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I can't think of anything better than broadcasting live to the nation | :00:41. | :00:45. | |
and having the privileged company of Paul Weller! | :00:46. | :00:54. | |
CHEERING Paul Weller! Kind revolution, his | :00:55. | :04:18. | |
new album. We are joined on the show tonight by Dave, Maggie Rogers, with | :04:19. | :04:33. | |
a uniform inspired by Matisse, Little Dragon, and all J -- alt-J! | :04:34. | :04:50. | |
# Hair the way the sun really wants it to be | :04:51. | :04:59. | |
# Whiskey soda, please, your G is empty | :05:00. | :05:02. | |
# Chairs, inflatables have sunk to the bottom | :05:03. | :05:05. | |
# Callie, let's dive, dive down | :05:06. | :05:32. | |
# To the pool's bottom where we belong | :05:33. | :05:34. | |
# Callie, we're sinking like a bleeding stone | :05:35. | :05:36. | |
# Mister Caspian's killer told me so | :05:37. | :05:53. | |
# My pool summer, summer, pool, summer vibes killed | :05:54. | :06:09. | |
# Lifeless back slaps the surface of the pool | :06:10. | :06:21. | |
# Pool killer, killer, pool, pool killer | :06:22. | :06:23. | |
# Mister Caspian's killer told me so | :06:24. | :06:37. | |
# My pool summer, summer, pool, summer vibes killed | :06:38. | :06:50. | |
Thank you, alt-J! From their lovely album, Relaxer, and what a lovely | :06:51. | :08:18. | |
name for an album, that is what it's like being live on television right | :08:19. | :08:21. | |
now. We welcome a man whose record is not out but it will be soon it is | :08:22. | :08:23. | |
Dave! # Picture me, 23, | :08:24. | :08:44. | |
a bag of sold out shows # I made it out of music, | :08:45. | :08:47. | |
I took all my bros # And this merchandise is poppin, | :08:48. | :08:50. | |
I sell all my clothes # And all these hoes are ghost, | :08:51. | :08:53. | |
I got one real girl # Picture me, 23, | :08:54. | :08:56. | |
I didn't chase my dreams # My mum wanted me to do finance, | :08:57. | :08:58. | |
so I came off beats # And now I'm sitting at a desk, | :08:59. | :09:01. | |
with a 2:2 in finance # Eating pasta on my lunch break | :09:02. | :09:04. | |
While I'm scribbling my rhymes # And picture me, 17, | :09:05. | :09:07. | |
in an all black suit # Laying still in a coffin, | :09:08. | :09:09. | |
surrounded by my crew # Giving half-heart apologies | :09:10. | :09:12. | |
For watching while they bottled me # Or running when they shot at me | :09:13. | :09:14. | |
You're next up if you prodigy, wait # I meant poke a G Picture me, | :09:15. | :09:18. | |
a road banger, I hope # Kill him in seven ways, | :09:19. | :09:21. | |
lemon haze how I smoke a G # Name can get you out the beef, | :09:22. | :09:27. | |
pissed if you owe me Ps # Them boys try and piss take, | :09:28. | :09:30. | |
boy, what a mistake # I'll come back with a shotty | :09:31. | :09:33. | |
And blow your lungs out your ribcage # Picture me a snitch, | :09:34. | :09:37. | |
nah I couldn't picture that # Picture me a snitch, | :09:38. | :09:39. | |
nah I couldn't ever think of that # So she let my talent go | :09:40. | :09:42. | |
to waste like Robinho # I've been involved, | :09:43. | :09:48. | |
I've seen the roads # Where the good die young, | :09:49. | :09:50. | |
and the bad get life # And the ugly is the ugly, | :09:51. | :09:52. | |
but Picture me, a legend, # Known for words in a sentence | :09:53. | :09:55. | |
I put verbs in a sentence # But what about the kids that ain't | :09:56. | :09:59. | |
athletes or rappers? # What about the kids that | :10:00. | :10:11. | |
ain't athletes or rappers # Picture you, I don't | :10:12. | :10:14. | |
know your picture can # And can you take out all the man | :10:15. | :10:16. | |
thats gonna taint it for me? # And can you take out all the girls | :10:17. | :10:20. | |
that's gonna waste it for me? # Or illustrate how you're gonna get | :10:21. | :10:24. | |
to all these places for me? # And if you can't, then don't | :10:25. | :10:27. | |
worry g you got time # But you just need to paint | :10:28. | :10:30. | |
a picture, or just sketch a draft # Cos, how you know you're | :10:31. | :10:33. | |
going down the wrong road # If you're in a dark place, | :10:34. | :10:36. | |
and you don't select a path # But picture you talking loads | :10:37. | :10:39. | |
about goals and riches # With a phone, full of cro | :10:40. | :10:42. | |
shots, hoes and bitches # And a head filled with fast dreams | :10:43. | :10:44. | |
I talk to God like it's RE # About my picture cause I can't see | :10:45. | :10:48. | |
I'm at war with my mind # So I'm still with a sket | :10:49. | :10:51. | |
getting Ed like Hardy # And I don't mind Cause them man | :10:52. | :10:54. | |
there all speakers like Parties with a black star on my waist | :10:55. | :10:57. | |
like Kwame # It's like I wasn't | :10:58. | :11:02. | |
dialling banks for some pay # While you was busy | :11:03. | :11:06. | |
flicking shanks for a name # It's like I wasn't | :11:07. | :11:08. | |
dialling banks for some pay # Or busy robbin' drugs, | :11:09. | :11:11. | |
with a dipper # Cause I got prison | :11:12. | :11:13. | |
in my skin # But I won't ever | :11:14. | :11:17. | |
have a prison in my picture # Principles a killer, | :11:18. | :11:20. | |
all for the skrilla # So don't let anybody tell you to | :11:21. | :11:24. | |
put drugs in the cling # And don't let anybody | :11:25. | :11:30. | |
tell you you can't run, # Now you can work a 9 to 5 if it | :11:31. | :11:32. | |
makes you smile at night # Cause you can have | :11:33. | :11:39. | |
a billion and dead # You can have 20 grand | :11:40. | :11:43. | |
flat and live a long, # I don't | :11:44. | :11:46. | |
know your picture, # And can you tell me where | :11:47. | :11:49. | |
you batch of friends is taking you # And can you tell me what your | :11:50. | :11:54. | |
aspirations are, your dreams # Forget the money brother, | :11:55. | :11:57. | |
tell me what makes you you # Can you tell me why you wake up, | :11:58. | :11:59. | |
what makes you tick # What makes you smile, | :12:00. | :12:03. | |
what makes you laugh # Can you tell me why | :12:04. | :12:05. | |
you're on this earth # You get your picture, | :12:06. | :12:08. | |
get to painting # You get your picture, | :12:09. | :12:18. | |
get to painting # Are you the guy inside | :12:19. | :12:23. | |
the hospital # Or working with the surgeons | :12:24. | :12:25. | |
and the nurses tryna save him # A picture you didn't paint I bet | :12:26. | :12:30. | |
them boys think I'm panicking # Stop saying that | :12:31. | :12:37. | |
you beef me, it's embarrassing # Now every other yute | :12:38. | :12:41. | |
is on chatty ting # See me in a rave, it's black | :12:42. | :12:47. | |
blades, lightsabers call me Anakin An amazing talent, Dave. Look | :12:48. | :13:15. | |
forward to his album out later this year, that was, Picture Me. Now, | :13:16. | :13:22. | |
from New York, first time on the show also, Maggie Rogers! | :13:23. | :13:30. | |
# Moving slowly through westward water. | :13:31. | :13:36. | |
# Oh me, oh my, I thought it was a dream. | :13:37. | :14:01. | |
# Cut my hair so I could rock back and forth. | :14:02. | :14:47. | |
# Oh me, oh my, I thought it was a dream. | :14:48. | :15:15. | |
# What can I play that you ain't heard before? | :15:16. | :17:39. | |
# If you don't like what you see on the menu. | :17:40. | :17:51. | |
# Then tell me, tell me what you want. | :17:52. | :17:53. | |
# If you don't like what you see, let's change the venue. | :17:54. | :17:57. | |
# And I know just what your thinkin'. | :17:58. | :18:03. | |
# I can give you what you're wishin'. | :18:04. | :18:06. | |
# And I'll give you more and more and more. | :18:07. | :18:12. | |
# You're dying from suspense but this won't kill ya. | :18:13. | :18:47. | |
# What can I do to get a second glance? | :18:48. | :18:58. | |
# If you don't like what you see, let's change the venue. | :18:59. | :19:13. | |
# If you don't like what you see on the menu. | :19:14. | :19:16. | |
# Then tell me, tell me what you want. | :19:17. | :19:18. | |
# If you don't like what you see, let's change the venue. | :19:19. | :19:21. | |
# And I know just what your thinkin'. | :19:22. | :19:27. | |
# I can give you what you're wishin'. | :19:28. | :19:29. | |
# And I'll give you more and more and more. | :19:30. | :19:33. | |
# Keep, keep, keep the customer satisfied. | :19:34. | :20:52. | |
Remarkable and out of this world, using the oldest instrument known to | :20:53. | :20:59. | |
man, the human voice, in the most that nasty way, Naturally seven. And | :21:00. | :21:05. | |
if you wanted to be satisfied, you can go and see them tomorrow night | :21:06. | :21:09. | |
at the Shepherd's Bush Empire. I would certainly like to do that. | :21:10. | :21:13. | |
Before that we enjoyed many Rogers but now we welcome back Little | :21:14. | :21:14. | |
Dragon from Sweden. # When you know you're hooked | :21:15. | :21:17. | |
and you can't get enough. # Sweet, that feeling when you're | :21:18. | :21:47. | |
skating down the avenue of love. # Sweet, I was checking | :21:48. | :21:51. | |
on your phone because this # Sweet, can't get | :21:52. | :21:56. | |
enough, not giving up. # Sweet, that feeling | :21:57. | :22:01. | |
when you know, you know that # Sweet, that feeling when you feel | :22:02. | :22:03. | |
so good and won't admit love. # Sweet, I was checking on your back | :22:04. | :22:10. | |
because this candy gave me lies. # I can't resist this | :22:11. | :22:14. | |
sweet race no more. # Wrapped up in a sugar | :22:15. | :22:48. | |
rush, sugar rush. # The more the mystery, | :22:49. | :23:02. | |
the more I get compelled. # Sweet, the taste of victory | :23:03. | :23:05. | |
so sweet no one can help it. # I was checking on my back | :23:06. | :23:10. | |
because this candy is a drug. # Sweet, that feeling | :23:11. | :23:15. | |
when you know you're hooked # Sweet, that feeling when your feet | :23:16. | :23:19. | |
attemping wrapping me in love. # Sweet, I was checking on my pulse | :23:20. | :23:23. | |
because the body is trust. # I can't resist this | :23:24. | :23:27. | |
sweet race no more. # Caramelised, I can't | :23:28. | :23:45. | |
deny your love. # Caramelised, I can't | :23:46. | :23:50. | |
deny your love. # Wrapped up in a sugar | :23:51. | :23:59. | |
rush, sugar rush. Thank you so much, Little Dragon. | :24:00. | :25:43. | |
Thank you to my directors, thank you to all of our guests. There is even | :25:44. | :25:49. | |
more next Friday night. I have made a few notes but I would like to ask | :25:50. | :25:54. | |
you gentlemen to just give me some notes. | :25:55. | :26:07. | |
I'd like to leave on that note. Thank you very much. And we finish | :26:08. | :26:12. | |
with the wonderful Paul Weller! # And every footstep | :26:13. | :26:20. | |
that I've taken. # And in the busy | :26:21. | :26:32. | |
streets and markets. # There'll be choices | :26:33. | :26:55. | |
I won't decide. # There's so many roads | :26:56. | :27:57. | |
that you can go down. # And that lonely life | :27:58. | :28:22. | |
just ain't that good. # And that lonely life | :28:23. | :28:43. | |
just ain't that good. | :28:44. | :29:07. |