Episode 3 Later... with Jools Holland


Episode 3

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welcome to this wonderful world. Welcome to Coldplay.

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# Collared magic. # Call it truth.

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# Collet magic. # When I'm with you.

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# And I'd just got broken. # Broken into two.

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# Still high collet magic. # When I'm next to you.

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# And I don't and they don't ever know.

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# I don't, it's true. # I don't want anybody else but you.

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# And I don't, and I don't, no, I don't, it's true.

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# I don't, I don't want anybody else but you.

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# Call it magic. # Company into two.

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# And with all your magic. # I disappear from view.

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# And I can't get over. # Can to get over you.

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-- can get. # Still high collet magic.

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# Such a precious jewel. # And I don't want anybody else but

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you. # No, I don't want anybody else but you.

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# When I'd fall, I've also fire. -- high fall so far. # When

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nightfall, I fall so far. # And I collet magic, high collet

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truth. # I collet magic.

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# Ooh, ooh, ooh, ooh, ooh, ooh, # And if you were to ask me

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# After all that we've been through # "Still believe in magic? "

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# Well yes, I do # Oh, yes, I do

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# Oh yes, I do # Of course I do... #

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# Ooh, ooh, ooh, ooh, ooh # Ooh, ooh, ooh...

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Thank you, Coldplay. Magic. A roomful of legends. Who are our

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guests this evening two legends in the world music from Barcelona, we

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welcome Aziza Ibrahim. A brand-new artist from North London, Tom

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Hickox. A legend from London in the form of Damon Albarn!

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From Brooklyn New York, we welcome back Sharon Jones and the Dap-Kings!

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From Akron or high, we have The Black Keys! -- of Ohio.

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# Fever, where'd you run to? # Fever, where'd you run to? #

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Acting right is so routine. # Fever, let me live a dream.

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# Fever, I'm a slave to. # No one misbehaved too.

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# Fever, they're misunderstood. # Wouldn't leave you if I could.

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# Fever. # Fever cus I'm breaking.

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# Fever got me aching. # Fever, why don't you explain?

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# Break it down again. # Fever # Fever, why don't you explain?

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# Just go ahead and kill me. # Fever, why don't you explain?

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# Break it down again. # Fever, can you hear me?

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# You shook me like I've never been. # Now show me how to live again.

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# You used to be a blessing. # But fever's got me stressing.

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# Realise I have been played. # But fever let me play the game. #

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Fever. # Fever, cus I'm breaking.

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# Fever got me aching. # Fever, why don't you explain?

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# Break it down again. # Fever got me guilty.

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# Just go ahead and kill me. # Fever, why don't you explain?

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# Break it down again. # Now if the cold pale light in your

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eyes. # Reaches those horizon lines.

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# You know not to leave her. # Fever. # Now if the cold pale

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light in your eyes. # Reaches those horizon lines. # You

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know not to leave her. # Fever.

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Thank you, the Black Keys. Fever, from their new album. It is now a

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delight to welcome to the studio a man who has been here with other and

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the good, the bad and the Queen. Now his year as a solo artist. Delighted

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to welcome Damon Albarn. # Arrhythmia.

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# Accepting that you live with uncertainty.

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# If you're lonely, press play. # Die lady die.

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# The aspects that you pass on while travelling.

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# When you're lonely, press play. # Because you're not resolved in

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your heart. # You're waiting for me.

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# To improve. # Right here.

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# When I'm lonely I press play. # Swimming in blue.

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# After New Year into the mirror she flew.

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# When I'm lonely, I press play. # Can I get any closer?.

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# What antidote can I bring to you? # When I'm lonely I press play.

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# Because you're not resolved in your heart.

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# You're waiting for me. # To improve.

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# Right here. # When I'm lonely I press play.

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# Arrhythmia. # Accepting that you live with

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uncertainty. # When you're lonely, press play.

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# Can I get any closer? # What antidote can I bring to you?

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# When I'm lonely I press play. # Cos you're not resolved in your

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heart. # You're waiting for me.

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# To improve. # To get closer with you.

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# Right here, when I'm lonely, I'd press play.

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# Ooh-ooh. # Right here, when I'm lonely, I'd

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press play. # Can I get closer to you?

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# When I'm lonely, I press play. # Cos you were not resolved in your

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heart. # You're waiting for me.

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To improve. APPLAUSE. Thank you. Lonely Press

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Play from his every day Robots low pressure. LP. Sharon Jones and the

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Dap-Kings are here! # So many times there was a man he

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met a girl took her hand # Told her never will I leave you my

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love # But just as soon as he was gone

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again, she was flapping in the wind # Wondering what she must have been

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thinking of # She's

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thinking of # I've been in and out of so many

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doors # And I've always tried to keep my

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head # With all the men I've known before

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# I've seen plenty places # That I'll never see again

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# I've seen a hundred thousand faces # And only called a few my friend

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# But it's a mystery # Just how you came right in

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# And stole my heart away # And left me there again

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# Feeling like a stranger tomy happiness

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# Feel like a strange tore my happiness

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# Oh, yeah... # Now if you think that's a thing

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that only evil men can bring # Let me skin this cat another way

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# There was a man who had a plan to settle down with Mary-Ann

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# He said, darling, darling # I've been in and out of so many

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doors # And I've always tried to keep my

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head # With all the girls I've known

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head # And I've always tried to keep my

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head # With all the girls I've known

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before # He said

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# I've seen plenty places # That I'll never see

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# I've seen plenty places # I've seen a hundred thousand faces

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# I've seen plenty places # And only called a few my friend

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# But it's a mystery # Just how you came right in

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# And stole my heart away # And left me there again

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# I'm feeling # Feeling like a stranger to my

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happiness # Feeling like a strange tore my

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happiness # Feeling like a stranger

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I'm feelin' # I'm feelin'

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# Feeling like a stranger # I feel like

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# A strange tore my happiness # To my happiness

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# I've seen so many pretty faces # I've been to a lot of places

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# I'm feelin' # I'm feelin'

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# Ouch! APPLAUSE

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A sensation, Sharon Jones and the Dap-Kings, strange tore my

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happiness. Give the people what they want with her LP. Now, look at all

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this goes on, there's cameras, people, a lot going on, everything

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about this show is tension and then release. A bit like a beautiful

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piece of music, a beautiful ballet all here and I'm now with the Black

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Keys. Great to have you here. You were last on the show in 2010 and

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now you have really been conquering the world, you haven't stopped,

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going from success to success, lots of awards, playing the arenas and

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the records selling better than ever. Is it more difficult with

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success to come up with new material to get you and the people going?

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It's harder to find time to get into the studio, I guess. We had to force

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ourselves off the road basically. It's still fun for us. Running

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around the studio is easy. Would you say you prefer that? Are you studio

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animals? That's why we started because we had a cassette

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four-tracker and we didn't even think about playing on the stage

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until we got a record deal. That was a new idea to us. It's worked very

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well because you have got between you various things. Six Grammies, I

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believe, is that right? Anyway, a load. Where do you keep yours? On a

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book shelf. The biggest award we ever won, in my mind is still, we

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won an MTV Video Music award. When they sent it to us, it was made out

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to the Black Eyed Peas, to me that is... That is good. That is the

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highlight of awardism! This record you have got is really

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great. It's basically this sleeve and it's fantastic. Is the idea that

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you place this on your deck and cut it out? It's based on this thing

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that was written, which is a hypno disc that you put on a gram that

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phone and it will -- gramaphone and it will spin.

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It's supposed to hypnotize you, the pattern. If anybody's particularly

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sensitive to hypnotizing at home, look closely at this and just

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completely relax. If you want to give up smoking, everybody will love

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you, have lots of sex, whatever the thing is, whatever you want, lovely.

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I think that's worked. Yes. It's beautifully done. It's a bit like

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the Time Tunnel. Right. So you are playing Glastonbury this year and

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lots of other festivals and other huge places. Are you keen tourists?

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Do you visit the ancient sites of Europe? No, just the muddy fields

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and all the Little Chefs. That really is very sad, soy sorry. We

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have toured England maybe 25 times and we went to Hadrian's Wall

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because it was close to a Little Chef. Are you big fans? Our tour

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manager is vegan. All he could ever eat was Linda McCartney sausages so

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he made us go constantly. Very nice. There are the Little Chefs really

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there, you Dow know that don't you? Where? At the Little Chefs. You

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don't expect to see them. There is a little village near Newcastle and

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they are all little. Thank you for joining me very much indeed. We

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shall look forward to hearing more from the Black Keys later. Thank

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you, Dan and Patrick! APPLAUSE

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Thank you. Over here, a really splendid new

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artist from London. Please welcome, Tom Hickox.

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# Barman, I know you well # You are a kind of crew

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# You've hauled in halves of ordinary

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# And legion chasers too # So listen to me barman

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# Listen to this drunk # I was on that ship and it really

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did get sunk # You see I was a seaman

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# A seaman on a warship # And I know you don't believe me

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# Because you never saw it # But I'm fifty years your senior

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# I've fought waist deep in mud # And I've swum with severed heads

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in a crimson tide of blood # I told you it was true

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# The Lisbon Maru # I was a prisoner of war

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# Caught on the China sea # But never marked as such

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# Bombed my own country # I was left to swim

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# Amongst the corpses and the sharks # But somehow I am here with your

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beer and cheap remarks # I told you it was true

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# The Lisbon Maru # I told you it was true

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# The Lisbon Maru It's in the news today

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# So I would like to hear your views today

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# Barman, I know you well # You are a kind of crew

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# You've hauled in halves of ordinary

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# And legion chasers too # Listen to me barman

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# Listen to this drunk # I was on that ship and it really

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did get sunk # I dwroiled it was true

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# I told # I dwroiled it was true

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# The Lisbon Maru # I told you it was true

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# The Lisbon Ma dumb Maru... # Thank you, Tom Hickox.

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From his new album. That was the Lisbon Maru. We are really thrilled

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to have these on the show. It was almost to the day that they are back

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here all that time later. We are going to hear again from Coldplay, a

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song from their album Ghost Stories. # The call never came

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# Ready to fall up # Ready to claim

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# And I'm ready for it all love # Ready for the pain

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# Meet under sun and # Meet me again

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# In the rain # In the

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# Behind the walls, love. # I'm trying to change.

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# And I'm ready for it all, love. # I'm?ready?for the change.

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# Meet me in blue sky. # Meet me again.

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# In the rain. # In the rain. # In the rain.

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# The rain. # You've got to find yourself alone

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in this world. # You've got to find yourself alone.

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# Injilli Injilli can I sing with you?

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# About Mr Tembo. # And what he's got to do.

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# But first I'm going back to the Colworth Road.

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# To find the mission and help him with his load.

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# Mr Tembo's on his way up the hill. # With only this song to tell you

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how he feels. # But to get there he will need a

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helping hand. # It's where he is now but it wasn't

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what he planned. # Injilli Injilli we will sing with

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you. # Just like the TV.

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# In Mr Tembo's room. # Of the emphatic night he checked

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in on his own. # At Mkomazi inn and made it his

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home. # Mr Tembo's on his way up the hill.

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# With only this song to tell you how he feels.

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# But to get there he will need a helping hand.

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# It's where he is now but it wasn't what he planned.

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# It's where he is now but it wasn't what he planned.

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# Injilli Injilli we will sing to you.

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# Bout Mr Tembo and what he's going through.

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# Gets up early while you are still in bed.

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# Mr Tembo, grey blanket by his head.

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# Mr Tembo's on his way up the hill. # With only this song to tell you

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how he feels. # But to get there he will need a

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helping hand. # It's where he is now but it wasn't

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what he planned. # It's where he is now but it wasn't

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what he planned. Man you take those lions off the

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front? I'm trying to run this expedition in a decent manner.

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# Logistics, haulage, golf, bungalow.

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# Spires, canals, cows, hay bales. # Telegraph wires, pylon power,

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farmhouse oak, chimneys still used. # Stones, satellite, football

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pitches, faded flags and lots of dogs.

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# Neon cross on top of a block of flats.

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# And a church not as usual. # Mr Tembo's on his way up the hill.

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# With only this song to tell you how he feels.

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# But to get there he will need a helping hand.

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# It's where he is now but it wasn't what he planned.

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# It's where he is now but it wasn't what he planned.

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# In the dead of the night I start to lose control.

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# But I still carry the weight like I've always done before.

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# It gets so heavy at times but what more can I do.

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# I got to stay on track just like Pops told me to.

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# I really don't think you know. # There could be hell below, below.

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# I really do hope you know. # There could be hell below, below.

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# When the music is done and all the lights are low.

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# I will remember the times when love would really glow.

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# I world turn blue.

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# And the light inside would only shine for you.

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# I really don't think you know. # There could be hell below, below.

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# I really do hope you know. # There could be hell below, below.

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# I really don't think you know. # There could be hell below, below.

:38:04.:38:48.

APPLAUSE. Thank you, The Black Keys. Before

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that, Damon Albarn and before that, Coldplay, who, it

:38:58.:39:01.

that, Damon Albarn and before that, almost exactly to the day, last

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Tuesday, when he first came on the show. Lovely to have you back. Very

:39:06.:39:07.

nice. 14 years, it seems impossible! show. Lovely to have you back. Very

:39:08.:39:13.

I'm so pleased because here, now, we're joined by Sharon Jones and the

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Dap-Kings and we have Sharon and Gabriele joining us.

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First of all, Sharon, welcome back to the show. It is great to have you

:39:28.:39:30.

here and you are looking very well, singing better than ever. But I

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think it would be fair to say that success has come to you Later in

:39:36.:39:42.

life. Would you always performing? Yes. I was always performing, in the

:39:43.:39:47.

church with the choir, to having a neighbourhood band. The whole

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spectrum, and then I was in a wedding band. I have always been

:39:56.:40:03.

singing. I feel that God has blessed me. Which singers inspired you to

:40:04.:40:08.

sing? Aretha Franklin, she was a big influence. Gospel. James Brown, Otis

:40:09.:40:23.

riding a stacks and Motown. -- Stax. Gabriele, you have written many of

:40:24.:40:27.

the songs and do the arrangements. How do you approach writing for

:40:28.:40:32.

Sharon? The thing with Sharon, she will not sing a song that does not

:40:33.:40:36.

make sense to her. She will say right away, that don't make sense!

:40:37.:40:41.

So we try to writes songs that might not be something that happened to

:40:42.:40:45.

her or me but it might be. The experiences are real. The

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experiences of life. How did you hook up? It was about 16, 17 years

:40:50.:40:56.

ago. I was doing a record with Lee Fields and they needed some

:40:57.:41:01.

background vocals. They tried to call three women to come down and

:41:02.:41:04.

sing and Sharon came down by herself. I said, where are the other

:41:05.:41:09.

two? She said, you don't need three girls, you can pay me three times.

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She came to sing backing and ended up singing lead on that record. And

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we have worked together ever since. And you have almost stepped in to

:41:21.:41:23.

film with the wolf of Wall Street. How was the world of film compared

:41:24.:41:28.

to the world of music? More glamorous and easy? Don't believe

:41:29.:41:33.

the hype. It is a lot of sitting and waiting. We did all the songs,

:41:34.:41:41.

watching the movie. And zip. But it is a good experience. I've got to

:41:42.:41:46.

meet Leonardo. He did not talk to us but we met him. Leonardo DiCaprio?

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He was in character. When using character, you don't talk. You don't

:41:53.:42:00.

want to confuse them, but if you are a character as well, you can pretend

:42:01.:42:04.

to be Napoleon or something and have a chat with him. You are about to go

:42:05.:42:07.

on tour with lots of great artists. What can people expect? Of the

:42:08.:42:16.

shows? Dynamite. Total excitement. Sharon always brings fire to the

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stage. It is hard to describe. It is not to be missed. Not to be missed.

:42:21.:42:27.

I'd agree it is not to be missed. And the record is great and we look

:42:28.:42:30.

forward to hearing more Later on. Thank you so much. And now, a legend

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in world music. From the Western Sahara but living in Barcelona, we

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welcome Aziza Ibrahim. # When I was a child, I believed

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what they told me # To each one shall come what each

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one shall earn # And if I worked hard, nobody could

:47:04.:47:07.

hold me # And cheaters will fail, what's

:47:08.:47:13.

what we all learned # Now there is a man who born with a

:47:14.:47:18.

fortune # A hard day's work he's never done

:47:19.:47:28.

# He lives from the sweat of another men's labour

:47:29.:47:31.

# As he sips his champagne and lays in the sun

:47:32.:47:38.

# Money don't follow sweat # Money don't follow brains

:47:39.:47:48.

# Money don't follow deeds or reason # People Don't Get What They Deserve

:47:49.:47:58.

# People doent don't get what they deserve

:47:59.:48:03.

# There was a man who lives like a

:48:04.:48:06.

saint # He works from day break till late

:48:07.:48:10.

in the night # He's never stolen, he's never been

:48:11.:48:14.

lazy # To feed his children is always a

:48:15.:48:25.

# # He tried to do right by all of

:48:26.:48:29.

God's children # I worked mighty hard for what I

:48:30.:48:33.

could afford # But I don't pretend for one single

:48:34.:48:37.

moment # That's what I get is my just

:48:38.:48:47.

moment America money don't follow sweat

:48:48.:48:53.

# Money don't follow brains # It don't follow deeds or reason

:48:54.:48:57.

# People Deserve

:48:58.:49:03.

# People doent People Don't Get What They Deserve

:49:04.:49:09.

# People People Don't Get What They Deserve

:49:10.:49:18.

# People don't get what they deserve # Peopledon't get

:49:19.:49:30.

# People don't get what they deserve # People don't get what they deserve

:49:31.:49:37.

# No matter what you say # People doent get

:49:38.:49:44.

# No matter what you say deserve... #

:49:45.:49:56.

APPLAUSE Sharon Jones and the Dap-Kings!

:49:57.:50:06.

People Don't Get What They Deserve. Before that, is a round of applause

:50:07.:50:13.

for the wonderful Aziza Brahim. Very hard to play the drums and sing.

:50:14.:50:19.

The next artist is wonderful. Damon Albarn!

:50:20.:50:38.

# Chill on the Hollow Ponds # Set sail by a kid

:50:39.:51:03.

# I felt the percussion # The green man had gone

:51:04.:51:28.

-- 1991 # I was by the Black Sea

:51:29.:51:40.

# Two hours in time # The urges and the new school bell,

:51:41.:51:58.

# # Shiny new shoes and a new school

:51:59.:52:12.

bell, 1979 # Turned into Lakeside

:52:13.:52:25.

# In January # (Honourable lady low pond ponds)

:52:26.:52:34.

# Modern life was sprayed on to a wall in 1993

:52:35.:52:41.

# Where the horses and passing trains

:52:42.:52:42.

# Have been tangled # The horses and passing trains

:52:43.:53:19.

# Have been tangled # In the green woods where you

:53:20.:53:33.

walked with me # A ship on hollow ponds was filled

:53:34.:53:43.

# Up with the dreams we shared on our CDs

:53:44.:54:02.

# Every moment now and every day # Every moment now and every day...

:54:03.:54:13.

# # Down in the waves

:54:14.:55:52.

# She screams again # Roar at the door

:55:53.:55:57.

# My mind can't take much more # I could never drown in

:55:58.:56:11.

# They wanna get my... # They wanna get my...

:56:12.:56:28.

# Gold on the ceiling # I ain't blind

:56:29.:56:32.

# Just a matter of time # Before you steal it

:56:33.:56:37.

# But it's all right # Ain't no guard in my house

:56:38.:56:54.

# Clouds covered love's # Barb-wired snare

:56:55.:57:02.

# Strung up, strung out # I just can't go without

:57:03.:57:05.

# I could never drown # I just can't go without

:57:06.:57:11.

# They Juan that get my... # They wanna get my...

:57:12.:57:17.

# I ain't blind # Just a matter of time

:57:18.:57:38.

# Gold on the ceiling # Gold on the ceiling

:57:39.:57:44.

# Just a matter of time # Before you steal it

:57:45.:57:48.

# It's all right # Ain't no guard in my house

:57:49.:58:04.

# They wanna get my... # They wanna get my...

:58:05.:58:13.

# They wanna get my # Gold on the ceiling

:58:14.:58:18.

# I ain't blind # Just a matter of time

:58:19.:58:23.

# Before you steal it # It's all right

:58:24.:58:29.

# Ain't no guard in my house # Gold On The Ceiling

:58:30.:58:33.

# I ain't blind # It's just a matter of time

:58:34.:58:37.

# Before you steal it # It's all right

:58:38.:58:39.

# Ain't no guard in my house... # APPLAUSE. There is so little time

:58:40.:59:05.

for anything else, so let's thank our guests. Thank

:59:06.:59:07.

for anything else, so let's thank Keys. Thank you, Azizi Ibrahim,

:59:08.:59:10.

Sharon Jones and the Keys. Thank you, Azizi Ibrahim,

:59:11.:59:15.

Damon Albarn, Tom Hickox! We will be back next week live with Little

:59:16.:59:25.

Dragon and much more. I'm so pleased to initio, Coldplay. -- have in the

:59:26.:59:30.

studio. # Cause you're a sky cause you're a

:59:31.:59:51.

sky full of stars. # I'm gonna give you my heart.

:59:52.:59:58.

sky full of stars. # Cause you're a sky, cause you're a

:59:59.:00:00.

sky full of stars?. # Cause you light up the path?.

:00:01.:00:19.

# I don't care, go on and tear me apart.

:00:20.:00:29.

# I don't care if you do. # Cause in a sky, cause in

:00:30.:00:32.

full of stars. # I think I saw you.

:00:33.:01:05.

# Cause in your eyes cause in your eyes there's a spark.

:01:06.:01:20.

# I want to die in your arms. # Cause you get brighter the more it

:01:21.:01:27.

gets dark. # I'm gonna give you my heart.

:01:28.:01:38.

# And I don't care go on and tear me apart.

:01:39.:01:52.

# And I don't care if you do. # Cause in a sky, cause in a sky

:01:53.:01:56.

full of stars. # I think I see you.

:01:57.:02:09.

# I think I saw you.? # Cause in a sky cause in

:02:10.:03:04.

# Cause in a sky, cause in a sky full of stars.

:03:05.:03:13.

# Such a heavenly view. # You're such a heavenly view. #

:03:14.:03:32.

Yeah, yeah, yeah. # Ooh. # Ooh.

:03:33.:03:49.

Thank you, everybody. Sorry, what?

:03:50.:04:11.

I gotta get off the show. ..galling things you have done in the

:04:12.:04:12.

short time that we have known you...! It's like you have

:04:13.:04:24.

no self-awareness. I'll get help. You're not going to get help,

:04:25.:04:29.

are you? Nah.

:04:30.:04:32.

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