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This programme contains some strong language. | :00:00. | :00:33. | |
APPLAUSE Yes, it is the 15th series, some 25 | :00:34. | :00:47. | |
years, but still filled with excitement, love and music. | :00:48. | :00:52. | |
# But you got me walking circles like a dog on a lead | :00:53. | :01:16. | |
# And the doctors say I'm crazy, that I'm eight miles thick | :01:17. | :01:19. | |
# I'm like the taste of macaroni on a seafood stick | :01:20. | :01:24. | |
# And you got me switched on, baby, like electric eel | :01:25. | :01:28. | |
# And I'm tight with Axel Foley, that's just how I feel | :01:29. | :01:32. | |
# Like a grapefruit and a magic trick, the prodigal son | :01:33. | :01:36. | |
# I'm walking, I'm walking, I'm walking, I walk so quick | :01:37. | :01:42. | |
# And there's nothing you can do about it | :01:43. | :02:10. | |
# And there's nothing you can do about it | :02:11. | :02:25. | |
# And reciting Charles Bukowski, I got nothing to lose | :02:26. | :02:35. | |
# And I wait for you to follow me to share my chips | :02:36. | :02:39. | |
# But you're walking, you're walking # You walk, you walk so quick | :02:40. | :02:45. | |
# I stick around for the thousand yard stare | :02:46. | :02:52. | |
# I'm never up, never down, down, down, down | :02:53. | :03:00. | |
# And there's nothing you can do about it | :03:01. | :03:14. | |
# And there's nothing you can do about it | :03:15. | :03:30. | |
# Maybe this way we'll find a solution of problems | :03:31. | :03:45. | |
# And there's nothing you can do about it | :03:46. | :04:08. | |
# And there's nothing you can do about it | :04:09. | :04:18. | |
Thank you, Kasabian. More from them and their marvellous new record | :04:19. | :04:44. | |
later on. We have a room full of legendary guests, all sorts of | :04:45. | :04:49. | |
amazing guests. Welcome to Goldfrapp. We will be chatting to | :04:50. | :04:59. | |
one of the experts on day music and David Rodigan is here. The wonderful | :05:00. | :05:06. | |
voice and songs of Courtney Marie Andries. And from Los Angeles we | :05:07. | :05:11. | |
welcome the extraordinary Thundercat. From Austin, Texas, it | :05:12. | :05:19. | |
is Spoon. Delighted to have them here. And now from California, we | :05:20. | :05:26. | |
are delighted to welcome into the womb, Anderson .Paak The Free | :05:27. | :05:30. | |
Nationals. # Nothin' more that | :05:31. | :05:54. | |
I hate in this life # The wrong impression, | :05:55. | :05:58. | |
I only have one to make # They wanna know | :05:59. | :06:01. | |
where I'll be in five # If she can't dance, | :06:02. | :06:10. | |
then she can't ooh? # If she can't dance, | :06:11. | :06:39. | |
then she can't ooh? # I never wanna waste | :06:40. | :06:48. | |
your time, my life # And if you're living your life, | :06:49. | :07:26. | |
make some noise. CHEERING AND APPLAUSE. | :07:27. | :08:13. | |
Thank you so much, Jools Holland, we love you. | :08:14. | :08:16. | |
APPLAUSE. Multitasking and multitalented, | :08:17. | :08:40. | |
Anderson .Paak The Free Nationals. And it is from the Malibu LP. So, | :08:41. | :08:50. | |
now it is their first time on the show and we welcome Spoon. | :08:51. | :08:59. | |
# Could be your accent mixing with mine | :09:00. | :09:06. | |
# You got me uptight, twisting inside | :09:07. | :09:10. | |
# Hot thoughts all in my mind and all of the time, babe | :09:11. | :09:22. | |
# Hot thoughts all in my mind and all of the time, yeah | :09:23. | :09:29. | |
# Hot thoughts all in, all in my mind all of the time | :09:30. | :10:00. | |
# Light up this side street in Shibuya tonight | :10:01. | :10:06. | |
# Hot thoughts all in my mind and all of the time | :10:07. | :10:22. | |
# Hot thoughts all in my mind and all of the time, yeah | :10:23. | :10:36. | |
# I tell it to you slow when I want you to know | :10:37. | :10:43. | |
# Hot thoughts all in, all in my mind all of the time | :10:44. | :11:07. | |
# Making you think how good it was to let baby kiss 'em | :11:08. | :11:32. | |
# And those hot thoughts melting your cool | :11:33. | :11:36. | |
# Could be that motion signaling cues | :11:37. | :11:42. | |
# Hot thoughts all in your mind all of the time, yeah | :11:43. | :11:51. | |
# All that do my rhyme maketh you mine, yeah | :11:52. | :12:00. | |
# You know, I think all, I think all your love is enough. # | :12:01. | :12:25. | |
APPLAUSE From the album Hot Thoughts from | :12:26. | :12:38. | |
Spoon. Some lovely people in the room, it | :12:39. | :12:42. | |
is looking good. Let's move on to our next artist. 2500 shows, we | :12:43. | :12:51. | |
might even be here for more. Our next artist has been on before and | :12:52. | :12:55. | |
she always has a brilliant new record when she comes. It is no | :12:56. | :13:01. | |
exception with her latest album, we welcome Goldfrapp. | :13:02. | :13:19. | |
# You're what I want # You're what I need | :13:20. | :13:27. | |
# Give me your love # Make me a freak | :13:28. | :13:36. | |
# I can't wait, I can't wait anymore #. | :13:37. | :16:46. | |
# I can't wait, I can't wait anymore #. | :16:47. | :17:02. | |
APPLAUSE. The remarkable Goldfrapp! CHEERING AND APPLAUSE. With more | :17:03. | :17:21. | |
from silver eye. Now I have Serge from Kasabian. Back to the show. | :17:22. | :17:30. | |
When did you first come onto the show? 2006. When did you first see | :17:31. | :17:38. | |
the show? 17 years old. Friday night. Coming home. It was like | :17:39. | :17:49. | |
Cheech and Chong. I wonder how many people now aged 17 comeback from the | :17:50. | :17:56. | |
pub. If any viewers are coming back from the pub and you are enjoying | :17:57. | :18:00. | |
yourself. We are pleased you are here with us. You have a very good | :18:01. | :18:10. | |
but record out. It has a great uplifting feel about it. For crying | :18:11. | :18:18. | |
out loud is the title. That is our roadie. He has been with us for | :18:19. | :18:23. | |
nearly 15 years. He is hiding. There he is. | :18:24. | :18:37. | |
CHEERING AND APPLAUSE. . Since he has been on here, his tender has | :18:38. | :18:43. | |
been set on fire! Looking a bit exhausted. It is quite a different | :18:44. | :18:49. | |
record to the last one, it has a different vibration. We dusted the | :18:50. | :18:54. | |
guitar is off. It is a pure joy record, full of hope. A good rock | :18:55. | :19:00. | |
and roll record. You're going to be going on tour? Tomorrow. We are | :19:01. | :19:06. | |
already on tour now! LAUGHTER. So, you're on tour? Yes | :19:07. | :19:18. | |
six CHEERING AND APPLAUSE. Thanks for taking a moment out. It | :19:19. | :19:23. | |
is great for you to be with us here. Do you enjoy being on tour? | :19:24. | :19:31. | |
Honestly. It is where we belong. That connection with the people. We | :19:32. | :19:35. | |
just love playing live. We have been in the band for 20 years, 20 years | :19:36. | :19:39. | |
this year. CHEERING AND APPLAUSE. That is a | :19:40. | :19:45. | |
marriage, isn't it? And her break-up. That is a feud. The other | :19:46. | :19:50. | |
thing, you're all from Leicester, is Leicester a music plays? Since we | :19:51. | :19:56. | |
have come from here, yeah! There must have been sombre for you. A | :19:57. | :20:08. | |
few. Showaddywaddy. The result was someone. Walkers crisps! They're a | :20:09. | :20:17. | |
great band! I like Leicester, I have always had a nice time there. It a | :20:18. | :20:22. | |
nice place. What are you going to play for us next? Bless This Acid | :20:23. | :20:28. | |
House. CHEERING AND APPLAUSE. It is very | :20:29. | :20:36. | |
good to see you. Thank you very much for joining us. Tom and Serge from | :20:37. | :20:43. | |
Kasabian. Now, an extraordinary artist who has worked with all sorts | :20:44. | :20:46. | |
of people but here he is in his own right, it is the one and only, | :20:47. | :20:49. | |
Thundercat! CHEERING AND APPLAUSE. | :20:50. | :21:20. | |
# Nobody move, there's blood on the floor | :21:21. | :21:21. | |
# So please give it back, 'cause it's not yours to take! | :21:22. | :21:41. | |
# It must've fell when I lost my mind | :21:42. | :21:43. | |
# Deep in the cut, drowning in a pain | :21:44. | :21:46. | |
# Somebody help 'cause I can't find my way | :21:47. | :21:52. | |
# Somebody tell me how I'm supposed to feel | :21:53. | :22:23. | |
# When I'm sitting here knowing this ain't real | :22:24. | :22:30. | |
# Why in the world would I give my heart to you? | :22:31. | :22:34. | |
# Just to watch you throw it in the trash | :22:35. | :22:39. | |
# I've been traveling so long, I don't think I can hold on | :22:40. | :22:44. | |
# Where were you when I needed you the most? | :22:45. | :22:49. | |
# Now I'm sitting here with a black hole in my chest | :22:50. | :22:54. | |
# Nobody move, there's blood on the floor | :22:55. | :23:46. | |
# So please give it back, 'cause it's not yours to take! | :23:47. | :24:05. | |
# It must've fell when I lost my mind | :24:06. | :24:07. | |
# Deep in the cut, drowning in a pain | :24:08. | :24:10. | |
# Somebody help 'cause I can't find my way | :24:11. | :24:15. | |
CHEERING AND APPLAUSE. . The remarkable Thundercat. That was Them | :24:16. | :24:46. | |
Changes. So now our next artist is a fabulous writer, a wonderful singer | :24:47. | :24:53. | |
as well, so we welcome from Phoenix, Arizona, Courtney Marie Andrews. | :24:54. | :24:54. | |
APPLAUSE. # All I've ever wanted | :24:55. | :25:36. | |
is an honest life # To be the person that | :25:37. | :25:38. | |
I really am inside # To tell you all the things | :25:39. | :25:44. | |
that I did that night # Sometimes it just ain't easy | :25:45. | :25:55. | |
to live an honest life # All I've ever needed | :25:56. | :26:02. | |
is a little time to grow # A little time to understand | :26:03. | :26:08. | |
that things that I know # So that I can listen | :26:09. | :26:15. | |
to you lovingly # Some people take | :26:16. | :26:22. | |
a little more time to grow # Right when you have | :26:23. | :26:33. | |
it all figured out # Life comes to throw | :26:34. | :26:39. | |
you another doubt # All I've ever asked | :26:40. | :26:46. | |
for is a way to understand # All of life's lessons | :26:47. | :27:40. | |
the best that I can # How to be honest | :27:41. | :27:46. | |
how to be wise # And how | :27:47. | :27:50. | |
to be a good friend # Some things take a lifetime | :27:51. | :27:53. | |
to fully understand #. # Right when you have | :27:54. | :28:07. | |
it all figured out # Life comes to throw | :28:08. | :28:10. | |
you another doubt # One day it comes | :28:11. | :28:18. | |
and then it gets you # Crashing waves, you're | :28:19. | :29:04. | |
thinking it's all over # I swear they're | :29:05. | :29:07. | |
never gonna break you # Still life, just | :29:08. | :29:10. | |
waiting for the weekend # Don't take the world | :29:11. | :29:18. | |
upon your shoulder # I take my life | :29:19. | :29:25. | |
and jump right in it # I see my friend | :29:26. | :29:42. | |
in our our numbers # Some day you'll | :29:43. | :29:45. | |
find what you wanted # Felt like you're | :29:46. | :30:11. | |
never gonna get it # Till then we can't | :30:12. | :30:15. | |
miss the last train # You know | :30:16. | :30:18. | |
we change for the better # I get high | :30:19. | :30:25. | |
for just one minute # I take my life | :30:26. | :30:47. | |
and jump right in it # I see my friends | :30:48. | :30:50. | |
in all our numbers # Rip up my plans nothing | :30:51. | :30:53. | |
matters # I see my friends | :30:54. | :30:57. | |
in all our numbers # God bless this house | :30:58. | :31:43. | |
and all its lovers # I take my life | :31:44. | :31:48. | |
and dance right in it # I see my friends | :31:49. | :31:54. | |
in all our numbers APPLAUSE | :31:55. | :32:51. | |
The wonderful rock and roll sound of Kasabian. | :32:52. | :33:00. | |
And Courtney Marie Andrews. It is our 25th birthday and we have done | :33:01. | :33:06. | |
50 series and somebody has come in to wish as happy birthday because | :33:07. | :33:11. | |
this is the sort of show. We have amazing legends walking in just like | :33:12. | :33:16. | |
that. Jose Feliciano, it is lovely to see you. I am happy to be here. | :33:17. | :33:23. | |
Have you got a birthday message? Yes, I just want to say happy 50th | :33:24. | :33:31. | |
series and may you have more. Thank you very much indeed. It is good to | :33:32. | :33:36. | |
see you on the show. At the end of the year you have to come back and | :33:37. | :33:40. | |
come on the show. I would be happy to be here. The wonderful Jose | :33:41. | :33:46. | |
Feliciano, one of the greatest guitarists. And speaking of | :33:47. | :33:51. | |
amazingly talented people it is Anderson .Paak The Free Nationals. | :33:52. | :33:52. | |
# See, I be catchin' you starin', be careful | :33:53. | :34:33. | |
# Yeah, your heart don't stand a chance | :34:34. | :34:37. | |
# It feels like it's been far too long | :34:38. | :34:40. | |
# The eyes keep me all in a trance | :34:41. | :34:47. | |
# Would you leave it all in the back of your head | :34:48. | :34:54. | |
# Don't it feel like it's been far too long, girl? | :34:55. | :35:11. | |
# You and me, we have to keep it all, girl. | :35:12. | :38:06. | |
# I can't keep on using you over complications. | :38:07. | :38:14. | |
# Going to soon, wait. # I can't keep on losing you. Thank | :38:15. | :38:40. | |
you so much. APPLAUSE | :38:41. | :38:49. | |
What an incredible talent. How wonderful. This room is full of | :38:50. | :38:58. | |
extraordinary talent. Wouldn't you agree that we have amazing talent | :38:59. | :39:03. | |
from all five corners of the globe this evening? And so now let's | :39:04. | :39:10. | |
manoeuvre into our next corner over here and welcome back Spoon. | :39:11. | :39:14. | |
# When the moon is rising and looking on me | :39:15. | :40:04. | |
# When the night comes knocking, knocking on me | :40:05. | :40:11. | |
# I say, I ain't the one I say, I ain't the one | :40:12. | :40:18. | |
# I ain't the one that you looking for now | :40:19. | :40:28. | |
# When the man comes asking and looking for me | :40:29. | :40:35. | |
# When the law comes knocking, knocking on me | :40:36. | :40:42. | |
# I ain't the one, no, I ain't the one | :40:43. | :40:52. | |
# I ain't the one that you're looking for now | :40:53. | :40:58. | |
# Yeah, I ain't the one, I ain't the one | :40:59. | :41:05. | |
# So now I'm leaving you all behind me | :41:06. | :41:40. | |
# When the world comes crashing, crumbling on me | :41:41. | :42:01. | |
# When the day comes knocking, knocking on me | :42:02. | :42:09. | |
# Hey, ha-ha, Hey, ha-ha | :42:10. | :42:24. | |
# I ain't the one, I ain't the one | :42:25. | :42:30. | |
# So now I'm leaving you all behind me | :42:31. | :42:41. | |
# I'm your biggest fan, but I guess that's just not good enough | :42:42. | :44:11. | |
# Don't act like you don't know what I'm talking 'bout | :44:12. | :44:24. | |
# Cause I really don't wanna have to spell it out | :44:25. | :44:29. | |
# I'm gon' sit and stare at the screen | :44:30. | :44:36. | |
# Because I'd rather play Mortal Kombat anyway, hey | :44:37. | :45:02. | |
# I can tell you've kinda got uncomfortable | :45:03. | :45:17. | |
# Don't call me, don't text me after 2am | :45:18. | :45:26. | |
Thank you Thundercat! Friend Zone. Beautifully played. I am going to | :45:27. | :47:15. | |
have more charts at the table, generously furnished with a great | :47:16. | :47:20. | |
table laid with drinks and food, we welcome David Roderick. | :47:21. | :47:25. | |
CHEERING AND APPLAUSE. And David Roderick, I have been listening to | :47:26. | :47:29. | |
you for years because you're one of the first broadcasters who has | :47:30. | :47:35. | |
championed and been a great lover of Jamaican music. When did you first | :47:36. | :47:40. | |
fall in love with it? I fell in love with it in the 1960s at the age of | :47:41. | :47:46. | |
16, I knew I was completely hooked. It was the summer of dump. It was | :47:47. | :47:51. | |
just amazing. It was this scarlet fever that came in from Jamaica. It | :47:52. | :47:56. | |
was the beat everyone was dancing to. We were like thousands of other | :47:57. | :48:00. | |
people and I have been hooked ever since. I have been through the | :48:01. | :48:06. | |
changes, roots and culture music and I have stayed with it because I have | :48:07. | :48:11. | |
always loved it. It is one of my most favourite music styles. It is | :48:12. | :48:18. | |
the elements, it is one of the best things. Where does the reggae music | :48:19. | :48:23. | |
comes from? What are the elements? For me it is one of the most | :48:24. | :48:28. | |
passionate music forms. It speaks out for impoverished people and | :48:29. | :48:30. | |
speaks out against injustice and that is why it is revered around the | :48:31. | :48:36. | |
world. Then you have the great love songs, the beautiful harmonies, the | :48:37. | :48:42. | |
bands, like the whalers, we could go on. We have been talking about 50 | :48:43. | :48:47. | |
years of music, rolling back from the early 60s. In the book, you | :48:48. | :48:51. | |
cover the history of that and your history. We have got a little bit of | :48:52. | :49:02. | |
footage here of Burning Spear. I am a big fan of them. I remember buying | :49:03. | :49:11. | |
the first album. It cost ?5. It was a Jamaican import and I played it in | :49:12. | :49:15. | |
my bedsit and they knew every note of it and then in 1979 when I got a | :49:16. | :49:20. | |
job on BBC Radio London I got the chance to go to Jamaica and my first | :49:21. | :49:24. | |
weekend, I took a chance, there was no way of communicating, I knew that | :49:25. | :49:30. | |
he lived in Saint Ann 's Bay and had built a community centre and I went | :49:31. | :49:32. | |
up there and I hoped and prayed and on the Saturday morning, | :49:33. | :49:45. | |
hanging around and waiting, he appeared. I got to interview Burning | :49:46. | :49:48. | |
Spear. Excellent. # So do you remember the days of | :49:49. | :49:50. | |
slavery? # So do you remember the days of | :49:51. | :50:27. | |
slavery? APPLAUSE. Yes, Burning Spear. It is | :50:28. | :50:36. | |
a Labour of love, this book. It is your life and the history of reggae | :50:37. | :50:41. | |
music. What ultimately do you think it is that is special about reggae | :50:42. | :50:46. | |
music? It touches your soul. It is as simple as that. For me, it has | :50:47. | :50:53. | |
always touched my soul, it is passionate, it is beautifully made. | :50:54. | :50:59. | |
It is a music to be revered. Thank you very much for joining us. His | :51:00. | :51:09. | |
book is now out. Now, you heard her beautiful voice and one of her | :51:10. | :51:13. | |
beautiful songs earlier, now let's hear and enjoy some more of Courtney | :51:14. | :51:15. | |
Marie Andrews. # I just pulled | :51:16. | :51:32. | |
into town an hour ago # I'm just waiting | :51:33. | :51:45. | |
for the bar to open # I've been | :51:46. | :52:00. | |
driving till I get tired # There is no telling | :52:01. | :52:49. | |
which way this road bends # Hope you finally settle | :52:50. | :53:04. | |
down in Washington #. # Coven up, let's be it, | :53:05. | :53:23. | |
do it, celebrate it. # Make it burn, let's be it, | :53:24. | :55:31. | |
do it, celebrate it. # Come on up, let's be it, | :55:32. | :55:52. | |
do it, celebrate it. # Mirror, mirror, | :55:53. | :56:43. | |
build the fire high. # Mirror, mirror, be | :56:44. | :57:55. | |
the wild, the wild fire. The exquisitely talented Goldfrapp. | :57:56. | :58:44. | |
Systemagic. Before that we enjoyed Courtney Marie Andries. And now | :58:45. | :58:53. | |
let's round off this delightful evening and event with Kasabian. | :58:54. | :59:07. | |
# You know my name, you know my name. | :59:08. | :59:17. | |
# You are losing the plot. # It took you a lifetime to get | :59:18. | :59:23. | |
where you got. If I had my way I would be king for | :59:24. | :59:29. | |
the day. # All the while I am sorry, I am | :59:30. | :59:38. | |
sorry it is by too late. # I heard it all before. | :59:39. | :59:50. | |
# I don't have the time to listen to this. | :59:51. | :59:52. | |
# I don't know what the point you have missed. | :59:53. | :59:58. | |
Look what you have got. I don't care what they say. | :59:59. | :00:12. | |
# We can demand, look into the world, look into the future. | :00:13. | :00:20. | |
# Into the light, into the light. # Try tell your joke over and over. | :00:21. | :00:30. | |
# The higher the mountain, the higher the climb. | :00:31. | :00:39. | |
# Look what you've got. I don't care what they say. | :00:40. | :00:47. | |
# Beat Ken for the day. # Became for the day. | :00:48. | :01:01. | |
-- beat King for the day. # Into the light, into the light. | :01:02. | :01:26. | |
# Free from love, free from life, free from you. | :01:27. | :01:40. | |
# Free from evil. # I'm rising up, I'm rising up. | :01:41. | :01:49. | |
# You are telling me about this, I will tell you about that. | :01:50. | :01:56. | |
# And all the time you know, you know my name, you know my name, you | :01:57. | :02:06. | |
know my name. # We have got to what into the | :02:07. | :02:16. | |
future, into the light, into the light. | :02:17. | :02:19. | |
# Open your eyes, into the light. CHEERING | :02:20. | :02:42. | |
Thank you so much for joining us this evening and enjoying all the | :02:43. | :02:46. | |
music and marvellous people in the room. | :02:47. | :02:49. | |
We would like to thank all our guests. We are back next Tuesday | :02:50. | :02:53. | |
with Ed Sheeran and a little bit more. We would like to finish in the | :02:54. | :02:59. | |
room to reflect our values of everybody getting on, with everybody | :03:00. | :03:08. | |
together. Thank you for joining us, Kasabian. Thank you for joining us, | :03:09. | :03:21. | |
David Rodigan. Thank you for joining us Courtney Marie Andrews. Thank | :03:22. | :03:30. | |
you, Vander cat. Thank you the wonderful Spoon. Thank you, Anderson | :03:31. | :03:44. | |
.Paak The Free Nationals. Thank you Goldfrapp. And thank you. | :03:45. | :03:54. | |
You are the cream of the French aristocracy. | :03:55. | :04:00. |