Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Good evening, we are alive and I am so pleased we have in the studio | :00:38. | :00:42. | |
Jamie T. # Apart from the frighting, | :00:43. | :00:44. | |
the moaning, the biting. # And I know what she thinks when | :00:45. | :00:51. | |
she looks at me. # You're not the only one around | :00:52. | :00:56. | |
here who needs a bit of fresh air. # Walking like a zombie, like a | :00:57. | :01:09. | |
zombie. # Walking like a zombie, like a | :01:10. | :01:21. | |
zombie. # Well, this old place here, man, | :01:22. | :01:34. | |
it's falling apart. # She's on the road as she goes, but | :01:35. | :01:36. | |
she won't get far. # I'm on a show to parole to the | :01:37. | :01:39. | |
toad in the hole. # I gotta grow me some roots, I got | :01:40. | :01:43. | |
a prop at the bar. # I got bloodshot eyes, and there's | :01:44. | :01:46. | |
blood in my teeth. # I got a ripped up jacket and a | :01:47. | :01:49. | |
friend who's a thief. # Well I'm a prophet and a mouth, | :01:50. | :01:52. | |
tryna pull it out. # But the fire inside keeps burning, | :01:53. | :01:55. | |
burning out. # Walking like a zombie, like a | :01:56. | :01:58. | |
zombie. # Walking like a zombie, like a | :01:59. | :02:11. | |
zombie. # Hold your own in the situation, | :02:12. | :02:23. | |
don't be afraid to be a friend. # Cause I won't hurt you, girl, or | :02:24. | :02:49. | |
leave you a loose end. # You make me alive enough to love | :02:50. | :02:55. | |
again. # Walking like a zombie, like a | :02:56. | :03:01. | |
zombie. # Walking like a zombie, like a | :03:02. | :03:13. | |
zombie. # Walking like a zombie, like a | :03:14. | :03:26. | |
zombie. # Walking like a zombie, like a | :03:27. | :03:38. | |
zombie #. Jamie T. Tonight we have from | :03:39. | :05:04. | |
London, Gorgon City. And from Baltimore we have Future Islands. | :05:05. | :05:18. | |
Beverley Knight. Damien Rice. And now from Birmingham. I love his | :05:19. | :05:20. | |
sound. It is Ali Campbell. # The silver saxophones say I should | :05:21. | :05:30. | |
refuse you. # The cracked bells and washed out | :05:31. | :05:39. | |
horns. # But it's not that way, I wasn't | :05:40. | :05:42. | |
born to lose you. # I want you so bad | :05:43. | :05:49. | |
Honey, I want you. # Upon the street where mothers | :05:50. | :06:01. | |
weep. # And the saviours who are fast | :06:02. | :06:09. | |
asleep. # And ask for me to open up the gate | :06:10. | :06:12. | |
for you. # I want you. | :06:13. | :06:29. | |
I want you so bad. # Honey, I want you. | :06:30. | :06:35. | |
I want you. # Now all my fathers they've gone | :06:36. | :06:40. | |
down. # But all their daughters put me | :06:41. | :06:43. | |
down. # Well, I return to the queen of | :06:44. | :06:48. | |
spades. # And talk there with my | :06:49. | :06:55. | |
chambermaid. # She knows that I'm not afraid to | :06:56. | :06:58. | |
look at her. # And there's nothing that she | :06:59. | :07:04. | |
doesn't see. # I want you so bad. | :07:05. | :07:09. | |
Honey, I want you. # Now, your dancing child with his | :07:10. | :07:28. | |
chinese suit. # No, I wasn't very cute to him now, | :07:29. | :07:33. | |
was I? # But I did it though because he | :07:34. | :07:39. | |
lied. # I want you. | :07:40. | :07:53. | |
I want you so bad. # I want you. | :07:54. | :08:03. | |
I want you so bad. # I want you. | :08:04. | :08:08. | |
I want you. APPLAUSE | :08:09. | :08:47. | |
Ali Campbell UB40 with their new album, silhouette. Over to this | :08:48. | :08:56. | |
corner, they try and Glastonbury. It is Gorgon City. | :08:57. | :09:14. | |
# I'm ready for the start of something new. | :09:15. | :09:18. | |
# I'm ready to depart from what make me blue. | :09:19. | :09:21. | |
# I'm ready for my heart to let you through. | :09:22. | :09:25. | |
# I'm ready for the rain to pour down on me. | :09:26. | :09:33. | |
# I'm ready for a change to come and set me free. | :09:34. | :09:36. | |
# I'm ready for my loss to become victory. | :09:37. | :09:40. | |
# I'm ready for your love, I'm ready for your love, | :09:41. | :09:47. | |
# I'm ready for your love, I'm ready for your love, | :09:48. | :10:01. | |
# I'm ready for my hands to touch the sky. | :10:02. | :10:05. | |
# I wanna understand how it feels to fly. | :10:06. | :10:08. | |
# I'm ready for my eyes to see the light. | :10:09. | :10:12. | |
# I'm ready to be strong, I pump my fist. | :10:13. | :10:20. | |
# I'm ready to be wrong so I can be right there. | :10:21. | :10:24. | |
# I'm ready to belong and shook my cares. | :10:25. | :10:28. | |
# I'm ready for your love, I'm ready for your love, | :10:29. | :10:36. | |
# I'm ready for your love, I'm ready for your love, I'm ready | :10:37. | :10:43. | |
# for your love, I'm ready for your love. | :10:44. | :10:47. | |
# I'm ready for your love, I'm ready for your love, | :10:48. | :10:50. | |
# I'm ready for your love, I'm ready for your love, | :10:51. | :10:58. | |
# Everything is changed between you and I. | :10:59. | :11:09. | |
# I was so apprehensive but I don't know why. | :11:10. | :11:12. | |
# Baby, I'm ready for you to be by my side, by my side. | :11:13. | :11:19. | |
# Everything is changed between you and I. | :11:20. | :11:25. | |
# I was so apprehensive but I don't know why. | :11:26. | :11:28. | |
# Baby, I'm ready for you to be by my side, by my side. | :11:29. | :11:36. | |
# I'm ready for your love, I'm ready for your love, | :11:37. | :11:39. | |
# I'm ready for your love, I'm ready for your love, | :11:40. | :11:49. | |
# I'm ready for your love, I'm ready for your love, | :11:50. | :11:58. | |
# I'm ready for your love, I'm ready for your love, | :11:59. | :12:04. | |
Gorgon City. Our next guest, this is his first album for eight years. I | :12:05. | :12:32. | |
am pleased to have him back in the studio. Damien Rice. | :12:33. | :12:52. | |
# Wherever you are, you know that I adore you. | :12:53. | :13:09. | |
# No matter how far, well I can go before you. | :13:10. | :13:26. | |
# If you just want to be alone, I can wait without waiting. | :13:27. | :13:44. | |
# If you want me to let this go, I am more than willing. | :13:45. | :13:52. | |
# I just came across an angel, out among the danger somewhere in | :13:53. | :14:06. | |
# I just came across an angel, out among the danger somewhere in | :14:07. | :14:29. | |
# I-I've never been with anyone in the way I've been with you. | :14:30. | :14:46. | |
# But if love is not for fun, then it's doomed. | :14:47. | :14:50. | |
# The waterfalls, water races, water races down. | :14:51. | :15:13. | |
# I just came across some angel where there is no danger. | :15:14. | :15:36. | |
# Where love has eyes, it is not blind #. | :15:37. | :16:11. | |
Thank you, Damien Rice, I Don't Want To Change You. Very nice | :16:12. | :16:27. | |
arrangement. I'm going to go over here and we are delighted to have a | :16:28. | :16:33. | |
multiplatinum artist who is about to start her second great role in a | :16:34. | :16:38. | |
musical, Beverley Knight. APPLAUSE | :16:39. | :16:44. | |
It's your second, Memphis is your new musical you are going to be in | :16:45. | :16:49. | |
set in Memphis. In short what is the story of it? Memphis in the 1950s. | :16:50. | :16:55. | |
It's about the difficult birth of rock and roll set against the Jim | :16:56. | :17:04. | |
Crow segregation of the South. I play a blues singer called Felicia | :17:05. | :17:07. | |
Farrell who is desperate to break out and be a big star but she has to | :17:08. | :17:12. | |
punch through race lines but falls in love with a white DJ who might be | :17:13. | :17:17. | |
the key to it all. It's more of a metaphor than based on reality about | :17:18. | :17:21. | |
how white music and blues music and the hillbillies and the blues all | :17:22. | :17:27. | |
gave birth to rock 'n' roll. We have a film here. It's been on in | :17:28. | :17:34. | |
America. Not with you, this is a bit of Memphis here. | :17:35. | :17:43. | |
# Where going down, down # Where going down. # | :17:44. | :18:07. | |
That looks like it will be great. Who has written this? The text was | :18:08. | :18:13. | |
written by a very well-known scriptwriter. The songs words | :18:14. | :18:20. | |
written by David Brian, who you might be familiar with if you are | :18:21. | :18:24. | |
familiar with their band called Bon Jovi. He wrote all of those songs. I | :18:25. | :18:32. | |
love your Wolverhampton drawl. But did you go to Memphis and learn the | :18:33. | :18:37. | |
Memphis drawl? Yes, it's very different from Wolverhampton. I went | :18:38. | :18:43. | |
there not only to experience the place and immerse myself in the | :18:44. | :18:47. | |
character, but also so I could listen really carefully to how | :18:48. | :18:51. | |
people spoke. And basically just mimic the drawl, specifically the | :18:52. | :18:57. | |
African American way of speaking. It's different in that part of the | :18:58. | :19:02. | |
world. And what happened when you reverted to your Wolverhampton | :19:03. | :19:08. | |
drawl? They all said I can't understand a word you are saying. | :19:09. | :19:12. | |
They said that to me when I went! It is fantastic you could come and see | :19:13. | :19:16. | |
us this evening. We are looking forward to Memphis and on Friday | :19:17. | :19:21. | |
night's show come and do they song with us at the piano. Tune in on | :19:22. | :19:27. | |
Friday to see Beverley and meet on the piano. You can see her in | :19:28. | :19:33. | |
Memphis soon. Now, let's enjoy these sensational dance manoeuvres from | :19:34. | :19:36. | |
the next artists, from Baltimore it is Future Islands. | :19:37. | :20:03. | |
# And I tried hard # Just to soften you | :20:04. | :20:16. | |
# But I've grown tired # Of tryin' to change for you | :20:17. | :20:28. | |
# Because I've been waiting on you # I've been waiting on you | :20:29. | :20:59. | |
# But the winter washed what's left # Of the taste | :21:00. | :21:17. | |
# They gain a piece # but they lose one too | :21:18. | :21:54. | |
# But the winter washed # What's left of the taste | :21:55. | :22:38. | |
Thank you, Future Islands. I love a bit of dance. Seasons, single from | :22:39. | :23:35. | |
their LP. Future Islands. A woman who began to get everybody excited | :23:36. | :23:40. | |
wherever she performs. She's from Minnesota she's Chastity Brown. | :23:41. | :23:51. | |
# I was driving through # The mountains of Colorado | :23:52. | :23:54. | |
# Got a gig to get to # I'll be there tomorrow | :23:55. | :24:01. | |
# That's the way it is when # you're living this kind of life | :24:02. | :24:13. | |
# Like a broken string # on a steel guitar | :24:14. | :24:16. | |
# And I'm banging that thing # at a small-time bar | :24:17. | :24:24. | |
# And the light that you see now # Isn't wrapped up and turned out | :24:25. | :24:36. | |
# It's the one that I will follow # Made it all the way down to | :24:37. | :25:07. | |
# Tennessee # He was running out of steam, | :25:08. | :25:10. | |
# You know # I fell face first | :25:11. | :25:14. | |
# Right there in the dirt # I was crying like a child | :25:15. | :25:19. | |
# But I wasn't really hurt, oh no # I was three feet away from | :25:20. | :25:23. | |
# The love of my life # I was holding my breath | :25:24. | :25:28. | |
# And holding on tight to know # And the light that you see now | :25:29. | :25:31. | |
# Isn't wrapped up and turned out # And the light that you see now | :25:32. | :25:35. | |
# Isn't wrapped up and turned out # And the light that you see now | :25:36. | :25:46. | |
# Isn't wrapped up and turned out # And the light that you see now | :25:47. | :25:56. | |
# Isn't wrapped up and turned out # I was driving through | :25:57. | :26:06. | |
# The mountains of Colorado # Got a gig to get to | :26:07. | :26:25. | |
# I'll be there tomorrow # Thank you, Chastity Brown with | :26:26. | :26:44. | |
Colorado. Thanks to all of our guests this evening, Gorgon City, | :26:45. | :26:49. | |
Future Islands, Beverley Knight, Damien Rice, Ali Campbell. You can | :26:50. | :26:54. | |
see much more in detail and in depth from all of my guests, less features | :26:55. | :27:00. | |
on the studio floor on Friday evening. But now we say thank you | :27:01. | :27:02. | |
and good night with Jamie T. # Sold to a bid | :27:03. | :27:13. | |
# Then hit by the buyer # Looked at me | :27:14. | :27:20. | |
# Then the kids took the piss # When she knows | :27:21. | :27:22. | |
# That she can't well up # Like an SAA to my baby | :27:23. | :27:27. | |
# Saved me then played me # Like an S she tried to correct me | :27:28. | :27:30. | |
# She meant to protect me # You stooped low | :27:31. | :27:36. | |
# I got high, tonight # Causing Alice in the palace | :27:37. | :27:46. | |
# To crumble. # She trips to tumble | :27:47. | :27:53. | |
# Going down a rabbit hole # She trips to tumble | :27:54. | :27:58. | |
# Going down a rabbit hole # You still know you can call me | :27:59. | :28:09. | |
# Whenever # I'll be round for ever | :28:10. | :28:11. | |
# I'll take the blame # And I'll take the weather | :28:12. | :28:16. | |
# And I'll travel overseas # A magnanimous last gesture | :28:17. | :28:19. | |
# Only for the sake of prosperity # It's unanimous | :28:20. | :28:25. | |
# I'll arrest her # Now, you're too proud to call | :28:26. | :28:29. | |
# Guess I never knew you at all # You stooped low | :28:30. | :28:35. | |
# I got high tonight # Causing Alice in the palace | :28:36. | :28:41. | |
# To crumble # She trips to tumble | :28:42. | :28:47. | |
# Going down a rabbit hole # Causing Alice in the palace | :28:48. | :28:50. | |
# To crumble # She trips to tumble | :28:51. | :28:57. | |
# Going down a rabbit hole # You notice the problems in | :28:58. | :29:05. | |
# Jennifer Bennett's head # She's not the same person | :29:06. | :29:09. | |
# I grew up with # Who noticed the problems in | :29:10. | :29:11. | |
# Jennifer Bennett's head # She's not the same person | :29:12. | :29:19. | |
# I grew up with # Who noticed the problems | :29:20. | :29:23. | |
# In Jennifer Bennett's head # She's not the same person | :29:24. | :29:30. | |
# I grew up with # Causing Alice in the palace | :29:31. | :29:32. | |
# To crumble # She trips to tumble | :29:33. | :29:42. | |
# going down a rabbit hole # Causing Alice in the palace | :29:43. | :29:46. | |
# to crumble # She trips to tumble | :29:47. | :29:52. | |
# Going down a rabbit hole # Causing Alice in the palace | :29:53. | :29:58. | |
# To crumble # She trips to tumble | :29:59. | :30:07. | |
# Going down a rabbit hole # Causing Alice in the palace | :30:08. | :30:10. | |
# To crumble # She trips to tumble | :30:11. | :30:16. | |
# Going down a rabbit hole #. | :30:17. | :30:21. |