Episode 1 Later... with Jools Holland


Episode 1

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Good afternoon, welcome to the brand-new series, I'm ready to go,

:00:34.:00:41.

I'm ready for Kings of Leon! # All the way from Waco to WeHo

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with the rabbit on a chain # Drove a little slick car to tend

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bar with the static on her brain # She's a little burner, burner,

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gonna throw you to the flame # Little ticking time bomb,

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time bomb, gonna blow us all away # Oh, oh, oh, oh,

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take the time to waste a moment # Whoa, oh, oh, oh

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never ask to be forgiven # Texy was her boyfriend, with no

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kin, always running from the law # Every other weekend, the week ends

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with his back in her claw # He's a live wire, wired,

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shooting sparks in the night # He's a gun for hire, hired,

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with a bead in his sights # Oh, oh, oh, oh,

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take the time to waste a moment # Whoa, oh, oh, oh,

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facing where the lines are broken # Oh, oh, oh, oh,

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name your price to all this living # Whoa, oh, oh, oh,

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never ask to be forgiven # Oh, oh, oh, oh,

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take the time to waste a moment # Whoa, oh, oh, oh,

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facing where the lines are broken # Whoa, oh, oh, oh,

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name your price to all this living # Whoa, oh, oh, oh,

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never ask to be forgiven #. Kings of Leon, Waste A Moment! A

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room filled with extraordinary talent, people in the background and

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people watching, from Newcastle we have Sting! From Detroit, we will

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enjoy Jack White! From Nashville, a marvellous new talent in the forms

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of Kandace Springs! From Los Angeles, Banks! But now, from

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Antibes, France, we welcome M83! # You, you, you, meet me, me,

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me at this station, station # Can't, can't, can't, get used,

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used, used to patience, patience # Wish time, this time could just be

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a bit shortened, shortened # Be-be-be-tween u-u-us

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six million seasons # Gotta run, gotta run,

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gotta run and make it or die # I'm done, I'm done,

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I'm done without you # I'm coming, I'm coming,

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I'm coming for you # F-F-Feels like we-we-we'll

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be frozen, frozen # N-N-Need you to-to tell me,

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je t'aime, je t'aime # Full speed cause we gotta

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look to discover, cover # G-G-Get me j-j-just

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a little closer # Gotta run, gotta run,

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gotta run and make it or die # I'm done, I'm done,

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I'm done without you # I'm coming, I'm coming,

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I'm coming for you # I'm gonna come,

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just meet me there # I'm coming, I'm coming,

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I'm coming for you # I'm coming, I'm coming,

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I'm coming for you #. CHEERING AND APPLAUSE

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Thank you, M83 with Mai Lan. A song from that album Junk. We have legend

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in the room, I'm delighted to say, from his marvellous new album, 57th

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9th, we welcome Sting! # White page, an empty field

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of snow, my room is 25 below # This cold man chasing ghosts,

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a road lies underneath a buried boat # Dogs search the under forest,

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we scour the empty streets # The fact remains until we find

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you, our lives are incomplete # Do I hear laughters

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through a veil of snow and ice? # Where could you be on such

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a lonely winter's night? # That's why I'm searching

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night and day # This heart's a lonely hunter,

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these hands are frozen fists # I can't stop thinking about you,

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I don't care if you exist # Do I hear laughter from behind

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this veil of midnight? # What are you hiding

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in the frozen heart of winter? # I know you're close,

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your scent still warm # And then your trail turns

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cold, cold, cold # That's why I'm searching

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night and day # This heart's a lonely hunter,

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these hands are frozen fists # I can't stop thinking about you,

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I don't care if you exist # Do I hear laughter

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in the silence of the snow? # I know you're hiding in this

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frozen heart of winter # I know you're close,

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your scent still warm # Then the trail turns

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cold, cold, cold # That's why I'm searching

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night and day # This heart's a lonely hunter,

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these hands are frozen fists # I can't stop thinking about you,

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I don't care if you exist Thank you, Sting! William Beale --

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we will be discussing interesting things later. Now somebody we have

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been trying to get on the show for a long time. Now she is there. With

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Gemini Feed, we welcome Banks. # And to think you would

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get me to the altar. # Like I'd follow you around

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like a dog that needs water. # But admit it, that

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you wanted me smaller. # If you would've let me grow,

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you could've kept my love. # There's nothing

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on my body left to see. # I tried to say "I love you,"

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but you didn't hear me. # Convinced me other people,

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they don't care about me. # And to think you would

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get me to the altar. # Like I'd follow you around

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like a dog that needs water. # But admit it, that

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you wanted me smaller. # If you would've let me grow,

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you could've kept my love. # I still want you to kiss 'em

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cause they're lonely. # That when I said "I miss you,"

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you never believed me. # You and me together,

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we were gemini feed. # And to think you would

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get me to the altar. # Like I'd follow you around

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like a dog that needs water. # But admit it, that

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you wanted me smaller. # If you would've let me grow,

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you could've kept my love. # And to think you would

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get me to the altar. # Like I'd follow you around

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like a dog that needs water. # But admit it, that

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you wanted me smaller. # If you would've let me grow,

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you could've kept my love. # And to think you would

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get me to the altar. # Like I'd follow you around

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like a dog that needs water. # But admit it, that

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you wanted me smaller. # If you would've let me grow,

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you could've kept my love #. Thank you, Banks, with Gemini Feed.

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Marvellous to have you in this room. So nice, the way the lights come up

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and they go down and stars come into this room and they go out. It's a

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treat to be here. We welcome now to the table for some intimate chat the

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wonderful Sting. CHEERING It is Sting! Now,

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congratulations on your new record, 57th 9th. Where does the title

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come from? It's an intersection I would cross every day on my way to

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the studio, at Hells kitchen in New York. It's very busy and you have to

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be careful when you cross. How are you travelling? I walk. How far is

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it? 15 blocks. I lived on west 57th but I got confused because the

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street were not called things like pudding Lane, it was all numbers, so

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I couldn't remember what they were called. But you can't get lost. You

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can, one, two... You can't remember where you are going. When you got to

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the studio, why that junction? Did something happened there? No, I just

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like the junction. Last time you came on, you said there was no point

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trying to write something if you didn't have something to say, so

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what has inspired you for this record? The first song is about that

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conundrum. You face a blank page and it looks like a field of snow. You

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have no idea what is underneath, a road, a pass, an animal you are

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hunting, a story, a news, inspiration. It's about an obsessive

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search for something ephemeral, a song. What comes first, the words of

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the music? It depends. I like to do it both ways. I might write the

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music and it gives me a clue about the story or a write a line and it

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follows. What was inspiring you? What was underneath the snow that

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you found? Things happening in the world, global warming, refugee

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crisis, a lot of our colleagues dying quickly, so many of them.

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Those kind of things inspired me to respond to them. It's a question I'd

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like to ask. Are you a person who is likely to be well rehearsed or are

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you spontaneous? We went into the studio, Dominic Miller and Vinny,

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the three of us know each other so well that we would jam together,

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showed a thing into the form of a song, and I'd take that home, a

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story of that abstract narrative that music is. That's my job. The

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last record was brilliant. You came on with Jimmy nail. It was a

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systolic record. This is going back to the police macro style. -- it was

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a symphonic record. This is going back to the Police style. I have

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made these are terrible records. I like surprise. When I listen to

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music, I want to be surprised. -- I have made these ephemeral records.

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This is a surprise. It's very direct, it's very simple, it's rock

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and roll. Simple is hardest, do you think was John Mogg it's very

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difficult. The song you are going to be playing is called 50,000. What's

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it about? A lot of icons passed away this year, David Bowie, Prince, and

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my friend Alan Rickman. Prince Buster. So I was responding as a man

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who has probably lived most of his life already, I'm 64, so thinking

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about my moan -- my own mortality and what that feels like. We look

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forward to hearing from you later. Thank you for joining us, Sting. Who

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will be over here with everybody. But now in this corner, a man who is

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there. It is Jack White. # One of us is happy

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One of us is mean # I love you, honey

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Why don't you love me? # Then I start to think

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you're growing colder # I watch TV

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You watch the ceiling # And when you turn over

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I get a funny feeling # And pop the top

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until my baby comes clean # Yeah, I should

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grab my rock and rye # And pop the top

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until my baby comes clean # You bust your lip

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on wine spodie odie # So come and take a trip

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if you want to know me # Then I start to think

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you're growing colder # You drink water

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and I drink gasoline # One of us is happy

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The other one is mean # I love you, honey

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Why don't you love me? # Wonderful to have them back in this

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room, Kings of Leon! Before that, the wonderful Jack White! Now we

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welcome for the first time on this show somebody who has been

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championed by Prince, touring with Gregory Porter, we welcome Kandace

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Springs! # I've been trying to look

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inside your heart # But silence keeps on

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pushing us apart # Your voice is like

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a song I long to hear # All these days

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will pass on into years # So if in doubt,

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remember that you're free, yeah # And all I want

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is for you to talk to me # And all I want

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is for you to talk to me # Picked up the paper today one more

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on the list of already fallen # Another one of my comrades is

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taken down # We treat our anecdotes and

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commentary # We sing some songs and sad

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# The tabloids to this and tell # 50,000 voices rise every time we

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sing # Every word he ever wrote reflected

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back to him # We don't remember the studios we

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played all the lights on 50,000 faces

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# The serious drug you could never kick

:32:35.:32:38.

# What you could never imagine you could replace

:32:39.:32:43.

# You feel like kites on the wings of amphetamine

:32:44.:32:54.

# Really what did any of it mean # It was a high philosophy of

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reflection and defeat # 50,000 voices rising every time he

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sings # Every word he ever wrote reflected

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back to him # Still believe

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# Rock stars only fade # Reflecting now on my own past

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# The saddest present I'd made for myself

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# I'm feeling a little better today # Although the bathroom mirror is

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telling me something else # These lines of stress one

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bloodshot eye # The unhealthy pallor of a troubled

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ghost # Where did I put my spectacle case

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# Half blind # 50,000 to ministers like you and

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me # Rock stars will never die they

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will only fade away #. CHEERING AND APPLAUSE

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The wonderful sound of Sting with 50,000. From 57th 9th. Before that

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we very much enjoyed Kandace Springs!

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And so pleased to have a legend at the table with a snap whose the sick

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we enjoyed earlier, Jack White! -- with us now whose music we enjoyed.

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All of these cut at the BBC, it is austerity can you get a glass of

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water, actually half a glass at a plectrum. Thank you for coming. You

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have this great record out and I like it because it is actually a

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record, I am a record collector so I love their record. It is a

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collection of your acoustic recordings. You have so many great

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songs, was it hard to decide what to put on? I had about three hours to

:36:05.:36:10.

start with and took off the cover songs and the live songs and

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whittled it down to something that made sense. Their art studio track

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that have been remastered or songs that studied at acoustic songs and

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we turned them into larger 16 track things. I wanted to peel them back

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and let people see how they started so it was a collection of those

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things but all chronological as well. How was the process of looking

:36:33.:36:38.

back and listening? It takes years for me to listen to a song that I've

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written to be able to hear it clearly. When you first do it you

:36:43.:36:46.

are very close to it and time has to go by before you can listen to it

:36:47.:36:51.

again, for me. After a while you can see it for what it is and you are

:36:52.:36:55.

far away enough. What about listening to a piece of music you

:36:56.:37:00.

have loved for a long time? Does it get much better? Is it you changing

:37:01.:37:06.

or the music? You are appreciating those little nuance is a little

:37:07.:37:11.

more, I was watching Sting and all of the Stuart Copeland drum fills

:37:12.:37:15.

that I loved, how much more I love them now, and John Bonham that I

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love even more now. I always attacked the music from a drummer

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first and read my way out to the piano and vocals and melody. You

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start with the drum? Always, that's my favourite part, that's where it

:37:31.:37:34.

come from. You have produced a lot of artists and collaborated with a

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lot of artists, what is the key for that? To be as polite as possible!

:37:39.:37:47.

You have just produced Beyonce, when you go in for the first day, being

:37:48.:37:51.

as polite as possible, how does it go? I'm Beyonce, what are we doing?

:37:52.:37:59.

I like to go into other people's worlds, I do a lot of things analog

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into tape and not too much digital equipment when I write and produce

:38:07.:38:09.

and record so if I'm working with somebody who is further away from my

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normal world, I like to do what they normally do so I can learn something

:38:17.:38:20.

from them. I was trying to learn as much as I could from how Beyonce

:38:21.:38:24.

does things to see if we could find some common ground and build

:38:25.:38:27.

something and we really did, it was really incredible that we were able

:38:28.:38:30.

to do. I thought it was not going to work at first but it turned into

:38:31.:38:34.

something I'm incredibly happy about. What did you learn from her?

:38:35.:38:41.

She is very beautiful! Funnily enough, so are you! I can see how

:38:42.:38:46.

you have picked up on it. I am asking a few of the artists on the

:38:47.:38:50.

show, spontaneity or being well rehearsed? Spontaneity! Of course.

:38:51.:39:01.

The Germans have a word for it. Also, I must ask you, I believe your

:39:02.:39:06.

record label launched your own space proof turntable into outer space. We

:39:07.:39:12.

did do that. We don't really know why we did it but we did do it. Was

:39:13.:39:20.

it OK with Nasa and all that? We had to get clearance with them and

:39:21.:39:23.

things like that, it was a five-year project. And also third man records

:39:24.:39:30.

has produced 3 million pieces of vinyl. We love vinyl! Your 3

:39:31.:39:36.

millionth was propelled into outer space? It is too important! And

:39:37.:39:44.

perhaps if there had been Martians out there, they could have heard it?

:39:45.:39:49.

Exactly. You are assuming they have got thumbs. It is a lot of assuming.

:39:50.:39:54.

Thank you for joining us, Jack White! APPLAUSE

:39:55.:40:03.

Outer space, you have never been into outer space, have you? Even

:40:04.:40:07.

Sting who has done almost everything, he hasn't been into

:40:08.:40:11.

outer space. Have you ever been into outer space? No, absolutely not.

:40:12.:40:22.

Maybe with drugs? No! In reality! Thank you for your help on that!

:40:23.:40:27.

They have not been into outer space was the answer. The closest you can

:40:28.:40:32.

get is by being with us on the show. I'm now pleased to welcome back the

:40:33.:40:34.

wonderful Banks! # This is not about me

:40:35.:41:04.

# All this business # Is it better?

:41:05.:41:22.

# This is not about us # This is not about us

:41:23.:41:45.

# I never played it cool # It was a big mistake

:41:46.:41:50.

# This is not about to you # Trying to get up in my bag

:41:51.:42:00.

# All this business # Is it better

:42:01.:42:16.

# Don't ask me why the red this is not about us

:42:17.:42:23.

# This is not about us # This is not about us

:42:24.:42:35.

# This is not about # This is not about

:42:36.:42:45.

# I never bought it # How I found out

:42:46.:42:54.

# All the times I tried to prove to you

:42:55.:42:57.

# This is not about us # This is not about us

:42:58.:43:31.

# This is not about us. # If the wrinkle

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that is in your brain? # If the wrinkle

:43:43.:44:29.

that is in your brain Jack White! Sugar Never Tasted So

:44:30.:47:01.

Good. From his angle, -- his album, Acoustic Recordings 1998-2016.

:47:02.:47:05.

Before that, we enjoyed Banks. Now we return to the men who claim to

:47:06.:47:12.

have been to outer space, but I have my doubts. It is of course Kings Of

:47:13.:47:15.

Leon. # I can't get the alarm out

:47:16.:47:59.

# You can't get me here alone # I'm just trying to do what's right

:48:00.:48:12.

# All night, and a man is thought to fight

:48:13.:48:23.

# I could never point you out # They still face in a faceless

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crowd # Tell me what I have to say

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# If you know what's right then you'll walk away

:48:46.:48:51.

# And the walls come down # And the walls come down

:48:52.:49:04.

# But no walls come down # And no walls come down

:49:05.:49:24.

# One by one I've seen folk # Some just don't show up at all

:49:25.:49:42.

# I'm just here to fight the fight # A man ain't a man unless he has

:49:43.:49:45.

desire # And the walls come down

:49:46.:49:57.

# When the walls come down # The walls come down

:49:58.:50:14.

# You tore up my heart # You do it the way

:50:15.:50:29.

# Weston goal with ease denies, took -- western girl with ease denies,

:50:30.:50:33.

took a wrong turn and found surprise.

:50:34.:50:42.

# No way # And no way

:50:43.:51:00.

# When the walls come down # When the walls come down

:51:01.:51:27.

# You to pour out my heart -- you for out my heart

:51:28.:51:29.

# You do it away # The western girl with eastern eyes

:51:30.:51:37.

who took a wrong turn and found surprised a way

:51:38.:51:47.

# Now I've nothing and no way # And no way

:51:48.:51:59.

# Yeah, no way # And no way

:52:00.:52:54.

# A place where dreams are made like comic strips

:52:55.:53:03.

# I see colours and planes, laser guns and champagne

:53:04.:53:08.

# I feel strong and smart, ready for a new start

:53:09.:53:14.

# Got it all - PAM! Got everything

:53:15.:54:58.

# Got it all - PAM! Got all I need

:54:59.:55:03.

# Got it all - PAM! Got everything

:55:04.:55:09.

# Got it all - PAM! Got all I need

:55:10.:55:14.

# All you can do is keep dreaming, dreaming

:55:15.:55:27.

# It's up to you The meaning, the meaning

:55:28.:55:38.

# All you can do is keep dreaming, dreaming

:55:39.:55:47.

# It's up to you The meaning, the meaning

:55:48.:55:58.

# Got it all - PAM! Got everything

:55:59.:56:00.

# Got it all - PAM! Got all I need

:56:01.:56:05.

# Got it all - PAM! Got everything

:56:06.:56:10.

# Got it all - PAM! Got all I need

:56:11.:56:14.

# Got it all - PAM! Got everything

:56:15.:56:20.

# Got it all - PAM! Got all I need

:56:21.:56:25.

# Got it all - PAM! Got everything

:56:26.:56:30.

# Got it all - PAM! Got all I need

:56:31.:56:36.

# Got it all - PAM! Got everything

:56:37.:56:40.

# Got it all - PAM! Got all I need

:56:41.:56:45.

# Got it all - PAM! Got everything

:56:46.:56:56.

M83! Laser Gun from their LP, Junk. Before that, Kings Of Leon. And now

:56:57.:57:17.

we finish with a superb and wonderful treat from 1978, a

:57:18.:57:18.

wonderful song. We thank Sting. # You took me over,

:57:19.:57:24.

let me find a way # I sold my house,

:57:25.:57:33.

I sold my motor, too # I'd rob a bank,

:57:34.:57:36.

maybe steal a plane # You took me over,

:57:37.:57:42.

think I'll go insane # I had a thousand

:57:43.:57:45.

girls or maybe more # I just don't know

:57:46.:58:00.

what come over me # You took me over,

:58:01.:58:06.

take a look at me now # I saw the doctor,

:58:07.:58:09.

he said, give it time # When all it is

:58:10.:58:56.

is just a love affair # You took me over,

:58:57.:59:10.

baby, take me there Thank you, Sting! You can see much

:59:11.:01:09.

more on our website. We will be back on Tuesday at 10pm with Madness on

:01:10.:01:16.

Jamie T. Thank you to all our guests, Sting, Jack White, Kandace

:01:17.:01:25.

Springs, M83, Banks and Kings Of Leon. It is ray Charles's birthday

:01:26.:01:29.

this week so we will finish with this.

:01:30.:01:33.

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