Episode 5 Later... with Jools Holland


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Episode 5

Jools is joined by Ibibio Sound Machine, 10cc, New Orleans-based Benjamin Booker, Kentucky singer-songwriter Joan Shelley, Canadian duo Japandroids and singer-songwriter Sigrid.


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APPLAUSE.

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Welcome to another edition of the show.

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Legends, newies, people from all over the globe -

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we've got the lot!

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Please welcome now - 10cc!

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# Gimme your body.

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# Gimme your mind.

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# Open your heart.

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# Pull down your blind.

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# Gimme your love, gimme it all.

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# Gimme in the kitchen, gimme in the hall.

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# Art for art's sake.

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# Money for God's sake.

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# Art for art's sake.

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# Money for God's sake.

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# Gimme the readies.

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# Gimme the cash.

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# You give me a bullet.

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# Gimme a smash.

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# Gimme a silver, gimme a gold.

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# Make it a million for when I get old.

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# Art for art's sake.

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# Money for God's sake.

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# Art for art's sake.

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# Money for God's sake.

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# Money talks so listen to it.

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# Money talks to me.

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# Anyone can understand it.

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# Money can't be beat, oh no.

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# When you get down, down to the root.

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# Don't give a damn, don't give a hoot.

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# Still gotta keep makin' the loot.

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# Chauffeur driven.

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# Gotta make her quick as you can.

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# Give her lovin', make you a man.

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# Get her in the palm of your hand.

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# Bread from heaven.

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# Gimme a country.

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# Where I can be free.

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# I don't need no unions.

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# Burying me.

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# Keep me in exile the rest of my days.

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# Burn me in hell but as long as it pays.

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# Art for art's sake.

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# Money for God's sake.

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# Art for art's sake.

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# Money for God's sake.

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APPLAUSE.

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Thank you so much!

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10cc, Art For Art's Sake.

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Thank you to 10cc.

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First of all, I must say that unfortunately,

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as advertised, Stormzy is unwell so he couldn't be here.

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We've got somebody fantastic to replace him.

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But we do have artists from every five corners of the globe,

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ladies and gentlemen.

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We have from...

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All the way from Los Angeles, Benjamin Booker!

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APPLAUSE.

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The wonderful Benjamin Booker.

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We have, from Louisville, Kentucky, Joan Shelley!

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APPLAUSE.

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The camera is stuck over there so I'm going to come to you.

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We have, from London and Nigeria, stepping in at the last minute,

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we are delighted to have Ibibio Sound Machine!

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APPLAUSE.

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All over the globe.

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We are so pleased to have from Norway, Sigrid!

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APPLAUSE.

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But now, from Vancouver, let's big it up, please,

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for the Japandroids!

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APPLAUSE.

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# The future's under fire.

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# The past is gaining ground.

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# A continuous cold war between my home and my hometown.

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# I was destined to die dreaming.

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# When one day, my best friend.

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# With passion and pure provocation.

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# Summoned me and said.

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# You can't condemn your love.

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# To linger here and die.

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# Can't leave your dreams to chance.

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# Or to a spirit in the sky.

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# May your heart always be ardent.

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# Your conscience always clear.

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# And succumb to the city and surrender, baby.

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# I'll be waiting here.

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# And it got me all fired up.

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# To go far away.

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# And make some ears ring from the sound of my singing, baby.

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# Oh oh, oh oh.

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# And it got me all fired up.

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# To go far away.

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# And make some ears ring from the sound of my singing, baby.

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# Oh oh, oh oh.

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# So I left my home.

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# And all I had.

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# I used to be good but now I'm bad.

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# It was last call at my local.

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# And I stalled saying goodbye.

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# So the girl behind the bar came over.

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# And she took me aside.

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# She kissed me like a chorus, said give 'em hell for us.

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# And last drink of the night, last night in town.

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# Baby, this one is on the house.

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# And it got me all fired up.

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# To go far away.

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# And make some ears ring from the sound of my singing, baby.

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# Oh oh, oh oh.

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# And it got me all fired up.

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# To go far away.

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# And make some ears ring from the sound of my singing, baby.

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# Oh oh, oh oh.

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# So I left my home.

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# And all I had.

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# I used to be good but now I'm bad.

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# It was bedlam in my bed that night.

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# And like a silent scream.

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# My body broke out in a sweat.

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# From seeing you in dreams.

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# You called out to me.

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# I sang back to you.

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# And all I remember was it sounded, baby.

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# Like all hell breaking loose.

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# And it got me all fired up.

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# To go far away.

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# And make some ears ring from the sound of my singing, baby.

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# Oh oh, oh oh.

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# Fired up.

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# To go far away.

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# And make some ears ring from the sound of my singing, baby.

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# Oh oh, oh oh.

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# So I left my home.

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# And all I had.

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# I used to be good but now I'm bad.

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APPLAUSE.

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Thank you, Japandroids.

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Near To The Wild Heart Of Life.

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Their philosophy, their album and the song they just played for you.

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Now, we welcome into the studio some people that very kindly stepped

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in at the very last minute to join us because Stormzy couldn't be here.

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We're so pleased to have the wonderful West African

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sound of Ibibio Sound Machine.

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APPLAUSE.

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SHE SINGS IN IBIBIO.

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SHE SINGS IN IBIBIO.

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# Give me a reason.

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# Give me a reason.

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SHE SINGS IN IBIBIO.

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SHE SINGS IN IBIBIO.

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APPLAUSE.

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Ibibio Sound Machine.

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Give Me A Reason, from their Uyai album.

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Let's hear it for them, thank you!

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Thank you for coming in at the last moment, as well.

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So, now an artist, this is his second album.

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He came on the show a few years ago.

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He now has this new record.

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It is really great.

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It's got a beautiful feel, a beautiful band,

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it is Benjamin Booker!

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APPLAUSE.

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# Am I.

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# Am I.

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# Gonna be a witness?

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# Gonna be a witness?

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# Am I.

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# Am I.

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# Gonna be a witness?

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# Gonna be a witness?

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# Right now we could use a little pick-me-up.

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# Seems like the whole damn nation's trying to take us down.

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# When your brother's dying.

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# Mother's crying.

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# TV's lying.

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# All the reason's in the world don't mean ...

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to me now.

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# See we thought that we saw that he had a gun.

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# Thought that it looked like he started to run.

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# Thought that we saw that he had a gun.

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# Thought that it looked like he started to run.

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# Am I.

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# Am I.

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# Gonna be a witness?

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# Gonna be a witness?

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# Am I.

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# Am I.

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# Gonna be a witness?

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# Gonna be a witness?

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# Do you need another reason to get up.

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# See how fast they turn when you're looking up.

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# They say your dangerous.

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# Cancerous.

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# Not to trust.

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# Now everybody that's can get the...

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# See we thought that we saw that he had a gun.

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# Thought that it looked like he started to run.

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# Thought that we saw that he had a gun.

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# Thought that it looked like he started to run.

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# Am I.

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# Am I.

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# Gonna be a witness?

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# Gonna be a witness?

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# Am I.

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# Am I.

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# Gonna be a witness?

0:14:580:15:00

# Gonna be a witness?

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# Gonna be a witness?

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# Gonna be a witness?

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# Gonna be a witness?

0:15:170:15:19

# Am I?

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# Whoooo.

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APPLAUSE.

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Witness, from his album, Witness, Benjamin Booker!

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APPLAUSE.

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Now, a wonderful songwriter from Louisville, Kentucky,

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who we welcome into the studio.

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Please big it up for Joan Shelley!

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APPLAUSE.

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# I saw you there.

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# Beside the light post.

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# Your shoulders square.

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# Against the night's cold.

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# I blamed the wind and my legs shook.

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# But your eyes, that hungry look.

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# It shot through me.

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# Didn't you see?

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# And now I dream.

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# I dream of you and me.

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# Out in the fall.

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# Always the fall.

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# I see the ground we walked and played.

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# I see the place that holds the weight.

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# The size of you.

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# Well, what I do.

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# Tell me where to lie and I will.

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# Ship unto you sent, where I find you.

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# Tie me to the banks and hold me.

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# Safe from all the storms that fall behind me.

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# Out on the blank sea.

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# And take my hands.

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# My idle time.

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# Push them to plant, the forms defined.

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# That it was all we had to do.

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# Reach the highest limb for fruit.

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# That was for you.

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# Only for you.

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# Tell me where to land, I'll aim my ship until you send,

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where I'll find you.

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# Tie me to the banks and hold me.

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# Safe from all the storms that fall behind me.

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# Out on the blank sea.

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APPLAUSE.

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Joan Shelley, Where I'll Find You.

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Now we go into what is becoming Legends Corner,

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known as Legends Corner because it is a corner

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where legends are.

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And the legend here now is Graham Gouldman.

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Welcome, Graham.

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APPLAUSE.

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A lovely table we have got here.

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It is great to have you here on the show and some of the original

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members of 10cc and some new members as well.

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What is the current line-up?

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The current line-up is we have got Rick Fenn, who has been

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with the band since 1976.

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Paul Burgess, who has been with us since 1973,

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from when the original four of us went on the road.

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We have got Mick Wilson, who has been with us

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for a mere 20 years.

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New boy?

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And Keith Hayman, 12 years, very new boy.

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Bands that have been together for a long time or have played

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together often have huge rows and a love-hate relationship.

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It is that true with your band or how does it work?

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The band that exists today are really like a bunch of friends.

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And we get on really well.

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When we play, people come up to us all the time and say,

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you look like you are really enjoying yourselves.

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And the fact is, we really are.

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We love playing together.

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Is he your friend?

0:20:400:20:42

Yes?

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They all say yes!

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Just checking!

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Of course, you have written lots of songs for 10cc but also

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lots of songs for other people.

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Herman's Hermits, No Milk Today.

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The Hollies, Bus Stop.

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The Yardbirds, For Your Love.

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What is the favourite of your songs you have written?

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That is a tough one but I think I would have to say Bus Stop.

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I really like doing that.

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For me, as a songwriter, that was the nearest I got

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to what I was looking for.

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And what was it you were looking for?

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Just some sort of perfection that you can never really attain.

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There's always something.

0:21:140:21:15

But I love that song very much.

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And when you had written that song, did you think, right,

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I have got to get it to The Hollies or I have to get it to anybody?

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How did it work?

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I actually wrote it for The Hollies.

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Because they had already recorded a song of mine,

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Look Through Any Window, prior to that.

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And as it happens, I was playing in a band that was supporting

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The Hollies at Stoke Town Hall and they said, have

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you got any songs?

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I said, yes, I have just written one.

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And we went to the quietest and smallest room in the building

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and I played it to them and they said it's great,

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make a demo and we'll record it.

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I think within about three weeks, they had recorded it.

0:21:490:21:51

Now, we have a clip in a moment of Rubber Bullets,

0:21:510:21:54

which is 10cc in concert in 1974.

0:21:540:21:57

What inspired that song?

0:21:570:21:59

Well, this song was originally...

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The original idea came from Kevin and Lol.

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I sort of joined in at the end of it and wrote the middle part.

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It was really films like Angels With Dirty Faces,

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those Jimmy Cagney films, with the padre and the priest

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looking after the prisoners.

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And it was an absolutely brilliant song, I think.

0:22:180:22:21

We have a little bit, if we can take you down the time tunnel,

0:22:210:22:25

out of Legends Corner, down the time tunnel.

0:22:250:22:27

And here we go...

0:22:270:22:28

# Well, the band were playing.

0:22:280:22:29

# And the booze began to flow.

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# But the sound came over on the police car radio.

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# Down at Precinct forty-nine.

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# Having a tear-gas of a time.

0:22:420:22:45

# Sergeant Baker got a call from the governor

0:22:450:22:47

of the county jail.

0:22:470:22:51

# Load up, load up, load up with rubber bullets.

0:22:510:22:57

# Load up, load up, load up with rubber bullets.

0:22:570:23:03

# I love to hear those convicts squeal.

0:23:030:23:06

# It's a shame these slugs ain't real.

0:23:060:23:09

# But we can't have dancin' at the local county jail.

0:23:090:23:15

APPLAUSE.

0:23:150:23:17

Nice.

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Two drummers.

0:23:180:23:19

Yes, you have to have two!

0:23:190:23:22

Bookends as drummers, drummer at either end, there.

0:23:220:23:24

That was 1974.

0:23:240:23:26

In music and in the world, what do you think was

0:23:260:23:29

better and worse in 1974?

0:23:290:23:33

I think the music was great in 1974.

0:23:330:23:35

For me, the '60s were where my roots came from.

0:23:350:23:40

And I think there was a lot of prog rock towards the end of it.

0:23:400:23:44

I didn't really care for that too much.

0:23:440:23:48

But I think the '70s as a decade was a great music decade.

0:23:480:23:53

Yeah.

0:23:530:23:54

Finally, and I would just like to get this straight

0:23:540:23:57

because has been a lot of conjecture over the years in the newspapers

0:23:570:24:00

about the meaning behind the name of 10cc.

0:24:000:24:04

For once and for all, where does the name come from?

0:24:040:24:07

What does it mean?

0:24:070:24:09

I will tell you the truth.

0:24:090:24:10

The name 10cc was thought up by Jonathan King,

0:24:100:24:14

who ran our first record label, UK Records.

0:24:140:24:17

He came up to our studio, we were born in the studio,

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we had not been on the road, we weren't a real band.

0:24:210:24:24

He said, have you got a name?

0:24:240:24:25

We said, no.

0:24:250:24:26

He said, I had a dream last night I was standing in front

0:24:260:24:29

of the Hammersmith Apollo and on the hoarding it said 10cc -

0:24:290:24:32

the best band in the world.

0:24:320:24:34

And we said, that'll do!

0:24:340:24:38

We didn't really stress it!

0:24:380:24:39

OK.

0:24:390:24:40

So nothing lewd, really?

0:24:400:24:42

I think you are referring to the fact that the average

0:24:420:24:45

male ejaculation is 9cc?

0:24:450:24:47

That's the bit I was trying to get to!

0:24:470:24:49

That's the one!

0:24:490:24:51

Well, we use that because it's shorter and more interesting.

0:24:510:24:53

Yes, that was what I was trying to get to the bottom of.

0:24:530:24:56

Thank you so much for joining us!

0:24:560:24:58

Graham Gouldman of 10cc.

0:24:580:24:59

If I see a bit of innuendo in that script, I whip it out immediately!

0:24:590:25:02

So, now, over in this corner, please welcome Japandroids!

0:25:020:25:07

# Born to marry the bottle in a ceremony that lasts forever.

0:25:170:25:23

# And cursed to carry on a bus and all alone.

0:25:230:25:27

# Weak and weary on the run and on the road.

0:25:270:25:31

# But if you'll hide me and heal me in your.

0:25:310:25:34

# Sanctuary, I'll stay forever so.

0:25:340:25:38

# Leave the light on, I'll leave the bottle to its own.

0:25:380:25:41

# So many miles.

0:25:410:25:46

# So much to lose.

0:25:460:25:50

# A devil by my side.

0:25:500:25:53

# And right between us two.

0:25:530:25:58

# And I pray those yellow lines on the I5.

0:25:580:26:05

# Bring me back home to you.

0:26:050:26:08

# Bring me back home to you.

0:26:080:26:12

# Back home to you.

0:26:120:26:15

# Born to marry the bottle in a ceremony that lasts forever and.

0:26:220:26:28

# Cursed to carry on a bus and all alone.

0:26:280:26:32

# Weak and weary on the run and on the road.

0:26:320:26:36

# But if you'll hide me and heal me in your.

0:26:360:26:39

# Sanctuary, I'll stay forever so.

0:26:390:26:43

# Leave the light on, I'll leave the bottle to its own.

0:26:430:26:48

# So many miles.

0:26:490:26:52

# So much to lose.

0:26:520:26:55

# A devil by my side.

0:26:550:26:58

# And right between us two.

0:26:580:27:03

# And I pray those yellow lines on the I5.

0:27:030:27:09

# Bring me back home to you.

0:27:090:27:12

# Bring me back home to you.

0:27:120:27:16

# Back home to you.

0:27:160:27:20

# So many miles.

0:28:060:28:09

# So much to lose.

0:28:090:28:13

# A devil by my side.

0:28:130:28:16

# And right between us two.

0:28:160:28:20

# And I pray those yellow lines on the I5.

0:28:200:28:26

# Bring me back home to you.

0:28:260:28:29

# Bring me back home to you.

0:28:290:28:33

# Back home to you.

0:28:330:28:35

# Back home to you.

0:28:360:28:37

# Back home to you.

0:28:370:28:39

# Back home to you.

0:28:390:28:41

# Back home to you.

0:28:410:28:42

# Back home to you.

0:28:420:28:44

# Bring me back home to you.

0:28:440:28:45

# Back home to you.

0:28:450:28:47

# Back home to you.

0:28:470:28:51

APPLAUSE.

0:28:510:29:01

# I'm not in love.

0:29:470:29:51

# So don't forget it.

0:29:510:29:56

# It's just a silly phase.

0:29:560:29:57

# I'm going through.

0:29:570:30:03

# And just because.

0:30:030:30:05

# I call you up.

0:30:050:30:10

# Don't get me wrong.

0:30:100:30:13

# Don't think you've got it made.

0:30:130:30:17

# I'm not in love.

0:30:170:30:19

# No, no.

0:30:190:30:21

# It's because...

0:30:210:30:25

# I like to see you.

0:30:250:30:29

# But then again.

0:30:290:30:30

# That doesn't mean.

0:30:300:30:34

# You mean that much to me.

0:30:340:30:36

# So if I call you.

0:30:360:30:37

# Don't make a fuss.

0:30:370:30:46

# Don't tell your friends.

0:30:460:30:51

# About the two of us.

0:30:510:30:55

# I'm not in love.

0:30:550:31:01

# No, no.

0:31:010:31:02

# It's because...

0:31:020:31:06

# Ooh, you'll wait a long time for me.

0:31:060:31:12

# Ooh, you'll wait a long time.

0:31:120:31:19

# Ooh, you'll wait a long time for me.

0:31:190:31:27

# Ooh, you'll wait a long time.

0:31:270:31:37

# I keep your picture.

0:31:370:31:38

# Upon the wall.

0:31:380:31:41

# It hides a nasty stain.

0:31:410:31:44

# That's lying there.

0:31:440:31:48

# So don't you ask me.

0:31:480:31:52

# To give it back.

0:31:520:31:55

# I know you know.

0:31:550:31:57

# It doesn't mean that much to me.

0:31:570:32:02

# I'm not in love.

0:32:020:32:11

# Aah, aah.

0:32:280:32:38

# Aah, aah.

0:32:500:32:51

# Ooh, baby.

0:32:510:32:57

# I'm not in love, I'm not in love.

0:32:570:33:06

# Yeah, yeah.

0:33:060:33:23

CHEERING AND APPLAUSE.

0:33:230:33:27

Great song.

0:33:310:33:32

Originally released in 1975, 10CC.

0:33:320:33:37

Before that, Japandroids!

0:33:370:33:41

And now, let's welcome an artist whose song is a

0:33:410:33:45

big hit all over the world.

0:33:450:33:48

She is from Bergen in Norway and she is

0:33:480:33:50

going to do an acoustic version of the song

0:33:500:33:52

you might have been hearing on the

0:33:520:33:54

radio.

0:33:540:33:55

Please welcome, Sigrid.

0:33:550:33:56

CHEERING AND APPLAUSE.

0:33:560:34:03

# You shut me down, you like the control.

0:34:150:34:22

# You speak to me like I'm a child.

0:34:220:34:29

# Try to hold it down, I know the answer.

0:34:290:34:35

# I can't shake it off and you feel threatened by me.

0:34:350:34:41

# I tried to play it nice but.

0:34:410:34:43

# Oh-oh-oh, ooh, ooh.

0:34:430:34:46

# Don't kill my vibe.

0:34:460:34:50

# Oh-oh-oh, ooh, ooh.

0:34:500:34:53

# Don't break my stride.

0:34:530:34:56

# You think you're so important to me, don't you?

0:34:560:35:00

# But I wanted you to know that you don't belong here.

0:35:000:35:03

# You think you're so important to me, don't you?

0:35:030:35:06

# Don't kill my vibe.

0:35:060:35:10

# You love to tear me down, you pick me apart.

0:35:100:35:17

# Then build me up like I depend on you.

0:35:170:35:23

# But I throw myself from heights that used to scare me.

0:35:230:35:31

# Guess you're surprised I'm the puzzle you can't figure out.

0:35:310:35:36

# I tried to play it nice but.

0:35:360:35:38

# Oh-oh-oh, ooh, ooh.

0:35:380:35:40

# Don't kill my vibe.

0:35:400:35:44

# Oh-oh-oh, ooh, ooh.

0:35:440:35:47

# Don't break my stride.

0:35:470:35:50

# I tried to play it nice but.

0:35:500:35:52

# You think you're so important to me, don't you?

0:35:520:35:54

# But I wanted you to know that you don't belong here.

0:35:540:35:57

# You think you're so important to me, don't you?

0:35:570:36:00

# Don't kill my vibe.

0:36:000:36:04

# Say I'm young, I don't care, I won't quit, no, no, no, ho.

0:36:040:36:20

# You're acting like you hurt me but I'm not even listening.

0:36:200:36:23

# Hey, no-ooh-ooh-ooh.

0:36:230:36:24

# You're acting like you hurt me but I'm not even listening.

0:36:240:36:28

# Don't kill.

0:36:280:36:29

# Don't kill my vibe.

0:36:290:36:39

# Don't kill my vibe.

0:36:400:36:47

# I tried to play it nice but.

0:36:470:36:49

# Oh-oh-oh, ooh, ooh.

0:36:490:36:50

# Don't kill my vibe.

0:36:500:36:51

# Oh-oh-oh, ooh, ooh.

0:36:510:36:54

# Don't break my stride.

0:36:540:36:56

# I tried to play it nice but.

0:36:560:36:59

# You think you're so important to me, don't you?

0:36:590:37:01

# But I wanted you to know that you don't belong here.

0:37:010:37:04

# You think you're so important to me, don't you?

0:37:040:37:07

# Don't kill my vibe.

0:37:070:37:12

CHEERING AND APPLAUSE.

0:37:120:37:16

Thank you so much, Sigrid!

0:37:190:37:21

Don't Kill My Vibe and her album is coming

0:37:210:37:23

this year and we look forward to hearing that,

0:37:230:37:25

exquisite and unusual sound.

0:37:250:37:31

Now we go back into this corner and enjoy the sensational

0:37:310:37:33

Benjamin Booker!

0:37:330:37:34

CHEERING AND APPLAUSE.

0:37:340:37:42

# Somehow I'm so selfish, on my own.

0:38:200:38:24

# I'll be damned if I don't get what I want.

0:38:240:38:30

# Take it now while I have the chance.

0:38:300:38:35

# Right now, I can only think for one.

0:38:350:38:42

# It's right on you, right on you, right on you.

0:38:420:38:44

# It's right on you, yeah, it's right on you.

0:38:440:38:47

# Yeah, it's right on you.

0:38:470:38:54

# Block those keys order G

0:38:540:38:57

# It's like everything I touch is gold.

0:38:570:39:04

# I'll be fine, stop by, 25.

0:39:040:39:09

# They say kids these days will live forever.

0:39:090:39:16

# It's right on you, right on you, right on you.

0:39:160:39:18

# It's right on you, yeah, it's right on you.

0:39:180:39:21

# Yeah, it's right on you.

0:39:210:39:28

# Death is hard to im-, is hard to im-.

0:39:280:39:32

# Is hard to imagine.

0:39:320:39:38

# Death is hard to im-, is hard to im-.

0:39:380:39:43

# Is hard to imagine.

0:39:430:39:50

# It's right on you, right on you, right on you.

0:39:500:39:52

# It's right on you, yeah, it's right on you.

0:39:520:39:56

# Yeah, it's right on you.

0:39:560:39:59

CHEERING AND APPLAUSE.

0:39:590:40:08

# Her ode to love.

0:40:240:40:27

# Who rules your mind today.

0:40:270:40:36

# What words hold you in their sway?

0:40:380:40:40

# As you move your body like.

0:40:400:40:41

# A puppet on its lines.

0:40:410:40:46

# Too easy to see influence.

0:40:460:40:53

# Rest up, lady.

0:40:530:40:56

# Lay back now.

0:40:560:41:02

# Here the hands, here the mouth.

0:41:020:41:06

# If you were made for me.

0:41:060:41:19

# We'd be home.

0:41:190:41:29

# See the morning light.

0:41:390:41:42

# Gentle as it tries.

0:41:420:41:45

# To make you new every morning.

0:41:450:41:54

# But if there is a light and stronger tools provided.

0:41:540:42:01

# To fire and water throw you.

0:42:010:42:09

# Rest up, lady.

0:42:090:42:13

# Lay back now.

0:42:130:42:16

# Here the hands, here the mouth.

0:42:160:42:22

# If you were made for me.

0:42:220:42:34

# Then we'd be home.

0:42:340:42:43

CHEERING AND APPLAUSE.

0:42:480:42:50

Sweet song.

0:42:570:43:00

We'd Be Home.

0:43:000:43:01

Joan Shelley!

0:43:010:43:02

CHEERING AND APPLAUSE.

0:43:020:43:05

Before that we enjoyed Benjamin Booker.

0:43:050:43:09

Now I think we will change the vibrations

0:43:090:43:11

once again.

0:43:110:43:11

Are you ready for a different vibration?

0:43:110:43:13

AUDIENCE: YES!

0:43:130:43:14

Do you think that the people at home are ready

0:43:140:43:16

for a different vibration?

0:43:160:43:18

AUDIENCE: YES!

0:43:180:43:19

It could be you, couldn't it?

0:43:190:43:20

Let's change the vibration and make another

0:43:200:43:22

wonderful sound appear which is, we welcome Ibibio Sound Machine!

0:43:220:43:25

CHEERING AND APPLAUSE.

0:43:250:43:28

SHE SINGS IN IBIBIO.

0:43:460:43:53

# She looked at the open door.

0:44:010:44:03

# Staring at the floor.

0:44:030:44:05

# Heartbeat going so fast.

0:44:050:44:10

# Land of confusion.

0:44:100:44:11

# She got free at last.

0:44:110:44:13

# Free at last to run.

0:44:130:44:14

# Behind she don't know.

0:44:140:44:20

SHE SINGS IN IBIBIO.

0:44:200:44:26

# She's free to run.

0:44:350:44:36

# Run and make a new start.

0:44:360:44:38

# Should she go or should she stay?

0:44:380:44:40

# In these walls she knows.

0:44:400:44:42

# Behind she don't know.

0:44:420:44:50

SHE SINGS IN IBIBIO.

0:44:500:44:55

SHE SINGS IN IBIBIO.

0:45:390:45:44

SHE RAPS IN IBIBIO.

0:46:060:46:14

# Hey, hey, hey!

0:46:500:47:12

SHE RAPS IN IBIBIO.

0:47:120:47:16

CHEERING AND APPLAUSE.

0:47:240:47:32

Marvellous.

0:47:320:47:36

Ibibio Sound Machine!

0:47:360:47:41

From the Uyai record.

0:47:410:47:42

Uyai!

0:47:420:47:49

I can see somebody's mum doing a bit of rapping there.

0:47:490:47:51

So now, let's change the vibrations, because we can.

0:47:510:47:54

It's Japandroids!

0:47:540:47:57

# Flesh is foreign, friends are far.

0:48:020:48:08

# Decks run deep, sleep is minced or marred.

0:48:080:48:12

# And it's all out war for the soul between.

0:48:120:48:18

# Dreams that are hungry and the fears that feed.

0:48:180:48:23

# But I'll carry it, by chariot, through blood and blows.

0:48:230:48:29

# Under starless skies of fire, into great unknown.

0:48:290:48:38

# Living on the lam and the frontier of.

0:48:380:48:40

# A free life of free will for the thrill of your love.

0:48:400:48:46

# Spill your secrets and paint my days.

0:49:040:49:08

# Passion is your palette, your canvases cafes.

0:49:080:49:14

# And null my nights in the harbour and hell.

0:49:140:49:18

# Of the cantina's counsel and meals of mezcal.

0:49:180:49:23

# Plans to settle down.

0:49:230:49:25

# Plans to up and split.

0:49:250:49:28

# Plans loose as the morals we are planning with.

0:49:280:49:33

# Baby be the beast, but free what burdens be.

0:49:330:49:38

# And I'll love you if you love me.

0:49:380:49:44

# All life long, 'til I'm gone.

0:49:450:50:00

# Cigarettes, sorcery, and biblical sins.

0:50:040:50:08

# Hangovers, heathens, harlots, and anti-heroines.

0:50:080:50:13

# The cabarets, the getaways, and the afterglow.

0:50:130:50:18

# A little money and whatever's on the radio.

0:50:180:50:23

# Plans to settle down.

0:50:230:50:25

# Plans to up and split.

0:50:250:50:28

# Plans loose as the morals we are planning with.

0:50:280:50:32

# Baby be the beast, but free what burdens be.

0:50:320:50:37

# And I'll love you if you love me.

0:50:370:50:45

# All life long, 'til I'm gone.

0:50:450:51:04

# All life.

0:51:040:51:23

# All life long, 'til I'm gone.

0:51:230:51:38

CHEERING AND APPLAUSE.

0:51:380:51:44

# Happiness, haven't we been through this?

0:52:030:52:07

# Tell you that I love you.

0:52:070:52:10

# Just try smiling.

0:52:100:52:14

# Some people take advantage.

0:52:140:52:18

# But I know, sometimes you don't mind.

0:52:180:52:25

# Freshen up, I see her in the party.

0:52:250:52:27

# Just stay a little longer, at least try and smile.

0:52:270:52:34

# The perk of getting older.

0:52:340:52:37

# Is learning to ignore the way we feel.

0:52:370:52:43

# And that's hardly working, hardly working, hardly working.

0:52:430:52:50

# Out.

0:52:500:52:53

# And it's been hardly working.

0:52:530:52:55

# Hardly working.

0:52:550:52:58

# Hardly working out.

0:52:580:53:06

# I know you give me all the things in life that I may never have had.

0:53:110:53:15

# I know it's supposed to mean something.

0:53:150:53:17

# Maybe I should just be glad.

0:53:170:53:20

# But now I'm hearing voices.

0:53:200:53:22

# Now I'm hearing voices.

0:53:220:53:26

# You have got to get out now.

0:53:260:53:36

# A new assurance brings a confidence I never had.

0:53:360:53:40

# Now I'm making choices.

0:53:400:53:52

# That I hardly knew.

0:53:520:53:56

# Hallelujah.

0:53:570:54:03

# We're off the ground.

0:54:030:54:05

# Hallelujah.

0:54:050:54:08

# We're off the ground.

0:54:080:54:09

# We're are all just lost in pieces.

0:54:090:54:11

# Don't you worry.

0:54:110:54:12

# Just remember.

0:54:120:54:14

# I was almost gone.

0:54:140:54:21

CHEERING AND APPLAUSE.

0:54:240:54:25

The talent that is Benjamin Booker with his Off The Ground.

0:54:320:54:34

From his Witness LP, before that, Japandroids!

0:54:340:54:40

Can I just point out?

0:54:400:54:41

Those whole set of amplifiers are just for him and quite rightly so

0:54:410:54:45

and that is what gives them their power.

0:54:450:54:48

But now we go into this corner, welcome back, the legendary

0:54:480:54:50

10CC!

0:54:500:54:51

CHEERING AND APPLAUSE.

0:54:510:55:01

# Do the Wall Street shuffle.

0:55:050:55:08

# Hear the money rustle.

0:55:080:55:13

# Watch the greenbacks tumble.

0:55:130:55:18

# Feel the sterling crumble.

0:55:180:55:23

# You need a yen to make a mark.

0:55:230:55:26

# If you want to make money.

0:55:260:55:28

# You need the luck to make a buck.

0:55:280:55:31

# If you want to be Getty, Rothschild.

0:55:310:55:36

# You've gotta be cool on Wall Street.

0:55:360:55:40

# When your index is low.

0:55:400:55:41

# Dow Jones ain't got time for the bums.

0:55:410:55:46

# They wind up on skid row with holes in their pockets.

0:55:460:55:50

# They plead with you, buddy can you spare the dime.

0:55:500:55:53

# But you ain't got the time.

0:55:530:55:55

# Doin' the.

0:55:550:56:07

# Oh, Howard Hughes.

0:56:070:56:12

# Did your money make you better?

0:56:120:56:16

# Are you waiting for the hour.

0:56:160:56:18

# When you can screw me?

0:56:180:56:22

# 'Cause you're big enough.

0:56:220:56:23

# To do the Wall Street Shuffle.

0:56:230:56:28

# Let your money hustle.

0:56:280:56:33

# Bet you'd sell your mother.

0:56:330:56:38

# You can buy another.

0:56:380:56:47

# Doin' the.

0:57:250:57:35

# You buy and sell.

0:57:350:57:36

# You wheel and deal.

0:57:360:57:37

# But you're living on instinct.

0:57:370:57:39

# You get a tip.

0:57:390:57:40

# You follow it.

0:57:400:57:42

# And you make a big killing.

0:57:420:57:48

# On Wall Street.

0:57:480:57:58

CHEERING AND APPLAUSE.

0:58:560:59:00

Thank you, 10CC.

0:59:000:59:02

Wall Street Shuffle.

0:59:020:59:03

You can discover more about all the different people we

0:59:030:59:05

have if you go to our website.

0:59:050:59:07

We will be back on Tuesday at ten o'clock, live with Paul Weller, and

0:59:070:59:11

much more, but let's end with a little bit of a groove that

0:59:110:59:14

maybe could involve everyone in the room

0:59:140:59:16

and perhaps you as well.

0:59:160:59:18

I suggest at this moment that you turn your

0:59:180:59:20

television up just a little bit and get a percussive instrument ready.

0:59:200:59:24

It might just be a teaspoon on the edge of a cup of coffee,

0:59:240:59:27

but could you give us that the groove, please?

0:59:270:59:28

We are in the key of E if you are at home.

0:59:290:59:31

Give me the microphone here, please.

0:59:440:59:50

# Yeah, yeah.

0:59:500:59:52

AUDIENCE: # YEAH, YEAH.

0:59:521:00:00

Keep going.

1:00:001:00:00

Thank you to all our guests.

1:00:001:00:04

Benjamin Booker!

1:00:041:00:07

Joan Shelley.

1:00:071:00:13

Japandroids.

1:00:131:00:15

Dazzling.

1:00:151:00:20

Sigrid!

1:00:201:00:24

We love Ibibio Sound Machine.

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I hope you have got something going at home.

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Thank you, 10CC!

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Get ready to turn it.

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One, two, one, two, three and...

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Joining Jools on this week's show are Ibibio Sound Machine. Fronted by London-born Nigerian singer Eno Williams, the band mix African and electronic elements inspired by the golden era of West African funk and disco. They perform a couple of songs from their second LP Uyai.

Known in the late 70s for their array of chart-topping singles including I'm Not in Love and Dreadlock Holiday, English art-rock band 10cc make their debut on the show. Led by founding member Graham Gouldman - known in his own right as a songwriter of great standing since the 60s - together with two members that have been around on and off since the late 70s in drummer Paul Burgess and guitarist Rick Fenn.

Returning to the show is New Orleans-based musician Benjamin Booker, who is on the verge of releasing his second album Witness, which sees him digging deep into his passion for eccentric soul, R&B and blues, while never straying too far from the garage-punk intensity of his self-titled 2014 debut. Two more debuts on the show arrive courtesy of singer-songwriter Joan Shelley from Louisville, Kentucky, who has just released her fifth and self-titled album of poetic folk minimalism, the first on which she has worked with a producer, namely Wilco's Jeff Tweedy. The other debut comes from Canadian duo Japandroids, who are Brian King on guitar/vocals and David Prowse on drums/vocals. The duo, who hail from Vancouver, British Columbia, have a sound that has been described as 'one part classic rock, one part punk'. They perform a track or two from their third album Near to the Wild Heart of Life.

There is also a performance from Sigrid, a Norwegian singer-songwriter who has lit up the internet everywhere over the last few months with her debut single and potential anthem for all Don't Kill My Vibe.