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CHEERING AND APPLAUSE Welcome to the show and welcome to | :00:53. | :00:55. | |
Put your hands together, you all. # Aloe Blacc. | :00:56. | :01:12. | |
Put your hands together, you all. # Well, you can tell everybody. # | :01:13. | :01:16. | |
Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the | :01:17. | :01:23. | |
man, I'm the man, I'm the man. # Yes I am, yes I am, yes I am. # I'm the | :01:24. | :01:29. | |
man, I'm the man, I'm the man. # I believe every lie that I ever told. | :01:30. | :01:33. | |
# Paid for every heart that I ever stole. # I played my cards and I | :01:34. | :01:37. | |
didn't fold. # Well, it ain't that hard when you got soul. # Somewhere | :01:38. | :01:44. | |
I heard that life is a test. # I been through the worst but I still | :01:45. | :01:49. | |
give my best. # God made my mould different from the rest. # Then he | :01:50. | :01:55. | |
broke that mould so I know different from the rest. # Then he | :01:56. | :02:01. | |
blessed. # Stand up now and face the sun. # Won't hide my tail or turn | :02:02. | :02:03. | |
and run. # be done. | :02:04. | :02:11. | |
# Be be done. | :02:12. | :02:14. | |
Well, you can tell be done. | :02:15. | :02:21. | |
Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the | :02:22. | :02:34. | |
man, I'm the man, I'm the man. # Well, you can tell everybody. # | :02:35. | :02:37. | |
man, I'm the man, I'm the man. # Yeah, you can tell everybody. # Go | :02:38. | :02:39. | |
ahead and tell everybody. # I'm the man, I'm the man, I'm the man. # Yes | :02:40. | :02:52. | |
I am, yes I am, yes I am. # I'm the man, I'm the man, I'm the man. # I | :02:53. | :02:57. | |
got all the answers to your questions # I'll be the teacher, you | :02:58. | :03:01. | |
can be the lesson. # I'll be the preacher, you be the confession. # | :03:02. | :03:04. | |
I'll be the quick relief to all your stressin'. # It's a thin line | :03:05. | :03:06. | |
between love and stressin'. # It's a thin line | :03:07. | :03:15. | |
really real or is you really fake? # I'm a soldier standing on my feet. # | :03:16. | :03:19. | |
No surrender and I won't retreat. # Stand up now and face the sun. # | :03:20. | :03:23. | |
Won't hide my tail or turn and run. # It's time to do what must be done. | :03:24. | :03:28. | |
# Be a king when kingdom comes. # Well, you can tell everybody. # | :03:29. | :03:31. | |
Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the | :03:32. | :03:36. | |
man, I'm the man, I'm the man. # Well, you can tell everybody. # | :03:37. | :03:39. | |
Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the | :03:40. | :03:43. | |
man, I'm the man, I'm the man. # Yes I am, yes I am, yes I am. # I'm the | :03:44. | :03:49. | |
man, I'm the man, I'm the man. # I'm the man. # Go ahead and tell | :03:50. | :03:52. | |
everybody. # What I'm saying, y'all. # I'm the man. # Go ahead and tell | :03:53. | :03:57. | |
everybody. # This is my world. # Well, you can tell everybody. # | :03:58. | :04:01. | |
Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the | :04:02. | :04:05. | |
man, I'm the man, I'm the man. # Well, you can tell everybody. # | :04:06. | :04:08. | |
Yeah, you can tell everybody. # Go ahead and tell everybody. # I'm the | :04:09. | :04:13. | |
man, I'm the man, I'm the man. # Yes I am, yes I am, yes I am. # I'm the | :04:14. | :04:18. | |
man, I'm the man, I'm the man #. CHEERING AND APPLAUSE Thank you, | :04:19. | :04:20. | |
Aloe Blacc. The Man. We will meet that man and hear more from him | :04:21. | :04:23. | |
later. We have a superb line-up this evening. From London we are | :04:24. | :04:28. | |
delighted to welcome backth Horrors. -- The Horrors. And Sturgill | :04:29. | :04:37. | |
Simpson. From Berlin, Roger Cicero. From Gothenburg, Sweden, we are | :04:38. | :04:39. | |
thrilled to have in the studio Little Dragon. I will be talking to | :04:40. | :04:50. | |
the punk Queen alper teen. It's time for The Afghan Whigs. | :04:51. | :05:17. | |
# Now that the blood has begun. # I'd like to see how it's done. # | :05:18. | :05:27. | |
Behind my back, up to my face. # While you're debating, I'll be | :05:28. | :05:29. | |
waiting. # For the sound of a bomb. # If my | :05:30. | :05:58. | |
desire for your company. # Made this point his gun at me. # Every | :05:59. | :06:00. | |
complication, every little crime that you hide. # I'll find if you | :06:01. | :06:05. | |
ever do change your mind. # I'm over you. I'll tell you why. # Your kiss | :06:06. | :06:09. | |
is poison, and your castoff ways defined. # I'll cut you down. I'll | :06:10. | :06:14. | |
stitch you up. # You played with fire with me. | :06:15. | :06:49. | |
# They say that fate is a card. # and that the sun is a star. # I'm | :06:50. | :07:04. | |
shade. # We got it made. # I think I'll have a cigar. # I've got a | :07:05. | :07:11. | |
number for it. # There ain't no way it can fit. # I'm so excited you | :07:12. | :07:16. | |
decided to come over and beg. APPLAUSE | :07:17. | :08:13. | |
The Afghan Whigs. From their new album. Do To the Beast. Our last | :08:14. | :08:22. | |
August was last on in 2010. We are delighted to have them here now, | :08:23. | :08:27. | |
hearing things from their new forthcoming LP. Little Dragon. | :08:28. | :08:52. | |
# Corridor lies with the river. # All watery eyes. | :08:53. | :09:02. | |
# I stand there waitin' for my turn. # I turn with a rise. | :09:03. | :09:06. | |
# The spirits blow around. # Like a hurricane whip. | :09:07. | :09:13. | |
# The girls don't mind. # My ice cream drip. | :09:14. | :09:17. | |
# Somebody found us dancin'. # You can turn off and feel better. | :09:18. | :09:23. | |
# When everything's clear like cold weather. | :09:24. | :09:27. | |
# Go feel better, feel better. # Somebody from my heart said. | :09:28. | :09:33. | |
# I could turn off and never wake up. # And everything's clear. | :09:34. | :09:38. | |
# My breath feels like. # Steam fake. | :09:39. | :09:42. | |
# Feel better. # They call my name. . | :09:43. | :09:52. | |
# The ghost inside can wake us to life. | :09:53. | :09:58. | |
# Makin' my chair do flips. # By givin' into this. | :09:59. | :10:01. | |
# We'll be saved every time. # Fallin' through the floor. | :10:02. | :10:07. | |
# On my broken butterfly wing. # Gimme me one more. | :10:08. | :10:12. | |
# The girl from the corridor sing. # She sing. | :10:13. | :10:14. | |
# The girl from the corridor sing. # I hear you want it, don't you? | :10:15. | :10:17. | |
# I know you want it, don't you? # Don't | :10:18. | :10:19. | |
# I know you want it, don't you? # I see you want it, don't you? | :10:20. | :10:22. | |
# I know you want it, don't you? # Don't you? | :10:23. | :10:26. | |
# Fallin' apart. # Apart, apart. | :10:27. | :10:31. | |
# Fallin' apart. # Apart, apart. | :10:32. | :10:37. | |
# Somebody found us dancin'. # You can turn off and feel | :10:38. | :10:40. | |
# Somebody found us dancin'. # When everything's clear like cold | :10:41. | :10:41. | |
weather. # Go feel better, feel better. | :10:42. | :10:44. | |
# Somebody from my heart said. # I could turn off and never wake | :10:45. | :10:47. | |
up. # And everything's clear. | :10:48. | :10:53. | |
# My breath feels like. # Steam fake. | :10:54. | :10:57. | |
# Feel better. # Do you want it? | :10:58. | :11:03. | |
Do you want it? # Do you? | :11:04. | :11:07. | |
Do you? Do you? | :11:08. | :11:21. | |
# Do you want it? . Do you want it? # Do you want it? | :11:22. | :11:41. | |
Do you want it? # Do you? # Fallin' apart. # Apart, apart. | :11:42. | :11:46. | |
# Apart, apart. # Fallin' apart. # Apart, apart. | :11:47. | :11:59. | |
# Apart, apart #. APPLAUSE | :12:00. | :12:03. | |
Little Dragon. Klapp Klapp. So tonight we have lots of amazing | :12:04. | :12:06. | |
things, Aloe Blacc, more things to come from him. More stuff at the | :12:07. | :12:10. | |
piano. A room packed with really extraordinary people. | :12:11. | :12:16. | |
because of the increased weather temperature throughout. It means we | :12:17. | :12:19. | |
have heavyweight talent here tonight. Let us hear some things | :12:20. | :12:29. | |
from their new Luminous LP from The Horrors. | :12:30. | :13:02. | |
# We are the ones that the light shines down upon | :13:03. | :13:18. | |
# If we start, it's just a wish we made | :13:19. | :13:34. | |
a guest here from one of my favourite punk groups, the Slits. It | :13:35. | :16:46. | |
is Viv Albertine! You describe this in your book. The punk thing, when | :16:47. | :16:51. | |
it came out, it was 38 years ago or something. Surely not! Near enough. | :16:52. | :16:58. | |
How would you describe it to somebody who had never been there? | :16:59. | :17:04. | |
It sprang out of very dark times which are hard to imagine now, how | :17:05. | :17:10. | |
grim London was. Everything was grey, there was rubbish everywhere. | :17:11. | :17:15. | |
There was nothing to do, nothing on TV, no youth culture. We weren't | :17:16. | :17:23. | |
rated in anyway or given a voice. So punk sprang out of having nothing | :17:24. | :17:28. | |
else to do, it was that or die. And what made you want to be in a band? | :17:29. | :17:35. | |
It was a slow process. I loved music from very young, but I saw Patti | :17:36. | :17:42. | |
Smith's album cover, and she looked like a real girl, a bit boy. And | :17:43. | :17:51. | |
then I saw Johnny rotten perform, he was from north London and went to a | :17:52. | :17:55. | |
comprehensive School, he was like me except a boy, and I realise that was | :17:56. | :18:04. | |
what I was going to do full top and was he an easy person to be in a | :18:05. | :18:11. | |
band with? Who started off playing the saxophone, and that is how he | :18:12. | :18:15. | |
invented the pogo dance, because he had the saxophone to hold, so all he | :18:16. | :18:22. | |
could do was John Bob and down. You heard that here first! It was the | :18:23. | :18:29. | |
live excitement of it all. You went on tour in 1977. We are treated | :18:30. | :18:40. | |
differently as a girl group? Yes. The Slits were told to get off the | :18:41. | :18:47. | |
tour bus, go straight to your rooms, and not be seen until the morning, | :18:48. | :18:50. | |
because how you dress is too offensive. The boys, the Clash and | :18:51. | :18:57. | |
so on, they were allowed to hang out in the bar, that the Slits mustn't | :18:58. | :19:05. | |
be seen. We had to to bribe the driver to take on the bus. People | :19:06. | :19:16. | |
spat at us. We have a little clip here on Omnibus. | :19:17. | :19:23. | |
The infamous Slits, an all girl band who have never made a record. They | :19:24. | :19:27. | |
have refused offers from several record labels. | :19:28. | :19:41. | |
# I'm so glad that you belong to me # We want to be free... | :19:42. | :19:51. | |
#. APPLAUSE | :19:52. | :19:58. | |
And the book is great. You are very frank about things in | :19:59. | :20:03. | |
the book, very clear. Was it an enjoyable process going back over | :20:04. | :20:08. | |
those times? It was like going through your attic and seeing the | :20:09. | :20:13. | |
letters you had written. But I could only talk about the moments that | :20:14. | :20:16. | |
happened when I was in the room so that I could experience them. So I | :20:17. | :20:20. | |
didn't do a lot of research. It isn't a timetable. It is just | :20:21. | :20:27. | |
emotional memories. And one of the things was the lead singer, who | :20:28. | :20:32. | |
sadly is no longer with us. What was so special about her? I think Ari | :20:33. | :20:44. | |
was one of the most underrated people. She was across between Tina | :20:45. | :20:51. | |
Turner and others. She invented new dances, had a new look. She was | :20:52. | :20:57. | |
thrown onto the stage, and she had no inhibitions. | :20:58. | :21:06. | |
Looking back at the 22-year-old ewe, there are some great pictures. What | :21:07. | :21:15. | |
advice would you give that person now? -- the 22-year-old you. Don't | :21:16. | :21:20. | |
think that you now? -- the 22-year-old you. Don't | :21:21. | :21:27. | |
ahead and do it. Don't give up. APPLAUSE | :21:28. | :21:31. | |
Thank you very much for joining us! And she is right. And now, from | :21:32. | :21:39. | |
Kentucky, but now living in Nashville, with a lovely sound, we | :21:40. | :21:43. | |
welcome Sturgill Simpson. # I've seen Jesus play with flames. | :21:44. | :21:52. | |
# In a lake of fire. # That I was standing in. | :21:53. | :21:58. | |
# Met the devil in Seattle and spent nine months inside the lions den. | :21:59. | :22:07. | |
# Met Buddha yet another time and he showed me a glowing light within. | :22:08. | :22:17. | |
# But I every time I glare in the eyes of my | :22:18. | :22:21. | |
# Says my son it's all been done and best | :22:22. | :22:29. | |
# So someday you're gonna wake up old | :22:30. | :22:37. | |
# So # You meet and greet and cheat along | :22:38. | :22:43. | |
the way. # There's a gateway in our mind that | :22:44. | :22:53. | |
# Where reptile aliens made of light this plane. | :22:54. | :23:03. | |
# Where reptile aliens made of light cut you open and pull out all your | :23:04. | :23:04. | |
# Tell me how you make illegal pain. | :23:05. | :23:13. | |
# Tell me how you make illegal something that we all make in our | :23:14. | :23:14. | |
brain. # Some say you might go crazy but | :23:15. | :23:24. | |
then again it might make you go sane. | :23:25. | :23:31. | |
# Every time I take a look inside inside that old and fabled book. | :23:32. | :23:38. | |
# I'm blinded and reminded of the pain caused by some old man in the | :23:39. | :23:40. | |
sky. # Marijuana, LSD, psilocybin, and | :23:41. | :23:48. | |
DMT they all changed the way I see. # Marijuana, LSD, psilocybin, and | :23:49. | :23:54. | |
# But love's the only thing that # So don't waste your mind on | :23:55. | :24:03. | |
nursery rhymes. # Or fairy tales of blood and wine. | :24:04. | :24:08. | |
# It's turtles all the way down the line. | :24:09. | :24:12. | |
# So to each their own til' we go home. | :24:13. | :24:16. | |
# To other realms our souls must roam. | :24:17. | :24:19. | |
# To and through the myth that we all call space and time. | :24:20. | :24:27. | |
# Over and over. # I get to know myself. | :24:28. | :24:58. | |
# Over and over. # There ain't nobody else. | :24:59. | :25:06. | |
# It kills to watch you love another. | :25:07. | :25:23. | |
# I should have known better when I caught you wild. # You were | :25:24. | :25:26. | |
incredible. # Never knew you like I know you | :25:27. | :25:33. | |
now. # You are illegible. | :25:34. | :25:39. | |
# Imperceptible the lines # That form the screw. | :25:40. | :25:47. | |
# It kills to watch you love another. | :25:48. | :25:56. | |
# Over and over # I get to know myself. | :25:57. | :26:06. | |
# Over and over. # There ain't nobody else. | :26:07. | :26:13. | |
# A receptacle of lies. # Construed to waste your time. | :26:14. | :26:26. | |
# It kills to watch you love another. | :26:27. | :26:35. | |
# You know. # Over and over. | :26:36. | :26:45. | |
# I get to know myself. # Over and over. | :26:46. | :27:08. | |
# There ain't nobody else. Imperceptible, the lies. # Construed | :27:09. | :27:28. | |
to waste your time. # It kills to watch you love | :27:29. | :27:30. | |
another. # It kills to watch you love | :27:31. | :27:33. | |
another. # It kills to watch you love another | :27:34. | :27:41. | |
#. Thank you the The Afghan Whigs. We | :27:42. | :28:12. | |
enjoyed Sturgill Simpson before that. Now, a man that is rocking | :28:13. | :28:16. | |
number ones all over the world with endless records and endless | :28:17. | :28:21. | |
successes, he will be in a film and we lovely him madly. He is Aloe | :28:22. | :28:23. | |
Blacc. # Solider in the city. | :28:24. | :28:45. | |
# No job to occupy my time. # What else you expect me to do | :28:46. | :28:50. | |
except crime. # It ain't stealing if it's | :28:51. | :28:52. | |
somebody's fair. # Refuse to lose with this trouble | :28:53. | :28:55. | |
on my mind. # Join it all. | :28:56. | :29:08. | |
# Come knocking at my door? # Where the police don't see me | :29:09. | :29:11. | |
anymore. # Hopped in that backseat so many | :29:12. | :29:13. | |
times before. # Solider in the city. | :29:14. | :29:16. | |
# I'm a solider in the city. # Solider in the city. | :29:17. | :29:27. | |
# Trying to make some cheese out of all these things. | :29:28. | :29:31. | |
# Want to find a queen but all I'm seeing is tramps. | :29:32. | :29:35. | |
# Everyday feels like I'm away at boot camp. | :29:36. | :29:38. | |
# Bad ass little kids busting out the street lamp. | :29:39. | :29:54. | |
# Neighbourhood hustler come knocking at my door. | :29:55. | :29:58. | |
# Got to pay my debts, need to settle the score. | :29:59. | :30:01. | |
# Cause I don't want no more trouble from these fellas no more. | :30:02. | :30:03. | |
# Solider in the city. # I'm a solider in the city. | :30:04. | :30:07. | |
# Solider in the city. # Solider in the city. | :30:08. | :30:11. | |
# I'm a solider in the city. # Solider in the city. | :30:12. | :30:16. | |
# Can you hear me marching. # Left, left, left, right, left. | :30:17. | :30:19. | |
# Fight to survive, try to stay alive. | :30:20. | :30:21. | |
# Left, left, left, right, left. # Fight to survive, try to stay | :30:22. | :30:30. | |
alive. # Can you hear me marching. | :30:31. | :30:32. | |
# Left, right, left. # Don't you know? | :30:33. | :30:35. | |
# I'm a solider in the city. # I'm a solider in the city. | :30:36. | :31:06. | |
# Left, left, left, right, left. # Fight to survive, try to stay | :31:07. | :31:09. | |
alive. # Left, left, left, right, left. | :31:10. | :31:12. | |
# Fight to survive, try to stay alive. | :31:13. | :31:19. | |
# I'm a solider in the city. # I'm a solider in the city. # | :31:20. | :31:35. | |
APPLAUSE # We're going to forget. | :31:36. | :32:14. | |
# All the things you could've said. # Whatever's going on. | :32:15. | :32:17. | |
# Now you're standing alone. # Bet I'll forget the loss. | :32:18. | :32:21. | |
# We know where you are right now. # We know why you wanted somewhere | :32:22. | :32:29. | |
to go. # So now you know. | :32:30. | :32:38. | |
# Turn away. # So now you know. | :32:39. | :32:40. | |
# Turn away. # And now you know. | :32:41. | :32:41. | |
# You can mean what you say. # So now you know. | :32:42. | :32:53. | |
# Turn away. # So now you know. | :32:54. | :33:03. | |
# Turn away. # And now you know. | :33:04. | :33:05. | |
# You can mean what you say. # Ready to forget the loss. | :33:06. | :33:25. | |
# Never let the good things go. # Now just be going when you're out | :33:26. | :33:32. | |
in the cold. # Beyond the fear of letting go. | :33:33. | :33:43. | |
# Out there on the shore tonight. # That's the life you put aside for | :33:44. | :33:51. | |
# So now you know. # Turn away. | :33:52. | :33:58. | |
# So now you know. # Turn away. | :33:59. | :34:01. | |
# And now you know. # Turn away. | :34:02. | :34:11. | |
# You can mean what you say. # So now you know. | :34:12. | :34:16. | |
# Turn away. # So now you know. | :34:17. | :34:21. | |
# Turn away. # And when we go. | :34:22. | :34:24. | |
# You can mean what you say. # So now you know. | :34:25. | :34:57. | |
# Turn away. # So now you know. | :34:58. | :35:07. | |
# Turn away. # And now you know. | :35:08. | :35:18. | |
# You can mean what you say #. CHEERING AND APPLAUSE Thank you The | :35:19. | :35:25. | |
Horrors. So now our next guest, I met in the gash of the Avlon Hotel | :35:26. | :35:33. | |
in Berlin. When I heard his voice, I thought "wow" I wasn't on my own, in | :35:34. | :35:37. | |
Germany, Switzerland and Austria he is one of their most popular jazz | :35:38. | :35:42. | |
singers that they have. I hope you will enjoy with me the wonderful Mr | :35:43. | :35:48. | |
Roger Cicero. # Oh, yeah. Oh, baby. Um, umm... | :35:49. | :36:19. | |
# Yeah # # | :36:20. | :36:21. | |
I keep your picture beside my bed, mm. # | :36:22. | :36:30. | |
Yes, I do # I still remember every little thing | :36:31. | :36:35. | |
U said. # I always thought our love, so | :36:36. | :36:39. | |
right, I guess I was wrong, mm, no no. ?? NEWLINE # I always thought | :36:40. | :37:06. | |
you'd be by my side baby, now you're gone,you're gone. . | :37:07. | :37:25. | |
# Still like a fire on a rainy night, yeah. | :37:26. | :37:35. | |
# I still like it better when you're holding, holding me tight. | :37:36. | :37:44. | |
# Everybody said that you and me should never part, hah. | :37:45. | :37:57. | |
# Maybe U thought we'd look kinda cute 2gether, I dunno. | :37:58. | :38:00. | |
# Tell me, tell me baby why, why U wanna go break your little Prince's | :38:01. | :38:02. | |
heart? # All I wanna know, baby. | :38:03. | :38:06. | |
# If the love we had was good, sing it. | :38:07. | :38:09. | |
# How come U don't call me anymore, yeah? | :38:10. | :38:13. | |
# Anymore yeah. # Sometimes it feels like I'm gonna | :38:14. | :38:17. | |
die. # If U don't call me baby, girl U | :38:18. | :38:20. | |
gotta try. # I'm down on my knees, beggin' U | :38:21. | :38:22. | |
please. # Please! Please! Please! Owww! | :38:23. | :38:42. | |
# Why can't you pick up the phone # You know I don't like to be alone | :38:43. | :38:47. | |
# Why can't you pick up the phone # You know I don't like to be alone | :38:48. | :38:50. | |
myself # How come you don't call me, baby | :38:51. | :39:26. | |
any more? # CHEERING AND APPLAUSE | :39:27. | :39:55. | |
# It's that time to transform. # To come around, I'm changing. | :39:56. | :40:00. | |
# Uh, there's an angel knocking at my window. | :40:01. | :40:06. | |
# Tryna tell me where to go, yes. # It's a small town without you. | :40:07. | :40:12. | |
# This cold is creeping. # I'm moving on, I look ahead | :40:13. | :40:14. | |
instead. # Spirit divide, drift alone. | :40:15. | :40:18. | |
# I wave goodbye, I carry it all. # Dream fast, black dress. | :40:19. | :40:24. | |
# On and on, a big mess. # I'm changing my next flight to | :40:25. | :40:28. | |
Paris. # Dark lights that tick tock too | :40:29. | :40:34. | |
fast for a destiny. # I've got a full drawer of letters. # Remember | :40:35. | :40:38. | |
it was Paris you said we were gonna meet. | :40:39. | :40:40. | |
# Why your answer machine's still on? | :40:41. | :40:43. | |
# It's the oddest feeling that says you're gone. | :40:44. | :40:47. | |
# A part of me drift away with you. # I would never return. | :40:48. | :40:56. | |
# Spirit divide, drift alone. # I wave goodbye, I carry it all. | :40:57. | :41:08. | |
# Dream fast, black dress. # On and on, a big mess. | :41:09. | :41:13. | |
# I'm changing my next flight to Paris. | :41:14. | :41:42. | |
# Spirit divide. # I wave goodbye. | :41:43. | :42:03. | |
# Dream fast, black dress. # On and on, a big mess. | :42:04. | :42:15. | |
# I'm changing my next flight to Paris #. | :42:16. | :42:25. | |
Thank you, Little Dragon. Now I'm joined by Aloe Blacc! Great to | :42:26. | :42:55. | |
Thank you, Little Dragon. Now I'm been playing it very loudly. What | :42:56. | :42:56. | |
are some of the things been playing it very loudly. What | :42:57. | :43:01. | |
it? I wanted to make an album that still had a soulful feel, but | :43:02. | :43:08. | |
it? I wanted to make an album that introduced some of the other areas I | :43:09. | :43:08. | |
am hip-hop and rock, some things that | :43:09. | :43:15. | |
my fans don't generally hip-hop and rock, some things that | :43:16. | :43:20. | |
me but I have done in the past. You like to mix things together. | :43:21. | :43:27. | |
me but I have done in the past. You You're very huge number one hit, | :43:28. | :43:36. | |
Week Me Up. What is it like to fill a dance floor? | :43:37. | :43:39. | |
Week Me Up. What is it like to fill do as a forte. If my songs can be | :43:40. | :43:47. | |
mixed into any different genre, that is cool. You have also been acting | :43:48. | :43:54. | |
in a film about James Brown. Have you done acting | :43:55. | :43:55. | |
in a film about James Brown. Have first feature film. | :43:56. | :44:00. | |
in a film about James Brown. Have enough to get a role in its | :44:01. | :44:04. | |
alongside some brilliant actors, playing one of James Brown's early | :44:05. | :44:08. | |
musicians. Is it an enjoyable thing? It is a different craft. It | :44:09. | :44:19. | |
is -- I'm used to music where I have control over everything, but with | :44:20. | :44:22. | |
acting, you have to surrender yourself to the director. Your | :44:23. | :44:33. | |
single, The Man, is that autobiographical? Not so much. I'm | :44:34. | :44:40. | |
trying to capture that triumph over adversity, to give people something | :44:41. | :44:43. | |
to sing when they want to make it to the next level. There is this | :44:44. | :44:51. | |
interpretation of Elton John's Your Song, not to be confused with a song | :44:52. | :44:58. | |
for you. Do you ever seen that? Could you do us a bit of that? | :44:59. | :45:22. | |
# I've been so many places in my life and time. | :45:23. | :45:34. | |
# I've sung a lot of songs, I've made some bad rhymes. | :45:35. | :45:43. | |
# Acted out my life in stages, 10,000 people watching. | :45:44. | :45:49. | |
# That we're alone now, and I'm singing this song to you. | :45:50. | :46:00. | |
# I know your image of me is what I hope to be. | :46:01. | :46:07. | |
# I treated you unkindly, Harling can't you see? | :46:08. | :46:13. | |
# That there is no one more important to me, baby, can't you see | :46:14. | :46:20. | |
through me? # Because we're alone now, and I'm | :46:21. | :46:23. | |
singing this song to you. The wonderful Aloe Blacc, we will | :46:24. | :46:50. | |
hear from him or later. Top voices at the piano. And now we welcome | :46:51. | :46:54. | |
back in this corner, the Afghan Whigs. | :46:55. | :47:04. | |
# Flame. # The time when things would change. | :47:05. | :47:15. | |
# Still I was a slave. # Waiting to be saved. | :47:16. | :47:26. | |
# The body sleeps, but I. # Am not too proud to roll. | :47:27. | :47:32. | |
# On the bad streets. # You'll know this when it's time to | :47:33. | :47:57. | |
go. # Strange. | :47:58. | :47:59. | |
# The soul you leave behind. # Dream. # The body leaves the bone. | :48:00. | :48:25. | |
# To sit upon the throne. # The battle waits for life. | :48:26. | :48:31. | |
# Dream. # Dream your sins away. # Sin your | :48:32. | :48:45. | |
dreams away. # You're holding back stuff. # Holding back a chain. | :48:46. | :49:14. | |
# Heavenly demons. # Outside my window. | :49:15. | :50:15. | |
# Sent here to see. # Outside this world. | :50:16. | :50:23. | |
# I call the shadow. # You call. | :50:24. | :50:31. | |
# Through the summer. # You can breathe the air. | :50:32. | :51:27. | |
# Rest forever. # Because there's nothing else. | :51:28. | :51:35. | |
# See the way the valley. # Starts to grow. | :51:36. | :51:42. | |
# Every movement. # Seems to be for you. | :51:43. | :51:52. | |
# I can see your future in it. # I can see it there. | :51:53. | :51:59. | |
# I can see your future in it. # I can see it there. | :52:00. | :52:03. | |
# And all the things you might do. # And all the things you might do. | :52:04. | :52:24. | |
# And all the things you might do. # Through the summer. | :52:25. | :52:48. | |
# You will soon forget. # Days get longer. | :52:49. | :52:50. | |
# But the sun still sets. # You're so fair while. | :52:51. | :53:03. | |
# Love is yours to choose. # Life is fragile. | :53:04. | :53:06. | |
# Don't you let it go. # I can see your future in it. | :53:07. | :53:12. | |
# I can see it there. # I can see your future in it. | :53:13. | :53:30. | |
# I see you. # I see you. | :53:31. | :53:38. | |
# And all the things you might do. # And all the things you might do. | :53:39. | :53:54. | |
# I see you. # I see you. | :53:55. | :54:51. | |
Thank you to the Horrors, ICU. Before that we enjoyed Afghan Whigs. | :54:52. | :55:08. | |
APPLAUSE And clock black. | :55:09. | :55:12. | |
Let's hear some more of his great music. | :55:13. | :55:20. | |
# Feeling my way through the darkness. | :55:21. | :55:34. | |
# Guided by a beating heart. # I can't tell where the journey | :55:35. | :55:37. | |
will end. # But I know where to start. | :55:38. | :55:43. | |
# They tell me I'm too young to understand. | :55:44. | :55:50. | |
# They say I'm caught up in a dream. # Well life will pass me by if I | :55:51. | :55:54. | |
don't open up my eyes. # Well that's fine by me. | :55:55. | :55:56. | |
# So wake me up when it's all over. # When I'm wiser and I'm older. | :55:57. | :56:07. | |
# All this time I was finding myself. | :56:08. | :56:08. | |
# And I didn't know I was lost. # So wake me up when it's all over. | :56:09. | :56:21. | |
# When I'm wiser and I'm older. # All this time I was finding | :56:22. | :56:25. | |
myself. # And I didn't know I was lost. | :56:26. | :56:50. | |
# Wake me up # Wake me up | :56:51. | :57:00. | |
# Wake # I tried carrying the weight of the | :57:01. | :57:07. | |
world. # But I only have two hands. | :57:08. | :57:13. | |
# Hope I get the chance to travel the world. | :57:14. | :57:19. | |
# But I don't have any plans. # Wish that I could stay forever | :57:20. | :57:23. | |
this young. # Not afraid to close my eyes. | :57:24. | :57:31. | |
# Life's a game made for everyone. # And love is the prize. | :57:32. | :57:39. | |
# So wake me up when it's all over. # When I'm wiser and I'm older. | :57:40. | :57:45. | |
# All this time I was finding myself. | :57:46. | :57:51. | |
# And I didn't know I was lost. # So wake me up when it's all over. | :57:52. | :57:59. | |
# When I'm wiser and I'm older. # All this time I was finding | :58:00. | :58:03. | |
myself. # And I didn't know I was lost. | :58:04. | :58:08. | |
# Didn't know I was lost. # So wake me up when it's all over. | :58:09. | :58:32. | |
# When I'm wiser and I'm older. # All this time I was finding | :58:33. | :58:36. | |
myself. # And I didn't know I was lost #. | :58:37. | :58:47. | |
Thank you, Aloe Blacc, with Week Me Up. That is always got time for now, | :58:48. | :59:08. | |
and we will be back on Tuesday with Kasabian and much much more. But I | :59:09. | :59:14. | |
think now we should finish off with a bit of a groove. Have you got a | :59:15. | :59:24. | |
couple of cords? Make a wish! Make a wish and it comes true. So, thank | :59:25. | :59:28. | |
you to all of our guests who were here this evening. We had a | :59:29. | :59:36. | |
beautiful knees up with Aloe Blacc, with the Horrors, with Roger | :59:37. | :59:50. | |
Cicero. The brilliant Little Dragon. And the Afghan Whigs. Thank | :59:51. | :00:06. | |
you, Viv Albertine, we love you madly, see you later. | :00:07. | :00:08. |