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Greetings, listeners and viewers. We begin this show in a small, quiet | :00:33. | :00:45. | |
way with one of the biggest artists in the world today, we welcome Ed | :00:46. | :00:48. | |
Sheeran! # The club isn't the best | :00:49. | :01:38. | |
place to find a lover # Me and my friends | :01:39. | :01:40. | |
at the table doing shots # Drinking fast | :01:41. | :01:45. | |
and then we talk slow # And you come over and start up | :01:46. | :01:47. | |
a conversation with just me # And trust me I'll | :01:48. | :01:51. | |
give it a chance now # Take my hand, stop, | :01:52. | :01:53. | |
put Van the Man on the jukebox # And then we start to dance, | :01:54. | :01:56. | |
and now I'm singing like # Your love was handmade | :01:57. | :01:59. | |
for somebody like me # Grab on my waist | :02:00. | :02:03. | |
and put that body on me # I'm in love with the | :02:04. | :02:12. | |
shape of you # We push and pull like a magnet | :02:13. | :02:20. | |
do # And last night you were in my | :02:21. | :02:22. | |
room # And now my bed sheets smell | :02:23. | :02:29. | |
like you # Every day discovering | :02:30. | :02:32. | |
something brand new # Every day discovering | :02:33. | :02:34. | |
something brand new # I'm in love with the shape | :02:35. | :02:53. | |
of you # One week in we let | :02:54. | :02:56. | |
the story begin # You and me are thrifty, | :02:57. | :02:58. | |
so go all you can eat # Fill up your bag | :02:59. | :03:03. | |
and I fill up a plate # We talk for hours and hours | :03:04. | :03:06. | |
about the sweet and the sour # Leave and get in a taxi | :03:07. | :03:09. | |
then kiss in the back-seat # Tell the driver make the radio | :03:10. | :03:14. | |
play, and I'm singing like # Your love was handmade | :03:15. | :03:16. | |
for somebody like me # Grab on my waist | :03:17. | :03:21. | |
and put that body on me # I'm in love with the | :03:22. | :03:29. | |
shape of you # We push and pull like a magnet | :03:30. | :03:37. | |
do # And last night you were in my | :03:38. | :03:39. | |
room # And now my bed | :03:40. | :03:47. | |
sheets smell like you # Every day discovering | :03:48. | :03:49. | |
something brand new # Every day discovering | :03:50. | :03:50. | |
something brand new # I'm in love with | :03:51. | :04:11. | |
the shape of you # I'm in love with the | :04:12. | :04:13. | |
shape of you # And now my bed | :04:14. | :04:35. | |
sheets smell like you # Every day discovering | :04:36. | :04:47. | |
something brand new # Every day discovering | :04:48. | :04:49. | |
something brand new # I'm in love with the shape of | :04:50. | :05:10. | |
you.# What a joy to have that talented man | :05:11. | :05:13. | |
in this room, Ed Sheeran! It is a room filled with great guess | :05:14. | :05:39. | |
this evening. In this corner we have from Los Angeles, Syd! | :05:40. | :05:41. | |
And joining Ed later on with their beautiful sound. And I will be | :05:42. | :06:05. | |
talking to the legendary Christine McVie. Now, from Memphis, please | :06:06. | :06:15. | |
give it up in the biggest way for Valerie June! | :06:16. | :06:36. | |
# Not any ole body Not any ole body | :06:37. | :06:45. | |
# Somebody Somebody | :06:46. | :06:57. | |
# Get me on the shakedown breakdown showdown | :06:58. | :06:59. | |
# Get me on the shakedown breakdown showdown | :07:00. | :07:37. | |
# Get me on the shakedown breakdown showdown | :07:38. | :08:35. | |
# Get me on the shakedown breakdown showdown | :08:36. | :08:44. | |
The roofing sound of Valerie June from her album, The Order Of Time. | :08:45. | :09:14. | |
And in this corner, are you feeling good? CHEERING | :09:15. | :09:18. | |
So you should because what a great selection of guess we have, joint by | :09:19. | :09:26. | |
a fantastic collection of musicians we welcome Syd. APPLAUSE | :09:27. | :09:48. | |
# I be more than a god in my dreams, it's wishful thinking | :09:49. | :09:52. | |
# I sleep more than I need to, I drink more on the weekend | :09:53. | :09:55. | |
# I eat all meat but fish, I keep my needle with me | :09:56. | :09:59. | |
# I see sharks in the water, I fiend for marijuana | :10:00. | :10:05. | |
# I pray for all my homies, I'm lyin', at least I try | :10:06. | :10:09. | |
# I say that she's my only but got you on my mind | :10:10. | :10:12. | |
# Today I'm only human, but know that when I die | :10:13. | :10:17. | |
# My grave gone be my music, my soul is living through it baby | :10:18. | :10:23. | |
# Take care of the family that you came with | :10:24. | :10:26. | |
# We made it this far and it's amazing | :10:27. | :10:30. | |
# Keep it in the family that you came with | :10:31. | :10:42. | |
# Keep enemies close you know the basics | :10:43. | :10:46. | |
# We gettin' checks in the mail, I don't know if you could tell | :10:47. | :10:57. | |
# Stackin' this bread on the shelf, stackin' my bread on the shelf | :10:58. | :11:02. | |
# I see you mad at yourself, I see them mad at themselves | :11:03. | :11:06. | |
# I hear 'em crying for help, I hear 'em crying for help | :11:07. | :11:09. | |
# Don't be mad if I switch up, my good taste got me this much | :11:10. | :11:12. | |
# Too sweet for your taste buds, I seen you sleepin' girl wake up | :11:13. | :11:16. | |
# They ain't know what sauce was till we served it offa that tonka | :11:17. | :11:20. | |
# Drizzled all on your lobster, put shame to your roster | :11:21. | :11:25. | |
# Me broke, girl dream on, my team on, my weed strong | :11:26. | :11:29. | |
# Need more of what we on, my league always D1 | :11:30. | :11:33. | |
# We ball all season, Kobe's on my feet bruh | :11:34. | :11:37. | |
# Pay attention to me bruh, pay me my fee bruh | :11:38. | :11:41. | |
# You seek answers to questions 'bout me, it's in my music | :11:42. | :11:44. | |
# You preach bout revolution and dreams, I really do this | :11:45. | :11:48. | |
# I lead by my example, I see fame as a nuisance | :11:49. | :11:52. | |
# I don't take it for granted but god dammit | :11:53. | :11:55. | |
# Sometimes I can't stand it | :11:56. | :11:58. | |
# Take care of the family that you came with | :11:59. | :12:01. | |
# We made it this far and it's amazing | :12:02. | :12:06. | |
# Keep it in the family that you came with | :12:07. | :12:18. | |
# Keep yo haters close you know the basics | :12:19. | :12:22. | |
Thank you, Syd. All about me. I think, let's face it, if we were to | :12:23. | :12:55. | |
look at a map, we would notice that for instant if we go to Jamaica, you | :12:56. | :12:59. | |
think it has a particularly early on sand. New Orleans has a particularly | :13:00. | :13:06. | |
brilliant distinct sound, and our next artist is from Cuba, also a | :13:07. | :13:11. | |
place with a distinct sound. We now welcome Dayme Arocena. | :13:12. | :13:12. | |
APPLAUSE # Maybe tomorrow | :13:13. | :13:35. | |
I'll have close my heart # And every tear dried | :13:36. | :13:53. | |
I'll be a little stronger # Everyone, every song, | :13:54. | :13:55. | |
every smile # Maybe tomorrow | :13:56. | :13:58. | |
I will stop and fly # Maybe I will know | :13:59. | :14:09. | |
to keep my dreams inside me # But in this moment | :14:10. | :14:15. | |
I know it's not in my hands # My heart is open, | :14:16. | :14:19. | |
still it is an ocean # My mind is shining, | :14:20. | :14:24. | |
the light is going far # My body's searching, | :14:25. | :14:29. | |
my soul is always finding # I just want to love | :14:30. | :14:37. | |
and feeling giving me my life # Maybe tomorrow | :14:38. | :15:10. | |
I will stop and fly # Maybe I will know | :15:11. | :15:20. | |
to keep my dreams inside me # But in this moment | :15:21. | :15:24. | |
I know it's not in my hands # My heart is open, | :15:25. | :15:30. | |
still it is an ocean # My mind is shining, | :15:31. | :15:34. | |
the light is going far # My body's searching, | :15:35. | :15:39. | |
my soul is always finding # I just want to love | :15:40. | :15:46. | |
and feeling giving me my life # I just want to love | :15:47. | :15:56. | |
and feeling giving me # I just want to love | :15:57. | :16:06. | |
giving me my life #. CHEERING | :16:07. | :16:38. | |
. Lovely sound, lovely musician, | :16:39. | :16:45. | |
lovely singing, Dayme Arocena. So, I'd like to introduce, I like the | :16:46. | :16:53. | |
word legend, and I like the word legend when it is applied to this | :16:54. | :16:57. | |
person, the legendary Christine McVie! It is very good to get you on | :16:58. | :17:07. | |
the show at last. You've got this record, which is a joint record, is | :17:08. | :17:12. | |
that you how you would describe it, with Lindsey Buckingham? It didn't | :17:13. | :17:18. | |
start to be anything particularly, but when I rejoined the band, we | :17:19. | :17:24. | |
were just rehearsing and I had already sent some songs over to him, | :17:25. | :17:29. | |
and he was just kind of working it in the studio, and we thought we | :17:30. | :17:33. | |
would go in and put a couple of tracks, which we did. And did you | :17:34. | :17:36. | |
get the other people from Fleetwood Mac to play on it? We were all there | :17:37. | :17:41. | |
because we were rehearsing the tour, except for Stevie Nicks who was | :17:42. | :17:48. | |
doing another project. We didn't have a plan, but without ultimately, | :17:49. | :17:52. | |
why not splinter off and finish the record? It is a lot, almost a | :17:53. | :17:59. | |
Fleetwood Mac record but not quite. It has some great songs, and you | :18:00. | :18:01. | |
have everybody playing on the record? Do you enjoy the recording | :18:02. | :18:12. | |
process? I love it, I prefer a touring, but I love recording, and I | :18:13. | :18:22. | |
love working with Lindsey. With somebody like Lindsey Buckingham who | :18:23. | :18:25. | |
you have worked with for many years, is it much easier to communicate? Do | :18:26. | :18:29. | |
you have to not use Word so often because you know? Very often, I'm | :18:30. | :18:34. | |
sure that applies to a lot of musicians, but me in particular with | :18:35. | :18:36. | |
him, there isn't much talking going on. We have some singing here from | :18:37. | :18:42. | |
you, let's look at this. # Take your time | :18:43. | :18:51. | |
# To cross the line # All without a doubt | :18:52. | :19:01. | |
# In my world everybody's dazed # Nobody wishes for what they | :19:02. | :19:03. | |
couldn't say # Bless my soul | :19:04. | :19:09. | |
# Singing in my world # In my world | :19:10. | :19:15. | |
# Everybody's Gaze # Nobody wishes for what they | :19:16. | :19:17. | |
couldn't say # Bless my soul | :19:18. | :19:24. | |
# Dancer and a dreamer # Singing in my world... | :19:25. | :19:30. | |
APPLAUSE Great sound there. Going back to the | :19:31. | :19:37. | |
early part, what music was first heard? I didn't start as a singer, I | :19:38. | :19:42. | |
was moreover keyboard player, and I was in a band called Chicken Shack, | :19:43. | :19:55. | |
and I was encouraged by Mick who must've seen some singing in me. And | :19:56. | :19:59. | |
you are inspired by the blues early on? Very much so, it was the 60s, | :20:00. | :20:05. | |
and I was a blues player. A lot of American blues artists were coming | :20:06. | :20:09. | |
to perform in England, and it caught on by many English blues bands that | :20:10. | :20:15. | |
then followed, and I just got hooked on Freddie King, BB King, all the | :20:16. | :20:21. | |
great guys, and I learned to play the blues from listening to their | :20:22. | :20:26. | |
records. And Fleetwood Mac, who I believe might be going on tour next | :20:27. | :20:30. | |
year? That is correct. They became one of the most successful bands in | :20:31. | :20:34. | |
the world, played huge stadiums in the 70s and 80s, much as our | :20:35. | :20:40. | |
wonderful guest Ed Sheeran is today. Any advice you would give to him? | :20:41. | :20:46. | |
Stay on your own, Mate! APPLAUSE | :20:47. | :20:51. | |
On that bombshell, that is all we need! Thank you for joining us, | :20:52. | :21:01. | |
Christine McVie. It is wonderful to have you here. | :21:02. | :21:04. | |
Our next artist is one of Britain's great singer-songwriters, | :21:05. | :21:06. | |
He is celebrating 15 years of making music. | :21:07. | :21:09. | |
# I passed the Mallard just the other day | :21:10. | :21:45. | |
# I was riding a train, I was riding away | :21:46. | :21:50. | |
# She's a picture from the age of steam | :21:51. | :22:22. | |
# But it's farewell to the Mallard and you | :22:23. | :22:32. | |
# Tea garden singer but we're just friends | :22:33. | :23:08. | |
# He's driving me down to the band tonight | :23:09. | :23:11. | |
# I'm driving down to the cold, cold sea | :23:12. | :23:13. | |
# To see if the sea can make a change in me | :23:14. | :23:19. | |
# I passed the Mallard just the other day | :23:20. | :24:13. | |
# I was riding a train, I was riding away | :24:14. | :24:18. | |
# So it's farewell to the Mallard and you | :24:19. | :25:19. | |
Mallard, great steam train. Now we have a new duo, please pick it up | :25:20. | :25:51. | |
for Marion hill. # But if you get me out, | :25:52. | :26:01. | |
you get a show # There's so many | :26:02. | :26:06. | |
bodies on the floor # So baby we should | :26:07. | :26:09. | |
go and add some more # Down, d-d-down, d-d-down, | :26:10. | :26:13. | |
d-d-down, down, down? # Everywhere I look | :26:14. | :26:24. | |
are peoples' hands # Thrown up in the air | :26:25. | :26:27. | |
to help them dance # I know you don't | :26:28. | :26:30. | |
have any other plans # Down, d-d-down, d-d-down, | :26:31. | :26:35. | |
d-d-down, down, down? # Down, down, d-d-down, | :26:36. | :26:48. | |
down, d-down, down? # Are you down, are you down, | :26:49. | :26:59. | |
are you d-d-down? # Down, down, d-d-down, | :27:00. | :27:04. | |
down, d-down, down? # You know we could | :27:05. | :27:16. | |
put them all to shame # Isn't this the reason | :27:17. | :27:19. | |
why you came? # So, baby, don't | :27:20. | :27:24. | |
you let it go to waste # Down, d-d-down, d-d-down, | :27:25. | :27:27. | |
d-d-down, down, down? # Every single thing | :27:28. | :27:38. | |
is feeling right # I don't really think | :27:39. | :27:41. | |
that we should fight this # What if we don't | :27:42. | :27:47. | |
stop until it's light? # Down, down, d-down, down? | :27:48. | :27:49. | |
d-d-down, down, down? # Down, down, d-d-down, | :27:50. | :28:07. | |
down, d-down, down? # Are you down, are you down, | :28:08. | :28:12. | |
are you d-d-d-d-down, # Are you down, are you down, | :28:13. | :28:15. | |
are you d-d-down, are you? # Down, down, d-d-down, | :28:16. | :28:19. | |
down, d-down, down? # Are you, are you, | :28:20. | :28:22. | |
are you d-d-down, down? # Down, down, d-d-down, | :28:23. | :28:32. | |
down, d-down, down? # Are you down, are you down, | :28:33. | :28:46. | |
are you d-d-d-d-down, # Are you down, are you down, | :28:47. | :28:49. | |
are you d-d-down, are you? # Down, down, d-d-down, | :28:50. | :28:52. | |
down, d-down, down? # Are you down, are you down, | :28:53. | :28:55. | |
are you d-d-d-d-down, # Are you down, are you down, | :28:56. | :29:03. | |
are you d-d-down, are you? # Down, down, d-d-down, | :29:04. | :29:06. | |
down, d-down, down #. # Well, I could sing | :29:07. | :29:09. | |
you a country tune # And carry the name | :29:10. | :29:39. | |
sweet Valerie June # Well I could play you, | :29:40. | :29:45. | |
play you the blues # And carry the name | :29:46. | :30:10. | |
sweet Valerie June # Well I could play you, | :30:11. | :30:17. | |
play you the blues # Said, I got soul | :30:18. | :30:39. | |
and I got soul # Been tossed and tangled | :30:40. | :31:04. | |
in search of what's good # And, I got soul | :31:05. | :31:47. | |
yeah, I got sweet soul # And I got soul, | :31:48. | :32:16. | |
yeah, I got sweet soul # Singing to you now, | :32:17. | :32:31. | |
now, now, now, now # Talking to you now, | :32:32. | :32:40. | |
now, now, now, now # And, I got soul, | :32:41. | :32:55. | |
yeah, I got sweet soul # Said, I got soul | :32:56. | :33:16. | |
and I got soul # Said, I got soul | :33:17. | :33:26. | |
and I got soul CHEERING | :33:27. | :33:37. | |
Thank you, Valerie June. Seoul. Before that we enjoyed Marian Hill. | :33:38. | :34:13. | |
And now over at the end of the studio a man who has gone from | :34:14. | :34:16. | |
strength to strength with his wonderful songs and he is going to | :34:17. | :34:19. | |
do a song which he has never done before on the television and | :34:20. | :34:24. | |
probably won't again. We are delighted to have with us now Ed | :34:25. | :34:25. | |
Sheeran! CHEERING # I gave all my oxygen | :34:26. | :34:33. | |
to people that could breathe # I gave away my money | :34:34. | :34:37. | |
and now we don't even speak # I drove miles and miles, | :34:38. | :34:43. | |
but would you do the same for me # I gave you my shoulder | :34:44. | :34:49. | |
just for you to cry upon # Gave you constant shelter | :34:50. | :35:06. | |
and a bed to keep you warm # They gave me the heartache | :35:07. | :35:09. | |
and in return I gave a song # Life can get you down so I just | :35:10. | :35:12. | |
numb the way it feels # I drown it with a drink | :35:13. | :35:25. | |
and out-of-date prescription pills # And all the ones that love me, | :35:26. | :35:30. | |
they just left me on the shelf # So before I save someone else, | :35:31. | :35:36. | |
I've got to save myself # I gave you all my energy | :35:37. | :35:50. | |
and I took away your pain # Cos human beings are destined | :35:51. | :35:54. | |
to radiate or drain # Life can get you down so I just | :35:55. | :36:01. | |
numb the way it feels # I drown it with a drink | :36:02. | :36:17. | |
and out-of-date prescription pills # And all the ones that love me, | :36:18. | :36:22. | |
they just left me on the shelf # So before I save someone else, | :36:23. | :36:29. | |
I've got to save myself # But if I don't then I'll go back | :36:30. | :36:36. | |
to where I'm rescuing a stranger # Just because they needed | :36:37. | :36:48. | |
saving, just like that # Oh I'm here again, | :36:49. | :36:53. | |
between the devil and the danger # My dad was wrong, | :36:54. | :36:58. | |
cos I'm not like my mum # Cos she'd just smile | :36:59. | :37:08. | |
and I'm complaining in a song # So before I save someone else, | :37:09. | :37:13. | |
I've got to save myself # Life can get you down so I just | :37:14. | :37:26. | |
numb the way it feels # Or drown it with a drink | :37:27. | :37:31. | |
and out-of-date prescription pills # And all the ones that love me, | :37:32. | :37:35. | |
they just left me on the shelf # And before I blame someone else, | :37:36. | :37:42. | |
I've got to save myself # And before I love someone else, | :37:43. | :38:03. | |
I've got to love myself #. What a great song, I hope you caught | :38:04. | :38:29. | |
that, he might not do it again. Thank you, Ed Sheeran, with Save | :38:30. | :38:42. | |
Myself from the album Divide. What a talented fellow. Let's come up to | :38:43. | :38:46. | |
this end of the room, how are you doing? CHEERING | :38:47. | :38:49. | |
You are looking beautiful and in the middle of you is the incredible | :38:50. | :38:51. | |
talent that is Syd! # Keep it between us, | :38:52. | :39:08. | |
can't let 'em see us # It'll be our secret, | :39:09. | :39:30. | |
don't wanna get caught creeping # Is it really cheating, | :39:31. | :39:33. | |
who says we're cheating # If we had a little more time | :39:34. | :39:37. | |
I'd take it slow babe # You can stay till the morning, | :39:38. | :40:18. | |
when we wake up jump on it # It's the way that you flaunt it, | :40:19. | :40:22. | |
lets me know that you want it # Keep it secret baby, | :40:23. | :40:25. | |
they don't have to know # No more pictures baby, | :40:26. | :41:05. | |
put away your phone # Let 'em wonder what | :41:06. | :41:09. | |
we do when we're alone # Cos you know how I like it, babe, | :41:10. | :41:12. | |
let's do this in private baby # Water still rising, | :41:13. | :41:16. | |
no sign of a storm # The sun don't shine | :41:17. | :43:19. | |
to keep us warm. # I sent a prayer, | :43:20. | :43:24. | |
a prayer up to the Lord, # I'm still waiting, | :43:25. | :43:35. | |
waiting on my reward. # Some rivers run deep, | :43:36. | :43:50. | |
some run wide # Some run dark, | :43:51. | :43:57. | |
their secrets to hide. # I sent a prayer, | :43:58. | :44:00. | |
a prayer up to the Lord, # I'm still waiting, | :44:01. | :44:10. | |
waiting on my reward. # Don't let it rain, | :44:11. | :44:21. | |
don't let it pour # Don't let the wind | :44:22. | :44:25. | |
blow through my door. # I sent a prayer, | :44:26. | :44:30. | |
a prayer up to the Lord, # I'm still waiting, | :44:31. | :44:39. | |
waiting on my reward. # How did I get here, | :44:40. | :45:16. | |
lucky to be alive? # Sometimes you live, | :45:17. | :45:21. | |
but sometimes you just drive. # I sent a prayer, | :45:22. | :45:26. | |
a prayer up to the Lord, # I'm still waiting, | :45:27. | :45:35. | |
waiting on my reward #. # I'm still waiting, | :45:36. | :45:49. | |
waiting on my reward Michael Chapman, Sometimes You Just | :45:50. | :46:35. | |
Drive. . Before but was Syd. And now I scoot up here to talk to the very | :46:36. | :46:45. | |
talented Ed Sheeran. Up at this end of the room with the Internet, that | :46:46. | :46:50. | |
is a complimentary gift from us! I love that song you played before, | :46:51. | :47:01. | |
where did that come from? With Labyrinth, and another girl called | :47:02. | :47:07. | |
Amy, and it was really late in the album, we had nearly finished, Amy | :47:08. | :47:10. | |
just came to stay and the song just happened. I have to say | :47:11. | :47:15. | |
congratulations from the whole studio, a round of applause, because | :47:16. | :47:20. | |
you have a phenomenal success, 18 songs in the top 20. In the old | :47:21. | :47:25. | |
days, you would have done every song! Element do you guys want Top | :47:26. | :47:39. | |
Of The Pops back? To watch! I feel like it is pretty much the only | :47:40. | :47:50. | |
thing on TV. SCREAM what was that about? | :47:51. | :47:55. | |
I find I'm stepping back from reading things, there are two | :47:56. | :48:00. | |
extremes, people either really love you all really hate you, there isn't | :48:01. | :48:05. | |
anything in the middle, and I think sanity lies in the middle, so I am | :48:06. | :48:08. | |
staying away from both. And you can't believe anything you read in | :48:09. | :48:12. | |
the papers, particularly about yourself. Unless they say he is a | :48:13. | :48:18. | |
saint and a genius. If you read stuff like that, you turn into an | :48:19. | :48:25. | |
egotistical maniac, but also there are people who say that you are the | :48:26. | :48:30. | |
worst person ever. You took a year's break. That was brilliant. Weren't | :48:31. | :48:36. | |
there are a lot of people saying, you can't take a break, we need you | :48:37. | :48:43. | |
for this, for that. We had been touring for five years straight, and | :48:44. | :48:46. | |
none of us had taken a break, so it came to a point where some of the | :48:47. | :48:50. | |
people I toured with wanted to work with people different, and I just | :48:51. | :48:55. | |
wanted to take the time, now I never want to stop touring, the year of | :48:56. | :49:00. | |
the Meireles how lucky we are. You are a bit like me in that, I don't | :49:01. | :49:05. | |
have an e-mail, you don't have a mobile phone. Do you think that is | :49:06. | :49:10. | |
the way forward with communication? For communication, no, but going | :49:11. | :49:14. | |
back to the sanity thing, it is. It is to do with being bored and just | :49:15. | :49:18. | |
going online and reading things. I needed to get away from reading what | :49:19. | :49:21. | |
people thought about me, because it doesn't work well. Plus I wanted to | :49:22. | :49:27. | |
step away from being contactable at all times. If someone really, really | :49:28. | :49:32. | |
needs to get in contact with you, they will find a way. Does anyone | :49:33. | :49:38. | |
have WhatsApp? You know when you can see when someone has read it, that | :49:39. | :49:44. | |
drives people's mental, if you read it and haven't replied, if I put it | :49:45. | :49:48. | |
in my pocket, people go mental because you haven't replied. How | :49:49. | :49:54. | |
dare you? Element anyway e-mails me, there is a thing that goes out and | :49:55. | :49:57. | |
says, I might not reply to this, and then people are fine. If they e-mail | :49:58. | :50:03. | |
me, they wouldn't even get that! What is your next song that you will | :50:04. | :50:05. | |
play for us? from Northern Island and every time | :50:06. | :50:12. | |
I see their name somebody whips. We wrote this song called Galway | :50:13. | :50:29. | |
Girl, I'm a big fan of theirs, they are touring the country is doing | :50:30. | :50:32. | |
Glastonbury, you should check them out. It is wonderful to have you | :50:33. | :50:36. | |
here as a guest, and you might want to chat to Christine who says, stay | :50:37. | :50:40. | |
on your own! Have you got anything to say to her? I really like your | :50:41. | :50:46. | |
staff! Wonderful to have you here, thank | :50:47. | :50:51. | |
you, Ed Sheeran! APPLAUSE | :50:52. | :51:00. | |
So now the vibrations are back, and we welcome Valerie June. | :51:01. | :51:04. | |
# Is there a light you have inside you | :51:05. | :51:07. | |
# The day will come when you're ready | :51:08. | :51:35. | |
# Dancing on the astral plane in holy water, cleansing rain | :51:36. | :51:47. | |
# From other worlds but you can't say what keeps you hear | :51:48. | :52:13. | |
# Dancing on the astral plane in holy water, cleansing rain | :52:14. | :52:20. | |
# Dancing on the astral plane in holy water, cleansing wearing | :52:21. | :52:27. | |
# Dancing on the astral plane in the holy water, cleansing rain | :52:28. | :53:15. | |
# Dancing on the astral plane in holy water, cleansing rain | :53:16. | :53:23. | |
# Dancing on the astral plane in holy water, cleansing rain | :53:24. | :53:36. | |
# There is a light you have inside you | :53:37. | :54:04. | |
MAMBO AND JAZZ BLENDED WITH AN AFRO-CUBAN PERCUSSION BEAT. | :54:05. | :54:46. | |
Dayme Arocena, the lovely Cuban sound. Nystrom is, nice piano, nice | :54:47. | :57:40. | |
singing. Before that we enjoyed Valerie June. And now, joined by | :57:41. | :57:50. | |
Beoga, we are lucky to have with us, Ed Sheeran. | :57:51. | :57:57. | |
# You know, she played the fiddle in an Irish band | :57:58. | :58:00. | |
# But she fell in love with an English man | :58:01. | :58:02. | |
# Kissed her on the neck and then I took her by the hand | :58:03. | :58:06. | |
# I met her on Grafton street right outside of the bar | :58:07. | :58:09. | |
# She shared a cigarette with me while her brother played the guitar | :58:10. | :58:12. | |
# She asked me what does it mean, the Gaelic ink on your arm? | :58:13. | :58:15. | |
# Said it was one of my friend's songs, do you want to drink on? | :58:16. | :58:19. | |
# She took Jamie as a chaser, Jack for the fun | :58:20. | :58:21. | |
# She got Arthur on the table with Johnny riding a shotgun | :58:22. | :58:24. | |
# Chatted some more, one more drink at the bar | :58:25. | :58:26. | |
# Then put Van on the jukebox, got up to dance | :58:27. | :58:29. | |
# You know, she played the fiddle in an Irish band | :58:30. | :58:32. | |
# But she fell in love with an English man | :58:33. | :58:34. | |
# Kissed her on the neck and then I took her by the hand | :58:35. | :58:37. | |
# Said, "Baby, I just want to dance" with my pretty little Galway Girl | :58:38. | :58:41. | |
# You're my pretty little Galway Girl. | :58:42. | :58:43. | |
# You know she beat me at darts and then she beat me at pool | :58:44. | :58:47. | |
# And then she kissed me like there was nobody else in the room | :58:48. | :58:50. | |
# As last orders were called was when she stood on the stool | :58:51. | :58:54. | |
# After dancing the ceilidh singing to trad tunes | :58:55. | :58:56. | |
# I never heard Carrickfergus ever sung so sweet | :58:57. | :58:58. | |
# Acapella in the bar using her feet for a beat | :58:59. | :59:01. | |
# Oh, I could have that voice playing on repeat for a week | :59:02. | :59:04. | |
# And in this packed out room swear she was singing to me | :59:05. | :59:07. | |
# You know, she played the fiddle in an Irish band | :59:08. | :59:10. | |
# But she fell in love with an English man | :59:11. | :59:12. | |
# Kissed her on the neck and then I took her by the hand | :59:13. | :59:15. | |
# My, my, my, my, my, my, my Galway Girl | :59:16. | :59:30. | |
# And now we've outstayed our welcome and it's closing time | :59:31. | :59:33. | |
# I was holding her hand, her hand was holding mine | :59:34. | :59:36. | |
# Our coats both smell of smoke, whisky and wine | :59:37. | :59:38. | |
# As we fill up our lungs with the cold air of the night | :59:39. | :59:41. | |
# I walked her home then she took me inside | :59:42. | :59:44. | |
# To finish some Doritos and another bottle of wine | :59:45. | :59:46. | |
# I swear I'm gonna put you in a song that I write | :59:47. | :59:49. | |
# About a Galway Girl and a perfect night | :59:50. | :59:51. | |
# She played the fiddle in an Irish band | :59:52. | :59:54. | |
# But she fell in love with an English man | :59:55. | :59:56. | |
# Kissed her on the neck and then I took her by the hand | :59:57. | :59:59. | |
# My, my, my, my, my, my, my Galway Girl #. | :00:00. | :00:38. | |
Thank you, Ed Sheeran, with Beoga. We will be back on Tuesday with | :00:39. | :01:00. | |
Jamiroquai, Robert Cray and much more. But for now, could you give us | :01:01. | :01:09. | |
maybe a couple of chords in the key of A, let's just say? It is the | :01:10. | :01:15. | |
vibrations in which we say farewell and thank you for all of our | :01:16. | :01:17. | |
wonderful guest to have joined us this evening. Thank you very much | :01:18. | :01:22. | |
Valerie June. Thank you Christine McVie. Thank you Ed Sheeran, thank | :01:23. | :01:37. | |
you Michael Chapman thank you Dayme Arocena, thank you Marian Hill, | :01:38. | :01:47. | |
thank you Syd. CHEERING | :01:48. | :01:51. |