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Good evening. I have spoken with the authorities who assure me that it is | :00:35. | :00:51. | |
music this evening. Let's welcome Bloc Party! Tonight we have a lovely | :00:52. | :04:44. | |
line-up of beautiful people. From Manchester, Spring King! One of the | :04:45. | :04:51. | |
greatest legends of popular music of all time, with a fantastic new | :04:52. | :04:55. | |
record, Sir Elton John! From Montreal, Canada, the wonderful | :04:56. | :05:03. | |
Basia Bulat! The exquisite Kronos Quartet from San Francisco. And now, | :05:04. | :05:09. | |
from Leeds, we welcome Corinne Bailey Rae. | :05:10. | :05:17. | |
# Tender is the light that shines on you | :05:18. | :05:20. | |
# Delicate, the grace we've come into | :05:21. | :05:32. | |
# Waiting for the perfect boat to take | :05:33. | :05:46. | |
# Waiting for the perfect wind to sail away | :05:47. | :05:53. | |
# You hold your happiness away from you | :05:54. | :06:14. | |
# Lying in the dark your seed will grow | :06:15. | :06:48. | |
# Miracles just like a winter rose will be | :06:49. | :07:01. | |
# The feeling you get when you're almost there | :07:02. | :07:25. | |
# You can't stop the wild wind roaring | :07:26. | :07:56. | |
# But you can stop my poor heart from calling out | :07:57. | :08:05. | |
Corinne Bailey Rae! Stop Where You Are from her wonderful new album, | :08:06. | :08:54. | |
The Heart Speaks In Whispers. So, let's go to this corner. We have got | :08:55. | :09:00. | |
an incredible room of talented and also vary in different styles of | :09:01. | :09:03. | |
music this evening. Let's enjoy something new from Manchester. We | :09:04. | :09:06. | |
welcome Spring King! # Searching for a world in which I'd | :09:07. | :09:22. | |
feel fine # And now I'm looking | :09:23. | :09:29. | |
for how you felt, you felt # Won't let go, tonight, of your | :09:30. | :09:37. | |
hand # If only I could find | :09:38. | :09:42. | |
you for one second # If only I could find | :09:43. | :09:56. | |
you for one second # I'd hold onto what | :09:57. | :10:03. | |
it is that you threw # What you have is something you | :10:04. | :10:06. | |
better keep # What you are is more than you | :10:07. | :10:16. | |
think, you think, you think # What you have is something that | :10:17. | :10:19. | |
you better keep # What you are is | :10:20. | :10:22. | |
more than you think # Won't let go, tonight, of your | :10:23. | :10:33. | |
hand # Searching for a world in which I'd | :10:34. | :10:42. | |
feel fine # Only you can do what it is | :10:43. | :11:08. | |
that you feel you feel # Only you can do what it is | :11:09. | :11:14. | |
that you feel you feel # Won't let go, tonight, of your | :11:15. | :11:20. | |
hand # Won't let go, tonight, of your | :11:21. | :11:23. | |
hand # Won't let go, tonight, of your | :11:24. | :11:33. | |
hand # Won't let go, tonight, of your | :11:34. | :11:43. | |
hand Spring King! Tell me if you liked | :11:44. | :12:22. | |
it. In this corner, I suppose our next guest is one of the greatest | :12:23. | :12:26. | |
geniuses of popular music of our time. We are pleased as at the piano | :12:27. | :12:33. | |
Sir Elton John! -- we are pleased to have. Now, we've got this excellent | :12:34. | :12:41. | |
new record out, some beautiful things, great songs. I've been | :12:42. | :12:46. | |
listening a lot. I believe it is your 33rd record. I think so. It's a | :12:47. | :12:51. | |
lot of studio records, but I'm very old. There are older people here, | :12:52. | :12:57. | |
actually. I will introduce you. Again, it's with Bernie Taupin. You | :12:58. | :13:03. | |
always work with Bernie. I would be interested to know how that works. | :13:04. | :13:08. | |
How does it work? From the word go when we started writing together, | :13:09. | :13:14. | |
which will be 50 years next year... CHEERING | :13:15. | :13:19. | |
He gives me a lyric of a page. Originally it was handwritten and | :13:20. | :13:23. | |
then it was tight and now it is e-mailed. I go away into another | :13:24. | :13:28. | |
room and I write the melody and the song and I come back and to him. We | :13:29. | :13:33. | |
have never been in the same room. Are you in the same building? | :13:34. | :13:39. | |
Sometimes. I love coming back and playing in what I've done to see if | :13:40. | :13:46. | |
he likes it. Has he ever not liked it? He must have been unhappy couple | :13:47. | :13:51. | |
of times but he's never shown it. We have never really argued which is | :13:52. | :13:55. | |
probably why we have lasted 50 years. We don't tread on each | :13:56. | :14:00. | |
other's toes. There is a song on here about a preacher, great poem. | :14:01. | :14:09. | |
It's called I've Got Two Wings. It's about a black preacher from the | :14:10. | :14:15. | |
1950s who put on a pair of angel wings had a Les Paul guitar and an | :14:16. | :14:18. | |
amplifier and he went into the southern churches in America and | :14:19. | :14:24. | |
sometimes tents and he played the blues and kind of gospel guitar. He | :14:25. | :14:29. | |
was the first person to plug an electric guitar into a church. I | :14:30. | :14:33. | |
thought Bernie made it up but it is true. It's a wonderful story. Bernie | :14:34. | :14:38. | |
does come up with great stories. Data on, we will be enjoying some of | :14:39. | :14:43. | |
your early music. You will be playing something from Tumbleweed | :14:44. | :14:49. | |
Connection. It's one of the adverse outcomes I bought. I have still got | :14:50. | :14:55. | |
a scratched copy, a vinyl record. -- it is one of the first record I | :14:56. | :15:00. | |
bought. I don't listen to Mike records that much. When I go back | :15:01. | :15:06. | |
and here it sometimes on the radio, I get pleasantly surprised and | :15:07. | :15:09. | |
think, that wasn't bad. But I don't really look back. I don't reminisce. | :15:10. | :15:19. | |
Looking forward. Yes. You keep up with new music. Every time I meet | :15:20. | :15:23. | |
you, you always have something new, a new take on things. I like new | :15:24. | :15:29. | |
music because you get so much energy from the young. There is so little | :15:30. | :15:34. | |
exposure these days for bands and artists. I have a radio show on my | :15:35. | :15:39. | |
own and I try and play as much new stuff as I can and I listen and I | :15:40. | :15:42. | |
get inspired by the youth. It's something I love. Any particular | :15:43. | :15:50. | |
people in this last few weeks? There is a girl called Rosie macro low who | :15:51. | :16:00. | |
I love. There is a girl from Sweden. Christine and the Queens? They are | :16:01. | :16:03. | |
my favourite band at the moment. I rang her up and told her how | :16:04. | :16:09. | |
fabulous record is. She is very shy and she was on this show a couple of | :16:10. | :16:14. | |
weeks ago. I went to see her at the Roundhouse last week. Amazing, how | :16:15. | :16:20. | |
pop music could sound in 2016. You can't come here without going down | :16:21. | :16:24. | |
the time tunnel. Lots of people have covered songs of yours, but this | :16:25. | :16:29. | |
one, I know, was covered by Rick Wakeman and others. For we see this, | :16:30. | :16:35. | |
is there a couple of yours that you particularly love? Rocket Man by | :16:36. | :16:42. | |
Kate bush, Sacrifice by Sinead O'Connor. This is you. Oh, yes. | :16:43. | :16:56. | |
# Hold that music, I've been removed # I've seen the spectre | :16:57. | :17:08. | |
# He has been here to # Distant coming from down the line | :17:09. | :17:15. | |
# Round-up people who ain't my kind # Oh, man, Moses | :17:16. | :17:22. | |
# I've been removed. # | :17:23. | :17:33. | |
And, of course, Aretha Franklin singing that song. Which it covered | :17:34. | :17:37. | |
that I thought I had died and gone to heaven. Later you will be playing | :17:38. | :17:42. | |
a song from your new album. What have you picked? It is an up-tempo | :17:43. | :17:49. | |
album and I have picked the ballot. I don't have my band with me and it | :17:50. | :17:54. | |
would be hard to replicate. I have chosen a song called A Good Heart. | :17:55. | :17:59. | |
It is a great privilege and an honour to have you here this | :18:00. | :18:02. | |
evening. Thank you very much, the wonderful Elton John. | :18:03. | :18:04. | |
APPLAUSE And now, our next artist is a huge | :18:05. | :18:14. | |
success in Canada where she is from. She is Basia Bulat. | :18:15. | :18:21. | |
# How many times can I run to defy it? | :18:22. | :18:33. | |
# Into the arms of your, your goodbye, your long goodbye | :18:34. | :18:39. | |
# When I'm in love, nobody else for me to blame | :18:40. | :18:44. | |
# Into the arms of your, your goodbye, your long goodbye | :18:45. | :19:14. | |
# And when I hear your farewell in my mind | :19:15. | :19:19. | |
# Play it again and again, then rewind | :19:20. | :19:25. | |
# How many times can I try to deny it? | :19:26. | :19:31. | |
# The way you love, even your enemy has a price | :19:32. | :19:42. | |
# Into the arms of your, your goodbye, now say goodbye | :19:43. | :20:12. | |
# Have I been waiting my whole life for this? | :20:13. | :20:46. | |
# When I'm in love, nobody else for me to blame | :20:47. | :20:51. | |
# Into the arms of your, your goodbye, your long goodbye | :20:52. | :21:10. | |
# Into the arms of your, your goodbye, your long goodbye | :21:11. | :21:43. | |
# It's all yours and yours and yours alone | :21:44. | :23:19. | |
# Yours for the taking, so take it home | :23:20. | :23:21. | |
# Just a soulful warm and tender love | :23:22. | :23:40. | |
# Oh it's a good heart from me to you | :23:41. | :23:54. | |
# But him and me, we pulled on through | :23:55. | :24:06. | |
# I've seen 'em come, I've seen 'em go | :24:07. | :24:12. | |
# So take a chance and take your time | :24:13. | :24:26. | |
# Just a soul full all men tend to love | :24:27. | :25:00. | |
# Oh it's a good heart from me to you | :25:01. | :25:37. | |
# Just a soul full all men tend to love | :25:38. | :25:50. | |
# Oh it's a good heart from me to you | :25:51. | :26:04. | |
Sir Elton John, A Good Heart. From his wonderful LP. Before that, | :26:05. | :27:17. | |
we very much enjoyed Basia Bulat. Now, more wonderful contrasts. | :27:18. | :27:20. | |
Returning from their recent triumphant string of incredible | :27:21. | :27:25. | |
dates. There are more dates you can see them at, I think. We welcome | :27:26. | :27:27. | |
Kronos Quartet. # Very soon your world | :27:28. | :31:42. | |
could be different # But you've got your mind set | :31:43. | :32:16. | |
on silence, silence, silence # The skies will break | :32:17. | :32:24. | |
for you, my friend # The waves will part, | :32:25. | :32:31. | |
the seas will rend # The skies will break | :32:32. | :32:35. | |
for you, my friend # It feels like | :32:36. | :32:43. | |
they'll drown you out # Don't let your mind rest | :32:44. | :33:24. | |
on violence, violence, violence # Oh, the skies will | :33:25. | :33:39. | |
break for you, my friend # The skies will break | :33:40. | :33:43. | |
for you, my friend # The waves will part, | :33:44. | :33:47. | |
the seas will rend # The skies will break | :33:48. | :33:50. | |
for you, my friend # Oh, the skies will break | :33:51. | :33:58. | |
for you, my friend # The waves will part, | :33:59. | :34:59. | |
the seas will rend # The skies will break | :35:00. | :35:01. | |
for you, my friend Corinne Bailey Rae, The Skies Will | :35:02. | :36:52. | |
Break. From Spring King -- The Heart Speaks In Whispers, her new album. | :36:53. | :36:55. | |
Before that, we enjoyed the Kronos Quartet. Now, going to this corner, | :36:56. | :37:05. | |
changing the vibrations once again, and welcoming Bloc Party. | :37:06. | :37:29. | |
# Where the tall grass grows and grows | :37:30. | :38:19. | |
# And let me wait until my saviour comes home | :38:20. | :38:26. | |
# For only he can heal me with his touch | :38:27. | :38:47. | |
# From the lame and from the wretched | :38:48. | :39:14. | |
# For only he can heal me with his touch | :39:15. | :39:53. | |
Bloc Party, from their album Hymns. We are very fortunate to have the | :39:54. | :41:25. | |
amazing, amazingly, incredibly talented Sir Elton John with us. | :41:26. | :41:29. | |
He's going to perform now a song from the wonderful 1970 album | :41:30. | :41:37. | |
Tumbleweed Connection. Please big it up in the biggest possible way for | :41:38. | :41:40. | |
Sir Elton John. # In the quiet silent seconds | :41:41. | :41:52. | |
I turned off the light switch # And I came down to meet | :41:53. | :41:58. | |
you in the half light the moon left # While a cluster of night jars sang | :41:59. | :42:05. | |
some songs out of tune # A mantle of bright light | :42:06. | :42:13. | |
shone down from a room # Come down in time, | :42:14. | :42:21. | |
I still hear her say # So clear in my ear | :42:22. | :42:29. | |
like it was today # Come down in time, | :42:30. | :42:36. | |
was the message she gave # Come down in time | :42:37. | :42:43. | |
and I'll meet you half way # Well, I don't know if I should | :42:44. | :43:08. | |
have heard her as yet # But a true love like | :43:09. | :43:13. | |
hers is a hard love to get # And I've walked most all the way | :43:14. | :43:20. | |
and I ain't heard her call # And I'm getting to thinking | :43:21. | :43:27. | |
if she's coming at all # Come down in time, | :43:28. | :43:34. | |
I still hear her say # So clear in my ear | :43:35. | :43:42. | |
like it was today # Come down in time, | :43:43. | :43:49. | |
was the message she gave # Come down in time | :43:50. | :43:56. | |
and I'll meet you half way # There are women and women | :43:57. | :44:21. | |
and some hold you tight # While some leave you counting | :44:22. | :44:29. | |
the stars in the night. # Saw the pictures, read | :44:30. | :44:43. | |
all your darkest thoughts # While you were waitin', | :44:44. | :45:04. | |
ready to brush me off # We could be friendly, | :45:05. | :45:09. | |
we could be out of touch # We could be famous | :45:10. | :45:16. | |
or even infamous # Come back or don't | :45:17. | :45:22. | |
but turn me down # Don't waste my time pretending | :45:23. | :45:29. | |
love is somewhere else # Stop wasting time pretending | :45:30. | :45:35. | |
love is somewhere else # Should have been easy, | :45:36. | :45:58. | |
but how can I close my eyes? # You have new friends | :45:59. | :46:03. | |
now, I didn't recognize # For every time you'd | :46:04. | :46:09. | |
say, I ask for too much # You spend another day | :46:10. | :46:15. | |
tryin' to be infamous # Come back or don't | :46:16. | :46:21. | |
but turn me down # Don't waste my time pretending | :46:22. | :46:29. | |
love is somewhere else # Don't waste my time pretending | :46:30. | :46:35. | |
love is somewhere else # Come back or don't | :46:36. | :46:49. | |
but turn me down # Don't waste my time pretending | :46:50. | :47:32. | |
love is somewhere else # Don't waste my time | :47:33. | :47:32. | |
pretending at all Thank you, Basia Bulat, Infamous. | :47:33. | :48:48. | |
Before that, we enjoyed Sir Elton John. Now, let's have a momentary | :48:49. | :48:57. | |
pause and enjoy at the piano for a little chat and perhaps a song, | :48:58. | :49:01. | |
Corinne Bailey Rae. Welcome to the show. Lovely to see you. This lovely | :49:02. | :49:10. | |
record. You wrote and recorded both in Leeds and LA. Those two places. | :49:11. | :49:16. | |
Was there much of a contrast between the two? Yes, a massive contrast. I | :49:17. | :49:21. | |
love Leeds, how rainy and ten cities, and how you can lock your | :49:22. | :49:26. | |
self away into the studio. But we wanted to move the bubble and go | :49:27. | :49:29. | |
somewhere where there was sunshine and get to some amazing musicians in | :49:30. | :49:36. | |
Los Angeles. Who have you got on it? Marcus Miller. All of the great bass | :49:37. | :49:41. | |
players. And an amazing drummer who played with Bill Withers and Marvin | :49:42. | :49:47. | |
Gaye. And a great band from LA called King. And the title, the | :49:48. | :49:52. | |
heart that speaks in whispers. Where does that come from? The album is | :49:53. | :49:57. | |
all about listening to the inner voice and quieting down what goes on | :49:58. | :50:02. | |
inside, about instinct and the subconscious and dreams and nature. | :50:03. | :50:08. | |
The record has the quality of a Stevie wonder record. I am a fan of | :50:09. | :50:14. | |
his. RU? I am a massive Stevie wonder fan. You are going to do a | :50:15. | :50:20. | |
show with him? Yes, in Hyde Park. Pharrell Williams is performing, we | :50:21. | :50:25. | |
are playing as well, so I am looking forward to that. Could we do some | :50:26. | :50:30. | |
Stevie thing? Let's give it a go. Why not? | :50:31. | :50:41. | |
# Good morning or evening, friends # Here's your friendly announcer | :50:42. | :50:53. | |
# I have a serious news to pass on to everyone | :50:54. | :51:03. | |
# What I'm about to say # Could mean the world's disaster | :51:04. | :51:10. | |
# Could turn the joy and laughter # Into tears and pain | :51:11. | :51:24. | |
# Love is in need of love today # Don't delay, send yours in white | :51:25. | :51:35. | |
away # Hate is going around breaking many | :51:36. | :51:46. | |
hearts # Stop this please, before we've | :51:47. | :51:49. | |
gone too far # Don't you know love's in need of | :51:50. | :51:59. | |
love today # Don't delay, send yours in right | :52:00. | :52:07. | |
away # Don't you know that hate's going | :52:08. | :52:21. | |
round breaking many hearts # Stop this, please, before we've | :52:22. | :52:22. | |
gone too far What a delightful moment of | :52:23. | :53:03. | |
sweetness from Corinne Bailey Rae, you can see with Stevie wonder in | :53:04. | :53:05. | |
the summer. I would like to invite you to step | :53:06. | :53:11. | |
back this way. What beautiful backing harmonies they were, | :53:12. | :53:17. | |
exquisite lovely notes, everyone. Sometimes in showbiz, it's a sign of | :53:18. | :53:22. | |
showbiz the public don't usually see. Normally, the piano would be | :53:23. | :53:26. | |
whisked away, or the camera would go somewhere else, but this evening it | :53:27. | :53:30. | |
can't be quite as simple because the piano is sort of in the way. You | :53:31. | :53:36. | |
fellows do work here, don't you? I will take that as a yes. There it | :53:37. | :53:42. | |
is, beautifully whisked away. Do you have that often, Elton, people | :53:43. | :53:46. | |
whisking the piano away? So now we are all clear, and we can welcome | :53:47. | :53:49. | |
Spring King. # I'll give you my struggles then | :53:50. | :53:59. | |
I'll get out of sight # I'm on a mission killing my | :54:00. | :54:04. | |
troubles and I'm losing my mind # Yeah, I'm breaking | :54:05. | :54:08. | |
away from this town # Yeah, I'm leaving this | :54:09. | :54:10. | |
town, leaving this town # No, I'm not the same person that | :54:11. | :54:13. | |
you met when you were around # I'm not a hero, not | :54:14. | :54:19. | |
a hero in your mind # Fire in your eyes, | :54:20. | :54:30. | |
fire in your way # What is it you say, | :54:31. | :54:33. | |
what is it you say? # Pushing and pulling, | :54:34. | :54:39. | |
pushing and pulling # Yeah, I'm breaking | :54:40. | :54:54. | |
away from this town # Yeah, I'm leaving this | :54:55. | :55:01. | |
town, leaving this town # No, I'm not the same person that | :55:02. | :55:03. | |
you met when you were around # I'm not a hero, not | :55:04. | :55:09. | |
a hero in your eyes # Fire in your eyes, | :55:10. | :55:20. | |
fire in your way # Fire in your eyes, | :55:21. | :55:24. | |
fire in your way # Fire in your eyes, | :55:25. | :56:05. | |
fire in your way # If you let them go, | :56:06. | :56:25. | |
if you let them leave # Lord, give me grace | :56:26. | :56:35. | |
and dancing feet # And let our laughter | :56:36. | :57:31. | |
now ring forth Thank you, Bloc Party. Thank you for | :57:32. | :01:34. | |
joining us. We will be back next week with Iggy pop and much more. | :01:35. | :01:41. | |
Thank you to all our amazing guests. Corinne Bailey Rae, Kronos Quartet, | :01:42. | :01:46. | |
Basia Bulat, Spring King, Bloc Party and of course Sir Elton John. Let's | :01:47. | :01:49. | |
get it going circular, if we made. I've got a track, actually, | :01:50. | :02:29. | |
stuck in me head. I heard it on Charlie Sloth. | :02:30. | :02:31. | |
Oh, yeah? Going to be massive. It's gonna pop? Yeah. | :02:32. | :02:35. | |
What, "pop!"? Yeah. | :02:36. | :02:39. |