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Straining at the leash, happy to have a brand-new series and we are | :00:38. | :00:40. | |
live and this is Kings of Leon! # All the way from Waco to WeHo | :00:41. | :01:08. | |
with the rabbit on a chain # Drove a little slick car to tend | :01:09. | :01:13. | |
bar with the static on her brain # She's a little burner, burner, | :01:14. | :01:20. | |
gonna throw you to the flame # Little ticking time bomb, | :01:21. | :01:26. | |
time bomb, gonna blow us all away # Oh, oh, oh, oh, | :01:27. | :01:34. | |
take the time to waste a moment # Whoa, oh, oh, oh | :01:35. | :01:40. | |
never ask to be forgiven # Texy was her boyfriend, with no | :01:41. | :01:58. | |
kin, always running from the law # Every other weekend, the week ends | :01:59. | :02:04. | |
with his back in her claw # He's a live wire, wired, | :02:05. | :02:09. | |
shooting sparks in the night # He's a gun for hire, hired, | :02:10. | :02:15. | |
with a bead in his sights # Oh, oh, oh, oh, | :02:16. | :02:23. | |
take the time to waste a moment # Whoa, oh, oh, oh, | :02:24. | :02:28. | |
facing where the lines are broken # Oh, oh, oh, oh, | :02:29. | :02:34. | |
name your price to all this living # Whoa, oh, oh, oh, | :02:35. | :02:40. | |
never ask to be forgiven # Oh, oh, oh, oh, | :02:41. | :03:08. | |
take the time to waste a moment # Whoa, oh, oh, oh, | :03:09. | :03:15. | |
facing where the lines are broken # Whoa, oh, oh, oh, | :03:16. | :03:20. | |
name your price to all this living # Whoa, oh, oh, oh, | :03:21. | :03:29. | |
never ask to be forgiven #. CHEERING AND APPLAUSE | :03:30. | :03:53. | |
Thank you, Kings of Leon! So pleased to have them in the studio, a room | :03:54. | :03:58. | |
packed with amazing people. And with amazing views, that is you, and | :03:59. | :04:01. | |
filled with amazing talent like Sting. Jack White! Jimmy Page! | :04:02. | :04:14. | |
Kandace Springs! Banks! And now from Antibes in the front it is M83. -- | :04:15. | :04:18. | |
in France. # You, you, you, meet me, me, | :04:19. | :04:43. | |
me at this station, station # Can't, can't, can't, get used, | :04:44. | :04:48. | |
used, used to patience, patience # Wish time, this time could just be | :04:49. | :04:53. | |
a bit shortened, shortened # Be-be-be-tween u-u-us | :04:54. | :04:59. | |
six million seasons # Gotta run, gotta run, | :05:00. | :05:03. | |
gotta run and make it or die # I loved, I loved, | :05:04. | :05:09. | |
I fell, I fell # Ran away, ran away, | :05:10. | :05:21. | |
ran away, ran away # Gotta say, gotta say, | :05:22. | :05:24. | |
gotta say, gotta say # I'm done, I'm done, | :05:25. | :05:27. | |
I'm done without you # I loved, I loved, | :05:28. | :05:29. | |
I fell, I fell # Ran away, ran away, | :05:30. | :05:32. | |
ran away, ran away # Gotta say, gotta say, | :05:33. | :05:35. | |
gotta say, gotta say # I'm coming, I'm coming, | :05:36. | :05:38. | |
I'm coming for you # F-F-Feels like we-we-we'll | :05:39. | :05:40. | |
be frozen, frozen # N-N-Need you to-to tell me, | :05:41. | :05:45. | |
je t'aime, je t'aime # Full speed cause we gotta | :05:46. | :05:51. | |
look to discover, cover # G-G-Get me j-j-just | :05:52. | :05:56. | |
a little closer # Gotta run, gotta run, | :05:57. | :06:01. | |
gotta run and make it or die # I loved, I loved, | :06:02. | :06:06. | |
I fell, I fell # Ran away, ran away, | :06:07. | :06:20. | |
ran away, ran away # Gotta say, gotta say, | :06:21. | :06:22. | |
gotta say, gotta say # I'm done, I'm done, | :06:23. | :06:24. | |
I'm done without you # I loved, I loved, | :06:25. | :06:27. | |
I fell, I fell # Ran away, ran away, | :06:28. | :06:30. | |
ran away, ran away # Gotta say, gotta say, | :06:31. | :06:33. | |
gotta say, gotta say # I'm coming, I'm coming, | :06:34. | :06:35. | |
I'm coming for you # Going to find you in the night | :06:36. | :06:43. | |
just meet me there # Going to find you in the night | :06:44. | :07:05. | |
# Going to come # I loved, I loved, | :07:06. | :07:13. | |
I fell, I fell # Ran away, ran away, | :07:14. | :07:34. | |
ran away, ran away # Gotta say, gotta say, | :07:35. | :07:36. | |
gotta say, gotta say # I'm coming, I'm coming, | :07:37. | :07:39. | |
I'm coming for you #. # I loved, I loved, | :07:40. | :07:42. | |
I fell, I fell # Ran away, ran away, | :07:43. | :07:44. | |
ran away, ran away # Gotta say, gotta say, | :07:45. | :07:47. | |
gotta say, gotta say # I'm coming, I'm coming, | :07:48. | :07:51. | |
I'm coming for you #. CHEERING AND APPLAUSE | :07:52. | :08:19. | |
Thank you, 83 with Mai Lan. -- 83. We have legend in his room and I'm | :08:20. | :08:22. | |
delighted to say, from his marvellous new album, we welcome | :08:23. | :08:26. | |
Sting. # White page, an empty field | :08:27. | :08:42. | |
of snow, my room is 25 below # This cold man chasing ghosts, | :08:43. | :08:48. | |
a road lies underneath a buried boat # Dogs search the under forest, | :08:49. | :08:55. | |
we scour the empty streets # The fact remains until we find | :08:56. | :09:00. | |
you, our lives are incomplete # Do I hear laughters | :09:01. | :09:08. | |
through a veil of snow and ice? # Where could you be on such | :09:09. | :09:16. | |
a lonely winter's night? # That's why I'm searching | :09:17. | :09:23. | |
night and day # This heart's a lonely hunter, | :09:24. | :09:37. | |
these hands are frozen fists # I can't stop thinking about you, | :09:38. | :09:44. | |
I don't care if you exist # Do I hear laughter from behind | :09:45. | :09:51. | |
this veil of midnight? # What are you hiding | :09:52. | :09:58. | |
in the frozen heart of winter? # I know you're close, | :09:59. | :10:05. | |
your scent still warm # And then your trail turns | :10:06. | :10:12. | |
cold, cold, cold # That's why I'm searching | :10:13. | :10:15. | |
night and day # This heart's a lonely hunter, | :10:16. | :10:30. | |
these hands are frozen fists # I can't stop thinking about you, | :10:31. | :10:33. | |
I don't care if you exist # Do I hear laughter | :10:34. | :10:43. | |
in the silence of the snow? # I know you're hiding in this | :10:44. | :10:49. | |
frozen heart of winter # I know you're close, | :10:50. | :10:56. | |
your scent still warm # Then the trail turns | :10:57. | :11:03. | |
cold, cold, cold # That's why I'm searching | :11:04. | :11:08. | |
night and day # This heart's a lonely hunter, | :11:09. | :11:23. | |
these hands are frozen fists # I can't stop thinking about you, | :11:24. | :11:28. | |
I don't care if you exist CHEERING AND APPLAUSE | :11:29. | :12:04. | |
I Can't Stop Thinking About You, the incredible Sting, a man who has got | :12:05. | :12:08. | |
Grammy awards, multiple nominations and a lot. Check this out, this is | :12:09. | :12:11. | |
our next guess. LED ZEPPELIN PLAYS. It is of course | :12:12. | :12:25. | |
the amazing Mr Jimmy play each -- at the Jimmy Page. Great to have you | :12:26. | :12:29. | |
here I almost went to the wrong corner! You have this record out | :12:30. | :12:33. | |
which is Led Zeppelin, incredibly rare tapes that were nearly lost for | :12:34. | :12:41. | |
ever. It is at the BBC. Where, what other types of? In the days of Led | :12:42. | :12:48. | |
Zeppelin in the very early days when we set out, 1968, 1969, the album | :12:49. | :12:57. | |
comes out. In America, there was an FM radio which was like, Led | :12:58. | :13:04. | |
Zeppelin was perfect for that sort of airplay. Over here in England, as | :13:05. | :13:08. | |
we weren't doing singles, we were not getting any airplay at all. | :13:09. | :13:15. | |
There were a number of little shows like Top Gear on the BBC and Chris | :13:16. | :13:21. | |
Grant's tasty pop Sunday! And you go to the BBC studios at Maida Vale, | :13:22. | :13:28. | |
have a small slot in which to record whatever it was you were going to | :13:29. | :13:33. | |
try to get across. That basically is what these are about God this is our | :13:34. | :13:39. | |
airplay at the time. -- this is what they are about, this was our | :13:40. | :13:44. | |
airplay. I thought, great, we can hear those tapes but they were lost. | :13:45. | :13:53. | |
There was one session, the Alexis Corner session was lost, they did | :13:54. | :13:58. | |
not have the tapes. We were going in and recording these slots, three or | :13:59. | :14:02. | |
four numbers, and it was for the BBC World Service rhythm and blues show | :14:03. | :14:09. | |
hosted by Alexis who was a real ambassador for the blues. They | :14:10. | :14:14. | |
didn't have the tapes. The story is, there is a song on here called | :14:15. | :14:21. | |
Sunshine Woman and it was recorded in eastern Europe onto a reel to | :14:22. | :14:28. | |
reel tape. Eastern Europe in the Cold War, no walls had come down | :14:29. | :14:31. | |
yet, he had his illegal take missing out. And he has put Led Zeppelin on | :14:32. | :14:43. | |
but how did you get it? About 20 years ago it surfaces, not even | :14:44. | :14:47. | |
that, it surfaces on the bootleg market about ten years ago and you | :14:48. | :14:51. | |
are aware of it. There are a couple of the songs from the session as | :14:52. | :14:59. | |
well You Shook Me, the real blues stuff. We managed to get access to | :15:00. | :15:06. | |
the bootleg copy. That is only those three tracks, everything else is on | :15:07. | :15:12. | |
the BBC analogue archive. They managed to keep them, they wiped the | :15:13. | :15:15. | |
moon landings but they kept the important stuff! It is fantastic to | :15:16. | :15:20. | |
have you. Jack White is Ikeme a great fan but I am. -- is here. I am | :15:21. | :15:27. | |
a great fan of his as well. He sent a record to the moon, you know, all | :15:28. | :15:32. | |
that stuff going on. I have the move on because there is a live show. | :15:33. | :15:35. | |
Thank you for joining us, Jimmy Page! | :15:36. | :15:47. | |
On and in Europe. Let's move on to a remarkable new artist from | :15:48. | :15:54. | |
Nashville, please welcome Kandace Springs. | :15:55. | :16:05. | |
# I've been trying to look inside your heart | :16:06. | :16:21. | |
# But silence keeps on pushing us apart | :16:22. | :16:38. | |
# Your voice is like a song I long to hear | :16:39. | :17:17. | |
# All these days will pass on into years | :17:18. | :17:31. | |
# So if in doubt, remember that you're free, yeah | :17:32. | :17:42. | |
# And all I want is for you to talk to me | :17:43. | :17:47. | |
# And all I want is for you to talk to me | :17:48. | :18:48. | |
Kandace Springs. From her album, a lovely to have her here. From Los | :18:49. | :19:51. | |
Angeles, I guess we have been wanting to have on the show for a | :19:52. | :19:57. | |
while and now she's here. Please welcome, Banks. | :19:58. | :20:07. | |
# And to think you would get me to the altar. | :20:08. | :20:10. | |
# Like I'd follow you around like a dog that needs water. | :20:11. | :20:12. | |
# But admit it, that you wanted me smaller. | :20:13. | :20:15. | |
# If you would've let me grow, you could've kept my love. | :20:16. | :20:39. | |
# There's nothing on my body left to see. | :20:40. | :20:42. | |
# I tried to say "I love you," but you didn't hear me. | :20:43. | :20:49. | |
# Convinced me other people, they don't care about me. | :20:50. | :20:59. | |
# And to think you would get me to the altar. | :21:00. | :21:12. | |
# Like I'd follow you around like a dog that needs water. | :21:13. | :21:16. | |
# But admit it, that you wanted me smaller. | :21:17. | :21:24. | |
# If you would've let me grow, you could've kept my love. | :21:25. | :21:28. | |
# I still want you to kiss 'em cause they're lonely. | :21:29. | :21:36. | |
# That when I said "I miss you," you never believed me. | :21:37. | :21:46. | |
# You and me together, we were gemini feed. | :21:47. | :21:55. | |
# And to think you would get me to the altar. | :21:56. | :22:08. | |
# Like I'd follow you around like a dog that needs water. | :22:09. | :22:12. | |
# But admit it, that you wanted me smaller. | :22:13. | :22:18. | |
# If you would've let me grow, you could've kept my love. | :22:19. | :22:37. | |
# And to think you would get me to the altar. | :22:38. | :22:46. | |
# Like I'd follow you around like a dog that needs water. | :22:47. | :22:51. | |
# But admit it, that you wanted me smaller. | :22:52. | :22:56. | |
# If you would've let me grow, you could've kept my love. | :22:57. | :23:01. | |
# And to think you would get me to the altar. | :23:02. | :23:12. | |
# Like I'd follow you around like a dog that needs water. | :23:13. | :23:15. | |
# But admit it, that you wanted me smaller. | :23:16. | :23:17. | |
# If you would've let me grow, you could've kept my love #. | :23:18. | :23:26. | |
And our man with a wonderful record out of acoustic recordings between | :23:27. | :23:40. | |
1998 and 2016. And what amazing recordings they are. Year to give | :23:41. | :23:43. | |
you an example is that artist, Jack White. -- here to give you an | :23:44. | :23:47. | |
example. # And look at all the bugs we found. | :23:48. | :23:53. | |
are gonna be friends. # Here we are, no one else. | :23:54. | :24:24. | |
without a sound. # We walked to school | :24:25. | :24:38. | |
all by ourselves. # From chasing all | :24:39. | :24:43. | |
the ants and worms. # Numbers, letters, learn to spell. | :24:44. | :24:46. | |
it's time to learn. # Nouns, and books, | :24:47. | :25:03. | |
and show and tell. # We don't notice anything. | :25:04. | :25:05. | |
height against the wall. # We sit side by side | :25:06. | :25:30. | |
in every class. # Tonight I'll dream | :25:31. | :25:35. | |
while I'm in bed. # When silly thoughts | :25:36. | :25:42. | |
go through my head. # That you and I will | :25:43. | :25:45. | |
walk together again. # I can tell that we | :25:46. | :25:54. | |
are gonna be friends. # Yes, I can tell that we | :25:55. | :26:00. | |
are gonna be friends #. The wonderful Jack White. And that | :26:01. | :26:23. | |
almost brings us to the end of this half-hour live experience where you | :26:24. | :26:26. | |
and I have been sharing some moments together. We will be back on Friday | :26:27. | :26:29. | |
with all of these guests and much more and we will we discussing with | :26:30. | :26:34. | |
Jack White what he propelled into outer space but that is all on | :26:35. | :26:39. | |
Friday. We would like to thank all of our guests in this room. Well | :26:40. | :26:42. | |
done everybody and everybody at home. Thank you Kings of Leon! | :26:43. | :27:13. | |
This is a trailer for BBC Four's conceptual art season. | :27:14. | :30:28. | |
You see clips of a pile of bricks causing anger in a gallery, | :30:29. | :30:32. | |
and a man in a cardboard outfit babbling onstage. | :30:33. | :30:37. |