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Welcome to a new display of marvellous musical displays. Let's | :00:37. | :00:41. | |
begin with two! -- Alt-J! # Hey, shady baby, I'm hot | :00:42. | :00:51. | |
Like the prodigal son # Pick a battle | :00:52. | :00:54. | |
Eenie meenie miney moe # Hey, flower, | :00:55. | :00:56. | |
you're the chosen one # I tackle weeds | :00:57. | :00:57. | |
just so the moon buggers nibble # A right-hand grip on his | :00:58. | :01:30. | |
Colt Single Action Army # Though your man's | :01:31. | :01:39. | |
bigger than I am # Hey, shady baby, I'm hot | :01:40. | :02:05. | |
Like the prodigal son # Pick a battle | :02:06. | :02:55. | |
Eenie, meenie, miney, moe # Hey, flower, | :02:56. | :02:57. | |
you're the chosen one We have a | :02:58. | :03:03. | |
room full of amazing guests. From Shepherd's Bush, Jungle! I would be | :03:04. | :03:58. | |
talking to Olivia Harrison. From Ohio we are delighted to have The | :03:59. | :04:07. | |
O'Jays! From Melbourne, a beautiful songwriter, Vance Joy! From London, | :04:08. | :04:15. | |
she is sensational, FKA twigs! Now, from Los Angeles, we are delighted | :04:16. | :04:18. | |
to welcome back into this room, Ryan Adams. | :04:19. | :04:34. | |
# Gimme something # Gimme something good | :04:35. | :06:36. | |
Ryan Adams! More from him later. This band also have a self titled | :06:37. | :08:10. | |
LP, their first LP. Everybody says it is very good. They are Jungle! | :08:11. | :08:40. | |
# Ain't easy, you know. # Time and time again. | :08:41. | :09:01. | |
# Say it again. # Just hold on tight, don't let it | :09:02. | :09:06. | |
in, yeah. # I will run all right, don't let it | :09:07. | :09:10. | |
in. # Just let it out. | :09:11. | :09:14. | |
# Time and time and time and time again. | :09:15. | :09:22. | |
# Time and time and time and time again. | :09:23. | :09:32. | |
# Now I feel it. # I know, you know. | :09:33. | :09:48. | |
# Time and time again. # Time and time again. | :09:49. | :09:59. | |
# Say it again. # Just hold on tight, don't let it | :10:00. | :10:05. | |
in, yeah. # Just let it out. | :10:06. | :10:10. | |
# Time and time and time and time again. | :10:11. | :10:19. | |
# Time and time and time and time again. | :10:20. | :10:46. | |
# My head is in space. # You know, you know. | :10:47. | :10:52. | |
# Time and time again. # Just hold on tight. | :10:53. | :10:58. | |
# Don't let it in, yeah. # I will run all right, don't let it | :10:59. | :11:01. | |
in. # Just let it out. | :11:02. | :11:05. | |
# Time and time and time and time again. | :11:06. | :11:12. | |
# Just hold on tight don't let it in, yeah. | :11:13. | :11:16. | |
# I will run all right, don't let it in. | :11:17. | :11:19. | |
# Just let it out. # Time and time and time and time | :11:20. | :11:21. | |
again. APPLAUSE. | :11:22. | :11:55. | |
Thank you, Jungle! Now we have some legendary figures | :11:56. | :11:59. | |
at the piano, and those figures are no mother than water, Eric and | :12:00. | :12:04. | |
Eddie. They are, of course, the amazing The O'Jays! We are very | :12:05. | :12:09. | |
pleased to have you here this evening. | :12:10. | :12:21. | |
How did you meet? You formed over 50 years ago. We were having exams in | :12:22. | :12:33. | |
high school, and we met during the break as you say. We had recess, and | :12:34. | :12:37. | |
we got in the hallway and we started messing around, singing. And it | :12:38. | :12:42. | |
sounded so great in the hallway that we figured, look, if we could just | :12:43. | :12:48. | |
take this with us everywhere we go, we could probably win some fans. You | :12:49. | :12:54. | |
have millions of fans. Also, a good tip, when you mess around at school, | :12:55. | :12:59. | |
sometimes it is all right. Things of course changed when you met the | :13:00. | :13:06. | |
songwriter 's and your producers. What changed everything for them and | :13:07. | :13:12. | |
for you? Will playing at the Apollo theatre with the Intruders. At that | :13:13. | :13:23. | |
time, the Intruders had a song. And the producers came to see them, and | :13:24. | :13:33. | |
they introduced us to them. And we became hot. Marvellous records, lots | :13:34. | :13:38. | |
of people have loved them over the years. We have a clip here which we | :13:39. | :13:45. | |
can look at you at the Hammersmith Odeon in 1988. | :13:46. | :14:07. | |
# Some people really need it. # Well, you want two things, do good | :14:08. | :14:13. | |
things with it. # Cash, money, money. | :14:14. | :14:17. | |
# Talking about cash, money. Yeah, that is great. And I have to | :14:18. | :14:41. | |
say, as well as having amazing voices, rather tasty dance moves. | :14:42. | :14:46. | |
When did you figure out the dancing? Well, we used to watch TV. | :14:47. | :14:56. | |
Hullabaloo, Shindig. Even the girls for Dean Martin, we would steal | :14:57. | :15:00. | |
their moves. Then we met a professional named Charlie Atkinson, | :15:01. | :15:05. | |
who started teaching us how to move. He did the Motown people as well. | :15:06. | :15:08. | |
Yes, he taught the Jacksons, the Supremes. He was a tough guy to deal | :15:09. | :15:16. | |
with. He was a tough teacher? Yes. Was there one rule that he said you | :15:17. | :15:22. | |
had to do, one particular thing? Well, he told us, a hit record is | :15:23. | :15:27. | |
great, but to have a hit act would be a lot better. Wise words. | :15:28. | :15:32. | |
Fantastic to have you here this evening. We will be hearing more | :15:33. | :15:38. | |
from The O'Jays later in the show. The O'Jays, ladies and gentlemen! | :15:39. | :15:44. | |
Now, let's go into this corner from a great legendary artist to a new | :15:45. | :15:47. | |
artist. We welcome FKA twigs! # Cos you're the only one | :15:48. | :16:09. | |
who resonates that chest # Higher than a mother, | :16:10. | :16:32. | |
dreamin' of it, it's my lovin' # Flying like a screamin' falcon, | :16:33. | :16:48. | |
on our ways to do each other # Pull out the incisor, give me two | :16:49. | :16:57. | |
weeks, you won't recognize her # Unless you're | :16:58. | :17:07. | |
the only one who instigates # Higher than a mother, | :17:08. | :17:42. | |
dreamin' of it, it's my lovin' # Flying like a screamin' falcon, | :17:43. | :17:58. | |
on our ways to do each other # Pull out the incisor, give me two | :17:59. | :18:07. | |
weeks, you won't recognize her # Feel your body closin' | :18:08. | :18:11. | |
I can rip it open # Suck me up, I'm healin' | :18:12. | :18:33. | |
for the stuff you're dealin' # Smoke on your skin to get | :18:34. | :18:38. | |
those pretty eyes rollin' # My thighs are apart for | :18:39. | :18:44. | |
when you're ready to breathe in # Suck me up, I'm healin' | :18:45. | :18:47. | |
for the stuff you're dealin' # Hi, mother, get your mouth open, | :18:48. | :18:52. | |
You know you're mine # Just close your eyes | :18:53. | :18:55. | |
and dream about it # Just chase around | :18:56. | :19:06. | |
and stop your doubtin' # Pull out the incisor, give me two | :19:07. | :19:09. | |
weeks, you won't recognize her # It on your face all the time | :19:10. | :20:37. | |
# All the time, they want to take your place | :20:38. | :20:40. | |
# The backstabbers # All you fellas | :20:41. | :20:47. | |
# And you this | :20:48. | :21:17. | |
# They smile in your face all the time | :21:18. | :21:20. | |
# Want to take your place all the time | :21:21. | :21:26. | |
# The backstabbers # What they doing to me? | :21:27. | :21:33. | |
# They come to my house again and again | :21:34. | :21:42. | |
# To all the men who take my woman # I don't even be home | :21:43. | :21:53. | |
# What can I do # What they doing? | :21:54. | :21:58. | |
# They smiling in your face all the time | :21:59. | :22:01. | |
# They want to take your place, the backstabbers | :22:02. | :22:14. | |
# Lowdown, dirty, everybody say # What they do | :22:15. | :22:21. | |
# They smile in your face, smiling faces, sometimes | :22:22. | :22:31. | |
# They smile in your face # I don't need no lowdown | :22:32. | :22:39. | |
backstabbers # They smile in your face | :22:40. | :22:46. | |
# Backstabbers the wonderful, the amazing, the | :22:47. | :23:16. | |
O'Jays. Before that, we enjoyed Ryan -- FKA | :23:17. | :23:37. | |
twigs. And welcome the amazing Alt-J. | :23:38. | :23:51. | |
# I want to do all the things your lungs do so well | :23:52. | :24:04. | |
# I'm going to bed into you like a cat beds into a beanbag | :24:05. | :24:07. | |
# Turn you inside out and lick you like a crisp packet | :24:08. | :24:11. | |
# You're the first and last of your kind | :24:12. | :24:27. | |
# Hold me like an animal on top of her | :24:28. | :24:31. | |
# Like a cat paws at my woollen jumper | :24:32. | :24:43. | |
# Do do do, do do do, do do do do, do do | :24:44. | :25:16. | |
# Let me be the wallpaper that papers up your room | :25:17. | :25:34. | |
# I want to be every button you press | :25:35. | :25:38. | |
# Like a cat rolls around the chrysanthemums | :25:39. | :25:47. | |
# I'm going to kiss you like the sun browns you | :25:48. | :25:53. | |
# If you really think that you can stomach me | :25:54. | :26:20. | |
#: When you call my name # Is sensibly running into the flame | :26:21. | :27:46. | |
# -- it sent me running into the flame | :27:47. | :27:49. | |
# I love you baby, just treat me right | :27:50. | :27:51. | |
# Hold me close in the middle of the night | :27:52. | :27:56. | |
# I love you girl and it's all right # Stay | :27:57. | :28:01. | |
# Are you waiting # Are you standing guard? | :28:02. | :28:17. | |
# We passed the restaurant on Sunset Boulevard | :28:18. | :28:25. | |
# I love you baby, just treat me right | :28:26. | :28:28. | |
# Hold me close in the middle of the night | :28:29. | :28:34. | |
# I love you girl and it's all right # Stay with me | :28:35. | :28:55. | |
# At the speed of sound or the speed of light | :28:56. | :28:59. | |
# When you say my name, it feels so right | :29:00. | :29:02. | |
# In the middle of the night, would you call my name? | :29:03. | :29:05. | |
# Don't worry, # I love you baby, so treat me right | :29:06. | :29:32. | |
# Hold me close in the middle of the night | :29:33. | :29:38. | |
# I love you girl and it's all right # Stay with me | :29:39. | :29:50. | |
# Stay with me thank you, Ryan Adams. Can I also | :29:51. | :30:55. | |
congratulate you and draw attention to the fact, everyone is trying to | :30:56. | :30:59. | |
make everything smaller these days, but no, you have the biggest | :31:00. | :31:03. | |
amplifier we have ever seen. Why did you decide to have such a whopper? | :31:04. | :31:10. | |
Well, for some reason, this small amplifier, in my opinion, is the | :31:11. | :31:15. | |
biggest sounding amp varies. Keith Richards always talked about if you | :31:16. | :31:19. | |
want a really big guitar sound on record, find the smallest amp you | :31:20. | :31:24. | |
could find, so said I wanted the biggest smallest amp I can find. You | :31:25. | :31:30. | |
have got it there, thank you very much, Ryan Adams! And now, a lovely | :31:31. | :31:34. | |
artist from Melbourne, you will have heard this song because it is a huge | :31:35. | :31:39. | |
hit around the world and we welcome into the room, Vance Joy. | :31:40. | :31:47. | |
# I was scared of dentists and the dark | :31:48. | :31:51. | |
# I was scared of pretty girls and starting conversations | :31:52. | :31:56. | |
# Oh, all my friends are turning green | :31:57. | :32:00. | |
# You're the magician's assistant in their dream | :32:01. | :32:06. | |
# I love you when you're singing that song | :32:07. | :32:27. | |
# Cos you're going to sing the words wrong | :32:28. | :32:34. | |
# There's this movie that I think you'll like | :32:35. | :32:38. | |
# This guy decides to quit his job and heads to New York City | :32:39. | :32:42. | |
# This cowboy's running from himself | :32:43. | :32:47. | |
# And she's been living on the highest shelf | :32:48. | :32:51. | |
# I love you when you're singing that song | :32:52. | :33:13. | |
# Cos you're going to sing the words wrong | :33:14. | :33:24. | |
# I just want to, I just want to know | :33:25. | :33:28. | |
# If you're going to, if you're going to stay | :33:29. | :33:33. | |
# I can't have it, I can't have it any other way | :33:34. | :33:41. | |
# I swear she's destined for the screen | :33:42. | :33:46. | |
# Closest thing to Michelle Pfeiffer that you've ever seen, oh | :33:47. | :33:52. | |
# I love you when you're singing that song | :33:53. | :34:04. | |
# Cos you're going to sing the words wrong | :34:05. | :34:10. | |
# Oh, lady, running down to the riptide | :34:11. | :34:13. | |
# I love you when you're singing that song | :34:14. | :34:21. | |
# Cos you're going to sing the words wrong | :34:22. | :34:26. | |
# Cos you're going to sing the words wrong. # | :34:27. | :34:34. | |
# Never have plans for a normal life | :34:35. | :35:40. | |
# It's time, too busy earnin' | :35:41. | :35:42. | |
# You can't get enough | :35:43. | :35:45. | |
# You think that all your time is used, too busy earnin' | :35:46. | :35:57. | |
# But I bet it won't change, no | :35:58. | :36:09. | |
# Damn, that's a boring life | :36:10. | :36:13. | |
# You think that all your time is used | :36:14. | :36:33. | |
# You think that all your time is used | :36:34. | :37:11. | |
# You think that all your time is used | :37:12. | :37:21. | |
thank you, Jungle! So now, there is a really | :37:22. | :38:07. | |
extraordinary and amazing dog set of George Harrison records out on Apple | :38:08. | :38:11. | |
records. And he had to tell me about that, we welcome into the studio, | :38:12. | :38:23. | |
Olivia Harrison! Lovely box set with the Apple on it. I suppose the first | :38:24. | :38:27. | |
thing I should ask about is Apple records. It was an unusual record | :38:28. | :38:32. | |
company. Where were -- what were its objective is? Well, the Beatles | :38:33. | :38:34. | |
worked very hard, and they objective is? Well, the Beatles | :38:35. | :38:37. | |
turned down several times. I think they wanted to make it easier for | :38:38. | :38:39. | |
other artists to be heard they wanted to make it easier for | :38:40. | :38:43. | |
express themselves, not unlike what you are doing here. It also became | :38:44. | :38:51. | |
the label where they put their solo albums out. These were George's six | :38:52. | :38:58. | |
or seven solo albums. George was incredibly successful after the | :38:59. | :39:01. | |
Beatles. Have you spent a long time working on this collection? Yes, it | :39:02. | :39:06. | |
took years to get through it. There is a lot of material. We put out his | :39:07. | :39:10. | |
last six solo album 's first, so it took some time. We were working on | :39:11. | :39:16. | |
it for a year or so. And you have remastered them all. Do they sound | :39:17. | :39:23. | |
very different to the originals? They went back to the analog tapes, | :39:24. | :39:29. | |
and Danny supervised the remastering. I don't have to bad | :39:30. | :39:38. | |
ears. I am told it is much better. We have some rare footage that we | :39:39. | :39:48. | |
are going to look at. # Tired of midnight blues. | :39:49. | :40:03. | |
# I thought by now, you knew the score. | :40:04. | :40:06. | |
# You missed the point, just like before. | :40:07. | :40:12. | |
# You keep on crying. Marvellous. George and all the | :40:13. | :40:54. | |
Beatles were ahead of everybody in doing lots of things. It seemed that | :40:55. | :40:57. | |
maybe he was one of the first graffiti artist. What was he | :40:58. | :41:06. | |
graffiti in? His house. Is that part of the graffiti on the side of | :41:07. | :41:14. | |
there? It is. People used to stop by and add to it. Have you discovered | :41:15. | :41:21. | |
things previously unknown while putting it all together? We did. A | :41:22. | :41:29. | |
lot of material, but mostly, it was how hard he worked. This spanned | :41:30. | :41:35. | |
seven years, and there are six albums. But in between that, he did | :41:36. | :41:39. | |
the concert for Bangladesh, and the movie as well. So over a period of | :41:40. | :41:45. | |
seven years, he was really on fire. Working flat out and doing amazing | :41:46. | :41:49. | |
stuff. Do you have a favourite of all the records in there? Probably | :41:50. | :41:54. | |
the first one is from when I first met George in 1974. He was recording | :41:55. | :42:00. | |
an album called dark horse. That is probably my favourite. He said, what | :42:01. | :42:05. | |
we need is not material, it is spiritual, and we need some form of | :42:06. | :42:11. | |
peace and happiness. That was what he said about the material world. | :42:12. | :42:14. | |
What do you think his favourite record would be, and if he were here | :42:15. | :42:19. | |
now, what do you think he would be saying to all of us? Well, he would | :42:20. | :42:23. | |
have the same message, I think. What would his favourite song be? I don't | :42:24. | :42:28. | |
know. He used to say, oh, I have written one or two. He was very | :42:29. | :42:34. | |
modest. Thank you for joining us. Olivia Harrison! | :42:35. | :42:43. | |
Now, from those amazing, legendary George Harrison records, we go to a | :42:44. | :42:47. | |
brand-new artist in the form of FKA twigs. | :42:48. | :44:29. | |
# Can fill your gaps with people. # So lonely trying to be yours, when | :44:30. | :44:47. | |
you're looking for so much more. # You forgot. | :44:48. | :45:05. | |
# How we fell in love. # I'm your sweet... Little love | :45:06. | :45:21. | |
maker. # Your young girls and I am broken. | :45:22. | :45:28. | |
# I dance feelings like they are spoken. | :45:29. | :45:36. | |
# So my conversation's not enough. # So lonely trying to be yours. | :45:37. | :45:51. | |
# Running through sliding doors. # So lonely trying to be yours. | :45:52. | :46:00. | |
# When you're looking for so much more. | :46:01. | :46:31. | |
# How does it feel to have me thinking about you? | :46:32. | :46:38. | |
# Wishing the words were enough to consume you. | :46:39. | :47:00. | |
# So lonely trying to be yours. # So lonely trying to be yours. | :47:01. | :47:28. | |
# Running through sliding doors. # So lonely trying to be yours. | :47:29. | :47:30. | |
more. # To be yours. | :47:31. | :47:55. | |
# The next stop that we make will be soon | :47:56. | :48:30. | |
# Tell all the folks in Russia, and China, too | :48:31. | :48:38. | |
# Don't you know that it's time to get on board? | :48:39. | :48:44. | |
# And let this train keep on riding, riding on through | :48:45. | :48:51. | |
# All of you brothers over in Africa | :48:52. | :49:16. | |
# Tell all the folks in Egypt, and Israel, too | :49:17. | :49:24. | |
# Please don't miss this train at the station | :49:25. | :49:30. | |
# Cos if you miss it, I feel sorry, sorry for you | :49:31. | :49:37. | |
So delighted. The legendary The O'Jays! I will throw over to Ryan | :49:38. | :51:32. | |
Adams! # All these things keep running | :51:33. | :51:55. | |
through my mind # Everyone and everything I left | :51:56. | :51:59. | |
behind # Standing in the cold gold Dawn | :52:00. | :52:08. | |
# Watching cars go by # All these things keep running | :52:09. | :52:18. | |
through my mind # Am I safe? Because I don't want | :52:19. | :52:30. | |
feel with you # Every day my heart sinks like a | :52:31. | :52:34. | |
stone # It carries me away into the | :52:35. | :52:45. | |
undertow # There's no air | :52:46. | :52:54. | |
# There's no sound, no light # And all these things keep running | :52:55. | :52:58. | |
through my mind # Am I say? | :52:59. | :53:02. | |
#, I save? # Am I safe | :53:03. | :53:05. | |
# # If I don't want to be with you | :53:06. | :53:12. | |
# Am I save? # Am I safe | :53:13. | :53:16. | |
# # Am I safe? # | :53:17. | :53:34. | |
On my way back home, I see a house over | :53:35. | :53:40. | |
# Close my eyes, but it wasn't home # It's complicated | :53:41. | :53:48. | |
# But I just don't love you any more # I just want to sit here and watch | :53:49. | :53:55. | |
it burn # Sit and watch it burn | :53:56. | :54:33. | |
if # Sitting look at someone through | :54:34. | :54:36. | |
the world # Running from myself like when I | :54:37. | :54:45. | |
was a little child # Pictures flaming on the wall, when | :54:46. | :54:53. | |
we used to smile # Setting like a son into the wild | :54:54. | :55:01. | |
# Cos I don't want to be with you # If I don't want to be with you | :55:02. | :55:37. | |
# Somewhere # To fit in | :55:38. | :56:42. | |
# Alien # Oh, coming out of the woodwork | :56:43. | :56:55. | |
# Chest burst like John Hurt # AKA | :56:56. | :57:09. | |
# 20 # 47 | :57:10. | :57:25. | |
# # Oh, coming out of the woodwork | :57:26. | :57:35. | |
# Chest burst like John Hurt # Coming out of the woods | :57:36. | :57:51. | |
# Coming out of the woodwork # Chest burst like John Hurt | :57:52. | :57:58. | |
# Coming out of the woods # Jeremiah | :57:59. | :58:19. | |
# Looking down and you know where you're looking on down | :58:20. | :58:21. | |
# Do you know where you go # You?re headed on the strings | :58:22. | :58:28. | |
For the # E-X-T-I-N-C-T | :58:29. | :58:33. | |
# Jeremiah # Looking down and you know where | :58:34. | :58:35. | |
you're looking on down # Do you know where you go | :58:36. | :58:39. | |
# You?re headed on the strings For the | :58:40. | :58:48. | |
# E-X-T-I-N-C-T # Coming out of the woodwork | :58:49. | :58:50. | |
# Chest burst like John Hurt # Coming out of the woods | :58:51. | :58:58. | |
# Coming out of the woodwork # Chest burst like John Hurt | :58:59. | :59:06. | |
# Coming out of the woods # Coming out of the woodwork | :59:07. | :59:13. | |
# Chest burst like John Hurt # Coming out of the woods | :59:14. | :59:24. | |
# Coming out of the woodwork # Chest burst like John Hurt | :59:25. | :59:27. | |
# Coming out of the woods # Oh | :59:28. | :00:10. | |
# Coming out of the woodwork # Chest burst like John Hurt | :00:11. | :00:13. | |
# Coming out of the woods # Oh | :00:14. | :00:24. | |
# Coming out of the woodwork # Chest burst like John Hurt | :00:25. | :00:36. | |
# Coming out of the woods APPLAUSE | :00:37. | :00:45. | |
Thank you, Alt-J. Thank you to all of our guests, if | :00:46. | :00:55. | |
you look on the website, you can see some archive Alt-J. We will be back | :00:56. | :01:00. | |
next week with Mary J Blige, Marianne Faithfull and much more, | :01:01. | :01:05. | |
but now, let's have a little bit of a groove from the O'Jays' beautiful | :01:06. | :01:12. | |
band. Yes, I'm feeling good. I'm so pleased you could join me this | :01:13. | :01:16. | |
evening, said thank you to the amazing the O'Jays! Thank you for | :01:17. | :01:28. | |
joining us, Olivia Harrison! Thank you for joining us, Jungle. Thank | :01:29. | :01:42. | |
you, Alt-J. The man with the big sound and the big amp, Mr Ryan | :01:43. | :01:53. | |
Adams. A young woman, the O'Jays said she | :01:54. | :02:04. | |
is going to be a superstar, FKA twigs. And Mr Vance Joy! | :02:05. | :02:12. |