Episode 4 Later... with Jools Holland
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Transcript
| Line | From | To | |
|---|---|---|---|
APPLAUSE One of the oldest songs in English, | :00:36. | :00:44. | |
written by Geoffrey Chaucer... It is no spring and what could be better | :00:45. | :00:49. | |
in the merry month of May, than having blindly! -- than having | :00:50. | :00:56. | |
Blondie! # I've been running circles | :00:57. | :00:58. | |
round a night that never ends # I've been chasing heartache, | :00:59. | :01:01. | |
in a city and a friend # I've been with you so long, | :01:02. | :01:03. | |
even seen you lose it # Racing down the Bowery, | :01:04. | :01:06. | |
on a crowded afternoon # Dripping from the downpour | :01:07. | :01:17. | |
of your insecure typhoon # Can you even want me, or this | :01:18. | :01:23. | |
is just a way to keep you safe? # Take me, then lose me, | :01:24. | :01:31. | |
then tell them I'm yours # Does it make you think everybody | :01:32. | :01:39. | |
wants to be your friend? # I can give you a heartbeat, | :01:40. | :01:59. | |
I can give you a friend # I can make you think everybody | :02:00. | :02:03. | |
wants to be your friend # Drinking with your cell phone | :02:04. | :02:17. | |
with a smile on your face # Happy in success, | :02:18. | :02:23. | |
but still a thousand miles away # Is this what you wanted, | :02:24. | :02:27. | |
is this everything you had in store? # Take me, then lose me, | :02:28. | :02:34. | |
then tell them I'm yours # Does it make you think everybody | :02:35. | :02:39. | |
wants to be your friend? # I can give you a heartbeat, | :02:40. | :03:01. | |
I can give you a friend # I can make you think everybody | :03:02. | :03:07. | |
wants to be your friend # Take me, then lose me, | :03:08. | :03:20. | |
then tell them I'm yours # Take me, then lose me, | :03:21. | :03:22. | |
then tell them I'm yours #. That was Blondie! From London, will | :03:23. | :04:11. | |
also be welcoming London Grammar! Unbelievably, from both North and | :04:12. | :04:15. | |
South of the River Thames we will be welcoming Binker Moses. From | :04:16. | :04:24. | |
Senegal, Orchestra Baobab. From London, Mabel, but now from | :04:25. | :04:28. | |
Baltimore it is the one and only Future Islands! | :04:29. | :04:28. | |
APPLAUSE # A dress of leaves | :04:29. | :04:54. | |
blows to the winds # Take these sacrificial | :04:55. | :05:09. | |
remnants, untended # Bashed to dust | :05:10. | :05:11. | |
and trust distressed # I don't believe anymore, | :05:12. | :05:12. | |
don't believe anymore # I don't believe anymore, | :05:13. | :05:29. | |
don't grieve anymore # Is this a desperate | :05:30. | :05:55. | |
wish for dying? # The fear that keeps me | :05:56. | :06:00. | |
going and going and going # Is the same fear that | :06:01. | :06:04. | |
brings me to my knees # I don't believe anymore, | :06:05. | :06:07. | |
don't believe anymore # I don't believe anymore, | :06:08. | :06:08. | |
I won't grieve anymore # I don't believe anymore, | :06:09. | :06:13. | |
I won't grieve anymore # Always in the clouds searching | :06:14. | :06:33. | |
for some answer # Parted now, I am | :06:34. | :06:52. | |
the shore, repeated # I don't believe anymore, | :06:53. | :06:54. | |
don't believe anymore # I don't believe anymore, | :06:55. | :07:11. | |
I won't grieve anymore # I don't believe anymore, | :07:12. | :07:20. | |
don't believe anymore # I don't believe anymore, | :07:21. | :07:27. | |
don't believe anymore # I won't grieve anymore, | :07:28. | :07:41. | |
won't grieve anymore The exquisite sound of Future | :07:42. | :08:29. | |
Islands! From their album, The Far Field. On Friday's sure I will be | :08:30. | :08:36. | |
discussing with them in more detail their career and their past, but now | :08:37. | :08:40. | |
we go to a brand-new artist. Well, it is actually their second album, | :08:41. | :08:44. | |
and we welcome them back to the show. It is London Grammar! | :08:45. | :08:45. | |
APPLAUSE # My only hope is to let life | :08:46. | :08:52. | |
stretch out before me # I'm made of many things, | :08:53. | :09:05. | |
but I'm not what you are made of # But I swear that | :09:06. | :09:22. | |
these scars are fine # Only you could've hurt me | :09:23. | :09:43. | |
in this perfect way tonight # I might be blind, but you've | :09:44. | :09:46. | |
told me the difference # Between mistakes and what | :09:47. | :09:49. | |
you just meant for me # Have you forgotten all the lies | :09:50. | :09:55. | |
you left there so fresh # You can try to get | :09:56. | :10:21. | |
close to those I love # Do you really think they don't | :10:22. | :10:38. | |
know what you're made of # But I swear that | :10:39. | :10:41. | |
these scars are fine # Only you could've hurt me | :10:42. | :10:55. | |
in this perfect way tonight # I might be blind but you've | :10:56. | :10:57. | |
told me the difference # Between mistakes and what | :10:58. | :11:00. | |
you just meant for me # But I swear that | :11:01. | :11:10. | |
these scars are fine # Only you could've hurt me | :11:11. | :11:52. | |
in this perfect way tonight # I might be blind but you've | :11:53. | :11:58. | |
told me the difference # Between mistakes and what | :11:59. | :12:04. | |
you just meant for me Thank you so much, the wonderful | :12:05. | :12:44. | |
London Grammar! Now, let's go. If we change the atmosphere once again... | :12:45. | :12:48. | |
If you happened to be in West Africa and Rome looking for the most | :12:49. | :12:59. | |
perfect music of all time, only one place to go, and that is Orchestra | :13:00. | :13:01. | |
Baobab! Orchestra Baobab! From their album, | :13:02. | :16:27. | |
Tribute to Ndiouga Dieng. We have legends and new artists and that is | :16:28. | :16:32. | |
what we welcome next. Please give it up for Mabel! APPLAUSE | :16:33. | :16:57. | |
# Don't feel like you need to try and love me | :16:58. | :17:04. | |
# 'Cause I don't need a spiritual journey | :17:05. | :17:09. | |
# Is it criminal for me to want you right here, right | :17:10. | :18:15. | |
# No I don't mind if you take me home | :18:16. | :18:32. | |
# Didn't come here to leave on my own | :18:33. | :18:34. | |
Mabel with Finders Keepers. It's wonderful to have on the show some | :18:35. | :20:12. | |
wonderful instrumental music. After all, music is poetry in itself. Two | :20:13. | :20:19. | |
superb new players, we welcome Binker Moses! APPLAUSE | :20:20. | :20:23. | |
Thank you, Binker Moses! APPLAUSE Thank you to all our guests. Thank | :20:24. | :23:53. | |
you to London Grammar. Thank you to Future Islands. This is live | :23:54. | :23:59. | |
television, things are being moved away! Perhaps I can even get on | :24:00. | :24:05. | |
there! That's pretty dangerous, I'm probably not insured! Thank you to | :24:06. | :24:10. | |
Mabel! Thank you to Orchestra Baobab! Thank you everybody. How | :24:11. | :24:15. | |
long have we got left? 30 seconds? I'd just like to say thank you to | :24:16. | :24:19. | |
all the people there and all the people at home. Calm down, stop | :24:20. | :24:24. | |
moving... Thank you. Remind everybody that it's spring! CHEERING | :24:25. | :24:30. | |
So, wherever you are you can be joyful! Now, we finish the show | :24:31. | :24:34. | |
where we started it, with the legendary artists that are none | :24:35. | :24:40. | |
other than the one and only, from New York, Blondie! CHEERING | :24:41. | :25:08. | |
# You can call me any day or night, call me | :25:09. | :25:50. | |
# Roll me in designer sheets, I'll never get enough | :25:51. | :26:03. | |
# When you're ready we can share the wine | :26:04. | :26:34. | |
# Oh, oh, oh, oh, oh, he speaks the languages of love | :26:35. | :26:39. | |
# Oh, oh, oh, oh, oh, amore, chiamami, chiamami | :26:40. | :26:54. | |
# Anytime, anyplace, anywhere, any way | :26:55. | :27:00. |
