Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Another show packed with extraordinary talent. Let's begin | :00:37. | :00:39. | |
with Emeli Sande! # I'm all right, I'm all right, | :00:40. | :00:58. | |
but I could be wrong, baby # I know you remember me, | :00:59. | :01:03. | |
five three, # In the back of | :01:04. | :01:05. | |
the library, come on # You could at least | :01:06. | :01:07. | |
try and look at me # Oh man, oh man, | :01:08. | :01:09. | |
what a tragedy, ha ha # Ah, shit, why we always had | :01:10. | :01:11. | |
to roll the dice, la la # Two seats in the back | :01:12. | :01:16. | |
of the cinema, hazy # And all the mad shit | :01:17. | :01:19. | |
we did after that, crazy # I swear you're giving | :01:20. | :01:23. | |
me shivers, shivers # When all that's | :01:24. | :01:30. | |
left to do is watch # Run fast, run fast | :01:31. | :01:50. | |
like the rivers run, God damn # Ah, took a minute till | :01:51. | :02:09. | |
the penny dropped, you know # Deep, deep, deep, deep, | :02:10. | :02:14. | |
deep, deep, deep # When all that's | :02:15. | :02:23. | |
left to do is watch # Oh baby, I'm not | :02:24. | :02:45. | |
made of stone # It hurts the way that | :02:46. | :02:53. | |
you pretend you don't remember # It hurts the way that | :02:54. | :03:09. | |
you forget our times together # Like the time laid in bed | :03:10. | :03:18. | |
when you said it's forever, baby # When all that's | :03:19. | :03:28. | |
left to do is watch # Oh baby, I'm not | :03:29. | :03:57. | |
made of stone Unbelievable! The wonderful Emeli | :03:58. | :04:51. | |
Sande with Hurts. So pleased to have her back in this room. From Denmark, | :04:52. | :05:02. | |
we will be welcoming Wilco. From Los Angeles, we welcome back Warpaint. | :05:03. | :05:09. | |
From New York, it's Regina Spektor. From India, via London, Anoushka | :05:10. | :05:15. | |
Shankar. And now, from Chicago, please enjoy Wilco. | :05:16. | :05:46. | |
# Come on, listen to the wheel this way | :05:47. | :05:48. | |
# I belong to the stars in the day | :05:49. | :05:51. | |
# I ran away Eternal instigator | :05:52. | :05:54. | |
# I belong to the stars in the sky | :05:55. | :06:05. | |
# Random name generator Random name generator | :06:06. | :06:25. | |
# Somebody hold me in the diamond light | :06:26. | :06:46. | |
# I kinda like it when I make you cry | :06:47. | :07:08. | |
# A miracle only once in a while | :07:09. | :07:15. | |
# I change my name every once in a while | :07:16. | :07:21. | |
# A miracle every once in a while | :07:22. | :07:25. | |
# A flame creator A random name generator | :07:26. | :07:45. | |
# Come on, cuff me to the weed with some wine | :07:46. | :07:48. | |
# If I miss your breeze or you miss mine | :07:49. | :07:57. | |
# I kinda like it when I make you cry | :07:58. | :08:01. | |
# Come on, cuff me to the weed with some wine | :08:02. | :08:14. | |
# I think I miss my family I found #. | :08:15. | :09:19. | |
Thank you, Wilco. Random Name Generator from their Star Wars LP. | :09:20. | :09:41. | |
This next artist, she said chart-topping hits with major laser, | :09:42. | :09:44. | |
she's from Denmark and she's now there on her own. We welcome MO. | :09:45. | :10:02. | |
# Please, won't you wait, won't you stay? | :10:03. | :10:04. | |
# When you're gone, I lose faith, I lose everything I have found | :10:05. | :10:10. | |
# Yeah, that's what I hear when you're by my side | :10:11. | :10:23. | |
# But when you're gone, the music goes | :10:24. | :10:26. | |
# So hear me out before you say the night is over | :10:27. | :10:35. | |
# I want you to know that we gotta, gotta carry on | :10:36. | :10:40. | |
# So don't let this be our final song | :10:41. | :10:49. | |
# So hear me out before you say the night is over | :10:50. | :10:53. | |
# I want you to know that we gotta, gotta carry on | :10:54. | :10:58. | |
# So don't let this be our final song | :10:59. | :11:01. | |
# Baby, when we were young, there was nothing to make believe | :11:02. | :11:05. | |
# They were written for you and me | :11:06. | :11:10. | |
# Yeah, that's what I hear when you're by my side | :11:11. | :11:22. | |
# But when you're gone, the music goes | :11:23. | :11:25. | |
# So hear me out before you say the night is over | :11:26. | :11:34. | |
# I want you to know that we gotta, gotta carry on | :11:35. | :11:39. | |
# So don't let this be our final song | :11:40. | :11:48. | |
# So hear me out before you say the night is over | :11:49. | :11:52. | |
# I want you to know that we gotta, gotta carry on | :11:53. | :11:57. | |
# So don't let this be our final song | :11:58. | :12:03. | |
# Here and now, whatever you do, just don't look down | :12:04. | :12:12. | |
# Woo, underneath the disco light, it's all right | :12:13. | :12:15. | |
# We could make the perfect sound | :12:16. | :12:25. | |
# But when you're gone, the music goes | :12:26. | :12:29. | |
# So hear me out before you say the night is over | :12:30. | :12:40. | |
# I want you to know that we gotta, gotta carry on | :12:41. | :12:43. | |
# So don't let this be our final song | :12:44. | :12:52. | |
# So hear me out before you say the night is over | :12:53. | :12:56. | |
# I want you to know that we gotta, gotta carry on | :12:57. | :13:01. | |
# So don't let this be our final song | :13:02. | :13:07. | |
# Here and now, whatever you do, just don't look down | :13:08. | :13:14. | |
# Woo, underneath the disco light, it's all right | :13:15. | :13:19. | |
# Here and now, whatever you do, just don't look down | :13:20. | :13:33. | |
# Woo, underneath the disco light, it's alright | :13:34. | :13:37. | |
# Don't let this be our final song #. | :13:38. | :13:42. | |
Thank you, MO, Final Song, from her album out next year. We will be | :13:43. | :14:04. | |
hearing more songs on this show. Now we welcome from Los Angeles, their | :14:05. | :14:08. | |
second time on the show, it is Warpaint! | :14:09. | :14:27. | |
# That leads me, babe, to where I belong | :14:28. | :14:48. | |
# Because of you, I know where I belong | :14:49. | :15:01. | |
# To think, to think that it was wrong for me | :15:02. | :15:41. | |
# I want, I want it, I want it all... | :15:42. | :15:45. | |
# I want, I want, I want it all so sweet | :15:46. | :15:50. | |
# You got the moves, you got the moves | :15:51. | :15:53. | |
# You got the moves, you got the moves | :15:54. | :16:01. | |
Thank you, Warpaint. That's from their album. Now, I'm going to be | :16:02. | :18:47. | |
discussing something in the corner with an incredibly talented woman | :18:48. | :18:51. | |
who we are so pleased to have back in the studio, Emeli Sande. Really | :18:52. | :18:58. | |
nice to see you back here. I would like to congratulate you on a | :18:59. | :19:02. | |
marvellous new record. It sounds wonderful. It must have been quite a | :19:03. | :19:07. | |
lot of stress. Because your last record, which was your first, | :19:08. | :19:12. | |
really, was such a tremendous success, not just here, but | :19:13. | :19:16. | |
everywhere, people loved you all over the world. Every country was | :19:17. | :19:20. | |
mad for you. Was there a lot of pressure trying to follow that up? | :19:21. | :19:25. | |
Initially I tried not to think about it but then I found it started to | :19:26. | :19:32. | |
interfere with making music. I saw naughty boy, a talented man, I will | :19:33. | :19:37. | |
barge in on him later. We approached the first album with no expectation, | :19:38. | :19:41. | |
just the love of music so I tried to get into that head frame and I hope | :19:42. | :19:46. | |
we achieved that. Long Live The Angels. What inspired the title? | :19:47. | :19:52. | |
From 2012 until now, the world has changed so much and I feel that | :19:53. | :19:56. | |
Angels needing courage in. I feel I really choose my side and who I want | :19:57. | :20:02. | |
to support. Long Live The Angels is for all the survivors out there and | :20:03. | :20:04. | |
all the people doing great things in the world. Was there a particular | :20:05. | :20:11. | |
moment for you when you're enormous global success, was there a minute | :20:12. | :20:14. | |
when it suddenly became apparent to you that you were a success? Yes. I | :20:15. | :20:21. | |
performed at the White House and at that moment I thought, wow, this has | :20:22. | :20:25. | |
really taken me beyond any dream or expectation I had. When I was | :20:26. | :20:30. | |
performing for the Obamas, I thought, this is a pinch me moment. | :20:31. | :20:34. | |
When I look back on that day and that photo, I can't believe it | :20:35. | :20:39. | |
happened to me. That is great. You are a great fan of a lot of old | :20:40. | :20:43. | |
music as well as new music. Nina Simone is a person you like. We did | :20:44. | :20:50. | |
one of her songs together years ago. Is she still an influence on you? | :20:51. | :20:56. | |
Absolutely. As I grow older, I realise her depth more and more. As | :20:57. | :21:00. | |
a musician, she took it to places a lot of people are afraid to take it. | :21:01. | :21:04. | |
She is still an influence, and her bravery in music was the biggest | :21:05. | :21:10. | |
thing that inspired me. She is great, a unique sounding person. The | :21:11. | :21:15. | |
next song you are going to be doing for us, tell us what inspired that | :21:16. | :21:20. | |
song? Shakes was one of the first songs I wrote for the album. It | :21:21. | :21:25. | |
really set the bar. I wanted to take the truth of the music. I wrote that | :21:26. | :21:32. | |
song with naughty boy. It isn't raw emotion and describes the depths of | :21:33. | :21:36. | |
life and how deep you can take love, and sometimes it is ugly but it is | :21:37. | :21:40. | |
always real. I remember in the studio session, Naughty Boy said, | :21:41. | :21:49. | |
you can do it better. We did one take of the song and I think we | :21:50. | :21:54. | |
captured the realness. He kept -- he pushed me. He is a great producer. | :21:55. | :22:00. | |
He is always pushing you further. He has not laid-back, constantly | :22:01. | :22:04. | |
pushing. He is probably one of the few people that gets me very angry | :22:05. | :22:08. | |
but I think it works. I think it works in the studio and it gets to | :22:09. | :22:13. | |
the depths of what I really want to save. I will challenge him to find | :22:14. | :22:18. | |
out what he does to get you angry. Emeli Sande. How marvellous to see | :22:19. | :22:24. | |
the huge success patch in our ears. We go from one distinctive artist to | :22:25. | :22:28. | |
another and we welcome from New York, Regina Spektor. | :22:29. | :22:35. | |
# Why you searched, but never found her | :22:36. | :23:52. | |
# But you're just as smart as you're blind | :23:53. | :29:58. | |
Wilco, Cry All Day. Wonderful. Before that, we enjoyed Regina | :29:59. | :30:50. | |
Spektor at the piano. Now a dazzling artist who recently won a | :30:51. | :30:57. | |
prestigious award. She is now with us, we welcome MO. | :30:58. | :31:00. | |
# I miss... All yours | :31:01. | :31:09. | |
# Have no cares in the world, have no fears, have no money, ah | :31:10. | :31:12. | |
# Live the life like we're rich, super rich, and the honey, ah | :31:13. | :31:16. | |
# What we had, was it good, I will always remember, ah | :31:17. | :31:20. | |
# And now we're changing direction, I'll never forget ya | :31:21. | :31:26. | |
# If you know me then I'm here if you want it, ah | :31:27. | :32:10. | |
# Got my phone when you're low Got the pain in your stomach, ah | :32:11. | :32:14. | |
# Cos what we had, was it good? I will always remember, ah | :32:15. | :32:18. | |
# And now we're changing direction I'll never forget ya | :32:19. | :32:22. | |
# No, I don't know what I really wanna nowhere | :32:23. | :33:10. | |
# Like anyone knew real stuff that I'm gonna ey, ey, gonna ey, ey | :33:11. | :33:14. | |
# Let my hair blow wild like it was summer, yeah, yeah | :33:15. | :33:18. | |
# It's gonna be all right, be all right | :33:19. | :33:21. | |
The wonderful Emeli Sande, Shakes. So now, at the table over here, I'm | :33:22. | :37:45. | |
going to be talking to another incredibly talented woman. We | :37:46. | :37:51. | |
welcome Anoushka Shankar. Welcome. Very good to see you. You've got | :37:52. | :37:58. | |
Naughty Boy behind you, your producer, so watch out. -- a | :37:59. | :38:03. | |
producer. It's great to have you on the show at last. Your sound is | :38:04. | :38:09. | |
unique. Thank you. When did you first learn the sitar? I started | :38:10. | :38:17. | |
learning when I was seven or eight from my father, Ravi Shankar. Even | :38:18. | :38:21. | |
before that, I was travelling around. He was on tour and I grew up | :38:22. | :38:25. | |
around the news it. It was in my atmosphere. ! He was one of the | :38:26. | :38:32. | |
first people, the person, that introduced Indian classical music, | :38:33. | :38:37. | |
all of that music to a western ear, a mainstream western ear. Is work | :38:38. | :38:43. | |
with George Harrison, the Beatles, all of those things. Were you aware | :38:44. | :38:48. | |
of that when you were growing up? You couldn't not be. All of those | :38:49. | :38:52. | |
people were in our lives. You could see how people saw him. A part of | :38:53. | :38:56. | |
growing up around him was knowing that. But it was music I loved and | :38:57. | :39:01. | |
wanted to play. All of that is separate and outside. From him, one | :39:02. | :39:08. | |
of the things he did that was great was mashing lots of different sorts | :39:09. | :39:12. | |
of music up. There were not any rules. Have you learned that from | :39:13. | :39:18. | |
him? In a way. The older he got, he was a classical musician as well. | :39:19. | :39:23. | |
I've seen this example, that being a classical musician didn't have to be | :39:24. | :39:27. | |
separate from innovative and creative. A lot of people at that | :39:28. | :39:30. | |
time thought it had to be one or the other. He started that in our music | :39:31. | :39:36. | |
world. He was the one to show that you could be creative, break | :39:37. | :39:39. | |
boundaries, connect with other cultures and be a classical | :39:40. | :39:43. | |
musician. We've got a clip of you with your father at the symphony | :39:44. | :39:48. | |
hall in Birmingham in 1997. A happy memory? I was 15, so don't blame the | :39:49. | :39:54. | |
outfit on my current tastes! Symphony hall in Birmingham. Can you | :39:55. | :40:43. | |
remember that evening? Not really. I started playing with him when I was | :40:44. | :40:47. | |
13 and I was on the road from then until when he passed away if you | :40:48. | :40:50. | |
years ago. I was also touring separately. We did hundreds of | :40:51. | :40:58. | |
shows. Your new record has lots of contributions from different and | :40:59. | :41:03. | |
interesting people. We've got some amazing guest artists. MIA is there, | :41:04. | :41:11. | |
Vanessa Redgrave as a spoken word bit on one song. Another wonderful | :41:12. | :41:16. | |
contributor is playing with me tonight, a co-writer on lots of | :41:17. | :41:21. | |
stuff. He plays the Hang. Music from all over the world. What are you | :41:22. | :41:28. | |
going to play for us? We are doing a portion of a 13 minute song old | :41:29. | :41:34. | |
Crossing The Rubicon. The Rubicon is the river that used to surround | :41:35. | :41:38. | |
Rome. If you wanted to invade, you had to cross the river. So it is, if | :41:39. | :41:42. | |
you have crossed, there is no going back. We will be discussing that | :41:43. | :41:49. | |
with Naughty Boy in a moment. The fantastic Anoushka Shankar! We will | :41:50. | :41:54. | |
be hearing from her in a moment. Seamlessly, while I was chatting in | :41:55. | :42:02. | |
there, this has been placed there. So now we go over and welcome | :42:03. | :42:03. | |
Warpaint. # You always seem to make my | :42:04. | :42:42. | |
heart stop and # I can tell that there's | :42:43. | :42:48. | |
something in your eyes # I want you now | :42:49. | :42:56. | |
I want you all over me # Can't you tell me | :42:57. | :43:05. | |
all your secrets? # Do you remember me | :43:06. | :43:10. | |
the same way I do you? # Can't you tell me | :43:11. | :44:00. | |
all your secrets? # You're good, you're | :44:01. | :44:11. | |
good, you're good # You're good, | :44:12. | :45:35. | |
you're good, you're good Be remarkably talented Anoushka | :45:36. | :50:39. | |
Shankar, Crossing The Rubicon. Before that, we enjoyed Warpaint. | :50:40. | :50:46. | |
Amazing, the way she plays. I will be passed by somebody over here. | :50:47. | :50:54. | |
Naughty boy, great to have you. Who are you enjoying? Earlier, you said | :50:55. | :50:59. | |
something about vibrations. Everyone in the room, but clearly, Anoushka, | :51:00. | :51:04. | |
Regina and Emeli, I feel I am in heaven. A lot of great female | :51:05. | :51:12. | |
vibrations. Everyone responds differently, and thank you for | :51:13. | :51:23. | |
Shakes. I make Emeli angry sometimes but that song in particular, for me, | :51:24. | :51:27. | |
what it represents is loving someone more than they deserve and still | :51:28. | :51:31. | |
feeling that you are not loving them enough. We have all been there. We | :51:32. | :51:37. | |
have been there and back! Very good to have you here, one of the great | :51:38. | :51:41. | |
producers and writers of our day. Thanks so much. And now we welcome | :51:42. | :51:47. | |
back the wonderful sound of Wilco. # Where you gonna go | :51:48. | :51:55. | |
in your winter coat? # I wonder what you're hiding | :51:56. | :51:58. | |
cos it's not too cold # Facing the blast | :51:59. | :52:00. | |
and the moon and the math # But you still never know | :52:01. | :52:35. | |
where your soul is attached # Now where you gonna go | :52:36. | :52:49. | |
like a cobra coiled? # Sweating in a sweater, | :52:50. | :53:37. | |
you got too much style # Standing strong as | :53:38. | :53:41. | |
the waves roll over Lean On. | :53:42. | :58:16. | |
For that we enjoyed Wilco. And now, let's enjoy Emeli Sande. | :58:17. | :58:20. | |
# We hold the future in the palm of our hands | :58:21. | :58:34. | |
# I'm talking 'bout the forever, baby | :58:35. | :59:16. | |
# And we've run out of all the silver and gold | :59:17. | :59:37. | |
# Will you still wanna be my someone to hold? | :59:38. | :59:42. | |
# See, I would you, but you already know | :59:43. | :59:46. | |
# It's bringing in my heart like thunder | :59:47. | :00:27. | |
# I'll be there through the lo-lo-lo-lows | :00:28. | :00:45. | |
Thank you, Emeli Sande. You can see more on our website. We will be back | :00:46. | :01:52. | |
on Tuesday at 10pm. Can we get a groove going from over there, | :01:53. | :01:56. | |
please? We have had such a lovely time with all the people this | :01:57. | :02:00. | |
evening. Don't forget to put your clocks and watches back. Have you | :02:01. | :02:05. | |
had fun being with us this evening? Well, in that case, let's thank our | :02:06. | :02:13. | |
guests. Emeli Sande. Wilco. Anoushka Shankar. Naughty boy over there. | :02:14. | :02:33. | |
Regina Spektor. Warpaint. MO. And Emeli Sande. | :02:34. | :02:37. |