Episode 4 Later... with Jools Holland

Welcome to this lovely May springtime show - inside it's warm,

Let us welcome the first guest, that is Blondie.

# I've been running circles round a night that never ends

# I've been chasing heartache, in a city and a friend

# I've been with you so long, even seen you lose it

# Racing down the Bowery, on a crowded afternoon

# Dripping from the downpour of your insecure typhoon

# Can you even want me or is this is just a way to keep you safe?

# Take me, then lose me, then tell them I'm yours

# Does it make you think everybody wants to be your friend?

# I can give you a heartbeat, I can give you a friend

# I can make you think everybody wants to be your friend

# Drinking with your cell phone with a smile on your face

# Happy in success, but still a thousand miles away

# Is this what you wanted, is this everything you had in store?

# Take me, then lose me, then tell them I'm yours

# Does it make you think everybody wants to be your friend?

# I can give you a heartbeat, I can give you a friend

# I can make you think everybody wants to be your friend

# Take me, then lose me, then tell them I'm yours

# Take me, then lose me, then tell them I'm yours

What a thrill to have them back in this room with us tonight, a room

We welcome from London, we will be welcoming, London Grammar.

Also from London, but strangely from both north and south of the river -

as if it could be true - we welcome Binker Moses.

So delighted to have, from Senegal, Orchestra Baobab.

From Stockholm and London, it is Mabel.

And now, welcoming back into this room,

# A dress of leaves blows to the winds

# Take these sacrificial remnants, untended

# Bashed to dust and trust distressed

# I don't believe anymore, don't believe anymore

# I don't believe anymore, don't grieve anymore

# Is this a desperate wish for dying?

# The fear that keeps me going and going and going

# Is the same fear that brings me to my knees

# I don't believe anymore, don't believe anymore

# I don't believe anymore, I won't grieve anymore

# Always in the clouds searching for some answer

# Parted now, I am the shore, repeated

# I don't believe anymore, don't believe anymore

# I don't believe anymore, I won't grieve anymore

# I don't believe anymore, don't believe anymore

# I don't believe anymore, don't believe anymore

# I won't grieve anymore, won't grieve anymore

Actually, we'll have a little chat with them, a table

Now, one of West Africa's greatest groups we are welcoming right now,

Orchestra Baobab performing a song from their album

Some of you may have heard of the expression -

Well, of course, it means when you have your first album, it's great.

The second album, it can be difficult getting it together.

That has not happened with these next artists.

Their second album is even greater and more enjoyable than their first,

I think you'll agree, as we welcome London Grammar.

# My only hope is to let life stretch out before me

# I'm made of many things, but I'm not what you are made of

# But I swear that these scars are fine

# Only you could've hurt me in this perfect way tonight

# I might be blind, but you've told me the difference

# Between mistakes and what you just meant for me

# Have you forgotten all the lies you left there so fresh

# You can try to get close to those I love

# Do you really think they don't know what you're made of

# But I swear that these scars are fine

# Only you could've hurt me in this perfect way tonight

# I might be blind but you've told me the difference

# Between mistakes and what you just meant for me

# But I swear that these scars are fine

# Only you could've hurt me in this perfect way tonight

# I might be blind but you've told me the difference

# Between mistakes and what you just meant for me

So now we welcome a brand-new artist who has never

We are delighted to have in the studio now, Mabel.

# I don't planning on coming your way.

# Put your arms all around it. # It don't need to be no deeper.

# Its finders keepers. # Take it now that you found it.

# It don't need to be no deeper. # Its finders keepers.

# It don't need to be no deeper. # It's finders keepers.

# At goal which you want. # I got you.

# I don't need miracles from you. # Just keep the torque minimal.

# It's criminal for me. # To say it's all chemical.

# Boy, why you living in fear. # You know I don't mind if you take

me home. # Let's make it some time then.

# Put your arms all around. # It only to be no deeper.

# It's finders keepers. # Take it now that you found it.

# It don't need to be no deeper. # It's finders keepers.

# I've got what you want. # If you trust me, I have got what

you want. # Because I've got you.

# It's you and me, so put your arms all around it.

# Put your arms all around it. # Take it now that you found it.

# It don't need to be no deeper, it's finders keepers.

# Put your arms all around it, take it now that you found it.

# It don't even need to be no deeper. It's finders keepers.

CHEERING AND APPLAUSE. Now some great legends,

amazing legends who I welcome Chris Klein, Clem Burke,

Debbie Harry from Blondie. Great to have you here

and lovely to see you You have got your camera

here, that's great. You are a very good photographer

aren't you as well? You've had exhibitions.

Occasionally. That is not for the purpose

of selfies, that is for the purpose of exhibition,

printing them, isn't that right? That is the opposite

of one of someone else. This record is a great

record that we have got You have worked with lots

of new interesting people. Who are some of the people

you have worked with? Is the recording process,

more enjoyable now, do Is it the same as it was

when you first started? Well, the same but different,

you know, I think it was great, that we all got

into the studio together, bit of preproduction instead of just

showing up, so in that sense, One of the things,

I think it is great, when music sounds of its place

and to me, your music is fantastic, it is the sound

of exciting New York. One of the things,

when I first went to New York, in 1977, I went

to go and see you. Are you essentially,

a New York sound, do you think? We have had a lucky break,

being from there because we get so many influences and I think

it has come through. Back then when I first saw you,

it seemed like a completely It's a lot more user-friendly

now, which is great. The dirt of New York City is a part

of what made the Blondie sound. As romanticised as the period is,

I did not know anyone at the time who at some

point did not say, this is so screwed up,

I have And then, you first came

to England and I remember this because I am

personally involved. A great photographer

sent us this photograph. In fact, I think you

were there but he only I am so pleased that I have this

pint of beer and this But that is actually,

although we are both in it, you are there as well, and I think

it was your first show in England. What did you make of

England when you got Well, we had an idea of what it was

because of the exchange, with musicians, and we were just really

looking forward to it. We were prepared for

a physical reaction. Everybody at CBEEs,

were still in beatnik coffee They would sit there, there was no

rock dance, and we got here, and everyone was flinging themselves

around, and it was an eye opening And I remember years ago, in Boston,

Squeeze did a show and you were doing a show, and I was going

around, the thrift stores and would buy dead men's suits

which fitted me very well. Everywhere I went, I noticed

you were in the same shops. All the good stuff has been

absorbed, there is nothing I's a little tricky

now for the vintage. There are professional

vintage shoppers. What are you going

to play for us next? I think we are going to do Fun

which is a sort of a Thank you very much

for joining us, Blondie. We will look forward

to hearing more from Now now it is time for a brand new,

let's use the word jazz, a fantastic improvisational group,

we welcome Binker Moses. # I was scared, cuz I've lost

so many things before # Kept me running from

the world and from myself # You gave me second

chance and hopes to run to # I couldn't bare to spend

another day without you # Now I'm stuck in this

place, without you # All I knew I couldn't

wait one more night # Freezing rain can't

keep me away, from you # Covered you, half a world

away, a world asleep # Cuz I've lost

so many things before # Kept me running from

the world and from myself # You gave me second

chance and hopes to run to # I couldn't bare to spend

another day without you # Freezing rain can't

keep me away, from you # Falling planes can't

keep me away from you Future Islands, North Star,

from The Far Field LP. Far Field, that sound

very spring-like. Before that we enjoyed the sound,

the very beautiful, funky delic sound of Binker

Moses. # You're my heart,

I can't get enough # I get the feeling that

you're changing my mind # You're my heart,

I can't get enough # I get the feeling that

you're making me blind # I get the feeling that

you're changing my mind # You're my heart,

I can't get enough # I get the feeling that

you're changing my mind # I get the feeling that

you're changing my mind # I get the feeling that

you're making me blind # I get the feeling that

you're changing my mind # I get the feeling that

you're changing my mind Blondie, from their

album Pollinator. What a good title, Pollinator -

I like that word. If you were in West Africa

and you went out for an evening's fun, one of the things you'd

probably be listening # It is only, you are the only thing

I've ever truly known # So, I hesitate, if I can

act the same for you # And my darlin', I'll

be rooting for you # And I need her tonight because I'm

scared of loneliness with you, baby # But all that is left

is my perspective, broken # It is only, you are the only thing

I've ever truly known # So, I hesitate, if I can

act the same for you # And my darlin', I'll

be rooting for you #. The wonderful sound

of London Grammar A lovely voice and strings coming

in all together like that. But now, to change the tone

again, we go over to this table here where Garrett, Sam

and William of Future Islands are Each week I sit at this

particular spot and the guests are given either cameras

or what is that you've got there? Great record, the Future

Islands record is great and the first thing I must ask,

there is someone in this room who That was connected

through our mutual We felt, we had written

a song that appears on this album in 2013

for our last record right voice and we were still

searching through the cosmos to find the classic voice that we needed

and John was one day like, why don't I hit up Debbie

and connected us. I suppose, you broke out

and people became aware of you here three or four years ago,

but have you been together a long We've been writing songs since 2003

and Future Islands, for 11 years And were you all in,

because the group I have become obsessed with, really,

is Art Lord and the Self Portraits. Was it difficult

being a self-portrait? It became a little difficult

for so many years, I think he was still mad

that he was number 4. I was the German Lord of Art.

Self-proclaimed, I was from a little I spoke a faux Eastern

European accent. The idea, was we were freshmen

in university and wanted to go into I was trying to combine words

with sculpture into the live form and in a way,

being able to use... I would show up to class half high

and say I am the project. You know, this is it,

like final critique. The dance manoeuvres are remarkable,

but when did you first The idea was that the

self-proclaimed Lord of Art He created the self

portraits that came to Because of this weird evolution

of us growing together. Our friend who did the cover art,

she used to be in Art She was a self portrait,

number three. Although it's too late,

can I be a self-portrait? You have to wear

a black turtleneck and Perhaps I could play

the glass harmonica. We look forward to hearing

more from them later. I'm now a self-portrait,

I am so happy. We now go into this

corner and each week the new artists come on,

we now # It could be more 'cause

I lost track of time # Driving on the wrong

side thinking of you # And it isn't like me

to be insecure # Tried to forget

about you and no chance # Waiting on someone

that gotta pick me up # Telling me he wants

to show me around # He knows somebody

with a fancy house # Standing in his room

but I was thinking of you # And I don't want

you to be insecure # Oh, don't wanna play

with your mind, whoa #Tried to forget

about you and no chance # Waiting on someone

that gotta pick me up # I'm thinking of you,

thinking of you, thinking of you # Tell all your friends that

# You're enough to make me turn around and backtrack

# Tell all your friends that I'm coming right back

# Tried to forget about you and no chance

# Waiting on someone that gotta pick me up

# Waiting on someone that gotta pick me up

# Thinking of you, thinking of you #.

This is a song for the road. All the things we've found, all the things

we have lost. # Left out on the road

eight years ago # And you left too but I never

really thought you would really go # If I knew then I'd

really losing you # I'd change my ways

and my mind fore I lose control # Cuz in a darkened space,

we watched our souls replace # The beauty of the road is lost

in your eyes I drift # Softly back to when,

we were young and in love # You spend your whole life wishing

and working all you gets # You spend your whole life

searching and find the thing you're # And for years now,

I've been hunting the sound # That soft breath on the back

of my neck, got me running # The beauty of the road is lost

in your eyes I drift # Softly back to when,

we were young and in love # The beauty of the road is lost

in your eyes I drift # Softly back to when,

we were young and in love Still an honorary self-portrait

that I am, I'm delighted to thank Future Islands,

Beauty of the Road from Far Field. And now I'm delighted

to have Blondie! # Colour me your colour,

darling # Come up off your

colour chart # You can call me any day or night,

call me # Cover me with kisses,

baby # Roll me in designer sheets,

I'll never get enough # When you're ready

we can share the wine # Oh, oh, oh, oh, oh, he speaks

the languages of love # Oh, oh, oh, oh, oh,

amore, chiamami, chiamami # Anytime, anyplace, anywhere,

any way # Anytime, anyplace,

anywhere, any day-ay # Call me (call me), call me

for your lover's lover's alibi What a beautiful way

to end our show. We'll be back on Tuesday

night with 10cc, Stormzy But now, could I invite you, Clem,

to just start off counting in time and give a groove,

set that pulse for us, Thank you so much

to all of our guests.