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Good afternoon, welcome to the brand-new series, I'm ready to go, | :00:34. | :00:41. | |
I'm ready for Kings of Leon! # All the way from Waco to WeHo | :00:42. | :01:07. | |
with the rabbit on a chain # Drove a little slick car to tend | :01:08. | :01:12. | |
bar with the static on her brain # She's a little burner, burner, | :01:13. | :01:18. | |
gonna throw you to the flame # Little ticking time bomb, | :01:19. | :01:24. | |
time bomb, gonna blow us all away # Oh, oh, oh, oh, | :01:25. | :01:30. | |
take the time to waste a moment # Whoa, oh, oh, oh | :01:31. | :01:38. | |
never ask to be forgiven # Texy was her boyfriend, with no | :01:39. | :01:55. | |
kin, always running from the law # Every other weekend, the week ends | :01:56. | :02:02. | |
with his back in her claw # He's a live wire, wired, | :02:03. | :02:08. | |
shooting sparks in the night # He's a gun for hire, hired, | :02:09. | :02:14. | |
with a bead in his sights # Oh, oh, oh, oh, | :02:15. | :02:20. | |
take the time to waste a moment # Whoa, oh, oh, oh, | :02:21. | :02:26. | |
facing where the lines are broken # Oh, oh, oh, oh, | :02:27. | :02:33. | |
name your price to all this living # Whoa, oh, oh, oh, | :02:34. | :02:38. | |
never ask to be forgiven # Oh, oh, oh, oh, | :02:39. | :03:07. | |
take the time to waste a moment # Whoa, oh, oh, oh, | :03:08. | :03:13. | |
facing where the lines are broken # Whoa, oh, oh, oh, | :03:14. | :03:19. | |
name your price to all this living # Whoa, oh, oh, oh, | :03:20. | :03:25. | |
never ask to be forgiven #. Kings of Leon, Waste A Moment! A | :03:26. | :03:54. | |
room filled with extraordinary talent, people in the background and | :03:55. | :03:58. | |
people watching, from Newcastle we have Sting! From Detroit, we will | :03:59. | :04:06. | |
enjoy Jack White! From Nashville, a marvellous new talent in the forms | :04:07. | :04:12. | |
of Kandace Springs! From Los Angeles, Banks! But now, from | :04:13. | :04:19. | |
Antibes, France, we welcome M83! # You, you, you, meet me, me, | :04:20. | :04:49. | |
me at this station, station # Can't, can't, can't, get used, | :04:50. | :04:54. | |
used, used to patience, patience # Wish time, this time could just be | :04:55. | :04:59. | |
a bit shortened, shortened # Be-be-be-tween u-u-us | :05:00. | :05:04. | |
six million seasons # Gotta run, gotta run, | :05:05. | :05:09. | |
gotta run and make it or die # I'm done, I'm done, | :05:10. | :05:15. | |
I'm done without you # I'm coming, I'm coming, | :05:16. | :05:36. | |
I'm coming for you # F-F-Feels like we-we-we'll | :05:37. | :05:46. | |
be frozen, frozen # N-N-Need you to-to tell me, | :05:47. | :05:52. | |
je t'aime, je t'aime # Full speed cause we gotta | :05:53. | :05:57. | |
look to discover, cover # G-G-Get me j-j-just | :05:58. | :06:02. | |
a little closer # Gotta run, gotta run, | :06:03. | :06:07. | |
gotta run and make it or die # I'm done, I'm done, | :06:08. | :06:13. | |
I'm done without you # I'm coming, I'm coming, | :06:14. | :06:34. | |
I'm coming for you # I'm gonna come, | :06:35. | :06:53. | |
just meet me there # I'm coming, I'm coming, | :06:54. | :07:14. | |
I'm coming for you # I'm coming, I'm coming, | :07:15. | :07:48. | |
I'm coming for you #. CHEERING AND APPLAUSE | :07:49. | :08:24. | |
Thank you, M83 with Mai Lan. A song from that album Junk. We have legend | :08:25. | :08:29. | |
in the room, I'm delighted to say, from his marvellous new album, 57th | :08:30. | :08:31. | |
9th, we welcome Sting! # White page, an empty field | :08:32. | :08:48. | |
of snow, my room is 25 below # This cold man chasing ghosts, | :08:49. | :08:51. | |
a road lies underneath a buried boat # Dogs search the under forest, | :08:52. | :09:00. | |
we scour the empty streets # The fact remains until we find | :09:01. | :09:08. | |
you, our lives are incomplete # Do I hear laughters | :09:09. | :09:15. | |
through a veil of snow and ice? # Where could you be on such | :09:16. | :09:22. | |
a lonely winter's night? # That's why I'm searching | :09:23. | :09:29. | |
night and day # This heart's a lonely hunter, | :09:30. | :09:44. | |
these hands are frozen fists # I can't stop thinking about you, | :09:45. | :09:51. | |
I don't care if you exist # Do I hear laughter from behind | :09:52. | :09:57. | |
this veil of midnight? # What are you hiding | :09:58. | :10:04. | |
in the frozen heart of winter? # I know you're close, | :10:05. | :10:10. | |
your scent still warm # And then your trail turns | :10:11. | :10:18. | |
cold, cold, cold # That's why I'm searching | :10:19. | :10:22. | |
night and day # This heart's a lonely hunter, | :10:23. | :10:36. | |
these hands are frozen fists # I can't stop thinking about you, | :10:37. | :10:42. | |
I don't care if you exist # Do I hear laughter | :10:43. | :10:50. | |
in the silence of the snow? # I know you're hiding in this | :10:51. | :10:56. | |
frozen heart of winter # I know you're close, | :10:57. | :11:03. | |
your scent still warm # Then the trail turns | :11:04. | :11:10. | |
cold, cold, cold # That's why I'm searching | :11:11. | :11:14. | |
night and day # This heart's a lonely hunter, | :11:15. | :11:28. | |
these hands are frozen fists # I can't stop thinking about you, | :11:29. | :11:35. | |
I don't care if you exist Thank you, Sting! William Beale -- | :11:36. | :12:16. | |
we will be discussing interesting things later. Now somebody we have | :12:17. | :12:20. | |
been trying to get on the show for a long time. Now she is there. With | :12:21. | :12:24. | |
Gemini Feed, we welcome Banks. # And to think you would | :12:25. | :12:27. | |
get me to the altar. # Like I'd follow you around | :12:28. | :12:30. | |
like a dog that needs water. # But admit it, that | :12:31. | :12:33. | |
you wanted me smaller. # If you would've let me grow, | :12:34. | :12:38. | |
you could've kept my love. # There's nothing | :12:39. | :12:57. | |
on my body left to see. # I tried to say "I love you," | :12:58. | :13:05. | |
but you didn't hear me. # Convinced me other people, | :13:06. | :13:15. | |
they don't care about me. # And to think you would | :13:16. | :13:24. | |
get me to the altar. # Like I'd follow you around | :13:25. | :13:36. | |
like a dog that needs water. # But admit it, that | :13:37. | :13:41. | |
you wanted me smaller. # If you would've let me grow, | :13:42. | :13:46. | |
you could've kept my love. # I still want you to kiss 'em | :13:47. | :13:53. | |
cause they're lonely. # That when I said "I miss you," | :13:54. | :14:00. | |
you never believed me. # You and me together, | :14:01. | :14:10. | |
we were gemini feed. # And to think you would | :14:11. | :14:20. | |
get me to the altar. # Like I'd follow you around | :14:21. | :14:32. | |
like a dog that needs water. # But admit it, that | :14:33. | :14:38. | |
you wanted me smaller. # If you would've let me grow, | :14:39. | :14:42. | |
you could've kept my love. # And to think you would | :14:43. | :14:49. | |
get me to the altar. # Like I'd follow you around | :14:50. | :15:12. | |
like a dog that needs water. # But admit it, that | :15:13. | :15:15. | |
you wanted me smaller. # If you would've let me grow, | :15:16. | :15:20. | |
you could've kept my love. # And to think you would | :15:21. | :15:26. | |
get me to the altar. # Like I'd follow you around | :15:27. | :15:29. | |
like a dog that needs water. # But admit it, that | :15:30. | :15:34. | |
you wanted me smaller. # If you would've let me grow, | :15:35. | :15:39. | |
you could've kept my love #. Thank you, Banks, with Gemini Feed. | :15:40. | :16:02. | |
Marvellous to have you in this room. So nice, the way the lights come up | :16:03. | :16:07. | |
and they go down and stars come into this room and they go out. It's a | :16:08. | :16:12. | |
treat to be here. We welcome now to the table for some intimate chat the | :16:13. | :16:15. | |
wonderful Sting. CHEERING It is Sting! Now, | :16:16. | :16:27. | |
congratulations on your new record, 57th 9th. Where does the title | :16:28. | :16:33. | |
come from? It's an intersection I would cross every day on my way to | :16:34. | :16:38. | |
the studio, at Hells kitchen in New York. It's very busy and you have to | :16:39. | :16:42. | |
be careful when you cross. How are you travelling? I walk. How far is | :16:43. | :16:55. | |
it? 15 blocks. I lived on west 57th but I got confused because the | :16:56. | :16:59. | |
street were not called things like pudding Lane, it was all numbers, so | :17:00. | :17:02. | |
I couldn't remember what they were called. But you can't get lost. You | :17:03. | :17:10. | |
can, one, two... You can't remember where you are going. When you got to | :17:11. | :17:19. | |
the studio, why that junction? Did something happened there? No, I just | :17:20. | :17:24. | |
like the junction. Last time you came on, you said there was no point | :17:25. | :17:30. | |
trying to write something if you didn't have something to say, so | :17:31. | :17:34. | |
what has inspired you for this record? The first song is about that | :17:35. | :17:41. | |
conundrum. You face a blank page and it looks like a field of snow. You | :17:42. | :17:47. | |
have no idea what is underneath, a road, a pass, an animal you are | :17:48. | :17:52. | |
hunting, a story, a news, inspiration. It's about an obsessive | :17:53. | :17:56. | |
search for something ephemeral, a song. What comes first, the words of | :17:57. | :18:04. | |
the music? It depends. I like to do it both ways. I might write the | :18:05. | :18:09. | |
music and it gives me a clue about the story or a write a line and it | :18:10. | :18:14. | |
follows. What was inspiring you? What was underneath the snow that | :18:15. | :18:23. | |
you found? Things happening in the world, global warming, refugee | :18:24. | :18:26. | |
crisis, a lot of our colleagues dying quickly, so many of them. | :18:27. | :18:32. | |
Those kind of things inspired me to respond to them. It's a question I'd | :18:33. | :18:40. | |
like to ask. Are you a person who is likely to be well rehearsed or are | :18:41. | :18:48. | |
you spontaneous? We went into the studio, Dominic Miller and Vinny, | :18:49. | :18:51. | |
the three of us know each other so well that we would jam together, | :18:52. | :18:55. | |
showed a thing into the form of a song, and I'd take that home, a | :18:56. | :19:02. | |
story of that abstract narrative that music is. That's my job. The | :19:03. | :19:08. | |
last record was brilliant. You came on with Jimmy nail. It was a | :19:09. | :19:14. | |
systolic record. This is going back to the police macro style. -- it was | :19:15. | :19:19. | |
a symphonic record. This is going back to the Police style. I have | :19:20. | :19:24. | |
made these are terrible records. I like surprise. When I listen to | :19:25. | :19:30. | |
music, I want to be surprised. -- I have made these ephemeral records. | :19:31. | :19:39. | |
This is a surprise. It's very direct, it's very simple, it's rock | :19:40. | :19:46. | |
and roll. Simple is hardest, do you think was John Mogg it's very | :19:47. | :19:50. | |
difficult. The song you are going to be playing is called 50,000. What's | :19:51. | :19:57. | |
it about? A lot of icons passed away this year, David Bowie, Prince, and | :19:58. | :20:06. | |
my friend Alan Rickman. Prince Buster. So I was responding as a man | :20:07. | :20:13. | |
who has probably lived most of his life already, I'm 64, so thinking | :20:14. | :20:20. | |
about my moan -- my own mortality and what that feels like. We look | :20:21. | :20:25. | |
forward to hearing from you later. Thank you for joining us, Sting. Who | :20:26. | :20:33. | |
will be over here with everybody. But now in this corner, a man who is | :20:34. | :20:35. | |
there. It is Jack White. # One of us is happy | :20:36. | :20:42. | |
One of us is mean # I love you, honey | :20:43. | :20:50. | |
Why don't you love me? # Then I start to think | :20:51. | :21:06. | |
you're growing colder # I watch TV | :21:07. | :21:17. | |
You watch the ceiling # And when you turn over | :21:18. | :21:26. | |
I get a funny feeling # And pop the top | :21:27. | :21:29. | |
until my baby comes clean # Yeah, I should | :21:30. | :21:37. | |
grab my rock and rye # And pop the top | :21:38. | :21:40. | |
until my baby comes clean # You bust your lip | :21:41. | :21:46. | |
on wine spodie odie # So come and take a trip | :21:47. | :21:53. | |
if you want to know me # Then I start to think | :21:54. | :21:57. | |
you're growing colder # You drink water | :21:58. | :22:28. | |
and I drink gasoline # One of us is happy | :22:29. | :22:42. | |
The other one is mean # I love you, honey | :22:43. | :22:46. | |
Why don't you love me? # Wonderful to have them back in this | :22:47. | :26:59. | |
room, Kings of Leon! Before that, the wonderful Jack White! Now we | :27:00. | :27:07. | |
welcome for the first time on this show somebody who has been | :27:08. | :27:12. | |
championed by Prince, touring with Gregory Porter, we welcome Kandace | :27:13. | :27:15. | |
Springs! # I've been trying to look | :27:16. | :27:29. | |
inside your heart # But silence keeps on | :27:30. | :27:45. | |
pushing us apart # Your voice is like | :27:46. | :28:00. | |
a song I long to hear # All these days | :28:01. | :28:38. | |
will pass on into years # So if in doubt, | :28:39. | :28:55. | |
remember that you're free, yeah # And all I want | :28:56. | :29:03. | |
is for you to talk to me # And all I want | :29:04. | :29:12. | |
is for you to talk to me # Picked up the paper today one more | :29:13. | :31:41. | |
on the list of already fallen # Another one of my comrades is | :31:42. | :31:50. | |
taken down # We treat our anecdotes and | :31:51. | :31:54. | |
commentary # We sing some songs and sad | :31:55. | :32:06. | |
# The tabloids to this and tell # 50,000 voices rise every time we | :32:07. | :32:16. | |
sing # Every word he ever wrote reflected | :32:17. | :32:25. | |
back to him # We don't remember the studios we | :32:26. | :32:31. | |
played all the lights on 50,000 faces | :32:32. | :32:34. | |
# The serious drug you could never kick | :32:35. | :32:38. | |
# What you could never imagine you could replace | :32:39. | :32:43. | |
# You feel like kites on the wings of amphetamine | :32:44. | :32:54. | |
# Really what did any of it mean # It was a high philosophy of | :32:55. | :32:58. | |
reflection and defeat # 50,000 voices rising every time he | :32:59. | :33:06. | |
sings # Every word he ever wrote reflected | :33:07. | :33:16. | |
back to him # Still believe | :33:17. | :33:22. | |
# Rock stars only fade # Reflecting now on my own past | :33:23. | :33:56. | |
# The saddest present I'd made for myself | :33:57. | :34:02. | |
# I'm feeling a little better today # Although the bathroom mirror is | :34:03. | :34:05. | |
telling me something else # These lines of stress one | :34:06. | :34:11. | |
bloodshot eye # The unhealthy pallor of a troubled | :34:12. | :34:15. | |
ghost # Where did I put my spectacle case | :34:16. | :34:23. | |
# Half blind # 50,000 to ministers like you and | :34:24. | :34:31. | |
me # Rock stars will never die they | :34:32. | :35:00. | |
will only fade away #. CHEERING AND APPLAUSE | :35:01. | :35:06. | |
The wonderful sound of Sting with 50,000. From 57th 9th. Before that | :35:07. | :35:17. | |
we very much enjoyed Kandace Springs! | :35:18. | :35:22. | |
And so pleased to have a legend at the table with a snap whose the sick | :35:23. | :35:32. | |
we enjoyed earlier, Jack White! -- with us now whose music we enjoyed. | :35:33. | :35:38. | |
All of these cut at the BBC, it is austerity can you get a glass of | :35:39. | :35:43. | |
water, actually half a glass at a plectrum. Thank you for coming. You | :35:44. | :35:48. | |
have this great record out and I like it because it is actually a | :35:49. | :35:52. | |
record, I am a record collector so I love their record. It is a | :35:53. | :35:59. | |
collection of your acoustic recordings. You have so many great | :36:00. | :36:04. | |
songs, was it hard to decide what to put on? I had about three hours to | :36:05. | :36:10. | |
start with and took off the cover songs and the live songs and | :36:11. | :36:14. | |
whittled it down to something that made sense. Their art studio track | :36:15. | :36:20. | |
that have been remastered or songs that studied at acoustic songs and | :36:21. | :36:25. | |
we turned them into larger 16 track things. I wanted to peel them back | :36:26. | :36:29. | |
and let people see how they started so it was a collection of those | :36:30. | :36:32. | |
things but all chronological as well. How was the process of looking | :36:33. | :36:38. | |
back and listening? It takes years for me to listen to a song that I've | :36:39. | :36:42. | |
written to be able to hear it clearly. When you first do it you | :36:43. | :36:46. | |
are very close to it and time has to go by before you can listen to it | :36:47. | :36:51. | |
again, for me. After a while you can see it for what it is and you are | :36:52. | :36:55. | |
far away enough. What about listening to a piece of music you | :36:56. | :37:00. | |
have loved for a long time? Does it get much better? Is it you changing | :37:01. | :37:06. | |
or the music? You are appreciating those little nuance is a little | :37:07. | :37:11. | |
more, I was watching Sting and all of the Stuart Copeland drum fills | :37:12. | :37:15. | |
that I loved, how much more I love them now, and John Bonham that I | :37:16. | :37:20. | |
love even more now. I always attacked the music from a drummer | :37:21. | :37:25. | |
first and read my way out to the piano and vocals and melody. You | :37:26. | :37:30. | |
start with the drum? Always, that's my favourite part, that's where it | :37:31. | :37:34. | |
come from. You have produced a lot of artists and collaborated with a | :37:35. | :37:38. | |
lot of artists, what is the key for that? To be as polite as possible! | :37:39. | :37:47. | |
You have just produced Beyonce, when you go in for the first day, being | :37:48. | :37:51. | |
as polite as possible, how does it go? I'm Beyonce, what are we doing? | :37:52. | :37:59. | |
I like to go into other people's worlds, I do a lot of things analog | :38:00. | :38:06. | |
into tape and not too much digital equipment when I write and produce | :38:07. | :38:09. | |
and record so if I'm working with somebody who is further away from my | :38:10. | :38:16. | |
normal world, I like to do what they normally do so I can learn something | :38:17. | :38:20. | |
from them. I was trying to learn as much as I could from how Beyonce | :38:21. | :38:24. | |
does things to see if we could find some common ground and build | :38:25. | :38:27. | |
something and we really did, it was really incredible that we were able | :38:28. | :38:30. | |
to do. I thought it was not going to work at first but it turned into | :38:31. | :38:34. | |
something I'm incredibly happy about. What did you learn from her? | :38:35. | :38:41. | |
She is very beautiful! Funnily enough, so are you! I can see how | :38:42. | :38:46. | |
you have picked up on it. I am asking a few of the artists on the | :38:47. | :38:50. | |
show, spontaneity or being well rehearsed? Spontaneity! Of course. | :38:51. | :39:01. | |
The Germans have a word for it. Also, I must ask you, I believe your | :39:02. | :39:06. | |
record label launched your own space proof turntable into outer space. We | :39:07. | :39:12. | |
did do that. We don't really know why we did it but we did do it. Was | :39:13. | :39:20. | |
it OK with Nasa and all that? We had to get clearance with them and | :39:21. | :39:23. | |
things like that, it was a five-year project. And also third man records | :39:24. | :39:30. | |
has produced 3 million pieces of vinyl. We love vinyl! Your 3 | :39:31. | :39:36. | |
millionth was propelled into outer space? It is too important! And | :39:37. | :39:44. | |
perhaps if there had been Martians out there, they could have heard it? | :39:45. | :39:49. | |
Exactly. You are assuming they have got thumbs. It is a lot of assuming. | :39:50. | :39:54. | |
Thank you for joining us, Jack White! APPLAUSE | :39:55. | :40:03. | |
Outer space, you have never been into outer space, have you? Even | :40:04. | :40:07. | |
Sting who has done almost everything, he hasn't been into | :40:08. | :40:11. | |
outer space. Have you ever been into outer space? No, absolutely not. | :40:12. | :40:22. | |
Maybe with drugs? No! In reality! Thank you for your help on that! | :40:23. | :40:27. | |
They have not been into outer space was the answer. The closest you can | :40:28. | :40:32. | |
get is by being with us on the show. I'm now pleased to welcome back the | :40:33. | :40:34. | |
wonderful Banks! # This is not about me | :40:35. | :41:04. | |
# All this business # Is it better? | :41:05. | :41:22. | |
# This is not about us # This is not about us | :41:23. | :41:45. | |
# I never played it cool # It was a big mistake | :41:46. | :41:50. | |
# This is not about to you # Trying to get up in my bag | :41:51. | :42:00. | |
# All this business # Is it better | :42:01. | :42:16. | |
# Don't ask me why the red this is not about us | :42:17. | :42:23. | |
# This is not about us # This is not about us | :42:24. | :42:35. | |
# This is not about # This is not about | :42:36. | :42:45. | |
# I never bought it # How I found out | :42:46. | :42:54. | |
# All the times I tried to prove to you | :42:55. | :42:57. | |
# This is not about us # This is not about us | :42:58. | :43:31. | |
# This is not about us. # If the wrinkle | :43:32. | :43:42. | |
that is in your brain? # If the wrinkle | :43:43. | :44:29. | |
that is in your brain Jack White! Sugar Never Tasted So | :44:30. | :47:01. | |
Good. From his angle, -- his album, Acoustic Recordings 1998-2016. | :47:02. | :47:05. | |
Before that, we enjoyed Banks. Now we return to the men who claim to | :47:06. | :47:12. | |
have been to outer space, but I have my doubts. It is of course Kings Of | :47:13. | :47:15. | |
Leon. # I can't get the alarm out | :47:16. | :47:59. | |
# You can't get me here alone # I'm just trying to do what's right | :48:00. | :48:12. | |
# All night, and a man is thought to fight | :48:13. | :48:23. | |
# I could never point you out # They still face in a faceless | :48:24. | :48:36. | |
crowd # Tell me what I have to say | :48:37. | :48:45. | |
# If you know what's right then you'll walk away | :48:46. | :48:51. | |
# And the walls come down # And the walls come down | :48:52. | :49:04. | |
# But no walls come down # And no walls come down | :49:05. | :49:24. | |
# One by one I've seen folk # Some just don't show up at all | :49:25. | :49:42. | |
# I'm just here to fight the fight # A man ain't a man unless he has | :49:43. | :49:45. | |
desire # And the walls come down | :49:46. | :49:57. | |
# When the walls come down # The walls come down | :49:58. | :50:14. | |
# You tore up my heart # You do it the way | :50:15. | :50:29. | |
# Weston goal with ease denies, took -- western girl with ease denies, | :50:30. | :50:33. | |
took a wrong turn and found surprise. | :50:34. | :50:42. | |
# No way # And no way | :50:43. | :51:00. | |
# When the walls come down # When the walls come down | :51:01. | :51:27. | |
# You to pour out my heart -- you for out my heart | :51:28. | :51:29. | |
# You do it away # The western girl with eastern eyes | :51:30. | :51:37. | |
who took a wrong turn and found surprised a way | :51:38. | :51:47. | |
# Now I've nothing and no way # And no way | :51:48. | :51:59. | |
# Yeah, no way # And no way | :52:00. | :52:54. | |
# A place where dreams are made like comic strips | :52:55. | :53:03. | |
# I see colours and planes, laser guns and champagne | :53:04. | :53:08. | |
# I feel strong and smart, ready for a new start | :53:09. | :53:14. | |
# Got it all - PAM! Got everything | :53:15. | :54:58. | |
# Got it all - PAM! Got all I need | :54:59. | :55:03. | |
# Got it all - PAM! Got everything | :55:04. | :55:09. | |
# Got it all - PAM! Got all I need | :55:10. | :55:14. | |
# All you can do is keep dreaming, dreaming | :55:15. | :55:27. | |
# It's up to you The meaning, the meaning | :55:28. | :55:38. | |
# All you can do is keep dreaming, dreaming | :55:39. | :55:47. | |
# It's up to you The meaning, the meaning | :55:48. | :55:58. | |
# Got it all - PAM! Got everything | :55:59. | :56:00. | |
# Got it all - PAM! Got all I need | :56:01. | :56:05. | |
# Got it all - PAM! Got everything | :56:06. | :56:10. | |
# Got it all - PAM! Got all I need | :56:11. | :56:14. | |
# Got it all - PAM! Got everything | :56:15. | :56:20. | |
# Got it all - PAM! Got all I need | :56:21. | :56:25. | |
# Got it all - PAM! Got everything | :56:26. | :56:30. | |
# Got it all - PAM! Got all I need | :56:31. | :56:36. | |
# Got it all - PAM! Got everything | :56:37. | :56:40. | |
# Got it all - PAM! Got all I need | :56:41. | :56:45. | |
# Got it all - PAM! Got everything | :56:46. | :56:56. | |
M83! Laser Gun from their LP, Junk. Before that, Kings Of Leon. And now | :56:57. | :57:17. | |
we finish with a superb and wonderful treat from 1978, a | :57:18. | :57:18. | |
wonderful song. We thank Sting. # You took me over, | :57:19. | :57:24. | |
let me find a way # I sold my house, | :57:25. | :57:33. | |
I sold my motor, too # I'd rob a bank, | :57:34. | :57:36. | |
maybe steal a plane # You took me over, | :57:37. | :57:42. | |
think I'll go insane # I had a thousand | :57:43. | :57:45. | |
girls or maybe more # I just don't know | :57:46. | :58:00. | |
what come over me # You took me over, | :58:01. | :58:06. | |
take a look at me now # I saw the doctor, | :58:07. | :58:09. | |
he said, give it time # When all it is | :58:10. | :58:56. | |
is just a love affair # You took me over, | :58:57. | :59:10. | |
baby, take me there Thank you, Sting! You can see much | :59:11. | :01:09. | |
more on our website. We will be back on Tuesday at 10pm with Madness on | :01:10. | :01:16. | |
Jamie T. Thank you to all our guests, Sting, Jack White, Kandace | :01:17. | :01:25. | |
Springs, M83, Banks and Kings Of Leon. It is ray Charles's birthday | :01:26. | :01:29. | |
this week so we will finish with this. | :01:30. | :01:33. |