Episode 1 Later... with Jools Holland


Episode 1

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Transcript


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Welcome to a new display of marvellous musical displays. Let's

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begin with two! -- Alt-J! # Hey, shady baby, I'm hot

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Like the prodigal son # Pick a battle

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Eenie meenie miney moe # Hey, flower,

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you're the chosen one # I tackle weeds

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just so the moon buggers nibble # A right-hand grip on his

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Colt Single Action Army # Though your man's

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bigger than I am # Hey, shady baby, I'm hot

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Like the prodigal son # Pick a battle

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Eenie, meenie, miney, moe # Hey, flower,

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you're the chosen one We have a

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room full of amazing guests. From Shepherd's Bush, Jungle! I would be

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talking to Olivia Harrison. From Ohio we are delighted to have The

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O'Jays! From Melbourne, a beautiful songwriter, Vance Joy! From London,

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she is sensational, FKA twigs! Now, from Los Angeles, we are delighted

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to welcome back into this room, Ryan Adams.

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# Gimme something # Gimme something good

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Ryan Adams! More from him later. This band also have a self titled

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LP, their first LP. Everybody says it is very good. They are Jungle!

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# Ain't easy, you know. # Time and time again.

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# Say it again. # Just hold on tight, don't let it

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in, yeah. # I will run all right, don't let it

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in. # Just let it out.

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# Time and time and time and time again.

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# Time and time and time and time again.

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# Now I feel it. # I know, you know.

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# Time and time again. # Time and time again.

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# Say it again. # Just hold on tight, don't let it

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in, yeah. # Just let it out.

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# Time and time and time and time again.

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# Time and time and time and time again.

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# My head is in space. # You know, you know.

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# Time and time again. # Just hold on tight.

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# Don't let it in, yeah. # I will run all right, don't let it

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in. # Just let it out.

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# Time and time and time and time again.

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# Just hold on tight don't let it in, yeah.

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# I will run all right, don't let it in.

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# Just let it out. # Time and time and time and time

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again. APPLAUSE.

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Thank you, Jungle! Now we have some legendary figures

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at the piano, and those figures are no mother than water, Eric and

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Eddie. They are, of course, the amazing The O'Jays! We are very

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pleased to have you here this evening.

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How did you meet? You formed over 50 years ago. We were having exams in

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high school, and we met during the break as you say. We had recess, and

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we got in the hallway and we started messing around, singing. And it

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sounded so great in the hallway that we figured, look, if we could just

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take this with us everywhere we go, we could probably win some fans. You

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have millions of fans. Also, a good tip, when you mess around at school,

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sometimes it is all right. Things of course changed when you met the

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songwriter 's and your producers. What changed everything for them and

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for you? Will playing at the Apollo theatre with the Intruders. At that

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time, the Intruders had a song. And the producers came to see them, and

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they introduced us to them. And we became hot. Marvellous records, lots

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of people have loved them over the years. We have a clip here which we

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can look at you at the Hammersmith Odeon in 1988.

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# Some people really need it. # Well, you want two things, do good

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things with it. # Cash, money, money.

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# Talking about cash, money. Yeah, that is great. And I have to

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say, as well as having amazing voices, rather tasty dance moves.

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When did you figure out the dancing? Well, we used to watch TV.

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Hullabaloo, Shindig. Even the girls for Dean Martin, we would steal

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their moves. Then we met a professional named Charlie Atkinson,

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who started teaching us how to move. He did the Motown people as well.

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Yes, he taught the Jacksons, the Supremes. He was a tough guy to deal

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with. He was a tough teacher? Yes. Was there one rule that he said you

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had to do, one particular thing? Well, he told us, a hit record is

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great, but to have a hit act would be a lot better. Wise words.

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Fantastic to have you here this evening. We will be hearing more

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from The O'Jays later in the show. The O'Jays, ladies and gentlemen!

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Now, let's go into this corner from a great legendary artist to a new

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artist. We welcome FKA twigs! # Cos you're the only one

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who resonates that chest # Higher than a mother,

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dreamin' of it, it's my lovin' # Flying like a screamin' falcon,

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on our ways to do each other # Pull out the incisor, give me two

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weeks, you won't recognize her # Unless you're

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the only one who instigates # Higher than a mother,

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dreamin' of it, it's my lovin' # Flying like a screamin' falcon,

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on our ways to do each other # Pull out the incisor, give me two

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weeks, you won't recognize her # Feel your body closin'

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I can rip it open # Suck me up, I'm healin'

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for the stuff you're dealin' # Smoke on your skin to get

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those pretty eyes rollin' # My thighs are apart for

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when you're ready to breathe in # Suck me up, I'm healin'

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for the stuff you're dealin' # Hi, mother, get your mouth open,

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You know you're mine # Just close your eyes

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and dream about it # Just chase around

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and stop your doubtin' # Pull out the incisor, give me two

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weeks, you won't recognize her # It on your face all the time

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# All the time, they want to take your place

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# The backstabbers # All you fellas

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# And you this

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# They smile in your face all the time

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# Want to take your place all the time

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# The backstabbers # What they doing to me?

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# They come to my house again and again

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# To all the men who take my woman # I don't even be home

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# What can I do # What they doing?

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# They smiling in your face all the time

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# They want to take your place, the backstabbers

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# Lowdown, dirty, everybody say # What they do

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# They smile in your face, smiling faces, sometimes

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# They smile in your face # I don't need no lowdown

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backstabbers # They smile in your face

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# Backstabbers the wonderful, the amazing, the

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O'Jays. Before that, we enjoyed Ryan -- FKA

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twigs. And welcome the amazing Alt-J.

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# I want to do all the things your lungs do so well

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# I'm going to bed into you like a cat beds into a beanbag

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# Turn you inside out and lick you like a crisp packet

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# You're the first and last of your kind

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# Hold me like an animal on top of her

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# Like a cat paws at my woollen jumper

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# Do do do, do do do, do do do do, do do

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# Let me be the wallpaper that papers up your room

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# I want to be every button you press

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# Like a cat rolls around the chrysanthemums

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# I'm going to kiss you like the sun browns you

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# If you really think that you can stomach me

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#: When you call my name # Is sensibly running into the flame

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# -- it sent me running into the flame

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# I love you baby, just treat me right

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# Hold me close in the middle of the night

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# I love you girl and it's all right # Stay

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# Are you waiting # Are you standing guard?

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# We passed the restaurant on Sunset Boulevard

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# I love you baby, just treat me right

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# Hold me close in the middle of the night

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# I love you girl and it's all right # Stay with me

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# At the speed of sound or the speed of light

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# When you say my name, it feels so right

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# In the middle of the night, would you call my name?

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# Don't worry, # I love you baby, so treat me right

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# Hold me close in the middle of the night

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# I love you girl and it's all right # Stay with me

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# Stay with me thank you, Ryan Adams. Can I also

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congratulate you and draw attention to the fact, everyone is trying to

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make everything smaller these days, but no, you have the biggest

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amplifier we have ever seen. Why did you decide to have such a whopper?

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Well, for some reason, this small amplifier, in my opinion, is the

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biggest sounding amp varies. Keith Richards always talked about if you

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want a really big guitar sound on record, find the smallest amp you

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could find, so said I wanted the biggest smallest amp I can find. You

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have got it there, thank you very much, Ryan Adams! And now, a lovely

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artist from Melbourne, you will have heard this song because it is a huge

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hit around the world and we welcome into the room, Vance Joy.

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# I was scared of dentists and the dark

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# I was scared of pretty girls and starting conversations

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# Oh, all my friends are turning green

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# You're the magician's assistant in their dream

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# I love you when you're singing that song

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# Cos you're going to sing the words wrong

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# There's this movie that I think you'll like

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# This guy decides to quit his job and heads to New York City

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# This cowboy's running from himself

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# And she's been living on the highest shelf

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# I love you when you're singing that song

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# Cos you're going to sing the words wrong

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# I just want to, I just want to know

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# If you're going to, if you're going to stay

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# I can't have it, I can't have it any other way

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# I swear she's destined for the screen

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# Closest thing to Michelle Pfeiffer that you've ever seen, oh

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# I love you when you're singing that song

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# Cos you're going to sing the words wrong

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# Oh, lady, running down to the riptide

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# I love you when you're singing that song

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# Cos you're going to sing the words wrong

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# Cos you're going to sing the words wrong. #

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# Never have plans for a normal life

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# It's time, too busy earnin'

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# You can't get enough

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# You think that all your time is used, too busy earnin'

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# But I bet it won't change, no

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# Damn, that's a boring life

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# You think that all your time is used

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# You think that all your time is used

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# You think that all your time is used

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thank you, Jungle! So now, there is a really

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extraordinary and amazing dog set of George Harrison records out on Apple

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records. And he had to tell me about that, we welcome into the studio,

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Olivia Harrison! Lovely box set with the Apple on it. I suppose the first

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thing I should ask about is Apple records. It was an unusual record

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company. Where were -- what were its objective is? Well, the Beatles

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worked very hard, and they objective is? Well, the Beatles

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turned down several times. I think they wanted to make it easier for

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other artists to be heard they wanted to make it easier for

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express themselves, not unlike what you are doing here. It also became

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the label where they put their solo albums out. These were George's six

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or seven solo albums. George was incredibly successful after the

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Beatles. Have you spent a long time working on this collection? Yes, it

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took years to get through it. There is a lot of material. We put out his

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last six solo album 's first, so it took some time. We were working on

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it for a year or so. And you have remastered them all. Do they sound

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very different to the originals? They went back to the analog tapes,

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and Danny supervised the remastering. I don't have to bad

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ears. I am told it is much better. We have some rare footage that we

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are going to look at. # Tired of midnight blues.

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# I thought by now, you knew the score.

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# You missed the point, just like before.

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# You keep on crying. Marvellous. George and all the

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Beatles were ahead of everybody in doing lots of things. It seemed that

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maybe he was one of the first graffiti artist. What was he

:40:58.:41:06.

graffiti in? His house. Is that part of the graffiti on the side of

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there? It is. People used to stop by and add to it. Have you discovered

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things previously unknown while putting it all together? We did. A

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lot of material, but mostly, it was how hard he worked. This spanned

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seven years, and there are six albums. But in between that, he did

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the concert for Bangladesh, and the movie as well. So over a period of

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seven years, he was really on fire. Working flat out and doing amazing

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stuff. Do you have a favourite of all the records in there? Probably

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the first one is from when I first met George in 1974. He was recording

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an album called dark horse. That is probably my favourite. He said, what

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we need is not material, it is spiritual, and we need some form of

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peace and happiness. That was what he said about the material world.

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What do you think his favourite record would be, and if he were here

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now, what do you think he would be saying to all of us? Well, he would

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have the same message, I think. What would his favourite song be? I don't

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know. He used to say, oh, I have written one or two. He was very

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modest. Thank you for joining us. Olivia Harrison!

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Now, from those amazing, legendary George Harrison records, we go to a

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brand-new artist in the form of FKA twigs.

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# Can fill your gaps with people. # So lonely trying to be yours, when

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you're looking for so much more. # You forgot.

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# How we fell in love. # I'm your sweet... Little love

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maker. # Your young girls and I am broken.

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# I dance feelings like they are spoken.

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# So my conversation's not enough. # So lonely trying to be yours.

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# Running through sliding doors. # So lonely trying to be yours.

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# When you're looking for so much more.

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# How does it feel to have me thinking about you?

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# Wishing the words were enough to consume you.

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# So lonely trying to be yours. # So lonely trying to be yours.

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# Running through sliding doors. # So lonely trying to be yours.

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more. # To be yours.

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# The next stop that we make will be soon

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# Tell all the folks in Russia, and China, too

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# Don't you know that it's time to get on board?

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# And let this train keep on riding, riding on through

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# All of you brothers over in Africa

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# Tell all the folks in Egypt, and Israel, too

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# Please don't miss this train at the station

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# Cos if you miss it, I feel sorry, sorry for you

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So delighted. The legendary The O'Jays! I will throw over to Ryan

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Adams! # All these things keep running

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through my mind # Everyone and everything I left

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behind # Standing in the cold gold Dawn

:52:00.:52:08.

# Watching cars go by # All these things keep running

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through my mind # Am I safe? Because I don't want

:52:19.:52:30.

feel with you # Every day my heart sinks like a

:52:31.:52:34.

stone # It carries me away into the

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undertow # There's no air

:52:46.:52:54.

# There's no sound, no light # And all these things keep running

:52:55.:52:58.

through my mind # Am I say?

:52:59.:53:02.

#, I save? # Am I safe

:53:03.:53:05.

# # If I don't want to be with you

:53:06.:53:12.

# Am I save? # Am I safe

:53:13.:53:16.

# # Am I safe? #

:53:17.:53:34.

On my way back home, I see a house over

:53:35.:53:40.

# Close my eyes, but it wasn't home # It's complicated

:53:41.:53:48.

# But I just don't love you any more # I just want to sit here and watch

:53:49.:53:55.

it burn # Sit and watch it burn

:53:56.:54:33.

if # Sitting look at someone through

:54:34.:54:36.

the world # Running from myself like when I

:54:37.:54:45.

was a little child # Pictures flaming on the wall, when

:54:46.:54:53.

we used to smile # Setting like a son into the wild

:54:54.:55:01.

# Cos I don't want to be with you # If I don't want to be with you

:55:02.:55:37.

# Somewhere # To fit in

:55:38.:56:42.

# Alien # Oh, coming out of the woodwork

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# Chest burst like John Hurt # AKA

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# 20 # 47

:57:10.:57:25.

# # Oh, coming out of the woodwork

:57:26.:57:35.

# Chest burst like John Hurt # Coming out of the woods

:57:36.:57:51.

# Coming out of the woodwork # Chest burst like John Hurt

:57:52.:57:58.

# Coming out of the woods # Jeremiah

:57:59.:58:19.

# Looking down and you know where you're looking on down

:58:20.:58:21.

# Do you know where you go # You?re headed on the strings

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For the # E-X-T-I-N-C-T

:58:29.:58:33.

# Jeremiah # Looking down and you know where

:58:34.:58:35.

you're looking on down # Do you know where you go

:58:36.:58:39.

# You?re headed on the strings For the

:58:40.:58:48.

# E-X-T-I-N-C-T # Coming out of the woodwork

:58:49.:58:50.

# Chest burst like John Hurt # Coming out of the woods

:58:51.:58:58.

# Coming out of the woodwork # Chest burst like John Hurt

:58:59.:59:06.

# Coming out of the woods # Coming out of the woodwork

:59:07.:59:13.

# Chest burst like John Hurt # Coming out of the woods

:59:14.:59:24.

# Coming out of the woodwork # Chest burst like John Hurt

:59:25.:59:27.

# Coming out of the woods # Oh

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# Coming out of the woodwork # Chest burst like John Hurt

:00:11.:00:13.

# Coming out of the woods # Oh

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# Coming out of the woodwork # Chest burst like John Hurt

:00:25.:00:36.

# Coming out of the woods APPLAUSE

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Thank you, Alt-J. Thank you to all of our guests, if

:00:46.:00:55.

you look on the website, you can see some archive Alt-J. We will be back

:00:56.:01:00.

next week with Mary J Blige, Marianne Faithfull and much more,

:01:01.:01:05.

but now, let's have a little bit of a groove from the O'Jays' beautiful

:01:06.:01:12.

band. Yes, I'm feeling good. I'm so pleased you could join me this

:01:13.:01:16.

evening, said thank you to the amazing the O'Jays! Thank you for

:01:17.:01:28.

joining us, Olivia Harrison! Thank you for joining us, Jungle. Thank

:01:29.:01:42.

you, Alt-J. The man with the big sound and the big amp, Mr Ryan

:01:43.:01:53.

Adams. A young woman, the O'Jays said she

:01:54.:02:04.

is going to be a superstar, FKA twigs. And Mr Vance Joy!

:02:05.:02:12.

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