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# I'll be damned if I don't get what I want | :01:13. | :01:23. | |
# Take it now while I have the chance | :01:24. | :01:28. | |
# Right now, I can only think for one | :01:29. | :01:35. | |
# It's right on you, right on you, right on you | :01:36. | :01:37. | |
# It's right on you, yeah, it's right on you | :01:38. | :01:40. | |
# It's like everything I touch is gold | :01:41. | :01:56. | |
# They say kids these days will live forever | :01:57. | :02:07. | |
# It's right on you, right on you, right on you | :02:08. | :02:10. | |
# It's right on you, yeah, it's right on you. | :02:11. | :02:13. | |
# Death is hard to im-, is hard to im- | :02:14. | :02:36. | |
# It's right on you, right on you, right on you | :02:37. | :02:44. | |
# It's right on you, yeah, it's right on you | :02:45. | :02:48. | |
The tremendous energy, and amazing band of Benjamin Booker. We have | :02:49. | :03:12. | |
some super people from all over the world with us. We have Joan Shelley. | :03:13. | :03:31. | |
From Vancouver, Japandroids. Sigrid. Stepping in at the very last minute | :03:32. | :03:36. | |
to help us out, Ibibio Sound Machine. Originally from Manchester, | :03:37. | :03:42. | |
it is legends in this corner in the form of 10CC. | :03:43. | :03:48. | |
# Gimme in the kitchen, gimme in the hall | :03:49. | :04:10. | |
# Make it a million for when I get old | :04:11. | :04:47. | |
# When you get down, down to the root | :04:48. | :05:43. | |
# Don't give a damn, don't give a hoot | :05:44. | :05:45. | |
# Keep me in exile the rest of my days | :05:46. | :07:11. | |
# Burn me in hell but as long as it pays | :07:12. | :07:15. | |
Thank you, 10CC. Legends. We have people from every corner of the | :07:16. | :07:51. | |
globe. Stepping in at the last minute, we are delighted to welcome | :07:52. | :07:57. | |
Ibibio Sound Machine. # Etuk eyen asi ma ikea nkpo | :07:58. | :08:10. | |
ato mbon si cama a yie # Nno mi ntak ntak ntukmiban | :08:11. | :08:44. | |
Awo ikpi Naha ebo ko Ibibio Sound Machine. You will be | :08:45. | :10:42. | |
wondering, how international is this show? Let's have the sound from | :10:43. | :10:52. | |
someone from Norway. Giving us a lovely rendition of a song you will | :10:53. | :10:57. | |
have heard all over the radio but an acoustic version, we welcome Sigrid. | :10:58. | :11:13. | |
# You shut me down, you like the control | :11:14. | :11:19. | |
# Try to hold it down, I know the answer | :11:20. | :11:31. | |
# I can't shake it off and you feel threatened by me | :11:32. | :11:43. | |
# You think you're so important to me, don't you? | :11:44. | :11:56. | |
# But I wanted you to know that you don't belong here | :11:57. | :11:59. | |
# You think you're so important to me, don't you? | :12:00. | :12:03. | |
# You love to tear me down, you pick me apart | :12:04. | :12:13. | |
# Then build me up like I depend on you | :12:14. | :12:18. | |
# But I throw myself from heights that used to scare me | :12:19. | :12:25. | |
# Guess you're surprised I'm the puzzle you can't figure out | :12:26. | :12:33. | |
# You think you're so important to me, don't you? | :12:34. | :12:50. | |
# But I wanted you to know that you don't belong here | :12:51. | :12:53. | |
# You think you're so important to me, don't you? | :12:54. | :12:56. | |
# Say I'm young, I don't care, I won't quit, no, no, no, ho | :12:57. | :13:12. | |
# You're acting like you hurt me but I'm not even listening | :13:13. | :13:16. | |
# You're acting like you hurt me but I'm not even listening | :13:17. | :13:23. | |
# You think you're so important to me, don't you? | :13:24. | :13:56. | |
# But I wanted you to know that you don't belong here | :13:57. | :13:59. | |
# You think you're so important to me, don't you? | :14:00. | :14:02. | |
Wonderful, Sigrid. Album coming this year which we look forward to. Thank | :14:03. | :14:24. | |
you for joining us. I just want to say thank you so much, you played at | :14:25. | :14:32. | |
the last minute. When did we ask you to come on the show? Yesterday. I | :14:33. | :14:37. | |
got a text saying can you do it tomorrow and I'm like, OK, I'm | :14:38. | :14:45. | |
available. Thank goodness they were available as well. And my mum! Yes, | :14:46. | :14:53. | |
anybody who brings their mum, at the last minute, lovely. An | :14:54. | :14:59. | |
international show, full of surprises. From Vancouver, the | :15:00. | :15:04. | |
splendid and wonderful sound of Japandroids. | :15:05. | :15:27. | |
# And succumb to the city and surrender, baby | :15:28. | :16:10. | |
# And make some ears ring from the sound of my singing, baby | :16:11. | :16:20. | |
# And make some ears ring from the sound of my singing, baby | :16:21. | :16:31. | |
# So the girl behind the bar came over | :16:32. | :16:56. | |
# And last drink of the night, last night in town | :16:57. | :17:09. | |
# And make some ears ring from the sound of my singing, baby | :17:10. | :17:21. | |
# And make some ears ring from the sound of my singing, baby | :17:22. | :17:32. | |
# And all I remember was it sounded, baby | :17:33. | :18:08. | |
# And make some ears ring from the sound of my singing, baby | :18:09. | :18:28. | |
# And make some ears ring from the sound of my singing, baby | :18:29. | :18:39. | |
CHEERING APPLAUSE | :18:40. | :19:02. | |
Japandroids, Near To The Wild Heart Of Life from the album of the same | :19:03. | :19:07. | |
name. Thank you so much for joining us, now a wonderful at artist, Joan | :19:08. | :19:15. | |
Shelley! # I saw you there, | :19:16. | :19:32. | |
beside the light post # Your shoulders square, | :19:33. | :19:39. | |
against the nights cold. # I blamed the wind | :19:40. | :19:48. | |
when my legs shook # but your eyes, | :19:49. | :19:52. | |
that hungry look, # I see the ground | :19:53. | :19:56. | |
we walked and claimed # I see the place that | :19:57. | :20:26. | |
holds the weight, # safe from all the storms | :20:27. | :20:30. | |
that form behind me # Push them to plant | :20:31. | :21:03. | |
the force to find # safe from all the storms | :21:04. | :21:25. | |
that form behind me CHEERING | :21:26. | :22:08. | |
APPLAUSE # Right now we could use | :22:09. | :22:36. | |
a little pick-me-up # Seems like the whole damn nation's | :22:37. | :23:03. | |
trying to take us down # All the reason's in the world | :23:04. | :23:06. | |
don't mean shit to me now. # See we thought that we | :23:07. | :23:13. | |
saw that he had a gun # Thought that it looked | :23:14. | :23:15. | |
like he started to run # Thought that we saw | :23:16. | :23:18. | |
that he had a gun # Thought that it looked | :23:19. | :23:20. | |
like he started to run # Do you need another | :23:21. | :23:23. | |
reason to get up # See how fast they turn | :23:24. | :23:42. | |
when you're looking up # Now everybody that's brown can get | :23:43. | :23:45. | |
the lock on the ground # See we thought that we | :23:46. | :23:52. | |
saw that he had a gun # Thought that it looked | :23:53. | :23:54. | |
like he started to run # Thought that we saw | :23:55. | :23:57. | |
that he had a gun # Thought that it looked | :23:58. | :24:00. | |
like he started to run # Just gonna be a witness? | :24:01. | :24:02. | |
(Gonna be a witness?) CHEERING | :24:03. | :24:37. | |
APPLAUSE Thank you so much, Benjamin Booker | :24:38. | :25:28. | |
with Witness. To Joan Shelley, Japandroids, thank you Japandroids, | :25:29. | :25:32. | |
thank you Sigrid, thank you Ibibio Sound Machine, from all of my guests | :25:33. | :25:42. | |
and all of my people on Friday, and now we finish with the legendary | :25:43. | :25:43. | |
10cc. # I went to a party | :25:44. | :26:08. | |
at the local county jail # All the cons were dancing, | :26:09. | :26:14. | |
and the band began to wail. # At the local dance; | :26:15. | :26:20. | |
at the local county jail. # But the sound came over | :26:21. | :26:32. | |
on the police car radio, # Sergeant Baker got | :26:33. | :26:44. | |
a call from the governor # Load up, load up, load up | :26:45. | :26:53. | |
with rubber bullets. # I love to hear those | :26:54. | :27:09. | |
convicts squeal; # It's a shame these | :27:10. | :27:11. | |
slugs ain't real. # But we can't have dancin' | :27:12. | :27:15. | |
at the local county jail. # Sergeant Baker and his men made | :27:16. | :27:20. | |
a bee-line for the jail. # There's a rumor | :27:21. | :27:26. | |
goin round death row # At the local hop; | :27:27. | :27:36. | |
at the local county jail. # Whatcha gonna do about | :27:37. | :27:45. | |
it, whatcha gonna do? # Here Padre, Padre, | :27:46. | :28:15. | |
you talk to your boys... # Trust in me, God will | :28:16. | :28:40. | |
come to set you free. # Why you called in | :28:41. | :28:42. | |
the National Guard, # At the local dance; | :28:43. | :29:05. | |
at the local county jail. # For a guy to spend his time | :29:06. | :29:15. | |
with rubber bullets. # At the local dance; | :29:16. | :29:33. | |
at the local county jail? # At the local dance; | :29:34. | :29:39. | |
at the local county jail. # Whatcha gonna do about | :29:40. | :29:44. | |
it, whatcha gonna do? # Whatcha gonna do about it, | :29:45. | :29:46. | |
whatcha gonna do?# CHEERING | :29:47. | :29:52. | |
APPLAUSE You're looking at | :29:53. | :30:08. | |
a room of double glazing salesman. Have you given her a houseful of | :30:09. | :30:10. | |
free windows just to win a bet? | :30:11. | :30:23. |