights LP. We will be hearing more of him before later. | :09:18. | :09:21. | |
The next artist is an acclaimed instrumentalist, lots of people have | :09:22. | :09:28. | |
loved her sound, she is now here performing something from her LP, it | :09:29. | :09:31. | |
is Joan As Police Woman. # I didn't say anything that I | :09:32. | :09:45. | |
wanted to say to you. # I got to talking and your eyes | :09:46. | :09:49. | |
well, they blew me away, yeah. # Oh, this is how I start. | :09:50. | :09:55. | |
# My love letter. # But I may have missed my mark. | :09:56. | :10:00. | |
# My best seller. # Here it goes, my friend. | :10:01. | :10:05. | |
# I need to see you again and then. # I'll show you what you do to me. | :10:06. | :10:12. | |
# You're like finding the holy city. # Right there in front of my eyes. | :10:13. | :10:18. | |
# Setting me free, yeah I'm ready. # To get up on your wailing wall. | :10:19. | :10:30. | |
# After my confession, well, I. # I'm feeling free-er than the wind. | :10:31. | :10:38. | |
# But then I start to shut it down fearing. | :10:39. | :10:40. | |
# I'm wondering what it would have been. | :10:41. | :10:43. | |
# If I had only, only I have no command. | :10:44. | :10:47. | |
# Over tomorrow so I may as well be grand. | :10:48. | :10:52. | |
# And shoot my arrow. # Cos the ocean's wide but I can | :10:53. | :10:56. | |
swim it. # The tide is high Want to get in | :10:57. | :10:59. | |
it. # I feel the fire Come on, let's fan | :11:00. | :11:02. | |
it. # You ask me why cos every minute | :11:03. | :11:07. | |
with you. # Is like finding the holy city. | :11:08. | :11:14. | |
# Right there in front of my eyes. # Waiting for me, yeah, I'm ready. | :11:15. | :11:18. | |
# Oh, oh, oh. # You're like finding the holy city. | :11:19. | :11:24. | |
# Right there in from of my eyes. # Waiting for me, yeah I'm ready. | :11:25. | :11:27. | |
# To get up on your wailing wall. # Oh, I can't feel it any more. | :11:28. | :11:50. | |
# I can't, I can't I can't feel it any more. | :11:51. | :12:15. | |
# You're like finding the holy city. # Right there in front of my eyes. | :12:16. | :12:24. | |
# Setting me free, yeah, I'm ready. # Oh, oh, oh. | :12:25. | :12:29. | |
# You're like finding the holy city. # Right there in from of my eyes. | :12:30. | :12:35. | |
# Waiting for me, yeah I'm ready. # To get up on your wailing. | :12:36. | :12:38. | |
# Up on your wailing. # Up on your wailing wall. #. | :12:39. | :12:43. | |
APPLAUSE AND CHEERING. Thank you, Joan As Police Woman. | :12:44. | :13:01. | |
Holy city, that was from her new album. A band that is so brand-new | :13:02. | :13:05. | |
they don't even have a record yet, they are Royal Blood. | :13:06. | :13:28. | |
# I'm on a train going nowhere. # I ran away to make you care. | :13:29. | :13:38. | |
# This ain't my house. This ain't your home. | :13:39. | :13:46. | |
# Not when I'm feeling this alone. # So come on over, yeah. | :13:47. | :13:50. | |
# I've waited since you start believin'. | :13:51. | :13:57. | |
# Yeah, so come on over, yeah. # Well, there's no god and I don't | :13:58. | :13:59. | |
really care. # Let's run away, get out of here. | :14:00. | :14:15. | |
# I got no money and I don't care. # This ain't my house. This ain't | :14:16. | :14:20. | |
your home. # Not when I'm feeling this alone. | :14:21. | :14:25. | |
# So come on over, yeah. # I've waited since you start | :14:26. | :14:34. | |
believin'. # Yeah, so come on over, yeah. | :14:35. | :14:40. | |
# There's no god and I don't really care. | :14:41. | :14:46. | |
# I'm on a train going nowhere. # I ran away to make you care. | :14:47. | :15:03. | |
# This ain't my house This ain't your home. | :15:04. | :15:05. | |
# Not when I'm feeling this alone. # So come on over, yeah. | :15:06. | :15:27. | |
# I've waited since you start believin'. | :15:28. | :15:32. | |
# Yeah, so come on over, yeah. # Well, there's no god and I don't | :15:33. | :15:35. | |
really care. Royal Blood with Come On Over. Now, | :15:36. | :16:23. | |
we heard him over there a moment ago, now let's chat to the one and | :16:24. | :16:28. | |
only wonderful Neil Finn. Welcome back to the show, Neil. | :16:29. | :16:32. | |
APPLAUSE It's nice that you are here solo. | :16:33. | :16:36. | |
You have been here in the past with Crowded House who've had huge | :16:37. | :16:40. | |
success. You have come here and you are solo again. What's led you to go | :16:41. | :16:46. | |
solo again? I like the freedom of being solo. Also I like the desire | :16:47. | :16:50. | |
to confuse the general public as much as I possibly can really. Yes, | :16:51. | :16:55. | |
we like that here. Five or six different incarnations and it wasn't | :16:56. | :16:58. | |
deliberate but it felt right, the songs were developing along non- | :16:59. | :17:04. | |
Crowded House lines, so yes, we have a very nice young band here, | :17:05. | :17:11. | |
including my wife Sharon on bass. Also am I right in thinking your | :17:12. | :17:14. | |
children are on the record as well? They are. These are not my children. | :17:15. | :17:19. | |
I'd be proud of any of them. Any of these? Not that I'm aware of, no. | :17:20. | :17:24. | |
Someone's owning up there, yes. He's a nice lad. Not likely mine though. | :17:25. | :17:31. | |
Is there something special about blood harmonies, is it something | :17:32. | :17:35. | |
different, within the family? No doubt that there's an inherent | :17:36. | :17:39. | |
understanding of when someone is going to do a curly bit or a leap | :17:40. | :17:44. | |
into the Stratosphere, yes. It's the sound of the way the voices resonate | :17:45. | :17:48. | |
together when your family, when you are blood, you can't get it any | :17:49. | :17:53. | |
other way. I got it with my brother, I'm lucky enough to have it with my | :17:54. | :17:57. | |
sons. With Sharon as well, although we are not blood related, there's | :17:58. | :18:02. | |
something about couples, when they have lived together a long time, | :18:03. | :18:06. | |
they can sing together as well. A tip. If you are having harmony | :18:07. | :18:12. | |
problems, live with them for 30 years. It's interesting if you are | :18:13. | :18:17. | |
looking for something new to do, hit the bass and drums and sing | :18:18. | :18:22. | |
together, yes. You were at Split Ends with your brother Tim and | :18:23. | :18:25. | |
inevitably, in a moment, we'll have a clip of that. From 1980. 34 years | :18:26. | :18:32. | |
ago when you were first having great success, but paint a picture for us | :18:33. | :18:37. | |
of what New Zealand was like? Well, they said it was like England in the | :18:38. | :18:42. | |
'50s back in the '70s and it was probably true. A whole lot of bands | :18:43. | :18:47. | |
wearing bell bottoms and playing bow hoe music and Split Ends came | :18:48. | :18:53. | |
bursting out of the blocks, they had the most unusual songs I'd ever | :18:54. | :18:58. | |
heard, I was 14 at the time. They had incredibly strange costumes. | :18:59. | :19:01. | |
They were wilful and wanted to take over the world. It was pretty much | :19:02. | :19:05. | |
fuel for me as a 14-year-old and gave me more spark than anything | :19:06. | :19:11. | |
else really. Let's have a look at 34 years ago. It's going to be great. | :19:12. | :19:16. | |
It does look good. Have you seen our opening titles. That's a mod Elled | :19:17. | :19:21. | |
from about the same year? Exactly, that's right. Shipped in from New | :19:22. | :19:25. | |
Zealand. # Something's wrong | :19:26. | :19:36. | |
# I feel uneasy # Will you show me | :19:37. | :19:40. | |
# Tell me you're not teasing # Known why sometimes I get | :19:41. | :19:46. | |
frightened # You see my eyes | :19:47. | :19:56. | |
# You can tell that I'm not lying... # | :19:57. | :20:08. | |
Wow. APPLAUSE | :20:09. | :20:15. | |
You did that to me last time you interviewed me about 15 years ago. | :20:16. | :20:18. | |
You played that similar clip. Did we? You are obsessed with that clip. | :20:19. | :20:24. | |
I'll talk to the producers of the show, I can't apologise enough. | :20:25. | :20:29. | |
Happy to see myself looking so young and fanciable. You look very well. | :20:30. | :20:34. | |
Thank you. You did something for the Hobbit, famously filmed in New | :20:35. | :20:37. | |
Zealand? It is, yes. Did you read that book as a child? I did, as a | :20:38. | :20:43. | |
teenager. In fact, I won Lord of the Rings as a history prize in sixth | :20:44. | :20:46. | |
form so have a deep connection with that plot. Did you see it being | :20:47. | :20:54. | |
filmed? I had a day, yes, but it's mostly on green screen. People run | :20:55. | :20:59. | |
around with swords so it's not really like being there but ends up | :21:00. | :21:03. | |
pretty amazing and they are wonderful people, Peter and Fran, | :21:04. | :21:07. | |
very calm, much like the people on your own show. That's good. Did you | :21:08. | :21:12. | |
see prince George the other day? No, we were here. In America in fact. I | :21:13. | :21:16. | |
see. You are going to be performing recluse for us in a moment. We are | :21:17. | :21:20. | |
looking forward to that very much. Thank you for joining us very much | :21:21. | :21:23. | |
and it's great to see you again, Neil Finn! | :21:24. | :21:29. | |
Marvellous Neil Finn. Now, a brand-new wonderful jazz singer from | :21:30. | :21:31. | |
Essex. We welcome Zara McFarlane. # Police and thieves in the streets. | :21:32. | :22:21. | |
# Scaring the nation with their guns and ammunition. | :22:22. | :22:24. | |
# Police and thieves in the street. # Fighting the nation with their | :22:25. | :22:26. | |
guns and ammunition. # From Genesis to Revelation. | :22:27. | :22:30. | |
# The next generation will be hear me. | :22:31. | :22:31. | |
# From Genesis to Revelation. # The next generation will be hear | :22:32. | :22:35. | |
me. # And all the crowd comes in day by | :22:36. | :22:38. | |
day. # No-one stops it in any way. | :22:39. | :22:46. | |
# And all the peacemaker turn war officer. | :22:47. | :22:54. | |
# Hear what I say. # Police and thieves in the streets. | :22:55. | :23:00. | |
# Scaring the nation with their guns and ammunition. | :23:01. | :23:05. | |
# Police and thieves in the street. # Fighting the nation with their | :23:06. | :23:09. | |
guns and ammunition. # From Genesis to Revelation. | :23:10. | :23:19. | |
# The next generation will be hear me. | :23:20. | :23:30. | |
# From Genesis to Revelation. # The next generation will be hear | :23:31. | :23:32. | |
me. # And all the crowd comes in day by | :23:33. | :24:14. | |
day. # No-one stops it in any way. | :24:15. | :24:18. | |
# And all the peacemaker turn war officer. | :24:19. | :24:19. | |
# Hear what I say. # Police, police, police and | :24:20. | :24:36. | |
thieves. # Police, police, police and | :24:37. | :24:47. | |
thieves. # Fighting the nation with their | :24:48. | :24:55. | |
guns and ammunition # Police And Thieves | :24:56. | :25:03. | |
# Police And Thieves... # APPLAUSE | :25:04. | :25:16. | |
AND CHEERING. # Drowning, in you | :25:17. | :26:20. | |
# Asking, nothing. # Aching. | :26:21. | :26:23. | |
# Do you believe # In fashion | :26:24. | :26:28. | |
And romance? Needing to be within us # And around us | :26:29. | :26:33. | |
# Diana. She loves me. # With no innocence or compromise | :26:34. | :26:37. | |
# Diana, she loves me # The only way she knows. | :26:38. | :26:44. | |
# When your soul is in flight # You set your body free | :26:45. | :26:50. | |
# And under your lightning glistens In all its fantasy | :26:51. | :26:56. | |
# There's a shiver of velvet tension # From an astralised dimension | :26:57. | :27:13. | |
# Emanating beneath our liberty # While for some love is whips and | :27:14. | :27:18. | |
chains # And perpetual Parlour Games | :27:19. | :27:24. | |
# I stand for you and You open up to me | :27:25. | :27:27. | |
# She said she wants the lonelines to go | :27:28. | :27:30. | |
# But she won't give up for nothing # Diana. She loves me. | :27:31. | :27:36. | |
# With no innocence or compromise # Diana she loves me | :27:37. | :27:38. | |
# The only way she knows... # # Diana. | :27:39. | :28:10. | |
# She loves me # No innocence or compromise | :28:11. | :28:17. | |
# Diana # She loves me | :28:18. | :28:27. | |
# The only way she knows # Oh baby, baby, baby... | :28:28. | :28:40. | |
# Ooh, baby # Baby, baby, baby | :28:41. | :28:50. | |
# Baby... # CHEERING AND APPLAUSE | :28:51. | :29:07. | |
Of The brilliant, no number one album, Caustic Love. Before that we | :29:08. | :29:17. | |
enjoyed the Zara McFarlane and her marvellous band. In a moment I might | :29:18. | :29:23. | |
be joined by her at the piano, but in the meantime, the next artist are | :29:24. | :29:29. | |
making their British television debut. They have set New York on | :29:30. | :29:32. | |
fire. Welcome the wonderful Lucius. # I'm your dolly. | :29:33. | :30:10. | |
# Stuffed with extra baggage. # Lay me down to shut my eyes. | :30:11. | :30:23. | |
# Beaded gazes. # Lead you nowhere anyways. | :30:24. | :30:36. | |
# Press on my heart, I will say. # Press on my heart I will say. | :30:37. | :30:49. | |
# I am lonely. # With a static smile. | :30:50. | :31:00. | |
# I think my stitching's coming loose. | :31:01. | :31:08. | |
# But completely soft inside. # I'm all wound up and still. | :31:09. | :31:30. | |
# The only thing that I can say is. # I don't need you anyway. | :31:31. | :31:35. | |
# I don't need you, go home. # I don't need you anyway. | :31:36. | :31:58. | |
# I don't need you, go home. # Go home. | :31:59. | :32:09. | |
# I'm your dolly. # Stuffed with extra baggage. | :32:10. | :32:19. | |
# Lay me down to shut my eyes. # Beaded gazes. | :32:20. | :32:39. | |
# Lead you nowhere anyways. # Press on my heart, I will say. | :32:40. | :32:49. | |
# Press on my heart I will say. # I don't need you anyway. | :32:50. | :32:55. | |
# I don't need you, go home. # I don't need you anyway. | :32:56. | :33:22. | |
# I don't need you, go home. # Go home. #. | :33:23. | :34:20. | |
APPLAUSE AND CHEERING. # When you're one of us. | :34:21. | :34:24. | |
# You can stay here for the rest of your life. | :34:25. | :34:27. | |
# I'll open windows when you want to look out. | :34:28. | :34:29. | |
# At the transit of Venus 'cross the sun. | :34:30. | :34:31. | |
# As you're gathering dust. # Ancient dragons and the cicadas | :34:32. | :34:33. | |
come. # The edges jagged as you're coming | :34:34. | :34:37. | |
undone. # On the white soft feathers of your | :34:38. | :34:43. | |
bed. # Well, you know how hard I try. | :34:44. | :34:50. | |
# But I won't get nowhere analysing your life. | :34:51. | :34:56. | |
# And it's people that you lose. # When you become a recluse. | :34:57. | :35:03. | |
# Turn away from us. # Days are darker when the winter | :35:04. | :35:10. | |
comes. # Can't remove yourself from what | :35:11. | :35:15. | |
you have done. # On the rack where your reputation | :35:16. | :35:21. | |
lies. # Do you want to exist. | :35:22. | :35:27. | |
# Between the lightning and the mental bliss. | :35:28. | :35:31. | |
# Or needing nothing and with no-one to miss. | :35:32. | :35:35. | |
# Like a stray dog kissing on a statue. | :35:36. | :35:43. | |
# Solitude is hard to find. # And they're all too busy | :35:44. | :35:49. | |
organising your life. # But it's people that you lose. | :35:50. | :35:52. | |
# When you become a recluse. # Well, don't be so nervous now. | :35:53. | :36:05. | |
# All I want is to be dancing round in your light. | :36:06. | :36:12. | |
# With the colours that you choose. # When you become a recluse. | :36:13. | :36:19. | |
# Ohh. # I make any excuse to stay home. | :36:20. | :36:35. | |
# But I can't do that and I must come back. | :36:36. | :36:42. | |
# People that stay at home. # Watching A Game of Thrones. | :36:43. | :36:51. | |
# And wondering what comes next. # Well, you can't do that and you | :36:52. | :36:57. | |
must come back. # Pictures of geese fly around us | :36:58. | :36:58. | |
and this leads to that. # Take us everywhere and bring us | :36:59. | :37:08. | |
back. # Well, I dreamt that Jesus had a | :37:09. | :37:10. | |
gun. # Sure it's getting cold outside. | :37:11. | :37:19. | |
# And they're all to busy organising your life. | :37:20. | :37:25. | |
# But it's people that lose when you become a recluse. Don't be so | :37:26. | :37:47. | |
nervous now. All I want is to be dancing round in your life. Ike the | :37:48. | :37:53. | |
colours you choose when you become a recluse. | :37:54. | :38:03. | |
Neil Finn. Marvellous. The record, Dizzy Heights. For that, the | :38:04. | :38:18. | |
beautiful vocalisations of Lucius. Now, we welcomed Joan As Police | :38:19. | :38:19. | |
Woman. # There's a story that's been in my | :38:20. | :38:43. | |
life. # And I've taken it as gospel sure | :38:44. | :38:46. | |
as the day. # But now I'm starting to see that | :38:47. | :38:50. | |
it's just an invention. # That really wasn't about me. | :38:51. | :38:55. | |
# And I'd like to kick it to the corner. | :38:56. | :38:57. | |
# But it's hard to eject a tape that's played forever so. | :38:58. | :39:01. | |
# I need to be the witness to stop this crime. | :39:02. | :39:03. | |
# Cos the criminal inside me has lost her mind. | :39:04. | :39:07. | |
# All the things she tells me Well, they're all lies. | :39:08. | :39:11. | |
# So I gotta be the witness to cut this evil vine. | :39:12. | :39:19. | |
# Gotta be the witness. # Gotta be the witness. | :39:20. | :39:26. | |
# Gotta be. # I've been playing the part of a | :39:27. | :39:29. | |
prisoner. # In a fable created by none other | :39:30. | :39:32. | |
than me. # And my mind, well She's more than | :39:33. | :39:35. | |
just dirty. # She's a rascal who's set on | :39:36. | :39:39. | |
setting fire to all. # That I've learned. | :39:40. | :39:42. | |
# I've earned the wisdom of this story. | :39:43. | :39:44. | |
# Too many times. # I'm starting to get angry so. | :39:45. | :39:48. | |
# I need to be the witness to stop this crime. | :39:49. | :39:50. | |
# Cos the criminal inside me has lost her mind. | :39:51. | :39:53. | |
# All the things she tells me Well, they're all lies. | :39:54. | :39:57. | |
# So I gotta be the witness to cut this evil vine. | :39:58. | :40:09. | |
# The war is over. # There is nothing left to say. | :40:10. | :40:17. | |
# The pile driver's got to quit. # And it's gonna happen today. | :40:18. | :40:24. | |
# I will crack the motor. # Jam my stiletto into that machine. | :40:25. | :40:29. | |
# Yeah, I took the power. # Got to kick myself out of the | :40:30. | :40:31. | |
dream. # I need to be the witness to stop | :40:32. | :40:39. | |
this crime. # Cos the criminal inside me has | :40:40. | :40:42. | |
lost her mind. # All the things she tells me Well, | :40:43. | :40:45. | |
they're all lies. # So I gotta be the witness to stop | :40:46. | :40:49. | |
this evil. # Gotta to be the witness to stop | :40:50. | :40:52. | |
this crime. # Cos the criminal inside me has | :40:53. | :40:55. | |
lost her mind. # All the things she tells me Well, | :40:56. | :40:58. | |
they're all lies. # So I gotta be the witness to cut | :40:59. | :41:01. | |
this evil vine. # Gotta be the witness. | :41:02. | :41:33. | |
# Gotta be. # Gotta be the witness. | :41:34. | :41:36. | |
# Gotta be. #. APPLAUSE AND CHEERING. | :41:37. | :41:52. | |
Thank you, Joan As Police Woman. Earlier on, we saw a fabulous new | :41:53. | :42:05. | |
jazz singer, Zara McFarlane. Good to have you here. Where did you first | :42:06. | :42:12. | |
start singing? When I was about 11, I started writing songs for the fun | :42:13. | :42:17. | |
of it, and later on, I started to put myself into competitions, tried | :42:18. | :42:22. | |
to Ascot School of I could sing for concerts, then things started to | :42:23. | :42:26. | |
develop. -- I asked at school. I like improvising. I was going to | :42:27. | :42:32. | |
think it would be interesting for the people at home who don't know | :42:33. | :42:37. | |
what it is, a bit like me, to go for it, but rather than use words I | :42:38. | :42:41. | |
thought it would be easier to do it with notes. I will give it a try. | :42:42. | :43:02. | |
Regretting instead of somebody else. Unless that someone is you. I intend | :43:03. | :43:48. | |
to be independently blue. I want your love, don't want to borrow, | :43:49. | :43:52. | |
give back tomorrow. Your love is my love, there is no love for nobody | :43:53. | :43:54. | |
else. There's been no one unless that | :43:55. | :44:20. | |
someone is you, I intend to be independently blue. I want your | :44:21. | :44:27. | |
love, today, give back tomorrow. Your love is my love, there is no | :44:28. | :44:34. | |
love for nobody else. Your love is my love, there is no love for nobody | :44:35. | :44:39. | |
else. Your love is my love, there is no love for nobody else. My love for | :44:40. | :44:42. | |
nobody else. No love for nobody else. | :44:43. | :44:52. | |
APPLAUSE. The wonderful Sara McFarlane! | :44:53. | :45:30. | |
What a joy to be here. The fabulous duo now, it's Royal Blood! | :45:31. | :46:10. | |
# How did it feel when it came alive and took you. | :46:11. | :46:15. | |
# Out of the black. # It broke your skin and shook | :46:16. | :46:18. | |
through. # Every part of me Every part of | :46:19. | :46:21. | |
you. # You made a fool out of me. | :46:22. | :46:29. | |
# And took the skin off my back running. | :46:30. | :46:32. | |
# So don't breathe when I talk. # Cos you haven't been spoken to. | :46:33. | :46:41. | |
# I got a gun for a mouth and a bullet with your name on it. | :46:42. | :46:44. | |
# But a sliver for a heart beating blood from an empty pocket. | :46:45. | :46:56. | |
# I never wondered why. # And you didn't care when. | :46:57. | :47:00. | |
# You closed every day. # I washed away your sin. | :47:01. | :47:08. | |
# And I promised you. # Like you promised me. | :47:09. | :47:13. | |
# That those vows we made. # We locked them up for free. | :47:14. | :47:35. | |
# You made a fool out of me. # And took the skin off my back | :47:36. | :47:38. | |
running. # So don't breathe when I talk. | :47:39. | :47:41. | |
# Cos you haven't been spoken to. # I got a gun for a mouth and a | :47:42. | :47:46. | |
bullet with your name on it. # But a sliver for a heart beating | :47:47. | :47:48. | |
blood from an empty pocket. INSTRUMENTAL # | :47:49. | :48:24. | |
You made a fool out of me. # And took the skin off my back | :48:25. | :48:27. | |
running. # So don't breathe when I talk. | :48:28. | :48:34. | |
# Cos you haven't been spoken to. # I got a gun for a mouth and a | :48:35. | :48:39. | |
bullet with your name on it. # But a sliver for a heart beating | :48:40. | :48:41. | |
blood from an empty pocket. # And it's hard, this world. | :48:42. | :49:00. | |
# Never lets you go. # Deals your cards right here. #. | :49:01. | :49:08. | |
APPLAUSE AND CHEERING. # Fairy lights like the stars. | :49:09. | :50:01. | |
# You could be lost but here you are. | :50:02. | :50:10. | |
# It's Halloween, on the street. # You came looking for me. | :50:11. | :50:17. | |
# I'm sealed in tight through the double glass. | :50:18. | :50:24. | |
# Come inside, take off your mask. # All the zombies in town. | :50:25. | :50:35. | |
# They're all dead to us now. # And we can't hear the song they're | :50:36. | :50:41. | |
playing. # Smoke drifting up. | :50:42. | :50:48. | |
# To the dizzy heights. # Where the elevator won't come | :50:49. | :50:52. | |
down. # And the ceiling cracks like a | :50:53. | :51:00. | |
treasure map. # The mosquito's buzzing round, | :51:01. | :51:02. | |
round, round. # Help me make up a new sound. | :51:03. | :51:10. | |
# It's all right in my room. # The world's moving at a different | :51:11. | :51:14. | |
pace. # Ah, the buzz, it never stops. | :51:15. | :51:22. | |
# If you don't like the groove Well, call the cops. | :51:23. | :51:32. | |
# On Halloween, it's Halloween. # And they don't make a sound. | :51:33. | :51:43. | |
# Cos I don't like the song they're playing. | :51:44. | :51:51. | |
# Smoke drifting up to the dizzy heights. | :51:52. | :51:56. | |
# Where the elevator won't come down. | :51:57. | :52:00. | |
# And the ceiling cracks like a treasure map. | :52:01. | :52:06. | |
# Every destination pulls you in, turns you back. | :52:07. | :52:10. | |
# The mosquitos buzzing round, round, round. | :52:11. | :52:17. | |
# I'm gonna take you up to the dizzy heights. | :52:18. | :52:39. | |
# There's a lot more going on. # I will take you up to the dizzy | :52:40. | :52:42. | |
heights. # I'm better off that way. | :52:43. | :53:08. | |
# I will take you up to the dizzy y heights | :53:09. | :53:10. | |
I love what's going on # I will take you up to the dizzy | :53:11. | :53:19. | |
heights... # APPLAUSE | :53:20. | :53:24. | |
AND CHEERING. Dizzy Heights, Neil Finn. I like | :53:25. | :53:29. | |
that song. Royal Blood before that. Now, we finish off with the | :53:30. | :53:33. | |
wonderful Paulao Nutini! # We are proud individuals. | :53:34. | :54:14. | |
# Living for the city. # But the flames. | :54:15. | :54:24. | |
# Couldn't go much higher. # We find God and religions. | :54:25. | :54:28. | |
# To bait us with salvation. # But no-one, no nobody. | :54:29. | :54:55. | |
# Can give you the power. # To rise. | :54:56. | :55:00. | |
# Over love. # Over hate. | :55:01. | :55:08. | |
# Through this iron sky that's fast becoming our mind. | :55:09. | :55:19. | |
# Over fear and into freedom. # Oh, that's life. | :55:20. | :55:33. | |
# That's dripping down the walls. # Of a dream that cannot breathe. | :55:34. | :55:41. | |
# In this harsh reality. # Mass confusion spoon fed to the | :55:42. | :55:45. | |
blind. # Serves now to define our cold | :55:46. | :55:52. | |
society. # From which we'll rise. | :55:53. | :55:58. | |
# Over love. # Over hate. | :55:59. | :56:02. | |
# Through this iron sky that's fast becoming our mind. | :56:03. | :56:17. | |
# Over fear and into freedom. # You've just got to hold on. | :56:18. | :56:36. | |
To those who can hear me, I say - do not despair.. | :56:37. | :57:00. | |
The misery that is now upon us is but the passing of greed. | :57:01. | :57:06. | |
The bitterness of men who fear the way of human progress. | :57:07. | :57:09. | |
The hate of men will pass, and dictators die. | :57:10. | :57:11. | |
And the power they took from the people will return to the people. | :57:12. | :57:15. | |
And so long as men die, liberty will never perish. | :57:16. | :57:17. | |
Don't give yourselves to these unnatural men. | :57:18. | :57:22. | |
Machine men with machine minds and machine hearts. | :57:23. | :57:26. | |
You are not machines! You are not cattle! You are men. | :57:27. | :57:30. | |
You, the people, have the power to make this life free and beautiful. | :57:31. | :57:34. | |
To make this life a wonderful adventure. | :57:35. | :57:38. | |
Let us use that power - let us all unite. | :57:39. | :57:40. | |
# And we'll rise. # Over love. | :57:41. | :57:43. | |
# Over hate. # Through this iron sky that's fast | :57:44. | :57:51. | |
becoming our mind. # Over fear and into freedom. | :57:52. | :58:02. | |
# Into freedom. # From which we'll rise. | :58:03. | :58:06. | |
# Over love. # Over hate. | :58:07. | :58:08. | |
# Through this iron sky that's fast becoming our mind. | :58:09. | :58:22. | |
# Over fear and into freedom. # Freedom, freedom. | :58:23. | :58:37. | |
# Oh, rain on me. # Rain on me. #. | :58:38. | :59:12. | |
APPLAUSE AND CHEERING. Thank you Paolo Nutini. You can see | :59:13. | :59:45. | |
more of him on the website. We'll be back on Tuesday at 10 o'clock with | :59:46. | :59:51. | |
Coldplay. Much more too. Thanks to all of our | :59:52. | :59:58. | |
guests. Just join in as you see fit, because we don't have a lot of time. | :59:59. | :00:02. | |
The two cords wove got this evening are these two! | :00:03. | :00:11. | |
Yeah... So thank you. Just join in, | :00:12. | :00:14. | |
everybody. It will be beautiful. Thank you to Paolo Nutini, Royal | :00:15. | :00:21. | |
Blood. Joan as policewoman, variety McFarlane, Lucius and Neil Finn! See | :00:22. | :00:25. | |
you again very soon. | :00:26. | :00:27. |