Episode 4 Later... with Jools Holland


Episode 4

Similar Content

Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

Good evening. I have spoken with the authorities who assure me that it is

:00:35.:00:51.

music this evening. Let's welcome Bloc Party! Tonight we have a lovely

:00:52.:04:44.

line-up of beautiful people. From Manchester, Spring King! One of the

:04:45.:04:51.

greatest legends of popular music of all time, with a fantastic new

:04:52.:04:55.

record, Sir Elton John! From Montreal, Canada, the wonderful

:04:56.:05:03.

Basia Bulat! The exquisite Kronos Quartet from San Francisco. And now,

:05:04.:05:09.

from Leeds, we welcome Corinne Bailey Rae.

:05:10.:05:17.

# Tender is the light that shines on you

:05:18.:05:20.

# Delicate, the grace we've come into

:05:21.:05:32.

# Waiting for the perfect boat to take

:05:33.:05:46.

# Waiting for the perfect wind to sail away

:05:47.:05:53.

# You hold your happiness away from you

:05:54.:06:14.

# Lying in the dark your seed will grow

:06:15.:06:48.

# Miracles just like a winter rose will be

:06:49.:07:01.

# The feeling you get when you're almost there

:07:02.:07:25.

# You can't stop the wild wind roaring

:07:26.:07:56.

# But you can stop my poor heart from calling out

:07:57.:08:05.

Corinne Bailey Rae! Stop Where You Are from her wonderful new album,

:08:06.:08:54.

The Heart Speaks In Whispers. So, let's go to this corner. We have got

:08:55.:09:00.

an incredible room of talented and also vary in different styles of

:09:01.:09:03.

music this evening. Let's enjoy something new from Manchester. We

:09:04.:09:06.

welcome Spring King! # Searching for a world in which I'd

:09:07.:09:22.

feel fine # And now I'm looking

:09:23.:09:29.

for how you felt, you felt # Won't let go, tonight, of your

:09:30.:09:37.

hand # If only I could find

:09:38.:09:42.

you for one second # If only I could find

:09:43.:09:56.

you for one second # I'd hold onto what

:09:57.:10:03.

it is that you threw # What you have is something you

:10:04.:10:06.

better keep # What you are is more than you

:10:07.:10:16.

think, you think, you think # What you have is something that

:10:17.:10:19.

you better keep # What you are is

:10:20.:10:22.

more than you think # Won't let go, tonight, of your

:10:23.:10:33.

hand # Searching for a world in which I'd

:10:34.:10:42.

feel fine # Only you can do what it is

:10:43.:11:08.

that you feel you feel # Only you can do what it is

:11:09.:11:14.

that you feel you feel # Won't let go, tonight, of your

:11:15.:11:20.

hand # Won't let go, tonight, of your

:11:21.:11:23.

hand # Won't let go, tonight, of your

:11:24.:11:33.

hand # Won't let go, tonight, of your

:11:34.:11:43.

hand Spring King! Tell me if you liked

:11:44.:12:22.

it. In this corner, I suppose our next guest is one of the greatest

:12:23.:12:26.

geniuses of popular music of our time. We are pleased as at the piano

:12:27.:12:33.

Sir Elton John! -- we are pleased to have. Now, we've got this excellent

:12:34.:12:41.

new record out, some beautiful things, great songs. I've been

:12:42.:12:46.

listening a lot. I believe it is your 33rd record. I think so. It's a

:12:47.:12:51.

lot of studio records, but I'm very old. There are older people here,

:12:52.:12:57.

actually. I will introduce you. Again, it's with Bernie Taupin. You

:12:58.:13:03.

always work with Bernie. I would be interested to know how that works.

:13:04.:13:08.

How does it work? From the word go when we started writing together,

:13:09.:13:14.

which will be 50 years next year... CHEERING

:13:15.:13:19.

He gives me a lyric of a page. Originally it was handwritten and

:13:20.:13:23.

then it was tight and now it is e-mailed. I go away into another

:13:24.:13:28.

room and I write the melody and the song and I come back and to him. We

:13:29.:13:33.

have never been in the same room. Are you in the same building?

:13:34.:13:39.

Sometimes. I love coming back and playing in what I've done to see if

:13:40.:13:46.

he likes it. Has he ever not liked it? He must have been unhappy couple

:13:47.:13:51.

of times but he's never shown it. We have never really argued which is

:13:52.:13:55.

probably why we have lasted 50 years. We don't tread on each

:13:56.:14:00.

other's toes. There is a song on here about a preacher, great poem.

:14:01.:14:09.

It's called I've Got Two Wings. It's about a black preacher from the

:14:10.:14:15.

1950s who put on a pair of angel wings had a Les Paul guitar and an

:14:16.:14:18.

amplifier and he went into the southern churches in America and

:14:19.:14:24.

sometimes tents and he played the blues and kind of gospel guitar. He

:14:25.:14:29.

was the first person to plug an electric guitar into a church. I

:14:30.:14:33.

thought Bernie made it up but it is true. It's a wonderful story. Bernie

:14:34.:14:38.

does come up with great stories. Data on, we will be enjoying some of

:14:39.:14:43.

your early music. You will be playing something from Tumbleweed

:14:44.:14:49.

Connection. It's one of the adverse outcomes I bought. I have still got

:14:50.:14:55.

a scratched copy, a vinyl record. -- it is one of the first record I

:14:56.:15:00.

bought. I don't listen to Mike records that much. When I go back

:15:01.:15:06.

and here it sometimes on the radio, I get pleasantly surprised and

:15:07.:15:09.

think, that wasn't bad. But I don't really look back. I don't reminisce.

:15:10.:15:19.

Looking forward. Yes. You keep up with new music. Every time I meet

:15:20.:15:23.

you, you always have something new, a new take on things. I like new

:15:24.:15:29.

music because you get so much energy from the young. There is so little

:15:30.:15:34.

exposure these days for bands and artists. I have a radio show on my

:15:35.:15:39.

own and I try and play as much new stuff as I can and I listen and I

:15:40.:15:42.

get inspired by the youth. It's something I love. Any particular

:15:43.:15:50.

people in this last few weeks? There is a girl called Rosie macro low who

:15:51.:16:00.

I love. There is a girl from Sweden. Christine and the Queens? They are

:16:01.:16:03.

my favourite band at the moment. I rang her up and told her how

:16:04.:16:09.

fabulous record is. She is very shy and she was on this show a couple of

:16:10.:16:14.

weeks ago. I went to see her at the Roundhouse last week. Amazing, how

:16:15.:16:20.

pop music could sound in 2016. You can't come here without going down

:16:21.:16:24.

the time tunnel. Lots of people have covered songs of yours, but this

:16:25.:16:29.

one, I know, was covered by Rick Wakeman and others. For we see this,

:16:30.:16:35.

is there a couple of yours that you particularly love? Rocket Man by

:16:36.:16:42.

Kate bush, Sacrifice by Sinead O'Connor. This is you. Oh, yes.

:16:43.:16:56.

# Hold that music, I've been removed # I've seen the spectre

:16:57.:17:08.

# He has been here to # Distant coming from down the line

:17:09.:17:15.

# Round-up people who ain't my kind # Oh, man, Moses

:17:16.:17:22.

# I've been removed. #

:17:23.:17:33.

And, of course, Aretha Franklin singing that song. Which it covered

:17:34.:17:37.

that I thought I had died and gone to heaven. Later you will be playing

:17:38.:17:42.

a song from your new album. What have you picked? It is an up-tempo

:17:43.:17:49.

album and I have picked the ballot. I don't have my band with me and it

:17:50.:17:54.

would be hard to replicate. I have chosen a song called A Good Heart.

:17:55.:17:59.

It is a great privilege and an honour to have you here this

:18:00.:18:02.

evening. Thank you very much, the wonderful Elton John.

:18:03.:18:04.

APPLAUSE And now, our next artist is a huge

:18:05.:18:14.

success in Canada where she is from. She is Basia Bulat.

:18:15.:18:21.

# How many times can I run to defy it?

:18:22.:18:33.

# Into the arms of your, your goodbye, your long goodbye

:18:34.:18:39.

# When I'm in love, nobody else for me to blame

:18:40.:18:44.

# Into the arms of your, your goodbye, your long goodbye

:18:45.:19:14.

# And when I hear your farewell in my mind

:19:15.:19:19.

# Play it again and again, then rewind

:19:20.:19:25.

# How many times can I try to deny it?

:19:26.:19:31.

# The way you love, even your enemy has a price

:19:32.:19:42.

# Into the arms of your, your goodbye, now say goodbye

:19:43.:20:12.

# Have I been waiting my whole life for this?

:20:13.:20:46.

# When I'm in love, nobody else for me to blame

:20:47.:20:51.

# Into the arms of your, your goodbye, your long goodbye

:20:52.:21:10.

# Into the arms of your, your goodbye, your long goodbye

:21:11.:21:43.

# It's all yours and yours and yours alone

:21:44.:23:19.

# Yours for the taking, so take it home

:23:20.:23:21.

# Just a soulful warm and tender love

:23:22.:23:40.

# Oh it's a good heart from me to you

:23:41.:23:54.

# But him and me, we pulled on through

:23:55.:24:06.

# I've seen 'em come, I've seen 'em go

:24:07.:24:12.

# So take a chance and take your time

:24:13.:24:26.

# Just a soul full all men tend to love

:24:27.:25:00.

# Oh it's a good heart from me to you

:25:01.:25:37.

# Just a soul full all men tend to love

:25:38.:25:50.

# Oh it's a good heart from me to you

:25:51.:26:04.

Sir Elton John, A Good Heart. From his wonderful LP. Before that,

:26:05.:27:17.

we very much enjoyed Basia Bulat. Now, more wonderful contrasts.

:27:18.:27:20.

Returning from their recent triumphant string of incredible

:27:21.:27:25.

dates. There are more dates you can see them at, I think. We welcome

:27:26.:27:27.

Kronos Quartet. # Very soon your world

:27:28.:31:42.

could be different # But you've got your mind set

:31:43.:32:16.

on silence, silence, silence # The skies will break

:32:17.:32:24.

for you, my friend # The waves will part,

:32:25.:32:31.

the seas will rend # The skies will break

:32:32.:32:35.

for you, my friend # It feels like

:32:36.:32:43.

they'll drown you out # Don't let your mind rest

:32:44.:33:24.

on violence, violence, violence # Oh, the skies will

:33:25.:33:39.

break for you, my friend # The skies will break

:33:40.:33:43.

for you, my friend # The waves will part,

:33:44.:33:47.

the seas will rend # The skies will break

:33:48.:33:50.

for you, my friend # Oh, the skies will break

:33:51.:33:58.

for you, my friend # The waves will part,

:33:59.:34:59.

the seas will rend # The skies will break

:35:00.:35:01.

for you, my friend Corinne Bailey Rae, The Skies Will

:35:02.:36:52.

Break. From Spring King -- The Heart Speaks In Whispers, her new album.

:36:53.:36:55.

Before that, we enjoyed the Kronos Quartet. Now, going to this corner,

:36:56.:37:05.

changing the vibrations once again, and welcoming Bloc Party.

:37:06.:37:29.

# Where the tall grass grows and grows

:37:30.:38:19.

# And let me wait until my saviour comes home

:38:20.:38:26.

# For only he can heal me with his touch

:38:27.:38:47.

# From the lame and from the wretched

:38:48.:39:14.

# For only he can heal me with his touch

:39:15.:39:53.

Bloc Party, from their album Hymns. We are very fortunate to have the

:39:54.:41:25.

amazing, amazingly, incredibly talented Sir Elton John with us.

:41:26.:41:29.

He's going to perform now a song from the wonderful 1970 album

:41:30.:41:37.

Tumbleweed Connection. Please big it up in the biggest possible way for

:41:38.:41:40.

Sir Elton John. # In the quiet silent seconds

:41:41.:41:52.

I turned off the light switch # And I came down to meet

:41:53.:41:58.

you in the half light the moon left # While a cluster of night jars sang

:41:59.:42:05.

some songs out of tune # A mantle of bright light

:42:06.:42:13.

shone down from a room # Come down in time,

:42:14.:42:21.

I still hear her say # So clear in my ear

:42:22.:42:29.

like it was today # Come down in time,

:42:30.:42:36.

was the message she gave # Come down in time

:42:37.:42:43.

and I'll meet you half way # Well, I don't know if I should

:42:44.:43:08.

have heard her as yet # But a true love like

:43:09.:43:13.

hers is a hard love to get # And I've walked most all the way

:43:14.:43:20.

and I ain't heard her call # And I'm getting to thinking

:43:21.:43:27.

if she's coming at all # Come down in time,

:43:28.:43:34.

I still hear her say # So clear in my ear

:43:35.:43:42.

like it was today # Come down in time,

:43:43.:43:49.

was the message she gave # Come down in time

:43:50.:43:56.

and I'll meet you half way # There are women and women

:43:57.:44:21.

and some hold you tight # While some leave you counting

:44:22.:44:29.

the stars in the night. # Saw the pictures, read

:44:30.:44:43.

all your darkest thoughts # While you were waitin',

:44:44.:45:04.

ready to brush me off # We could be friendly,

:45:05.:45:09.

we could be out of touch # We could be famous

:45:10.:45:16.

or even infamous # Come back or don't

:45:17.:45:22.

but turn me down # Don't waste my time pretending

:45:23.:45:29.

love is somewhere else # Stop wasting time pretending

:45:30.:45:35.

love is somewhere else # Should have been easy,

:45:36.:45:58.

but how can I close my eyes? # You have new friends

:45:59.:46:03.

now, I didn't recognize # For every time you'd

:46:04.:46:09.

say, I ask for too much # You spend another day

:46:10.:46:15.

tryin' to be infamous # Come back or don't

:46:16.:46:21.

but turn me down # Don't waste my time pretending

:46:22.:46:29.

love is somewhere else # Don't waste my time pretending

:46:30.:46:35.

love is somewhere else # Come back or don't

:46:36.:46:49.

but turn me down # Don't waste my time pretending

:46:50.:47:32.

love is somewhere else # Don't waste my time

:47:33.:47:32.

pretending at all Thank you, Basia Bulat, Infamous.

:47:33.:48:48.

Before that, we enjoyed Sir Elton John. Now, let's have a momentary

:48:49.:48:57.

pause and enjoy at the piano for a little chat and perhaps a song,

:48:58.:49:01.

Corinne Bailey Rae. Welcome to the show. Lovely to see you. This lovely

:49:02.:49:10.

record. You wrote and recorded both in Leeds and LA. Those two places.

:49:11.:49:16.

Was there much of a contrast between the two? Yes, a massive contrast. I

:49:17.:49:21.

love Leeds, how rainy and ten cities, and how you can lock your

:49:22.:49:26.

self away into the studio. But we wanted to move the bubble and go

:49:27.:49:29.

somewhere where there was sunshine and get to some amazing musicians in

:49:30.:49:36.

Los Angeles. Who have you got on it? Marcus Miller. All of the great bass

:49:37.:49:41.

players. And an amazing drummer who played with Bill Withers and Marvin

:49:42.:49:47.

Gaye. And a great band from LA called King. And the title, the

:49:48.:49:52.

heart that speaks in whispers. Where does that come from? The album is

:49:53.:49:57.

all about listening to the inner voice and quieting down what goes on

:49:58.:50:02.

inside, about instinct and the subconscious and dreams and nature.

:50:03.:50:08.

The record has the quality of a Stevie wonder record. I am a fan of

:50:09.:50:14.

his. RU? I am a massive Stevie wonder fan. You are going to do a

:50:15.:50:20.

show with him? Yes, in Hyde Park. Pharrell Williams is performing, we

:50:21.:50:25.

are playing as well, so I am looking forward to that. Could we do some

:50:26.:50:30.

Stevie thing? Let's give it a go. Why not?

:50:31.:50:41.

# Good morning or evening, friends # Here's your friendly announcer

:50:42.:50:53.

# I have a serious news to pass on to everyone

:50:54.:51:03.

# What I'm about to say # Could mean the world's disaster

:51:04.:51:10.

# Could turn the joy and laughter # Into tears and pain

:51:11.:51:24.

# Love is in need of love today # Don't delay, send yours in white

:51:25.:51:35.

away # Hate is going around breaking many

:51:36.:51:46.

hearts # Stop this please, before we've

:51:47.:51:49.

gone too far # Don't you know love's in need of

:51:50.:51:59.

love today # Don't delay, send yours in right

:52:00.:52:07.

away # Don't you know that hate's going

:52:08.:52:21.

round breaking many hearts # Stop this, please, before we've

:52:22.:52:22.

gone too far What a delightful moment of

:52:23.:53:03.

sweetness from Corinne Bailey Rae, you can see with Stevie wonder in

:53:04.:53:05.

the summer. I would like to invite you to step

:53:06.:53:11.

back this way. What beautiful backing harmonies they were,

:53:12.:53:17.

exquisite lovely notes, everyone. Sometimes in showbiz, it's a sign of

:53:18.:53:22.

showbiz the public don't usually see. Normally, the piano would be

:53:23.:53:26.

whisked away, or the camera would go somewhere else, but this evening it

:53:27.:53:30.

can't be quite as simple because the piano is sort of in the way. You

:53:31.:53:36.

fellows do work here, don't you? I will take that as a yes. There it

:53:37.:53:42.

is, beautifully whisked away. Do you have that often, Elton, people

:53:43.:53:46.

whisking the piano away? So now we are all clear, and we can welcome

:53:47.:53:49.

Spring King. # I'll give you my struggles then

:53:50.:53:59.

I'll get out of sight # I'm on a mission killing my

:54:00.:54:04.

troubles and I'm losing my mind # Yeah, I'm breaking

:54:05.:54:08.

away from this town # Yeah, I'm leaving this

:54:09.:54:10.

town, leaving this town # No, I'm not the same person that

:54:11.:54:13.

you met when you were around # I'm not a hero, not

:54:14.:54:19.

a hero in your mind # Fire in your eyes,

:54:20.:54:30.

fire in your way # What is it you say,

:54:31.:54:33.

what is it you say? # Pushing and pulling,

:54:34.:54:39.

pushing and pulling # Yeah, I'm breaking

:54:40.:54:54.

away from this town # Yeah, I'm leaving this

:54:55.:55:01.

town, leaving this town # No, I'm not the same person that

:55:02.:55:03.

you met when you were around # I'm not a hero, not

:55:04.:55:09.

a hero in your eyes # Fire in your eyes,

:55:10.:55:20.

fire in your way # Fire in your eyes,

:55:21.:55:24.

fire in your way # Fire in your eyes,

:55:25.:56:05.

fire in your way # If you let them go,

:56:06.:56:25.

if you let them leave # Lord, give me grace

:56:26.:56:35.

and dancing feet # And let our laughter

:56:36.:57:31.

now ring forth Thank you, Bloc Party. Thank you for

:57:32.:01:34.

joining us. We will be back next week with Iggy pop and much more.

:01:35.:01:41.

Thank you to all our amazing guests. Corinne Bailey Rae, Kronos Quartet,

:01:42.:01:46.

Basia Bulat, Spring King, Bloc Party and of course Sir Elton John. Let's

:01:47.:01:49.

get it going circular, if we made. I've got a track, actually,

:01:50.:02:29.

stuck in me head. I heard it on Charlie Sloth.

:02:30.:02:31.

Oh, yeah? Going to be massive. It's gonna pop? Yeah.

:02:32.:02:35.

What, "pop!"? Yeah.

:02:36.:02:39.

Download Subtitles

SRT

ASS