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feat # And this moment, | :00:58. | :01:26. | |
feat # You can't control something | :01:27. | :01:29. | |
feat # And | :01:30. | :01:38. | |
feat # I'll let you have this | :01:39. | :01:55. | |
# It feels just like it should # It feels just like it should | :01:56. | :02:26. | |
looks it should | :02:27. | :02:30. | |
# The best favourites go through me it should | :02:31. | :02:47. | |
# I press the strings, it should | :02:48. | :02:50. | |
# Hurtful pain, forget the it should | :02:51. | :02:55. | |
# Hold the doors, it should | :02:56. | :02:56. | |
away it should | :02:57. | :03:16. | |
# So don't miss this, this is what it should | :03:17. | :03:24. | |
# So call on me, it feels just it should | :03:25. | :03:47. | |
# I gake tp, this, this is what it looks | :03:48. | :04:12. | |
# I gake tp, this, this is what it # So call on | :04:13. | :04:31. | |
Thank Ed Sheeran. I will be chatting | :04:32. | :04:45. | |
Thank Judas Priest. She's | :04:46. | :04:50. | |
Thank the place, | :04:51. | :04:56. | |
Thank Chricsie Hynde. Drom London, we | :04:57. | :04:57. | |
Thank be enjoying Nick Mulvey. From | :04:58. | :05:04. | |
Thank Orleans, | :05:05. | :05:09. | |
Thank it | :05:10. | :05:44. | |
# Just today was an accident # On the street where | :05:45. | :05:57. | |
# Just today was an accident # Phey wepe there from the start | :05:58. | :06:04. | |
# What's easy to advance # Phey wepe there from the start | :06:05. | :06:07. | |
# Considering her # Phey wepe there from the start | :06:08. | :06:21. | |
# When they can see # Phey wepe there from the start | :06:22. | :06:24. | |
tempers # Phey wepe there from the start | :06:25. | :06:29. | |
# Has led 'em # Phey wepe there from the start | :06:30. | :06:30. | |
and # Phey wepe there from the start | :06:31. | :06:33. | |
# At night in dreams # At night an dreams of a thourand | :06:34. | :06:34. | |
moons # At night an dreams of a thourand | :06:35. | :06:39. | |
# Sometimes it seems as if # At night an dreams of a thourand | :06:40. | :06:40. | |
build a love to dree us from # At night an dreams of a thourand | :06:41. | :06:44. | |
# I know # I cnow xoe thilk that it's easy to | :06:45. | :06:46. | |
change but # I cnow xoe thilk that it's easy to | :06:47. | :06:58. | |
# Now here # I cnow xoe thilk that it's easy to | :06:59. | :07:00. | |
to a promise # I cnow xoe thilk that it's easy to | :07:01. | :07:17. | |
an # I cnow xoe thilk that it's easy to | :07:18. | :07:29. | |
build a love # I cnow xoe thilk that it's easy to | :07:30. | :07:37. | |
# At night in # I cnow xoe thilk that it's easy to | :07:38. | :07:39. | |
moons # At night an dreams of a thourand | :07:40. | :08:17. | |
moons and clear blue rain # At night an dreams of a thourand | :08:18. | :08:44. | |
build a love to free us from pain # At night an dreams of a thourand | :08:45. | :08:49. | |
# Thank you, White | :08:50. | :09:18. | |
has become Thank you, White | :09:19. | :09:34. | |
enormous girth. Thank you, White | :09:35. | :09:37. | |
tremendously talented. It is Thank you, White | :09:38. | :09:37. | |
Sheeran. # It's late in the | :09:38. | :09:40. | |
# Glass on # Glass ol dhe shde | :09:41. | :09:48. | |
# We # So maybe we could get down now | :09:49. | :10:03. | |
# If you're getting ahead programme | :10:04. | :10:08. | |
# Take another step into the # I need xoe, daplang | :10:09. | :10:15. | |
# Come on, set # If you love me | :10:16. | :10:19. | |
# Won't # If you love me | :10:20. | :10:34. | |
# Come on, set the tone # If you love me | :10:35. | :10:34. | |
# Feel # Oh-oh-oh-oh-oh-oh-oh-oh-oh | :10:35. | :10:52. | |
oh-oh-oh-oh # I caw flames fpom the | :10:53. | :11:09. | |
oh-oh-oh-oh stage | :11:10. | :11:09. | |
oh-oh-oh-oh # And the | :11:10. | :11:11. | |
oh-oh-oh-oh couple of | :11:12. | :11:12. | |
oh-oh-oh-oh coqple of days | :11:13. | :11:12. | |
oh-oh-oh-oh # Until then, we got nothing | :11:13. | :11:15. | |
and nothing to know and | :11:16. | :11:21. | |
# Hed it fo until our roads'll change | :11:22. | :11:21. | |
# Hed it fo until our roads'll # Singing we found | :11:22. | :11:24. | |
# Hed it fo until our roads'll # No, I don't really know what | :11:25. | :11:26. | |
# Hed it fo until our roads'll supposed to | :11:27. | :11:27. | |
# Hed it fo until our roads'll # I dold heb my lame and | :11:28. | :11:33. | |
# Hed it fo until our roads'll nice | :11:34. | :11:37. | |
# Hed it fo until our roads'll # And thel che h`nded md a bottle of | :11:38. | :11:40. | |
# Hed it fo until our roads'll # I'm in deep | :11:41. | :11:45. | |
# Hed it fo until our roads'll # If anybndq finds | :11:46. | :11:49. | |
drunk all of it now, no drunk all of it now, no | :11:50. | :11:56. | |
# I need drunk all of it now, no | :11:57. | :12:02. | |
# If you feel you're falling drunk all of it now, no | :12:03. | :12:02. | |
# Won't ynu let le know # Feel it rushing through you, from | :12:03. | :12:15. | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh # Feel it rushing through you, from | :12:16. | :12:21. | |
oh-oh-oh-oh # Feel it rushing through you, from | :12:22. | :12:25. | |
oh-oh-oh-oh # Feel it rushing through you, from | :12:26. | :12:28. | |
# Can you # Feel it rushing through you, from | :12:29. | :12:33. | |
wanna danbe # | :12:34. | :12:37. | |
wanna danbe the back | :12:38. | :12:39. | |
wanna danbe # Can you feel it | :12:40. | :12:41. | |
wanna danbe # Foend ynu hidilg here, so won't | :12:42. | :12:43. | |
wanna danbe # Before | :12:44. | :12:45. | |
wanna danbe # Can | :12:46. | :12:47. | |
wanna danbe # Oh-oh-oh-oh-oh,o`-oh-oh-oh | :12:48. | :12:55. | |
# Oh-oh-oh-oh-oh-oh-oh-oh-oh # Oh-oh-oh-oh-oh,o`-oh-oh-oh | :12:56. | :12:59. | |
# Won't # If you lofe me | :13:00. | :13:16. | |
# Feel it rushing through you, from yoqr | :13:17. | :13:19. | |
# Oh-Oh-Oh-Ooh-Oh # | :13:20. | :13:29. | |
The wonderful Ed Sing. We will be hearing more from | :13:30. | :13:38. | |
The wonderful Ed him | :13:39. | :13:46. | |
The wonderful Ed first solo record leaving The | :13:47. | :13:46. | |
The wonderful Ed Pretenders | :13:47. | :13:48. | |
The wonderful Ed Stockholm. | :13:49. | :14:09. | |
# A kind of glamour # Like | :14:10. | :15:29. | |
# A kind of glamour # You remember | :15:30. | :15:32. | |
# A kind of glamour # How good it tasted | :15:33. | :15:34. | |
# A kind of glamour # | :15:35. | :16:09. | |
Sunglasses. # Wasted behind | :16:10. | :16:45. | |
Sunglasses. Sunglasses. | :16:46. | :16:53. | |
Priect, all of the clasric albtms we made through the decades. This is a | :16:54. | :17:46. | |
perfect example of what we made through the decades. This is a | :17:47. | :17:49. | |
do best. @ig made through the decades. This is a | :17:50. | :17:50. | |
celebrate 40 made through the decades. This is a | :17:51. | :17:54. | |
Nice cup made through the decades. This is a | :17:55. | :17:58. | |
kind made through the decades. This is a | :17:59. | :18:03. | |
different world. I am made through the decades. This is a | :18:04. | :18:05. | |
night made through the decades. This is a | :18:06. | :18:11. | |
business we cannot take made through the decades. This is a | :18:12. | :18:12. | |
you always made through the decades. This is a | :18:13. | :18:17. | |
mirror with a made through the decades. This is a | :18:18. | :18:20. | |
up in the made through the decades. This is a | :18:21. | :18:21. | |
influence made through the decades. This is a | :18:22. | :18:28. | |
listening to? I think it did, a lot of musicians love the fantasy of | :18:29. | :18:31. | |
listening to? I think it did, a lot escapism. Birmingham | :18:32. | :18:32. | |
listening to? I think it did, a lot esca`ism. Barminfham in | :18:33. | :18:32. | |
listening to? I think it did, a lot escapism. Birmingham in the | :18:33. | :18:33. | |
listening to? I think it did, a lot a little bit bleak. Wonderful place | :18:34. | :18:35. | |
listening to? I think it did, a lot now. They | :18:36. | :18:39. | |
listening to? I think it did, a lot stop. | :18:40. | :18:43. | |
listening to? I think it did, a lot straight | :18:44. | :18:50. | |
listening to? I think it did, a lot Loldon or u` to Lanchester. It is a | :18:51. | :18:50. | |
listening to? I think it did, a lot great place, a | :18:51. | :18:52. | |
listening to? I think it did, a lot graad plabe, a hntbed of music. It | :18:53. | :18:57. | |
listening to? I think it did, a lot music. 40 years rince the first | :18:58. | :19:06. | |
listening to? I think it did, a lot think this | :19:07. | :19:09. | |
listening to? I think it did, a lot thinc this gas our first | :19:10. | :19:10. | |
listening to? I think it did, a lot appearance. It was the | :19:11. | :19:14. | |
listening to? I think it did, a lot Mill studios | :19:15. | :19:21. | |
listening to? I think it did, a lot your earplugs | :19:22. | :19:26. | |
listening to? I think it did, a lot they had | :19:27. | :19:35. | |
listening to? I think it did, a lot over everything. It was | :19:36. | :19:39. | |
listening to? I think it did, a lot 40 years ago, it was | :19:40. | :20:36. | |
door. door. | :20:37. | :22:14. | |
look. door. | :22:15. | :22:15. | |
# I'm door. | :22:16. | :22:27. | |
# So full of sorrow, I door. | :22:28. | :22:28. | |
# All by look. | :22:29. | :23:19. | |
# Adioleyihuuu. | :23:20. | :24:41. | |
Adioleyihuuu. you that you make me number one. | :24:42. | :28:00. | |
be performing a rong right now. An exclusive. Ed Sheeran. | :28:01. | :29:16. | |
# When your legs don't work like they used to | :29:17. | :29:23. | |
# When your legs don't work like thay used to before. | :29:24. | :29:23. | |
# And I can't sweep thay used to before. | :29:24. | :29:25. | |
# And can't sweep you off of your feet. | :29:26. | :29:26. | |
# Will your mouth feet. | :29:27. | :29:28. | |
# Will your eyes still rmale feet. | :29:29. | :29:30. | |
# Will your eyes still smile from your cheeks? | :29:31. | :29:52. | |
# Well, me I fall in your cheeks? | :29:53. | :30:21. | |
# And I just wanna tell you I am, so honey now. | :30:22. | :30:30. | |
# Take me into your lovin arms. honey now. | :30:31. | :30:30. | |
# Kiss me under the light heart. | :30:31. | :30:40. | |
# Iaqbe we found love heart. | :30:41. | :30:41. | |
are. heart. | :30:42. | :30:42. | |
# and the crowds don't remember my heart. | :30:43. | :30:52. | |
name. heart. | :30:53. | :30:53. | |
# heart. | :30:54. | :30:56. | |
strings the heart. | :30:57. | :31:00. | |
# I know you will still love heart. | :31:01. | :31:00. | |
# I cnow xoe will still love md grow old. | :31:01. | :31:03. | |
# And baby your smile's grow old. | :31:04. | :31:22. | |
# And may`e it's all # And maybe it's all part of a plan. | :31:23. | :31:37. | |
# I'll just keep on making the # And maybe it's all part of a plan. | :31:38. | :31:38. | |
mistakes. # And maybe it's all part of a plan. | :31:39. | :31:40. | |
# Take me into your # And maybe it's all part of a plan. | :31:41. | :31:53. | |
# Kiss me under the light # And maybe it's all part of a plan. | :31:54. | :32:03. | |
# I'm thilkang # And maybe it's all part of a plan. | :32:04. | :32:05. | |
# Maybe we found love right where we ara | :32:06. | :32:40. | |
# Baby, we found love ara | :32:41. | :33:01. | |
are. # Even when it gets crowded | :33:02. | :34:09. | |
# Come back, you can come # Even when it gets crowded | :34:10. | :34:24. | |
right back # Even when it gets crowded | :34:25. | :34:28. | |
# Come back, you can come right back # Even when it gets crowded | :34:29. | :34:31. | |
# I know that # Even when it gets crowded | :34:32. | :34:36. | |
world # Even when it gets crowded | :34:37. | :34:37. | |
# And you know that # Even when it gets crowded | :34:38. | :34:41. | |
# If you've had enough # Even when it gets crowded | :34:42. | :34:41. | |
loneliness # Even when it gets crowded | :34:42. | :34:42. | |
# We're giving something # Even when it gets crowded | :34:43. | :34:44. | |
surely use isn't that something | :34:45. | :34:44. | |
# isn't that something | :34:45. | :34:53. | |
like to but you should try to get here | :34:54. | :34:54. | |
like to but you should try to get # Sometime you're gonna have | :34:55. | :34:56. | |
like to but you should try to get leave | :34:57. | :35:47. | |
# You can, you can come back, you # You can, you can come back, you | :35:48. | :36:02. | |
righd back # You can, you can come back, you | :36:03. | :36:10. | |
# Yoe can, qou can come back, xou records with The Pretenders. This is | :36:11. | :36:43. | |
different for you. To m`ke a snlo records with The Pretenders. This is | :36:44. | :37:14. | |
record? records with The Pretenders. This is | :37:15. | :37:15. | |
recobd? It is mope of a records with The Pretenders. This is | :37:16. | :37:15. | |
collaboration records with The Pretenders. This is | :37:16. | :37:17. | |
was the last records with The Pretenders. This is | :37:18. | :37:22. | |
the record, haven't you? Yes. A records with The Pretenders. This is | :37:23. | :37:25. | |
people? records with The Pretenders. This is | :37:26. | :37:29. | |
first one records with The Pretenders. This is | :37:30. | :37:31. | |
quite a big records with The Pretenders. This is | :37:32. | :37:33. | |
did records with The Pretenders. This is | :37:34. | :37:33. | |
di` qou records with The Pretenders. This is | :37:34. | :37:33. | |
did you persuade records with The Pretenders. This is | :37:34. | :37:35. | |
take records with The Pretenders. This is | :37:36. | :37:44. | |
song that sounded John McEnpoe. John's been playhng | :37:45. | :38:00. | |
guitar fop a lonf time. He is `n old John McEnpoe. John's been playhng | :38:01. | :38:05. | |
friend. Wd alwayr drag him on rtage John McEnpoe. John's been playhng | :38:06. | :38:07. | |
He's John McEnpoe. John's been playhng | :38:08. | :38:08. | |
times. Do you John McEnpoe. John's been playhng | :38:09. | :38:14. | |
No. Great. Would you say John McEnpoe. John's been playhng | :38:15. | :38:35. | |
things now John McEnpoe. John's been playhng | :38:36. | :38:42. | |
sound a John McEnpoe. John's been playhng | :38:43. | :38:43. | |
soqnd a litdle mnre interestinf than John McEnpoe. John's been playhng | :38:44. | :38:44. | |
that. hat as John McEnpoe. John's been playhng | :38:45. | :38:52. | |
know that Kelis has an alternative John McEnpoe. John's been playhng | :38:53. | :38:52. | |
career. Not only is she a marvdllous John McEnpoe. John's been playhng | :38:53. | :38:59. | |
qualified John McEnpoe. John's been playhng | :39:00. | :39:02. | |
moment. As an alternative John McEnpoe. John's been playhng | :39:03. | :39:03. | |
that John McEnpoe. John's been playhng | :39:04. | :39:07. | |
Is there anything you would have as Is t`ere `nqthinf qou would have as | :39:08. | :39:08. | |
an alternative career? Any dogs, ob ones that needed | :39:09. | :39:16. | |
yoq got? H gill dind some! I h`ve a Any dogs, ob ones that needed | :39:17. | :39:25. | |
lazy labrador! I You | :39:26. | :39:31. | |
Over You | :39:32. | :39:36. | |
Ovar here, ge hate another special # So whether | :39:37. | :40:24. | |
# Not a moment too soon # So whether | :40:25. | :40:53. | |
# Should we ration the # So whether | :40:54. | :41:01. | |
# Of # So whether | :41:02. | :41:11. | |
# And sing fever to the form # So whether | :41:12. | :41:47. | |
# Is the dirt that you're made, # So whether | :41:48. | :41:47. | |
you're # So whether | :41:48. | :41:50. | |
# And that's nothing to # So whether | :41:51. | :41:54. | |
# No, it's nothilg my ddar # How do I know what you're thinking | :41:55. | :42:12. | |
# Maybe that's why I'm # How do I know what you're thinking | :42:13. | :42:19. | |
# Hear me ad youp door # Singing give | :42:20. | :42:44. | |
# Bud now t`ere's alwayr plenty # Singing fever to the form | :42:45. | :43:02. | |
# Mmmmm # Mmmmm | :43:03. | :43:25. | |
# does not take a scientific man | :43:26. | :43:57. | |
I wac does not take a scientific man | :43:58. | :44:53. | |
I was last now does not take a scientific man | :44:54. | :45:15. | |
child. . All because You're does not take a scientific man | :45:16. | :45:24. | |
# They think MUSIC: "You're The One". | :45:25. | :46:07. | |
By Now, we welcome `ack somebody vho is | :46:08. | :47:02. | |
brilliant all-round. Now, we welcome `ack somebody vho is | :47:03. | :47:15. | |
Not only Now, we welcome `ack somebody vho is | :47:16. | :47:18. | |
Nop only lakes the records but is Now, we welcome `ack somebody vho is | :47:19. | :47:18. | |
qualafied in Now, we welcome `ack somebody vho is | :47:19. | :47:19. | |
qualified in the subject that I Now, we welcome `ack somebody vho is | :47:20. | :47:19. | |
enjoy. We enjoq. We welcomd Celis. | :47:20. | :47:23. | |
Great it is great because some people in | :47:24. | :47:33. | |
it ic great becatse somd people it is great because some people in | :47:34. | :47:34. | |
music can do other things it is great because some people in | :47:35. | :47:47. | |
Your album is called Food. it is great because some people in | :47:48. | :47:59. | |
the it is great because some people in | :48:00. | :48:01. | |
called Floyd. it is great because some people in | :48:02. | :48:07. | |
All of the titles it is great because some people in | :48:08. | :48:13. | |
working in my it is great because some people in | :48:14. | :48:16. | |
kitchen was right there. We it is great because some people in | :48:17. | :48:24. | |
whether it it is great because some people in | :48:25. | :48:25. | |
engineer, we put a name in it is great because some people in | :48:26. | :48:30. | |
computer to hold it so we would not forget where we were working. And | :48:31. | :48:37. | |
is your forget where we were working. And | :48:38. | :48:45. | |
love anything forget where we were working. And | :48:46. | :48:50. | |
side bar all over forget where we were working. And | :48:51. | :48:51. | |
si`e bar `ll ovep at? forget where we were working. And | :48:52. | :48:54. | |
gep at. Square plates all-round forget where we were working. And | :48:55. | :49:05. | |
Keep it simple. What about foam? Not forget where we were working. And | :49:06. | :49:05. | |
into that at all. I like about pies. Do you eat after | :49:06. | :49:17. | |
pies? I love pies. What like about pies. Do you eat after | :49:18. | :49:28. | |
are you having tonight? You tell me, like about pies. Do you eat after | :49:29. | :49:34. | |
what is thebe to have? The multitalented, Kelis. Now, we | :49:35. | :49:46. | |
Hurray For My hands are like John | :49:47. | :50:08. | |
singing songs from his My hands are like John | :50:09. | :51:01. | |
It ic the sounds of My hands are like John | :51:02. | :51:02. | |
It is the sounds of a man who can My hands are like John | :51:03. | :51:02. | |
be, but I My hands are like John | :51:03. | :51:04. | |
be( but I never jnew, ndver kndw. My hands are like John | :51:05. | :51:04. | |
I woke My hands are like John | :51:05. | :51:09. | |
new day dawning. I woke My hands are like John | :51:10. | :51:11. | |
morning, but My hands are like John | :51:12. | :51:16. | |
Never My hands are like John | :51:17. | :51:31. | |
My head is an My heart is a Blue Ridge mountain. | :51:32. | :51:37. | |
Bup knew, never knew. | :51:38. | :51:50. | |
Never disappear. | :51:51. | :53:28. | |
I disappear. | :53:29. | :53:32. | |
mistake. disappear. | :53:33. | :53:34. | |
A week later, I reckon she was A week lateb, I peckon rhe was | :53:35. | :53:35. | |
looking for A week lateb, I peckon rhe was | :53:36. | :53:38. | |
I gafe A week lateb, I peckon rhe was | :53:39. | :53:42. | |
nights will stop then I put it on nighds will stop t`en I put it on | :53:43. | :53:45. | |
pause until Now she stays at my place and likes | :53:46. | :54:15. | |
Now che staqs at mq plabe and Now she stays at my place and likes | :54:16. | :54:34. | |
We make mnney thd We make money thd same vaq. | :54:35. | :54:40. | |
Those shows We make money thd same vaq. | :54:41. | :54:41. | |
it's We make money thd same vaq. | :54:42. | :54:47. | |
and figure it We make money thd same vaq. | :54:48. | :54:48. | |
We should be We make money thd same vaq. | :54:49. | :54:50. | |
We s`ould be getting on a pland and We make money thd same vaq. | :54:51. | :54:51. | |
will be missing it I am sat hebe silgang. | :54:52. | :55:03. | |
That heart is I am sat hebe silgang. | :55:04. | :55:11. | |
Take I am sat hebe silgang. | :55:12. | :55:15. | |
I `on't I am sat hebe silgang. | :55:16. | :55:19. | |
On I am sat hebe silgang. | :55:20. | :55:22. | |
I don't even know if she I am sat hebe silgang. | :55:23. | :55:29. | |
I never intended to be I am sat hebe silgang. | :55:30. | :55:33. | |
You never needed to take him You never needed to takd `im to bed. | :55:34. | :55:36. | |
I never You never needed to takd `im to bed. | :55:37. | :55:42. | |
Until you disappeared to have sex, You never needed to takd `im to bed. | :55:43. | :55:42. | |
of course. You never needed to takd `im to bed. | :55:43. | :55:46. | |
I thought You never needed to takd `im to bed. | :55:47. | :55:46. | |
I phought you wepe You never needed to takd `im to bed. | :55:47. | :55:49. | |
a bid too mech, too late, if I You never needed to takd `im to bed. | :55:50. | :55:57. | |
That heart You never needed to takd `im to bed. | :55:58. | :56:00. | |
All over my home. I You never needed to takd `im to bed. | :56:01. | :56:07. | |
I You never needed to takd `im to bed. | :56:08. | :56:14. | |
know that. You never needed to takd `im to bed. | :56:15. | :56:20. | |
My heart hs so cold. All over | :56:21. | :56:22. | |
My heart hs so cold. I don't want to | :56:23. | :56:26. | |
My heart hs so cold. I told her, she | :56:27. | :56:33. | |
My heart hs so cold. Take aim `nd reload. I don't want to | :56:34. | :56:52. | |
My heart hs so cold. Before that we enjoyed Hurray | :56:53. | :56:54. | |
My heart hs so cold. The Riff Raff. Now the woman | :56:55. | :56:59. | |
My heart hs so cold. all, she sings. | :57:00. | :57:45. | |
# Give me what I want # Give me what I want | :57:46. | :57:51. | |
# I said, I'm begging you, please # I caid, I'm beggang ynu, please | :57:52. | :57:53. | |
# And jusd don want # I caid, I'm beggang ynu, please | :57:54. | :58:12. | |
# Is that, # I caid, I'm beggang ynu, please | :58:13. | :58:14. | |
man do bed # I caid, I'm beggang ynu, please | :58:15. | :58:15. | |
# I cnow # I caid, I'm beggang ynu, please | :58:16. | :58:26. | |
# Give # I caid, I'm beggang ynu, please | :58:27. | :58:29. | |
# I'm down on my knees # I caid, I'm beggang ynu, please | :58:30. | :58:33. | |
# Give me what I want # I caid, I'm beggang ynu, please | :58:34. | :58:35. | |
# Give me what I need # I caid, I'm beggang ynu, please | :58:36. | :58:39. | |
# I said, I'm begging you, please # Give me what I want | :58:40. | :58:39. | |
# I # Give me what I want | :58:40. | :58:51. | |
# Darling, you're not even my # Give me what I want | :58:52. | :59:06. | |
you see # Give me what I want | :59:07. | :59:10. | |
# Hey, you, yeah, you, # Give me what I want | :59:11. | :59:27. | |
# She needs ice, cold water # Give me what I want | :59:28. | :00:03. | |
# Gife me w`at I # Give me what I want | :00:04. | :00:19. | |
# I'm down on my # Give me what I want | :00:20. | :00:26. | |
# I'm dowl on my knees # Give me what I want | :00:27. | :00:34. | |
# Gife me w`at I # Give me what I want | :00:35. | :00:36. | |
# 10.0 pm with rcade ire and mtch, | :00:37. | :00:40. | |
much more. Now 10.0 pm with rcade ire and mtch, | :00:41. | :00:56. | |
something for 10.0 pm with rcade ire and mtch, | :00:57. | :01:00. | |
invite Chrissie Hynde to give 10.0 pm with rcade ire and mtch, | :01:01. | :01:01. | |
invide Chpicsie Hynde to give le an E! Have you got an E? If everybody | :01:02. | :01:02. | |
E! Have ynu E! Have you got an E? If everybody | :01:03. | :01:19. | |
Kelis. Thank you, Nick Mulvey. Thank E! Have you got an E? If everybody | :01:20. | :01:22. | |
yoq, White Denim, Thank you, Ed | :01:23. | :01:35. |